Pada 11
Sourceदोहा कहा करों मन हरथो हरि, ललित बजाई भोर। स्रवननि सुनि जागी अरी, या मुरली की घोर॥ पद स्रवननि सुनि जागी अरोर, या मुरली की घोररे। कहा री करों मन हरयौी साँवरे, ललित बजाई भोर॥ रह्मौ न परे चटपटी लागी, बिन देखे (नागर) नंद किसोर। जे श्रीभट हठ न रह्यौ नागरि कौ, सुरति धरी हरि ओर ॥
dohā kahā karoṃ mana haratho hari, lalita bajāī bhora| sravanani suni jāgī arī, yā muralī kī ghora|| pada sravanani suni jāgī arora, yā muralī kī ghorare| kahā rī karoṃ mana harayauī sā~vare, lalita bajāī bhora|| rahmau na pare caṭapaṭī lāgī, bina dekhe (nāgara) naṃda kisora| je śrībhaṭa haṭha na rahyau nāgari kau, surati dharī hari ora ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
At daybreak the forest-garlanded Kṛṣṇa sounds His flute as He leaves to graze the cows. A sleeping sakhī wakes at its commanding call; unable to remain without seeing Nanda's youthful son, she abandons her former resolve and turns all her remembrance toward Hari.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 12
Sourceदोहा तनक न धीरज धरि सके, सुनि घुनि होत अधीन। बंती बनसी लाल की, बेधन कों मन-मीन॥ पद बंती त्रिभंगी लाल की, मन मीन की बनसी कहा अंतर घर दुरि रहें, छईइ मूरति घनसी॥ हरि देखे बिन क्यों रहों, धीरज नहिं तनसी। जें श्रीभट हरि-रस बस भई, सुनि घुनि नेक भनसी ॥
dohā tanaka na dhīraja dhari sake, suni ghuni hota adhīna| baṃtī banasī lāla kī, bedhana koṃ mana-mīna|| pada baṃtī tribhaṃgī lāla kī, mana mīna kī banasī kahā aṃtara ghara duri raheṃ, chaīi mūrati ghanasī|| hari dekhe bina kyoṃ rahoṃ, dhīraja nahiṃ tanasī| jeṃ śrībhaṭa hari-rasa basa bhaī, suni ghuni neka bhanasī ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
The melody of the three-curved Lāl's flute catches the mind like a hook catches a fish. Hearing even a trace of it, the sakhī loses all patience: Śyāmasundara's cloud-dark form fills her awareness, and she can no longer remain at home without seeing Hari. Śrībhaṭṭa says that she has come wholly under the power of Hari's rasa.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 13
Sourceदोहा कहि जसुमति सों छाक दे, जाऊँ चलि तिहिं ओर। कैसे हरि देखे बिना, राखौं री तन मोर॥ पद कंसें हरि देखे बिना, राखों रो तन मोर। गोचारण गोपाल गये, ले मेरी चित चोर॥ कहि जसुमति सों छाक दे कब को भयौ भोर। जे श्रीभट हरि देखन चली, जासों लागी डोर ॥
dohā kahi jasumati soṃ chāka de, jāū~ cali tihiṃ ora| kaise hari dekhe binā, rākhauṃ rī tana mora|| pada kaṃseṃ hari dekhe binā, rākhoṃ ro tana mora| gocāraṇa gopāla gaye, le merī cita cora|| kahi jasumati soṃ chāka de kaba ko bhayau bhora| je śrībhaṭa hari dekhana calī, jāsoṃ lāgī ḍora ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
How can this body endure without seeing Hari? When Gopāla has gone to the pastures carrying away her heart, the sakhī asks Yaśodā for His meal basket and sets out toward the forest, drawn after Him by the cord of love.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 14
Sourceदोहा घूत-पक बिंजन मोदक, मेवा मघुर रसाल। हाथ जिमाऊउँ पाउँ जो, कुजनि में दोउ लालें॥ पद बेठे लाल कुंजनि में जो पाउँ। स्यामा-स्याम भाँवती जोरी, अपने हाथ जिमाऊँ॥ घृत-पक बिजन मोदक मेवा, रुचि सों भोग लगाऊं। सधिन सहित जेवें पिय-प्यारी, हरघि हरघि गुन गाऊँ॥ चंदन चरचघचि पुहुप की माला, निरखि हरघिरे पहिराऊँ। श्रीभट देत पान की बीरी, जुगल चरन” चित लाउँ ॥
dohā ghūta-paka biṃjana modaka, mevā maghura rasāla| hātha jimāūu~ pāu~ jo, kujani meṃ dou lāleṃ|| pada beṭhe lāla kuṃjani meṃ jo pāu~| syāmā-syāma bhā~vatī jorī, apane hātha jimāū~|| ghṛta-paka bijana modaka mevā, ruci soṃ bhoga lagāūṃ| sadhina sahita jeveṃ piya-pyārī, haraghi haraghi guna gāū~|| caṃdana caracaghaci puhupa kī mālā, nirakhi haraghire pahirāū~| śrībhaṭa deta pāna kī bīrī, jugala carana” cita lāu~ ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
If I find the two beloveds seated in a bower, I shall serve Them with my own hands: delicacies cooked in ghee, sweets, fruits, and nectarean dishes. With the sakhīs I shall offer sandal paste, flower garlands, and betel, sing Their virtues in joy, and hold Their paired lotus feet within my heart.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 15
Sourceदोहा मेरे मन की अघटना, के तुम जानन हार। श्रीराधे नेंदनंद बलि, चरन दिषाये चारु। पद बलि बलि श्री राधा नँदनंदना, जय श्री भट्ट श्यामा श्याम रूप पै, न्यौछावरी तन मना।
dohā mere mana kī aghaṭanā, ke tuma jānana hāra| śrīrādhe neṃdanaṃda bali, carana diṣāye cāru| pada bali bali śrī rādhā na~danaṃdanā, jaya śrī bhaṭṭa śyāmā śyāma rūpa pai, nyauchāvarī tana manā|
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
All glories to my one and only beloved Śrī Rādhā Krishn. I sacrifice my body and mind on the
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 16
Sourceदोहा सघत सौरभ कमल कर, अति रति प्यारी पीय। बेठे बनि ठनि कुँज बिच, में बलिहारि जु लीय॥ पद बैठे दोउ कुंजन मैं बलिहारी। ् नंदकूंवर अलबेलौ नागर, श्री बृषभान ढुलारो॥ सूँचत सौरभ लिये कमल कर, रति रस प्रीतस प्यारीर। जे श्रीभट्ट गौर साँवरर सुख, लखि सखियाँ सब वारी ॥
dohā saghata saurabha kamala kara, ati rati pyārī pīya| beṭhe bani ṭhani ku~ja bica, meṃ balihāri ju līya|| pada baiṭhe dou kuṃjana maiṃ balihārī| naṃdakūṃvara alabelau nāgara, śrī bṛṣabhāna ḍhulāro|| sū~cata saurabha liye kamala kara, rati rasa prītasa pyārīra| je śrībhaṭṭa gaura sā~varara sukha, lakhi sakhiyā~ saba vārī ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
The two beloveds sit beautifully adorned within the bower. Nanda's charming prince and Vṛṣabhānu's darling hold fragrant lotuses in Their hands, absorbed in the sweetness of love; seeing the fair and dark pair, every sakhī offers herself to that vision.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 17
Sourceदोहा कुज-महल सुप पंज में भोजन विविध रसाल। श्रीराधा रस-बस भये, जेंसत लाल गुपाल॥ पद मिलि कुंजमहल गोपाल लाल, प्यारो (श्री) राधा रस बस जेवें। सहचरी सब सौंज रची बिघि सौंर, हरि चेंन-नेह-निधि सौ भेवें॥ प्यारी के नैन-निदेस लेस लखि, मुख देखत गरसा लेवें। जै श्रीभट भट्ट कटाच्छर करन सौ, जुगल सरूप सुधा - सेबें ॥
dohā kuja-mahala supa paṃja meṃ bhojana vividha rasāla| śrīrādhā rasa-basa bhaye, jeṃsata lāla gupāla|| pada mili kuṃjamahala gopāla lāla, pyāro (śrī) rādhā rasa basa jeveṃ| sahacarī saba sauṃja racī bighi sauṃra, hari ceṃna-neha-nidhi sau bheveṃ|| pyārī ke naina-nidesa lesa lakhi, mukha dekhata garasā leveṃ| jai śrībhaṭa bhaṭṭa kaṭācchara karana sau, jugala sarūpa sudhā - sebeṃ ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
In the bower-palace Rādhā and Gopāla take a many-flavored meal prepared and served by the companions. Kṛṣṇa watches His beloved's eyes for the slightest direction and accepts each morsel accordingly, while the sakhīs drink the nectar of the Divine Couple through loving glances.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 18
Sourceदोहा सब्य अंग वृषभानुजा, चहूँ दिसि गोपी-माल। जे-जे कहि करि कीजिये, आरति श्रीगोपाल॥ पद जे-जे आरती श्रीगोपाल की। आनंदकंद सकल सुख सागर, नवनागर नँदलाल की॥ सब्य अंग वृषभानुनंदनी, चहूँ दिसि गोपी-माल को। जे श्रीभट बार-बार बलिहारी, राधा-नामनि बाल को ॥
dohā sabya aṃga vṛṣabhānujā, cahū~ disi gopī-māla| je-je kahi kari kījiye, ārati śrīgopāla|| pada je-je āratī śrīgopāla kī| ānaṃdakaṃda sakala sukha sāgara, navanāgara na~dalāla kī|| sabya aṃga vṛṣabhānunaṃdanī, cahū~ disi gopī-māla ko| je śrībhaṭa bāra-bāra balihārī, rādhā-nāmani bāla ko ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
After the meal the sakhīs offer scented water for sipping and fragrant betel, then perform the royal food-offering ārati to Gopāla. Vṛṣabhānu's daughter stands at His left, rings of gopīs surround Them, and Śrībhaṭṭa repeatedly offers himself to the girl named Rādhā.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 19
Sourceदोहा रंग रंगीले गात के, संग बराती सवाल। दूलदद रूप अनूप ह नित विहरत नँदलाल॥ पद लखि आली नित बिहरत नंदलाल। रंग रंगीले अँग-अँग कोमल, संग बराती ग्वाल॥ दुलह॒श्रीब्रजराज लाडिलौ, दुलहिन राधा बाल। जे श्रीभट्ट बल्लबी जुग के, गावतर गीतर रसाल ॥
dohā raṃga raṃgīle gāta ke, saṃga barātī savāla| dūladada rūpa anūpa ha nita viharata na~dalāla|| pada lakhi ālī nita biharata naṃdalāla| raṃga raṃgīle a~ga-a~ga komala, saṃga barātī gvāla|| dulaha̱śrībrajarāja lāḍilau, dulahina rādhā bāla| je śrībhaṭṭa ballabī juga ke, gāvatara gītara rasāla ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
Look, friend: Nandalāla roams the forest like an incomparable bridegroom, His soft, colorful limbs attended by cowherd boys as the wedding party. Rādhā is the bride, and the women of Brajaa sing sweet wedding songs for the ever-roaming pair.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.
Pada 20
Sourceदोहा संका गोरज उड़नि में, छवि पावत गोपाल। श्रीभट मानों व्याहि के, घर आये नँदलाल॥ पद गोपाल लाल दूलह ग्वाल बराती। गौवनर आगे सखीरे ज़ुथ में, राधा दुलहिन लाल गवाती। दूंदुभि दूध दुहन की बाजी, राजी (सब) गोप सजाती। आरतौ पलक नेह-जल मोती, श्रीभट रूप पिवाती ॥
dohā saṃkā goraja ur̤ani meṃ, chavi pāvata gopāla| śrībhaṭa mānoṃ vyāhi ke, ghara āye na~dalāla|| pada gopāla lāla dūlaha gvāla barātī| gauvanara āge sakhīre zutha meṃ, rādhā dulahina lāla gavātī| dūṃdubhi dūdha duhana kī bājī, rājī (saba) gopa sajātī| āratau palaka neha-jala motī, śrībhaṭa rūpa pivātī ||
English translation
Fresh editorial translation from the Complete Yugala-Śataka source dossier authority
At dusk Gopāla returns through clouds of dust raised by the cows, Rādhā beside Him like a bride coming home with her groom. The milking vessels sound like festive drums, the gopīs array themselves for welcome, and their loving tears become pearls in an ārati offered to Their beauty.
Normalized Braj root controlled from the complete 1973 facsimile and its repeated Hindi commentary; an independent digital witness is used only where its numbering and text align. English is a fresh editorial rendering grounded in those retained controls.