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राम
Rāsa-paddhati
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बैठक; राग ऐमन ताल चारि

The Couple Seated in the Rāsa Pavilion

Page unit 3 of 55 · printed page 3

Original · Devanagari

गज गत चाल झुकन मतिवारी ॥ टेक ॥ आस पास नवजूथ सहचरी गावति आवति रस बससारी ॥ कृपा निवास निरखि हग उझै टरत न रूप खुमारी ॥५॥ बैठक ॥ राम रस रंग सौं संग सिया प्यारी रास मंडल मांहि सोहैं ॥ बनि ठनि रूपसिरोमनि सोहनि कोटि मदन रति मोहैं ॥ जैसी ये सरद निसा छकि चांदनी जुगल चंदछवि जोहैं ॥ कृपानिवास विलास मगन मन कहनि कुशल कवि कोहैं ॥६॥ राग ऐमन ताल चारि ॥ आज विराजत रास मंडल मध्य जनक सुता संग राम सरयू पुलिनकमल कमल सिंहासन बैठे चंद्रवटधाम ॥१॥ सकल चंद्रिकाजीत मुकुट सिर सुकल वसन भूषण सितदाम । मुकर दिखावति

Fresh English translation

[The arrival song continues:] With an elephant's stately gait and a swaying, captivating walk—refrain. All around, fresh companies of companions come singing, wholly absorbed in rasa. Kṛpānivāsa beholds them; his gaze, caught fast, cannot turn away from the intoxication of that beauty. (5) Seating. Rāma, colored in rasa, shines with beloved Sītā within the rāsa pavilion. Beautifully adorned, these crest-jewels of form shine and enchant tens of millions of Loves and Ratis. It is as though this autumn night, drenched in moonlight, gazes upon the beauty of the paired moons. Kṛpānivāsa's mind is absorbed in their play—what poet is skilled enough to tell it? (6) Rāga Yaman, four-beat tāla. (1) Today Rāma sits with Janaka's daughter in the middle of the rāsa pavilion, upon a lotus throne on the lotus-like sands of the Sarayū, at Candravaṭa-dhāma. They surpass all moonlight: crowns upon their heads, white garments, ornaments, and pale garlands. A mirror is shown—[the song continues on the next page].