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Yugala-Śataka · Part 4 of 10

Padas 31-40

Unit 4 of 10Pada 31Pada 4010 source entries

Pada 31

Source

दोहा जड़ जुवती ज्यों जिन करें, होइ बड़ेती बाल। तजि सजि पहिराउँगी, फूलन की उर माल॥ पद फूल माल उर मेलिर हीं, चलि अलक लड़ती। जड़ जुवती ज्यों जिन करें, इत चित हेसैती॥ का कह्यो काहुकौ मानिहैर, जिन होउ बड़ेती। क | श्रीभंट अलि कल सुनि कुँवरि, हरि मिली हुठेती ॥

dohā jar̤a juvatī jyoṃ jina kareṃ, hoi bar̤etī bāla| taji saji pahirāu~gī, phūlana kī ura māla|| pada phūla māla ura melira hīṃ, cali alaka lar̤atī| jar̤a juvatī jyoṃ jina kareṃ, ita cita hesaitī|| kā kahyo kāhukau mānihaira, jina hou bar̤etī| ka | śrībhaṃṭa ali kala suni ku~vari, hari milī huṭhetī ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

Though softened by Kṛṣṇa's entreaties, Rādhā still preserves Her playful pride. A sakhī offers to set a flower garland upon Her breast and gently warns the young beloved not to behave like an unfeeling woman; hearing the companions' clever words, the princess finally joins Hari.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 32

Source

दोहा हिय के हित साधे सबे, बाँधे लट आधे ज। नेन धरे फल आज ही, पाथे हरि राधे जू॥ पद नेन धरे फल आजु ही, पायी हरि राधे। तिरछी चितवनिं कान्ह की, परि रूप अगाधें निरघषि निरखि बीची झकोर, हियर के हित सांघे। श्रीभट -लखिरे छवि लाड़िली, बाँधे लटं आधे पी

dohā hiya ke hita sādhe sabe, bā~dhe laṭa ādhe ja| nena dhare phala āja hī, pāthe hari rādhe jū|| pada nena dhare phala āju hī, pāyī hari rādhe| tirachī citavaniṃ kānha kī, pari rūpa agādheṃ niraghaṣi nirakhi bīcī jhakora, hiyara ke hita sāṃghe| śrībhaṭa -lakhire chavi lār̤ilī, bā~dhe laṭaṃ ādhe pī

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

Today the eyes receive their long-awaited fruit: Rādhā and Hari sit together upon the bed in the pleasure palace. Kṛṣṇa's sidelong glance falls into Her unfathomable beauty, love surges through both hearts, and a half-bound lock of the darling girl's hair completes the enchanting scene.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 33

Source

दोहा जाकों निरखत ने क जब, हरबो मानिनी मान। मदन-सदन जानी ज में, अधषियाँ स्याम सुजान॥ पद में जानीर जु मदन-सदन, सोहन ज॒ की अषियाँ। निरखत मान हरयौ मानिनि कौ, हारि रहीं सब सखियां॥ कोइ इक चितवनि चित कुँवरि तन, इंन या मन की लखियाँ। श्रीभट अटक छुटी पट अंतर, मंद-मंद हँसि मुखियाँ ॥

dohā jākoṃ nirakhata ne ka jaba, harabo māninī māna| madana-sadana jānī ja meṃ, adhaṣiyā~ syāma sujāna|| pada meṃ jānīra ju madana-sadana, sohana ja̱ kī aṣiyā~| nirakhata māna harayau mānini kau, hāri rahīṃ saba sakhiyāṃ|| koi ika citavani cita ku~vari tana, iṃna yā mana kī lakhiyā~| śrībhaṭa aṭaka chuṭī paṭa aṃtara, maṃda-maṃda ha~si mukhiyā~ ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

The sakhīs have exhausted every argument, yet the offended Rādhā only deepens Her māna. Kṛṣṇa knows that Her eyes are the very dwelling of Love; one secret glance steals away Her pride, Her veil slips, and a quiet smile appears upon Her face.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 34

Source

दोहा कुंज महल दंपति मिले, भये मनोरथ मोर। आईं सौंन मनाय हों, निरखों नवल किसोर॥ पद बन्यों नीकौ राधाकृष्त सिलौनौं। ं दंपति कुंज महल में राजें, मनु करि आन्यो गौनोौं॥ ल्‍ भये मनोरथ मेरे बांछे, आछेर करि आई हीरे सौंनौं। श्रीभट निरघषि हरष भयौ हिंय में विह्रत लाल लड़ेती दोनों ॥

dohā kuṃja mahala daṃpati mile, bhaye manoratha mora| āīṃ sauṃna manāya hoṃ, nirakhoṃ navala kisora|| pada banyoṃ nīkau rādhākṛṣta silaunauṃ| ṃ daṃpati kuṃja mahala meṃ rājeṃ, manu kari ānyo gaunoauṃ|| l‍ bhaye manoratha mere bāṃche, āchera kari āī hīre sauṃnauṃ| śrībhaṭa niraghaṣi haraṣa bhayau hiṃya meṃ vihrata lāla lar̤etī donoṃ ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

The lovely Rādhā-Kṛṣṇa pair now reigns together in the bower-palace. Seeing the young bride and groom reunited in play, the companion's cherished hopes are fulfilled and her heart overflows with joy.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 35

Source

दोहा तेरी अरु इनकी जु ए, एक मती सब बात। हों न पत्याऊँ बहुरि हृठि अब पाई हरि घात॥ पद राधे अब पाई हरि घतियाँ। नंदलाल गोपाल को तेरी, सब बातें इक सतियाँ॥ हरि देखे बिन छिन न रहि परे, प्रगट भई हितर जतियाँ। कहूरे श्रीभट्ट बहुरि जो हठिंहो, हों न आनिहों पतियाँ ॥

dohā terī aru inakī ju e, eka matī saba bāta| hoṃ na patyāū~ bahuri hṛṭhi aba pāī hari ghāta|| pada rādhe aba pāī hari ghatiyā~| naṃdalāla gopāla ko terī, saba bāteṃ ika satiyā~|| hari dekhe bina china na rahi pare, pragaṭa bhaī hitara jatiyā~| kahūre śrībhaṭṭa bahuri jo haṭhiṃho, hoṃ na ānihoṃ patiyā~ ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

The sakhī has discovered Hari's stratagem: every word spoken by Rādhā and Kṛṣṇa springs from one intention. They cannot endure even a moment without one another; Their apparent quarrel and reconciliation merely reveal the depth of Their indivisible love.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 36

Source

दोहा रसिकराज ब्रजराज सुत अति अलबेलो लाल। दान केलि मिस रस चषत, श्रीभट श्रीगोपाल॥ पद रसिक सिरोमनि लाडिलौ, माँग गोरस बाँहर पसार रो। लाल लकुट आड़ी दिये प्यारौ, करि-करि बहु लड़काररे री॥ तर ऊपर नषसिष अवलोकत, करत बहुत परकार री। ह कहैं श्रीभट नटवर रस लंपट, प्रिया तन॑ हाथ न डार री ॥

dohā rasikarāja brajarāja suta ati alabelo lāla| dāna keli misa rasa caṣata, śrībhaṭa śrīgopāla|| pada rasika siromani lāḍilau, mā~ga gorasa bā~hara pasāra ro| lāla lakuṭa ār̤ī diye pyārau, kari-kari bahu lar̤akārare rī|| tara ūpara naṣasiṣa avalokata, karata bahuta parakāra rī| ha kahaiṃ śrībhaṭa naṭavara rasa laṃpaṭa, priyā tana̭ hātha na ḍāra rī ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

In the toll pastime, Gopāla—the crown of connoisseurs—blocks the path with His staff and stretches out His arm to demand milk products. He calls to the girls again and again, looking them over from head to foot, yet the sakhī warns the rasa-thirsty actor not to lay a hand upon His beloved.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 37

Source

दोहा मे आँगन सेज पे, अरस-परस सुरकुवार। करत सहज सुख सौं सने, स्यामा-स्याम बिहार॥ पद स्यामा-स्याम सेज उठि बैठे, अरस-परस दोउ करत सिंगारश। उन पहिरी वाको मोतिन माला, उन पहरचयौ वाकौ नव सर हार )॥ लटपटे पेंच सँवारति स्यामा, अलक संँवारत नंदकुमार। श्रीभट जुगल किसोर की जोरी, मसेरेइ आँगन करत बिहार ॥

dohā me ā~gana seja pe, arasa-parasa surakuvāra| karata sahaja sukha sauṃ sane, syāmā-syāma bihāra|| pada syāmā-syāma seja uṭhi baiṭhe, arasa-parasa dou karata siṃgāraśa| una pahirī vāko motina mālā, una paharacayau vākau nava sara hāra )|| laṭapaṭe peṃca sa~vārati syāmā, alaka saṃ~vārata naṃdakumāra| śrībhaṭa jugala kisora kī jorī, maserei ā~gana karata bihāra ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

At dawn Rādhā and Śyāma rise and sit together upon the bed, tenderly restoring one another's disordered ornaments. One places a pearl necklace upon the other; Rādhā smooths Kṛṣṇa's curls while Nandakumāra arranges Hers, and the pair sports naturally in the courtyard of love.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 38

Source

दोहा षिसि-षिसि सिर तें परत पट, ससि बदनी जुव जाल। उठत भोर सँग लाल के कसति कंचुकी बाल॥ पद उठत भोर लालंजू के संग तें, कंचुकि कसति राधिका प्यारी। कक पर घिंसि घिसि परत नौल पट सिर तें, ससि बदनी नव जौबन बारी॥ क सन भांवली लाल गिरिघर (ज्ञ) की रचीर विधाता सुहथ सेंवारी। जे श्रीभटू सुरत-रंग भीने लघेर प्रिया जुत॑ कुंज बिहारी ॥

dohā ṣisi-ṣisi sira teṃ parata paṭa, sasi badanī juva jāla| uṭhata bhora sa~ga lāla ke kasati kaṃcukī bāla|| pada uṭhata bhora lālaṃjū ke saṃga teṃ, kaṃcuki kasati rādhikā pyārī| kaka para ghiṃsi ghisi parata naula paṭa sira teṃ, sasi badanī nava jaubana bārī|| ka sana bhāṃvalī lāla girighara (jña) kī racīra vidhātā suhatha seṃvārī| je śrībhaṭū surata-raṃga bhīne laghera priyā juta̭ kuṃja bihārī ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

Rādhā rises at dawn beside Her beloved and tightens Her bodice. Again and again the blue silken veil slips from the moon-faced young heroine's head; seeing the pair still steeped in the colors of night, Śrībhaṭṭa marvels at the Creator's artistry.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 39

Source

दोहा निरखि हिताईं हुहुँन की, हाव भाव हिय धारि सजि आरति वारति सवे, प्रात मुदित सदचारि॥ पद प्रात मुदित मिलि मंगल गावें, लाल लड़ेती कौं सखी लड़ावें। रहसि जु केलि कही हिय भाई,र राधामाधव अधिक हिताई॥ प्रेस संभ्रम के वचन सुनावें, सुन्दरि हरि सुख दरसनर पावें। बाल विसाल,क़मल दल - नैनी, श्यामा-स्याम परम सुख दैनी॥ जे जै सुर कहि ताल बजावें, गीत बाद्य सों चाल मिलावें। हिय में हाव-भाव लिये थारा, रति घृत जोति रु बाति बिहारा। तन-मन मुक्ता चौक पुरावें, आरति श्रीभट अमित प्रचावें ॥

dohā nirakhi hitāīṃ huhu~na kī, hāva bhāva hiya dhāri saji ārati vārati save, prāta mudita sadacāri|| pada prāta mudita mili maṃgala gāveṃ, lāla lar̤etī kauṃ sakhī lar̤āveṃ| rahasi ju keli kahī hiya bhāī,ra rādhāmādhava adhika hitāī|| presa saṃbhrama ke vacana sunāveṃ, sundari hari sukha darasanara pāveṃ| bāla visāla,qamala dala - nainī, śyāmā-syāma parama sukha dainī|| je jai sura kahi tāla bajāveṃ, gīta bādya soṃ cāla milāveṃ| hiya meṃ hāva-bhāva liye thārā, rati ghṛta joti ru bāti bihārā| tana-mana muktā cauka purāveṃ, ārati śrībhaṭa amita pracāveṃ ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

At morning the companions assemble and sing auspicious songs, teasing the dear young pair with loving accounts of Their secret play. Keeping every gesture and emotion in their hearts, they make love the ghee and delight the lamp-wick, offer body and mind as pearls, and perform an immeasurable ārati to Rādhā-Mādhava.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.

Pada 40

Source

दोहा कनक आरती मनि मई, अधिक वनिक विधान। वारि निहारों नेन भरि, सुख धरि मेवा पान॥ पद मंगल कनक आरती मनिमय, गौर स्याम छबिं ऊपर बारों। दो बने नांगरी नागर, कौन कौन को ओर निहारो॥ षंजन मीन चपल सारँग से मोहन नैन देधि हों वारों। मेवा पान षवाय जै श्रीभट करि दंडौत चंवरर ले ढारो ( ॥

dohā kanaka āratī mani maī, adhika vanika vidhāna| vāri nihāroṃ nena bhari, sukha dhari mevā pāna|| pada maṃgala kanaka āratī manimaya, gaura syāma chabiṃ ūpara bāroṃ| do bane nāṃgarī nāgara, kauna kauna ko ora nihāro|| ṣaṃjana mīna capala sāra~ga se mohana naina dedhi hoṃ vāroṃ| mevā pāna ṣavāya jai śrībhaṭa kari daṃḍauta caṃvarara le ḍhāro ( ||

English translation

Fresh editorial translation from the Complete Yugala-Śataka source dossier authority

The sakhīs wave a jeweled golden ārati before the fair and dark pair, unable to decide which beautiful face to behold first. Śrībhaṭṭa offers himself to Their restless, fishlike eyes, presents fruit and betel, bows down, and takes up the cāmara.

Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.