Pada 71
Sourceदोहा बिन दामन लियो मोल हौं, करहु जु भावै सोहि। अहो राधे बिनती करौं, मुरली दीजै मोहि॥ पद राधे बिनय करत मोहि मुरली दीजै। बिनु दामन मनु मोल लियो हौं, जो भावै सो कीजै॥ शयन पान सब सुधि बिसराई, इतनी करुना लीजै। (जै) श्रीभट सुघर किशोर-किशोरी, अरस-परस रँग भीजै ॥
dohā bina dāmana liyo mola hauṃ, karahu ju bhāvai sohi| aho rādhe binatī karauṃ, muralī dījai mohi|| pada rādhe binaya karata mohi muralī dījai| binu dāmana manu mola liyo hauṃ, jo bhāvai so kījai|| śayana pāna saba sudhi bisarāī, itanī karunā lījai| (jai) śrībhaṭa sughara kiśora-kiśorī, arasa-parasa ra~ga bhījai ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
In a gentle plea, Śrī Kṛṣṇa seeks Śrī Rādhā's consent to retrieve His flute - O Śrī Radhe, I am your devoted servant sold to you without any price, do as you wish, but please grant me the flute, I request You. O Śrī Radhe, I am your devoted servant, willingly surrendered to you without any price. Please fulfill my humble request for the sacred flute; I place my wish in Your hands. O Radhe, I've forsaken sustenance, refraining from eating, drinking, and sleeping. Kindly shower your compassion upon me. Sri Bhata Devacharya says, that the divine couple, a reservoir of beauty and perpetual youth, are saturated in the vivid colors of love through their mutual conversations and intimate connections.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 72
Sourceदोहा कुहुकालस जुत लाल के, ललिता भकुटि चलाय। न दये बताय जब लाडिली, दुइ माल मन भाय॥ न पद कुहकालसर जुंत मदन,गोपाल। न देकर गा वृन्दावन नव कुज सदन में, विहरत मन रंजन नेंदलालर॥ भूकुटिं चलाय बतायो ललिता, देखि दई दयिता” उर,माल। श्रीभट संपुट करि हरि नाचे, मुदित किहून लोचंन जु बिसाल ॥
dohā kuhukālasa juta lāla ke, lalitā bhakuṭi calāya| na daye batāya jaba lāḍilī, dui māla mana bhāya|| na pada kuhakālasara juṃta madana,gopāla| na dekara gā vṛndāvana nava kuja sadana meṃ, viharata mana raṃjana neṃdalālara|| bhūkuṭiṃ calāya batāyo lalitā, dekhi daī dayitā” ura,māla| śrībhaṭa saṃpuṭa kari hari nāce, mudita kihūna locaṃna ju bisāla ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
Within a fresh bower of Vṛndāvana, Nanda's son wanders in delight. Lalitā signals with a movement of her brow; understanding her, the beloved places the two pleasing garlands. Śrībhaṭṭa beholds Madana-Gopāla dance with folded hands, his wide eyes radiant with joy.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 73
Sourceदोहा कुँवरिकिसोरी नागरी, मोहि दीजै निज हार। तुम करि औरै लीजियै, बहु फूली फुलवार॥ पद कुवरिकिसोरो नागरी, मोहि दीजै निज हार। तुम करि और लीजिये, बहु फूलीं फुलबार॥ पद, (इकताल, राग-विहागरो )- न हर की बहु फूली फुलवारिर ये दीजे निज हार। दे उरझचौरे मोतिन माल में हों लेऊंग सुरझार॥ कुँवरि किसोरी नागरी, सखी और सँवार। श्रीभट निपट लटूं -लष्यी, कहिर लेहूं उतार ॥
dohā ku~varikisorī nāgarī, mohi dījai nija hāra| tuma kari aurai lījiyai, bahu phūlī phulavāra|| pada kuvarikisoro nāgarī, mohi dījai nija hāra| tuma kari aura lījiye, bahu phūlīṃ phulabāra|| pada, (ikatāla, rāga-vihāgaro )- na hara kī bahu phūlī phulavārira ye dīje nija hāra| de urajhacaure motina māla meṃ hoṃ leūṃga surajhāra|| ku~vari kisorī nāgarī, sakhī aura sa~vāra| śrībhaṭa nipaṭa laṭūṃ -laṣyī, kahira lehūṃ utāra ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
- (EIktal, Raag Vihagarau) Śrī Kṛṣṇa says to Śrī Rādhā: “O youthful Princess, O graceful Kiśorī! Please bestow upon Me Your own garland as prasāda. One of the sakhīs will prepare another garland for You from this flower garden, and You may wear that instead.” Overwhelmed by an intense longing to embrace Śrī Rādhā, Śrī Kṛṣṇa says: "O Śrī Rādhe! Please give Me the garland adorning Your neck. This garden is filled with flowers of every variety. A sakhī will prepare another garland for You to wear. Perhaps You are thinking that Your flower garland has become entangled with Your pearl necklace. O Śrī Kiśorī Jū, do not worry—I shall disentangle it with the utmost care." Śrī Bhaṭṭa Devācārya Jī says: Seeing Śrī Śyāmasundara completely captivated by Her and utterly surrendered to Her in both body and mind, Śrī Rādhā asks Him to remove Her garland and keep it with Him as Her prasāda. Śrī Lālajī [Kṛṣṇa] gently removes the garland and is filled with the ecstasy of divine love.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 74
Sourceदोहा उभकति सहचरि निरखि सुख, हिय में भरी हुलास। नव निकुंज रस पुंज छवि, स्यामा स्याम निवास॥ पद नव निकंज में पूंज सखिन के, तिन में स्यामा स्यामर विराजें।- सीतल संद सुगंध त्रिविध,श मारुत सेवत रितुराजें॥ - उझकति जित-तित लता सुखिर सखि, हिये हुलासी साजें। अंतर रह्यौ न दंपति श्रीभट, देखि! भये सब काजें ॥
dohā ubhakati sahacari nirakhi sukha, hiya meṃ bharī hulāsa| nava nikuṃja rasa puṃja chavi, syāmā syāma nivāsa|| pada nava nikaṃja meṃ pūṃja sakhina ke, tina meṃ syāmā syāmara virājeṃ|- sītala saṃda sugaṃdha trividha,śa māruta sevata riturājeṃ|| - ujhakati jita-tita latā sukhira sakhi, hiye hulāsī sājeṃ| aṃtara rahyau na daṃpati śrībhaṭa, dekhi! bhaye saba kājeṃ ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
Rādhā and Śyāma dwell at the heart of a fresh bower, a treasury of rasa amid circles of companions. Cool, gentle, fragrant breezes serve Them; peering through the vine-windows, the sakhīs behold Their intimate play and find every longing fulfilled.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 75
Sourceदोहा बहु भतियाँ फूल्पो विपिन, रतियाँ सरद सुहात। बतियाँ भाँवति करत उर, छतियाँ अंक लिषात॥ पद दोऊ मिल करत भामती बतियाँ। मदन गोपाल कुँवर राधे संग नखमनि अंक लिखत उर छतियाँ॥ तेसी छिरक रही उजियारी पून्यो चंद शरद की रतियाँ। केल रूप यह यमुना श्री भट वृन्दावन फूल्यो बहु भतियाँ ॥
dohā bahu bhatiyā~ phūlpo vipina, ratiyā~ sarada suhāta| batiyā~ bhā~vati karata ura, chatiyā~ aṃka liṣāta|| pada doū mila karata bhāmatī batiyā~| madana gopāla ku~vara rādhe saṃga nakhamani aṃka likhata ura chatiyā~|| tesī chiraka rahī ujiyārī pūnyo caṃda śarada kī ratiyā~| kela rūpa yaha yamunā śrī bhaṭa vṛndāvana phūlyo bahu bhatiyā~ ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
The Divine Couple are enjoying a sweet and loving conversation. Sri Krishn the enchanting Cowherd and the Maiden Śrī Rādhā write Their names on Each Others chest with Their jewel-like nails. The effulgence that diffuses from Their united Form is brighter than the full moon in the autumnal month of Sharad! Śrī Bhaṭṭa Devacharya says "thus is the beautiful Form of Their playfulness which blossoms in so many diverse and lovely ways on the banks of the Sri Yamunā River and in Śrī Vṛndāvana."
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 76
Sourceदोहा कबहुँक ले निज करनि में, लावत नैन विसाल। प्रान प्रिया मन हरनि के, चरन पलोटत लाल॥ पद प्यारी जू के चरन पलोटत मोहन। नील कमल के दलन लपेटे, अरुन कमल दल सोहन॥ कबहुँक लै लै नैन लगावत, अलि धावत मनु गोहन। जै श्रीभट्ट छबीली राधे, होत जगे ते छोहन ॥
dohā kabahu~ka le nija karani meṃ, lāvata naina visāla| prāna priyā mana harani ke, carana paloṭata lāla|| pada pyārī jū ke carana paloṭata mohana| nīla kamala ke dalana lapeṭe, aruna kamala dala sohana|| kabahu~ka lai lai naina lagāvata, ali dhāvata manu gohana| jai śrībhaṭṭa chabīlī rādhe, hota jage te chohana ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
[Ikataal, Raag Vihagarau] Sometimes Śrī Kṛṣṇa gently takes the lotus feet of His beloved Śrī Rādhā into His lotus hands and, with the deepest affection, slowly and repeatedly places them upon His large lotus eyes. Seeing Śrī Priyā Jī, who is dearer to Him than His very life and the enchantress of His heart, resting in peaceful sleep, Śrī Śyāmasundara gently serves His worshipful Mistress by lovingly massaging Her lotus feet. Knowing that Śrī Pyārī Jū is peacefully asleep, Śrī Lāl Jī gently massages Her very soft, reddish lotus feet with His lotus hands in such a delicate manner that Her restful sleep remains completely undisturbed. The beauty of that scene resembles crimson lotus petals embraced by blue lotus petals. When an intense longing arises within Śrī Lāl Jī to hold Śrī Priyā Jī's lotus feet in His lotus hands and touch them to His eyes, He repeatedly lifts them and presses them lovingly against His eyes. At that moment, it appears as though the bee-like eyes are eagerly pursuing the lotus-like feet to relish their association. Śrī Bhaṭṭa Jī, while chanting Her victories, proclaims that within every pore of Her divine form, infinite beauty resides. As Her lotus feet touch His eyes, She awakens. Seeing Śrī Lāl Jī's infinite love for Her, She becomes filled with happiness, embraces Śrī Śyāmasundara to Her heart, and bestows upon Him the highest bliss.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 77
Sourceदोहा प्यारी प्रीतम परस्पर, रच्यौ अंग अनुराग। अधर सुधा रस देत हैं, लेत स्याम बड़भाग॥ पद श्री वृन्दाविपिनेस्वरी रस सिन्धु बिहारी। रच्यौ परस्पर प्रेम छेम, बाढ्यौ अति भारी॥ अरप्यौ पिय हिय पाय कैं, निज अधर सुधारी। श्रीभट बड़भागी गोपाल, पीयौ रुचिकारी ॥
dohā pyārī prītama paraspara, racyau aṃga anurāga| adhara sudhā rasa deta haiṃ, leta syāma bar̤abhāga|| pada śrī vṛndāvipinesvarī rasa sindhu bihārī| racyau paraspara prema chema, bāḍhyau ati bhārī|| arapyau piya hiya pāya kaiṃ, nija adhara sudhārī| śrībhaṭa bar̤abhāgī gopāla, pīyau rucikārī ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
[Iktal, Raag-Vihagarau] Śrī Priyā Ju and her beloved Śrī Kṛṣṇa are absorbed in the sweetness of divine conjugal love. Their hearts overflow with the ocean of divine bliss. Blessed Śrī Lālaji’s mind, like a bee, becomes intoxicated by drinking adharāmṛta (the nectar of the lips) of Śrī Priya Ji. Śrī Bhaṭṭa Ji says — Queen of Vṛndāvan, Śrī Rādhā, and Vṛndāvanvihārī Lāla are both the very ocean of rasa. On the bower-bed, immersed in mutual love’s sweetness, waves of bliss surge through their hearts, and their entire beings overflow with divine bliss. O Sakhi! When Śrī Lālaji’s heart was filled with deep longing to taste adharāmṛta, the supremely compassionate Śrī Priyāji offered her own divine nectar in love. Śrī Bhaṭṭa Ji says—Śrī Gopāl Lāl, feeling supremely blessed, lovingly drank the nectar of Śrī Priyāji. Thus, the divine couple joyfully engages in divine plays of love on the bed, granting bliss to all rasikas.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 78
Sourceदोहा हित बावरि नित* कुंज में, राधामाधव केलि। श्रीभट निपट हितका रिनी, हरघषि निरखि* रस रेलि॥ पद रस की रेलि बेलि अति बाढ़ी। दंपति की हित बावरि विहरनि, रही सदा मेरेे चित चाढ़ी। निरखत रहों निपट हितकारिनि, पिय प्यारी की गुन गति गाढ़ी॥ जे श्रीभट उत्कट संघट सुख, केलि सहेलि निरंतर ठाढ़ी ॥
dohā hita bāvari nita* kuṃja meṃ, rādhāmādhava keli| śrībhaṭa nipaṭa hitakā rinī, haraghaṣi nirakhi* rasa reli|| pada rasa kī reli beli ati bār̤hī| daṃpati kī hita bāvari viharani, rahī sadā meree cita cār̤hī| nirakhata rahoṃ nipaṭa hitakārini, piya pyārī kī guna gati gār̤hī|| je śrībhaṭa utkaṭa saṃghaṭa sukha, keli saheli niraṃtara ṭhār̤hī ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
The surging vine of rasa grows ever more luxuriant in Rādhā-Mādhava's eternal bower-play. Śrībhaṭṭa keeps the mad, love-filled movements of the Couple fixed within his heart and stands nearby as Their intimate companion, longing always to behold the profound course of Their love.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 79
Sourceदोहा वाल वाह वर लाल की, किय किंदुक हिय हेत। घन स्यामल के हेत मनु, दासिनि सी छवि देत॥ पद कीनें सचुर स्याम-स्यामा सेन। जैसे लसें अंग राग कोविद,- वदत ईषदर्ड बेन॥ बाल लाल - ब्रर बाहु किदुक, कियें दिये हिय हेत॥ स्याम घन तन दामिंनी बति, भामिनी छवि देत॥॥ गोबिन्द दयिता सुरत सज्जित, श्रीभट पट संभीर। री
dohā vāla vāha vara lāla kī, kiya kiṃduka hiya heta| ghana syāmala ke heta manu, dāsini sī chavi deta|| pada kīneṃ sacura syāma-syāmā sena| jaise laseṃ aṃga rāga kovida,- vadata īṣadarḍa bena|| bāla lāla - brara bāhu kiduka, kiyeṃ diye hiya heta|| syāma ghana tana dāmiṃnī bati, bhāminī chavi deta|||| gobinda dayitā surata sajjita, śrībhaṭa paṭa saṃbhīra| rī
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
After Their play, Rādhā and Śyāma recline together upon the bower-bed, softly speaking in drowsy voices. Kṛṣṇa's arm becomes Rādhā's pillow; against His dark cloudlike body Her golden form flashes like lightning, Their garments drawn close around Them.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 80
Sourceदोहा दोउन दंग म्रगराज ज्यों, गति सति रहे भूल। श्रीभट वख़ट हे लट, निरखत आनेँद मूल॥ पद प्रिया मुख सुखमार देघि कें, सोहे कुज विहारी। अधर मधुर पर पीक लीक सी कसीर सुधारी॥ प्रनय कोप हग रोपिकें, कोर सों निहारी। जै श्रीभट, घटना देघिके, जाऊँ बलिहारी ॥
dohā douna daṃga mragarāja jyoṃ, gati sati rahe bhūla| śrībhaṭa vak͟haṭa he laṭa, nirakhata āne~da mūla|| pada priyā mukha sukhamāra deghi keṃ, sohe kuja vihārī| adhara madhura para pīka līka sī kasīra sudhārī|| pranaya kopa haga ropikeṃ, kora soṃ nihārī| jai śrībhaṭa, ghaṭanā deghike, jāū~ balihārī ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
Before dawn, while some night remains, the beloveds awaken and gaze without blinking upon one another's faces. Kṛṣṇa is captivated by the red trace of betel on Rādhā's sweet lip, and She answers with a loving sidelong look; both drink the nectar of the other's beauty.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.