Mathurā-khaṇḍa · Chapter 22
Sourceश्रीभगवानुवाच - कस्मै देयमिदं गुह्यं रागरूपं मनोहरम् । बुद्ध्या विचारयन्नित्थं गंधर्वनगरं ययौ ॥ १ ॥ तुंबरुं नाम गंधर्वं कृत्वा शिष्यं स नारदः । कलं जगौ मद्गुणांश्च वीणावाद्यपरायणः ॥ २ ॥ केषामग्रे गेयमिदं रागरूपं मनोहरम् । श्रोतुं पात्रं विचिन्वन्स नारदः शक्रमाययौ ॥ ३ ॥ अनिर्वृतं च तं दृष्ट्वा नारदो मुनिसत्तमः । सख्या तुम्बुरुणा सार्द्धं सूर्यलोकं जगाम ह ॥ ४ ॥ रथेन तं प्रधावंतं सूर्यं वीक्ष्य महामुनिः । शिवपार्श्वं जगामाशु ततो देवर्षिसत्तमः ॥ ५ ॥ भूतेशं ज्ञानतत्वज्ञं ध्यानस्तिमितलोचनम् । वीक्ष्य तं नारदो राधे ब्रह्मलोकं जगाम ह ॥ ६ ॥ सृजंतं सृष्टिरचनां व्यग्रं वीक्ष्य विधिं मुनिः । वैकुंठं प्रययौ विष्णोः सर्वलोकनमस्कृतम् ॥ ७ ॥ भक्तार्थं कुत्र गच्छंतं भक्तेशं भक्तवत्सलम् । वीक्ष्य तुंबुरुणा सार्द्धं योगींद्रः प्रययौ ततः ॥ ८ ॥ योगीश्वराणां हि सतां त्रिलोक्यामंतरं बहिः । गतिमाहुर्नाप्नुवंति कर्मभिर्वृषभानुजे ॥ ९ ॥ कोटिशो ह्यंडनिचयान् समुल्लंघ्य मुनीश्वरः । गोलोकं परमं धाम प्रययौ प्रकृतेः परम् ॥ १० ॥ समुत्तीर्याशु विरजां नदीं कल्लोलशालिनीम् । ययौ वृन्दावनं रम्यं भ्रमरध्वनिसंकुलम् ॥ ११ ॥ सदा वसंतर्तुयुतं मरुतैजल्लतागृहम् । दृष्ट्वा गोवर्धनं शैलं मन्निकुंजं समाययौ ॥ १२ ॥ कौ युवां कुत आयातौ किं कार्यं वदतं च नः । इत्थं सखीभिः संपृष्टौ ऊचतुर्मुनितुम्बुरू ॥ १३ ॥ गायकौ कुशलौ रामा आवां वीणाकलध्वनिम् । परिपूर्णतमं साक्षाच्छ्रीकृष्णं राधिकापतिम् ॥ १४ ॥ कलं परं श्रावयितुमागतौ बंदिनां वरौ । कथनीयमिदं वाक्यं श्रीकृष्णय महात्मने ॥ १५ ॥ श्रुत्वा सख्यस्तथा मह्यं निवेद्याथ मदाज्ञया । आगत्याज्ञां ददुर्यातुं बंदिभ्यां श्लक्ष्णया गिरा ॥ १६ ॥ मन्निकुंजांगणे भ्राजत्कोट्यर्कज्योतिराकुले । खचित्कौस्तुभरत्नाढ्ये प्रचलच्चारुचामरे ॥ १७ ॥ लोलमुक्ताफलच्छत्रे सखीकोटिसमन्विते । महापद्मस्थितं साक्षात्त्वया मां तावपश्यताम् ॥ १८ ॥ नत्वा प्रदक्षिणीकृत्य तत्र स्थित्वा मदाज्ञया । स्तुत्वा मां मद्गुणान्वक्तुं तेनासावुपचक्रमे ॥ १९ ॥ आतोद्यं विनुदन्वीणां देवदत्तां स्वरामृतम् । कलं जगावद्वितीयं नारदः सहतुम्बुरू ॥ २० ॥ संतुष्टोऽहं शिरो धुन्वन् तेन श्लाघ्यं च तत्स्वरम् । दत्वाऽऽत्मानं प्रेमपरो जलत्वं गतवानहम् ॥ २१ ॥ यज्जलं मद्वपुर्जातं तद्वै ब्रह्मद्रवं विदुः । कोटिशः कोटिशोऽण्डानां राशयः संलुठंति हि ॥ २२ ॥ इंद्रायणफलानीवान् अन्ते तस्मिञ्जले शुभे । पृश्निगर्भमिदं राधे ब्रह्मांडं मत्पदं स्फुटम् ॥ २३ ॥ भित्वा तच्चागतं साक्षादस्मिन्मन्वंतरे शुभे । तत्स्वर्धुनीं विदुः पूर्वे श्रीगंगां पापहारिणीम् ॥ २४ ॥ दिवि मंदकिनी प्रोक्ता गंगा भागीरथी क्षितौ । अधो भोगवती प्रोक्ता त्रिधा त्रिपथगामिनी ॥ २५ ॥ यत्स्नातुं गच्छतः पुंसः प्रणतस्य पदे पदे । राजसूयाश्वमेधानां फलमस्ति न दुर्लभम् ॥ २६ ॥ गंगा गंगेति यो ब्रूयाद्योजनानां शतैरपि । मुच्यते सर्वपापेभ्यो विष्णुलोकं स गच्छति ॥ २७ ॥ दृष्ट्वा जन्मशतं पापं पीत्वा जन्मशतद्वयम् । स्नात्वा जन्मसहस्राणां हंति गंगा कलौ युगे ॥ २८ ॥ सफलं जन्म वै तेषां ये पश्यंति हि जाह्नवीम् । वृथा जन्म गतं तेषां ये न पश्यंति जाह्नवीम् ॥ २९ ॥ यथा हि द्रवतां प्राप्ता विरजा त्वद्भयाद्यथा । प्रापुर्द्रवत्वं रंभोरु विरजायाः सुता यथा ॥ ३० ॥ यथा कृष्णा नदी विष्णुर्वेणी देवः शिवो यथा । ब्रह्मा ककुद्मिनी गंगा गंडकी च यथाऽप्सराः ॥ ३१ ॥ तथा द्रवत्वं संप्राप्त ऋभुर्नामाप्ययं मुनिः । प्रेमलक्षणया भक्त्या ऋभोर्वा नात्र संशयः ॥ ३२ ॥ यः शृणोति कथामेतां पवित्रां पापहारिणीम् । उल्लंघ्य सर्वलोकांश्च मल्लोकं याति मानवः ॥ ३३ ॥ श्रीनारद उवाच - एवमुक्त्वा प्रियां राधामृभोराश्रमतो हरिः । राधया सहितो राजन् आययौ मालतीवनम् ॥ ३४ ॥ गोपीनां विरहं ज्ञात्वा भगवान्भक्तवत्सलः । राधया प्रययौ कृष्णः पुलिनं मंगलायनम् ॥ ३५ ॥ तदा गोपीगणाः सर्वे गतमाना गतव्यथाः । जगृहुस्तं घनश्यामं सौदामिन्यो घनं यथा ॥ ३६ ॥ वृंदावने हरिः साक्षात्कृष्णातीरे मनोहरे । जगौ कलं गोपिकाभिः वंशीवादनतत्परः ॥ ३७ ॥ भगवत्कलरागेण मूर्छिता गोपकन्यकाः । नद्यो वेगत्वरहिता अचरत्वं हि पक्षिणः ॥ ३८ ॥ मौनत्वं देवताः सर्वाः स्तंभत्वं देवनायकाः । सजलत्वं च तरवो निद्रात्वं प्रगतं जगत् ॥ ३९ ॥ कृत्वा रासं राधिकाया गोपीनां च मनोरथम् । ब्राह्मे मुहूर्ते भगवानाययौ नंदमंदिरम् ॥ ४० ॥ राधिका गोपिकाभिश्च प्राप्ताऽऽनंदमनोरथा । वृषभानुवरस्यापि सुंदरं मंदिरं ययौ ॥ ४१ ॥
śrībhagavānuvāca - kasmai deyamidaṃ guhyaṃ rāgarūpaṃ manoharam | buddhyā vicārayannitthaṃ gaṃdharvanagaraṃ yayau || 1 || tuṃbaruṃ nāma gaṃdharvaṃ kṛtvā śiṣyaṃ sa nāradaḥ | kalaṃ jagau madguṇāṃśca vīṇāvādyaparāyaṇaḥ || 2 || keṣāmagre geyamidaṃ rāgarūpaṃ manoharam | śrotuṃ pātraṃ vicinvansa nāradaḥ śakramāyayau || 3 || anirvṛtaṃ ca taṃ dṛṣṭvā nārado munisattamaḥ | sakhyā tumburuṇā sārddhaṃ sūryalokaṃ jagāma ha || 4 || rathena taṃ pradhāvaṃtaṃ sūryaṃ vīkṣya mahāmuniḥ | śivapārśvaṃ jagāmāśu tato devarṣisattamaḥ || 5 || bhūteśaṃ jñānatatvajñaṃ dhyānastimitalocanam | vīkṣya taṃ nārado rādhe brahmalokaṃ jagāma ha || 6 || sṛjaṃtaṃ sṛṣṭiracanāṃ vyagraṃ vīkṣya vidhiṃ muniḥ | vaikuṃṭhaṃ prayayau viṣṇoḥ sarvalokanamaskṛtam || 7 || bhaktārthaṃ kutra gacchaṃtaṃ bhakteśaṃ bhaktavatsalam | vīkṣya tuṃburuṇā sārddhaṃ yogīṃdraḥ prayayau tataḥ || 8 || yogīśvarāṇāṃ hi satāṃ trilokyāmaṃtaraṃ bahiḥ | gatimāhurnāpnuvaṃti karmabhirvṛṣabhānuje || 9 || koṭiśo hyaṃḍanicayān samullaṃghya munīśvaraḥ | golokaṃ paramaṃ dhāma prayayau prakṛteḥ param || 10 || samuttīryāśu virajāṃ nadīṃ kallolaśālinīm | yayau vṛndāvanaṃ ramyaṃ bhramaradhvanisaṃkulam || 11 || sadā vasaṃtartuyutaṃ marutaijallatāgṛham | dṛṣṭvā govardhanaṃ śailaṃ mannikuṃjaṃ samāyayau || 12 || kau yuvāṃ kuta āyātau kiṃ kāryaṃ vadataṃ ca naḥ | itthaṃ sakhībhiḥ saṃpṛṣṭau ūcaturmunitumburū || 13 || gāyakau kuśalau rāmā āvāṃ vīṇākaladhvanim | paripūrṇatamaṃ sākṣācchrīkṛṣṇaṃ rādhikāpatim || 14 || kalaṃ paraṃ śrāvayitumāgatau baṃdināṃ varau | kathanīyamidaṃ vākyaṃ śrīkṛṣṇaya mahātmane || 15 || śrutvā sakhyastathā mahyaṃ nivedyātha madājñayā | āgatyājñāṃ daduryātuṃ baṃdibhyāṃ ślakṣṇayā girā || 16 || mannikuṃjāṃgaṇe bhrājatkoṭyarkajyotirākule | khacitkaustubharatnāḍhye pracalaccārucāmare || 17 || lolamuktāphalacchatre sakhīkoṭisamanvite | mahāpadmasthitaṃ sākṣāttvayā māṃ tāvapaśyatām || 18 || natvā pradakṣiṇīkṛtya tatra sthitvā madājñayā | stutvā māṃ madguṇānvaktuṃ tenāsāvupacakrame || 19 || ātodyaṃ vinudanvīṇāṃ devadattāṃ svarāmṛtam | kalaṃ jagāvadvitīyaṃ nāradaḥ sahatumburū || 20 || saṃtuṣṭo'haṃ śiro dhunvan tena ślāghyaṃ ca tatsvaram | datvā''tmānaṃ premaparo jalatvaṃ gatavānaham || 21 || yajjalaṃ madvapurjātaṃ tadvai brahmadravaṃ viduḥ | koṭiśaḥ koṭiśo'ṇḍānāṃ rāśayaḥ saṃluṭhaṃti hi || 22 || iṃdrāyaṇaphalānīvān ante tasmiñjale śubhe | pṛśnigarbhamidaṃ rādhe brahmāṃḍaṃ matpadaṃ sphuṭam || 23 || bhitvā taccāgataṃ sākṣādasminmanvaṃtare śubhe | tatsvardhunīṃ viduḥ pūrve śrīgaṃgāṃ pāpahāriṇīm || 24 || divi maṃdakinī proktā gaṃgā bhāgīrathī kṣitau | adho bhogavatī proktā tridhā tripathagāminī || 25 || yatsnātuṃ gacchataḥ puṃsaḥ praṇatasya pade pade | rājasūyāśvamedhānāṃ phalamasti na durlabham || 26 || gaṃgā gaṃgeti yo brūyādyojanānāṃ śatairapi | mucyate sarvapāpebhyo viṣṇulokaṃ sa gacchati || 27 || dṛṣṭvā janmaśataṃ pāpaṃ pītvā janmaśatadvayam | snātvā janmasahasrāṇāṃ haṃti gaṃgā kalau yuge || 28 || saphalaṃ janma vai teṣāṃ ye paśyaṃti hi jāhnavīm | vṛthā janma gataṃ teṣāṃ ye na paśyaṃti jāhnavīm || 29 || yathā hi dravatāṃ prāptā virajā tvadbhayādyathā | prāpurdravatvaṃ raṃbhoru virajāyāḥ sutā yathā || 30 || yathā kṛṣṇā nadī viṣṇurveṇī devaḥ śivo yathā | brahmā kakudminī gaṃgā gaṃḍakī ca yathā'psarāḥ || 31 || tathā dravatvaṃ saṃprāpta ṛbhurnāmāpyayaṃ muniḥ | premalakṣaṇayā bhaktyā ṛbhorvā nātra saṃśayaḥ || 32 || yaḥ śṛṇoti kathāmetāṃ pavitrāṃ pāpahāriṇīm | ullaṃghya sarvalokāṃśca mallokaṃ yāti mānavaḥ || 33 || śrīnārada uvāca - evamuktvā priyāṃ rādhāmṛbhorāśramato hariḥ | rādhayā sahito rājan āyayau mālatīvanam || 34 || gopīnāṃ virahaṃ jñātvā bhagavānbhaktavatsalaḥ | rādhayā prayayau kṛṣṇaḥ pulinaṃ maṃgalāyanam || 35 || tadā gopīgaṇāḥ sarve gatamānā gatavyathāḥ | jagṛhustaṃ ghanaśyāmaṃ saudāminyo ghanaṃ yathā || 36 || vṛṃdāvane hariḥ sākṣātkṛṣṇātīre manohare | jagau kalaṃ gopikābhiḥ vaṃśīvādanatatparaḥ || 37 || bhagavatkalarāgeṇa mūrchitā gopakanyakāḥ | nadyo vegatvarahitā acaratvaṃ hi pakṣiṇaḥ || 38 || maunatvaṃ devatāḥ sarvāḥ staṃbhatvaṃ devanāyakāḥ | sajalatvaṃ ca taravo nidrātvaṃ pragataṃ jagat || 39 || kṛtvā rāsaṃ rādhikāyā gopīnāṃ ca manoratham | brāhme muhūrte bhagavānāyayau naṃdamaṃdiram || 40 || rādhikā gopikābhiśca prāptā''naṃdamanorathā | vṛṣabhānuvarasyāpi suṃdaraṃ maṃdiraṃ yayau || 41 ||
English translation
Narada's journey through many worlds, reaching the Goloka, performing his art before Lord Krishna, and becoming the liquid form of Krishna.
The Lord says - Shriradeh! Naradji went to Gandharvanagar after brainstorming who should preach this raga form of mystical and esoteric knowledge. There, making a Gandharva named Tumburu his disciple, Naradji began to sing of my virtues, playing the veena melodiously. Then a curiosity arose in his heart, 'To whom should this lovely melody be sung?' Who deserves to hear this? While searching for it, Narada came to Indra. Seeing him not enjoying the subject, Sage Narada went to Suryaloka with Sakha Tumburu to expound the raga-raginis. Devarshi-Shiromani Mahamuni Narada immediately went to Shiva from there after seeing the sun god run away with the chariot. Radhe! Narada went to Brahmaloka to see that the eyes of Bhoothanatha Shiva, the philosopher of knowledge, were fixed in meditation. Seeing Brahma, the creator, preoccupied with the creation, he could not stay there either; he went from there to Vaikuntha Dham, the abode of Vishnu. Yogindra Narada went elsewhere with Tumburu when Bhaktavatsala, the lord of the devotees, saw Lord Vishnu going somewhere to please a devotee. 1 - 8.
On hearing this, the maids conveyed their message to me and, following my orders, returned and, in a sweet voice, ordered the maids to go in. In the courtyard of my garden, surrounded by millions of sunflowers, where Kaustubhamani was woven all around, graceful chavars were swaying, there were canopy trunks with twinkling beads, and millions of sakhis were seated, they both came and sat with you on the Mahapadmaya seat and had a darshan of Lord Krishna. Then, after bowing and circumambulating, they sat down at my command, and began to sing my praises and my merits. Narada presented the unique art of veena playing, including the tumburu, while pressing the atodya (special instrument) and glorifying the Devadatta swaramritamayi veena. I was very satisfied with him and nodded, appreciating the commendable tone of the veena. In the end, I gave myself up to love and became a water person. The water that appeared from my divine body is known to people by the name of 'Brahmadrava'. There are billions of cosmic zodiac signs rolling inside of it. As they roll in that elevated and auspicious waters, they appear to be like the board of the cosmic Indrayana. 16-22 |
Rambhooru Radhe! Just as Viraja attained fluidity from your fear, just as Viraja's seven sons attained fluidity in the form of the seven seas, just as Vishnu became the 'Krishna' river, just as Shiva became the 'Veni' river, just as Brahma became the 'Kakudmini Ganga', and just as the apsara became the 'Gandaki' river, so also these sages named Ribhu have attained Brahma consciousness. This has been made possible, no doubt, by the love-lakshana-bhakti of the Lord. He who listens to this sacred story of the Redeemer of sins goes to My heavenly abode, having consumed all the worlds. 30-33 | (Mathurukhand Chapter 21 to 25)
Srinardji says - Rajan! Thus, calling his beloved Sriradhase, Srihari moved from Ribhuke Ashram to Malati-Van with Sriradha. Then, realizing the separation of the gopis, the devotees went to the auspicious bridge of the Yamuna with Lord Krishna Sriradha. At that time, all the gopis lost their dignity and weight. He clasped Ghanshyam in his arms as the sandals hugged Megha. Then Srihari started playing Vamsi melodiously with Gopanganas on the picturesque banks of the Yamuna in Vrindavan. With that sweet melody of the Lord, the gopakanyaas became mute, the rivers stopped their speed, the birds became immobile. All the gods and goddesses fell silent, the gods and goddesses were shocked, the trees were covered with water, and the whole world seemed to have fallen asleep. In the Brahma Muhurta, Lord Krishna returned to the Nanda Bhavan after composing the Rasa at night and fulfilling the wishes of Sri Radhika and the Gopis. Along with the gopikas, Sriradhika also attained her blissful bliss and went to the beautiful temple of Vrishabhanuvar. 34-41 |
Thus was completed the twenty-second chapter named 'Nardopakhyan' in the Narada Bahulashva-samvada under Srimadhurakhanda in the Srigarghasamhita. 22.
Complete chapter-aligned witnesses. Sanskrit Wikisource page 31447, revision 92633 (2016-11-28T11:40:50Z). English was rendered from the complete Hindi chapter at https://www.mahakavya.com/mathurakhand-chapter-21-to-25/ as a transparent machine-assisted translation using the pinned IndicTrans2 Indic–English Distilled 200M model and retained without claiming verse-by-verse alignment.