Kelimālā Pada 51
Sourceराग केदारौ प्यारी अब क्यौं हूँ क्यौं हूँ आई है। इत तुम श्रमित अधिक मनमोहन मैं कोटि जतन समझाई है॥ उत हठ करति बहुत नव नागरि तैसीये नई ठकुराई है। श्रीहरिदास के स्वामी स्याम कर जोरि मौन ह्वै दूबरे की राँधी खीर कहौ कौने खाई है॥
rāga kedārau pyārī aba kyauṃ hū~ kyauṃ hū~ āī hai| ita tuma śramita adhika manamohana maiṃ koṭi jatana samajhāī hai|| uta haṭha karati bahuta nava nāgari taisīye naī ṭhakurāī hai| śrīharidāsa ke svāmī syāma kara jori mauna hvai dūbare kī rā~dhī khīra kahau kaune khāī hai||
English translation
Now the beloved has come somehow; You were very weary here, oh Manamohana, I have explained this to her somehow. There the young clever one was sulking greatly like one who has new authority; Haridās's sovereign Śyāmā Kuñjabihārī is silent, with hands joined, say who has [ever] eaten khir prepared by a poor man.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 52
Sourceराग केदारौ सुनि धुनि मुरली वन बाजै हरि रास रच्यौ । कुंज कुंज द्रुम बेलि प्रफुल्लित मंडल कंचन मनिन खच्यौ ।। नृत्तत जुगलकिसोर जुवति जन मन मिलि राग केदारौ मच्यौ । श्रीहरिदास के स्वामी स्यामा कुंजबिहारी नीके री आजु प्यारौ लाल नच्यौ ॥
rāga kedārau suni dhuni muralī vana bājai hari rāsa racyau | kuṃja kuṃja druma beli praphullita maṃḍala kaṃcana manina khacyau || nṛttata jugalakisora juvati jana mana mili rāga kedārau macyau | śrīharidāsa ke svāmī syāmā kuṃjabihārī nīke rī āju pyārau lāla nacyau ||
English translation
Listen to the sound of the flute playing in the forest! Hari has arranged a rasa dance. In every bower, trees and creepers have blossomed, the dance-ground is of gold, studded with jewels. The youthful couple was dancing with the young women, notes sounded and rāga Kedārau broke out. Haridās's sovereigns are Śyāmā and Kuñjabihārī; dear Lāla was dancing elegantly.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 53
Sourceराग कल्यान जहाँ जहाँ चरन परत प्यारी जू तेरे तहाँ तहाँ मन मेरी करत फिरत परछाहीं। बहुत मूरति मेरी चँवर ढुरावति कोऊ बीरी खवावति एकब आरसी लै जाहीं।॥ और सेवा बहुत भाँतिन की जैसीयै कहैं कोऊ, तैसीयै करौं ज्यौं रुचि जानौं जाहीं श्रीहरिदास के स्वामी स्यामा कौं भलै मनावत दाइ उपाहीं ॥
rāga kalyāna jahā~ jahā~ carana parata pyārī jū tere tahā~ tahā~ mana merī karata phirata parachāhīṃ| bahuta mūrati merī ca~vara ḍhurāvati koū bīrī khavāvati ekaba ārasī lai jāhīṃ||| aura sevā bahuta bhā~tina kī jaisīyai kahaiṃ koū, taisīyai karauṃ jyauṃ ruci jānauṃ jāhīṃ śrīharidāsa ke svāmī syāmā kauṃ bhalai manāvata dāi upāhīṃ ||
English translation
Wherever your feet step, oh beloved, there my mind goes on making a shadow. Many are my forms: [one] waves a fly-whisk, one feeds you pan, one takes up a mirror now. There are many more kinds of service, and whichever anyone might suggest, I would do it, just as [I fulfil] any of [your] desires I know; Haridās's sovereign placates Śyāmā well, when he gets the chance.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 54
Sourceराग कल्यान यह कौन बात जु अबही और अबही और अबही औरे। देव नारि नाग नारि और नारि ते न होंइ और की औरै॥ पाछैं न सुनी अब हूँ आगें हूँ न ह्वै है यह गति अद्भुत रूप की और की औरै। श्रीहरिदास के स्वामी स्यामा कुंजबिहारी या रस ही बस भये यह भई और की औरै॥
rāga kalyāna yaha kauna bāta ju abahī aura abahī aura abahī aure| deva nāri nāga nāri aura nāri te na hoṃi aura kī aurai|| pāchaiṃ na sunī aba hū~ āgeṃ hū~ na hvai hai yaha gati adbhuta rūpa kī aura kī aurai| śrīharidāsa ke svāmī syāmā kuṃjabihārī yā rasa hī basa bhaye yaha bhaī aura kī aurai||
English translation
What is this being now one thing, now another, now something completely different; Goddesses, naga women and other women, they are not different; Such has not been heard before, is not now, nor shall be henceforth, this strange manner of beauty to be different; Haridās's sovereigns are Śyāmā and Kuñjabihārī, while he fell simply under the power of this sentiment, she became quite different.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 55
Sourceराग कल्यान माई ए वसीठ इनके ए इनके और धौं को परै बीच। हाथापाई करत जु श्रम भयौ अंग अरगजा की कीच॥। प्यारी जू के मुख अम्बुज को डहडहाट ऐसौ लागत ज्यौं अधरामृत की सींच। श्रीहरिदास के स्वामी स्यामा कुंजबिहारी के राग रंग लटपटानि के भेद न्यारे न्यारे जैसे पानी में पानी नरीच॥
rāga kalyāna māī e vasīṭha inake e inake aura dhauṃ ko parai bīca| hāthāpāī karata ju śrama bhayau aṃga aragajā kī kīca||| pyārī jū ke mukha ambuja ko ḍahaḍahāṭa aisau lāgata jyauṃ adharāmṛta kī sīṃca| śrīharidāsa ke svāmī syāmā kuṃjabihārī ke rāga raṃga laṭapaṭāni ke bheda nyāre nyāre jaise pānī meṃ pānī narīca||
English translation
Oh sakhī, he is her messenger, she his; who else, pray, could come between them? [From] the exertion of their [love-] battles, there was argaja mud on their bodies. The beloved’s lotus face is blossoming, it looks as if watered by the nectar of lips. The mysteries of Haridās's sovereigns Śyāmā and Kuñjabihārī’s merriment and embraces are wondrous, they are like reeds in deep water.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 56
Sourceराग कल्यान कस्तूरी कौ मर्दन अंग में कियें मुरली धरें पीताम्बर ओढ़ें कहति राधे हौं ही स्थाम। किसोर कुमकुम कौ सिंगार कियें सारी चुरी खुभी नेत्रनि दियें स्याम।। बाँह गहि लै चलै चलियै जू कुंज में चिते मुख हँसें मानौं एई स्याम। श्रीहरिदास के स्वामी स्याम छाती सौं छाती लगायें गौर स्याम।।
rāga kalyāna kastūrī kau mardana aṃga meṃ kiyeṃ muralī dhareṃ pītāmbara or̤heṃ kahati rādhe hauṃ hī sthāma| kisora kumakuma kau siṃgāra kiyeṃ sārī curī khubhī netrani diyeṃ syāma|| bā~ha gahi lai calai caliyai jū kuṃja meṃ cite mukha ha~seṃ mānauṃ eī syāma| śrīharidāsa ke svāmī syāma chātī sauṃ chātī lagāyeṃ gaura syāma||
English translation
Having rubbed [her] limbs with musk, holding a flute, wearing a yellow sash, she says: Rādhā, I am Śyāmā; The youth having decorated himself with saffron, [wearing] a san, bracelets and ear-stud, puts [Śyāmā’s] black colour on his eyes; [She] takes [his] arm: ‘Come, let us go to the bower’; [he] sees [her] face and smiles, it is as if she were Śyāmā. Haridās's sovereigns are Śyāmā and Kuñjabihārī, the fair and the dark embraced each other.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 57
Sourceराग कल्यान प्यारी तेरौ वदन चंद देखें मेरे हृदै सरोवर तें कमोदिनी फूली। मन के मनोरथ तरंग अपार सुन्दर्यता तहाँ गति भूली।॥। तेरी कोप ग्राह ग्रसें लियें जात छुड़ायौ न छूटत रह्यौ बुधि बल झूली। श्रीहरिदास के स्वामी स्यामा चरन बंसी सौं गहि काढ़ि रहे लटपटाइ गहि भुजमूली।।
rāga kalyāna pyārī terau vadana caṃda dekheṃ mere hṛdai sarovara teṃ kamodinī phūlī| mana ke manoratha taraṃga apāra sundaryatā tahā~ gati bhūlī|||| terī kopa grāha graseṃ liyeṃ jāta chur̤āyau na chūṭata rahyau budhi bala jhūlī| śrīharidāsa ke svāmī syāmā carana baṃsī sauṃ gahi kār̤hi rahe laṭapaṭāi gahi bhujamūlī||
English translation
Oh beloved, on seeing the moon of your face the lily in the pond of my heart blossomed; The unbounded waves of my mind’s desires were stilled by the beauty there; The crocodile of your anger has seized me and was carrying me off, I could not get free despite trying, [my] intelligence, captured, remained dangling; Oh Haridās's sovereign Śyāmā, may you catch [me] and extricate [me] with the fish-hook of your feet; [he] was still quivering, and [she] seized [his] upper arms.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 58
Sourceराग कल्यान प्यारी तेरौ वदन कनक कौ कन श्रम जल कन सोभा देत री। तामें तिल दृष्टि परत ही मन हरि लेत री॥ उर तन जाति पाति प्राननि कौ कटि सौं करि संकेत री। श्रीहरिदास की स्वामी स्यामा कुंजबिहारी कहत अचेत री॥
rāga kalyāna pyārī terau vadana kanaka kau kana śrama jala kana sobhā deta rī| tāmeṃ tila dṛṣṭi parata hī mana hari leta rī|| ura tana jāti pāti prānani kau kaṭi sauṃ kari saṃketa rī| śrīharidāsa kī svāmī syāmā kuṃjabihārī kahata aceta rī||
English translation
Oh beloved, your face is like a golden red lily, the drops of sweat give it splendour, oh friend; As soon as one sees the mole on it, it captivates the heart, oh friend; [My] heart and body are departing, [I] receive vital breath when you give me a hint with your waist, oh friend; Oh Haridās's sovereign Śyāmā, while speaking Kuñjabihārī became unconscious, oh friend.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 59
Sourceराग कल्यान वचन दै मान न करौं। कि मन वच क्रम तीन हुँ तें न टरौं॥ तेरेई कियें मान व्यापि होत तन कहि कैसे कै भरौं। श्रीहरिदास के स्वामी स्यामा कुंजबिहारी कहत री प्यारी कैसें कैं लरौं॥
rāga kalyāna vacana dai māna na karauṃ| ki mana vaca krama tīna hu~ teṃ na ṭarauṃ|| tereī kiyeṃ māna vyāpi hota tana kahi kaise kai bharauṃ| śrīharidāsa ke svāmī syāmā kuṃjabihārī kahata rī pyārī kaiseṃ kaiṃ larauṃ||
English translation
Make one promise - that ‘I shall not sulk’; ‘Mind, words and deeds, with all three I shall not draw back’; Your sulking spreads in [my] body, how can I bear it? Haridās's sovereign Śyāmā Kuñjabihārī says: how can I fight [it]?
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.
Kelimālā Pada 60
Sourceराग कल्यान कुंजबिहारी नाचत नीके; लाडि़ली नचावति नीके। औघर ताल धरैं श्रीस्यामा ताताथेई ताताथेई गावति संग पी के।। तांडव लास और अंग को गनें जे जे रुचि उपजति जी के। श्री हरिदास के स्वामी स्यामा कौ मेरु सरस भयौ और रस गुनी परे फीके।।
rāga kalyāna kuṃjabihārī nācata nīke; lāḍi़lī nacāvati nīke| aughara tāla dharaiṃ śrīsyāmā tātātheī tātātheī gāvati saṃga pī ke|| tāṃḍava lāsa aura aṃga ko ganeṃ je je ruci upajati jī ke| śrī haridāsa ke svāmī syāmā kau meru sarasa bhayau aura rasa gunī pare phīke||
English translation
Kuñjabihārī dances well, the dear one makes him dance well; Keeping the unique rhythm, Śyāmā calls ‘tāla-thei, tata-thei’ with her beloved; tāṇḍava and lāsya - who could count the other varieties [of dance], arising from the various desires of their hearts; The union of Haridās's sovereign Śyāmā [with Kuñjabihārī] became [so] full of emotion that [that of] other connoisseurs became insipid.
Normalized Braj controlled against the 1961/62 Mittal witness; English follows Rosenstein's complete critical translation, with note calls and obvious ABBYY spacing/name artefacts removed.