राम

श्रीराधा-माधव-लीला-माधुरी

The Sweetness of Śrī Rādhā-Mādhava's Līlās

Chapter 5 of 23Source scan pages 154–288135 paired passages

Original

Braj Bhasha and Hindi

श्रीराधा-माधव-लीला-माधुरी

[233]

(Rāga Bahār - Tīna Tāla)

नवल वृन्दावन शोभा-धाम। नवल बसन्त, नवल मलयानिल, तरुवर नवल ललाम॥ नवल कुसुम, मकरन्द नवल, रस-लोलुप नवल मिलिन्द। नवल मोर, शुक-सारि-कोकिला कुहकत नवल सुछन्द॥ नवल किशोर, नवल लीला-रत नवल किशोरी संग। नवल प्रेम, आनन्द नवल, अति मूर्छित नवल अनंग॥

[234]

(Rāga Basanta - Tīna Tāla)

नव कानन, नित नूतन तरु-गण, नव पल्लव, नव लता-वितान। नव-विकसित नव कुसुम सुगन्धित, नव मधुकर कर नव कलगान॥ नव मनहर मधु ऋतु, नित नूतन मलयानिल, नव मुकुल रसाल। नव-नव मधु, नव-नव कोकिल, नव तुलसी-मंजरी, नव वनमाल॥ नव मुरली-धुनि, नव आवाहन, नित-नवीन शुचि हास-विलास। नव ब्रज-तरुणी-गण, नव अर्पण, मधुर सुचारु नित्य नव रास॥ नव नट-नागर, नव वर नागरि, नित नव प्रेम-सुधा, नव नेह। नव माधुरी, नित्य नव लीला, नित नवीन बरसत रस-मेह॥

[235]

(Rāga Mālakośa - Tāla Tritāla)

निभृत-निकुंज-मध्य निशि-रत श्रीराधामाधव मधुर विलास। मधुर दिव्य लीला-प्रमत्त वर बहा रहे निर्मल निर्यास॥ बरस रही रस-सुधा मधुर शुचि, छाया सब दिशि अति उल्लास। लीलामय कर रहे निरन्तर नव-नव लीला ललित प्रकाश॥

English translation

The Sweetness of Śrī Rādhā-Mādhava's Līlās

[233]

(Raga Bahar - Tina Tala)

Ever-new Vrindavana is an abode of splendor. The spring is new, the Malaya breeze is new, and the splendid trees are new. New are the blossoms and their nectar; new are the bees greedy for rasa. New peacocks, parrots, saris and cuckoos call in ever-new freedom. The youthful Lord is new, delighting in new play with the ever-new youthful Lady. Their love and bliss are new, and even Love himself swoons anew.

[234]

(Raga Basanta - Tina Tala)

The grove is new; its hosts of trees are forever fresh, with new leaves and new canopies of vines. Newly opened, fragrant flowers bloom, and new bees make new melodious songs. The enchanting spring is new; ever-new Malaya breezes move among fresh mango buds. New honey, new cuckoos, fresh tulasi blossoms and new forest garlands abound. The flute sounds anew and issues a new summons; pure smiles and playful graces are ever fresh. The young women of Vraja offer themselves anew, and the sweet, beautiful rasa dance is forever new. The master dancer is new and His excellent Lady is new; the nectar of love and affection is ever new. Their sweetness and līlās are eternally new, while ever-fresh clouds rain rasa.

[235]

(Raga Malakosa - Tala Tritala)

In the secluded grove at night, Śrī Rādhā-Mādhava enjoy sweet pastimes. Intoxicated by divine, sweet līlā, the blessed Pair pour forth its stainless essence. Pure, sweet nectar of rasa rains down, and immense delight spreads in every direction. The embodiments of līlā eternally reveal graceful pastimes, each forever new.

Original

Hindi and Braj Bhasha

Continuation of [235]

सेवामयी परम चतुरा अति स्वसुख-वासनाहीन ललाम। यथायोग साधन-सामग्री वे प्रस्तुत करतीं, निष्काम॥ ‘मधुर युगल हों परम सुखी’, बस, केवल यह इच्छा अभिराम। निरख रहीं पवित्र नेत्रोंसे युगल मधुर लीला अविराम॥

[236]

(Rāga Āsāvarī - Tīna Tāla)

प्रिया-प्रीतम नित करत विहार। नित्य निकुंज परम शोभन शुचि, माया-गुण-गो-पार॥ नहिं तहँ रवि-शशि की द्युति, नहिं तहँ भौतिक अन्य प्रकाश। नित्य उदित दिव्याभा तनु की छाई रहत आकाश॥ जिनकी पद-नख-प्रभा ब्रह्म बनि ज्ञानी-जन-मन छाई। जिनकी ही सत्ता-प्रभुता सब जगमें रही समाई॥ जिनके हास-विलास-रास-रस सब निर्गुण हरि-रूप। मायिक गुण प्रविशत न तहाँ, चिन्मय सब वस्तु अनूप॥ दिव्य निकुंज मध्य नहिं सम्भव अशरीरी-अस्तित्व। विलसित नित्य दिव्य अति भगवद्-रूप प्रेम कौ तत्त्व॥ सखी-मंजरी, सज्जा-शोभा, लीला-साधन अन्य। सबहि श्याम-श्यामामय, प्राकृत नाम, भए ते धन्य॥ कहत-सुनत-समुझत सोई मानव, जो तजि भोगासक्ति। रहत निरन्तर सेवा-रत, जो करत भाव-रस भक्ति॥ सोई देखत निकुंज की लीला अनुपम दिव्य महान। जिन कों दे अधिकार दिखावत स्वयं जुगल भगवान्॥

[237]

(Rāga Kāliṅgaḍā - Tāla Kaharavā)

देख रहा मैं, करते लीला श्रीराधा-माधव सुख-धाम। नित्य निकुंज निभृतमें रसमय मधुर मनोहर दिव्य ललाम॥ त्यागमयी सब सखी-मंजरी रहतीं सेवामें तल्लीन। किये नित्य राधा-माधव-सुख-सेवा-रस-निधिमें मन-मीन॥

English translation

Continuation of [235]

The foremost attendants, filled with service and supremely skillful, are utterly free from any desire for personal happiness. Selflessly they present every fitting implement and ingredient for the līlā. Their sole enchanting wish is, "May the sweet Couple be supremely happy." With pure eyes they behold the sweet Couple's unceasing līlā.

[236]

(Raga Asavari - Tina Tala)

The Beloved Lady and Her Beloved eternally sport. Their eternal grove is supremely beautiful and pure, beyond Māyā, her qualities and the senses. Neither sun nor moon shines there, nor does any material light. The sky remains filled with the ever-risen divine radiance of Their bodies. The splendor of Their toenails becomes Brahman and pervades the minds of the wise. Their power and sovereignty alone pervade the entire universe. The rasa of Their smiles, play and rasa dance is entirely the transcendental form of Hari. No material quality enters there; every incomparable thing is conscious and divine. Within the divine grove there can be no disembodied existence. There the principle of love, eternally manifest and supremely divine, possesses the very form of Bhagavān. The sakhis and mañjarīs, the beautiful adornments and every other instrument of līlā are all pervaded by Śyāma and Śyāmā. Though known by worldly names, they are blessed. Only one who abandons attachment to enjoyment can speak, hear and understand this. One who remains constantly absorbed in service and practices devotion steeped in bhāva and rasa beholds the incomparable, exalted and divine līlā of the grove, when the Divine Couple Themselves grant that soul the right to see it.

[237]

(Raga Kalingada - Tala Kaharava)

I behold Śrī Rādhā-Mādhava, the abode of happiness, performing Their līlā. In the secluded eternal grove They are the most splendid, sweet, enchanting and divine embodiments of rasa. All the self-renouncing sakhis and mañjarīs remain absorbed in service. They make the fish of their minds dwell forever in the ocean of rasa that is service for Rādhā-Mādhava's happiness.

Original

Hindi and Braj Bhasha

Continuation of [237]

उठतीं रस-समुद्रमें प्रतिपल दिव्य विविध रसमयी तरंग। नित्य नवीन सुधा-विस्तारिणि, नित्य नवीन दिव्य रस-रंग॥ नहीं काम आदिक विकार कुछ, नहीं वासना-लेशाभास। चिदानन्दमय होता रहता परम अलौकिक रास-विलास॥ मिटी सकल कल्पना जगतकी, नहीं रह गया कुछ अवशेष। लीलामय श्रीराधा-माधव, लीला नित नव, शेषी-शेष॥

[238]

(Rāga Pīlū - Tāla Kaharavā)

मोहन के हिय में भरी मधुर सुधा-रसखान। निकसी वह मधु-सरित-सी बनि मुरली की तान॥ निज रस-सरिता मधुर में वृत्ति हुई तल्लीन। मुरलि-समाधि लगी, हुए बाह्य-चेतना-हीन॥ त्यों ही मोहन-मोहनी सुनि मुरली-संगीत। हुई स्तब्ध बेभान ज्यों, चित्र-लिखी-सी भीत॥

[239]

(Rāga Pīlū - Tīna Tāla)

बटाऊ! वा मग तैं मति जइयो। गली भयावनि भारी, जा में सबरौ माल लुटइयो॥ ठाढ़ौ तहाँ तमाल-नील इक छैल-छबीलौ छैयो। नंगे बदन मदन-मद मारत, मधुर-मधुर मुसकइयो॥ देखन कौं अति भोरौ छोरा, जादूगर बहु सैयो। हरत चित्त-धन सरबस तुरतहिं, नहिं कोउ ताहि रुकइयो॥

English translation

Continuation of [237]

At every moment, diverse divine waves filled with rasa rise upon that ocean of rasa. They forever expand fresh nectar and display ever-new divine colors of rasa. There is no distortion such as lust and not even the faintest trace of desire. The supremely transcendent rasa play remains wholly composed of consciousness and bliss. Every imagination of the world has vanished; nothing of it remains. Śrī Rādhā-Mādhava are filled with līlā, Their līlā is forever new, and They are the whole of possessor and possession.

[238]

(Raga Pilu - Tala Kaharava)

Mohana's heart is filled with a treasury of sweet nectarean rasa. It flows out like a river of honey, becoming the melody of His flute. His awareness becomes absorbed in His own sweet river of rasa. Entering the flute's samādhi, He loses all outward awareness. As soon as Mohana's Enchantress hears the music of the flute, She too becomes motionless and insensible, like a figure painted upon a wall.

[239]

(Raga Pilu - Tina Tala)

Traveler, do not go by that road! It is a terribly dangerous lane where all your treasure will be plundered. A charming, handsome rogue stands there, dark as a tamāla tree. His bare form shatters the pride of Love, and He smiles ever so sweetly. He looks like a very innocent boy, yet He is a most cunning magician. In an instant He steals the entire wealth of the heart, and no one can stop Him.

Original

Braj Bhasha

[240]

(Rāga Kāmoda - Tīna Tāla)

श्याम मोरे ढिग तें कबहुँ न जावै। कहा कहूँ सखि! गैल न छाड़ै, जित जाऊँ तित धावै॥ गैया दुहत गोद आ बैठे, दूध धार पी जावै। दही मथत नवनीत लेबे कौं, मटकी माहिं समावै॥ रोटी करत आइ चौका में, ऊधम अमित मचावै। जेवत बेर संग आ बैठे, माल-माल गटकावै॥ सखियन संग बतरात आइ सो पंचराज बनि जावै। मुरली मधुर बजाय देखु सखि, मोहन हमहिं रिझावै॥ सोवत समे सेज आ पौढ़े, गृह-स्वामी बनि जावै। स्वल्प निंदरिया बीच सपन महँ माधुरी-रूप दिखावै॥ तदपि न बरजत बने ताहि सखि! चित अति ही सुख पावै। बारहिं बार निहारि चन्द्र-मुख, अन्तर अति हुलसावै॥

[241]

(Rāga Khaṭa - Jhapatāla)

मोहन-मुख-पंकज पै सरबस दीन्हों वार री॥ ननद कह्यो मो तें अति नेह सों, ‘भाभी! सुन, एक बात मेरी तू मन तैं ले मान री। निरखि ले मोहन कौ मोहन मुखारविन्द, एक बार नैन भरि, तजि के सब गुमान री।’ गरब भरी हों हठीली नहीं मानी बात, कहो दुत्कार, ‘ब्रजनारी! भूली भान री। नन्द के नैक-से छोरा पै तजि दीन्हीं, सारी मरजादा, लोक-लाज, कुल-कान री।’

English translation

[240]

(Raga Kamoda - Tina Tala)

Śyāma never goes away from my side. What can I tell you, friend? He never leaves my path; wherever I go, He runs there too. When I milk the cow, He sits in my lap and drinks the stream of milk. When I churn curd, He enters the pot to take the fresh butter. While I make bread, He comes into the kitchen and creates endless mischief. When I sit to eat, He sits beside me and gulps down morsel after morsel. When I talk with my friends, He comes and makes Himself their sovereign. Look, friend: Mohana plays His sweet flute and charms us all. When I sleep, He lies upon my bed and becomes the master of the house. Within my light sleep He reveals His form of sweetness in dreams. Yet I cannot forbid Him, friend, for my heart receives immense joy. Again and again I gaze upon His moonlike face, and my whole being thrills.

[241]

(Raga Khata - Jhapatala)

I have surrendered everything to the lotus of Mohana's face. My husband's sister said to me with deep affection, "Sister-in-law, listen. Accept one thing I tell you from my heart. Look upon Mohana's enchanting lotus face just once with eyes filled full, abandoning every pride." Proud and stubborn, I would not listen. I rebuked her: "Woman of Vraja, you have lost your senses! For Nanda's insignificant little boy you have abandoned all decorum, public honor and the dignity of your family."

Original

Braj Bhasha and Hindi

Continuation of [241]

ननद सुनि बात मेरी हँसि कै दीन्हीं टार री। मोहन-मुख-पंकज पै सरबस दीन्हों वार री॥

ननद कौ डाँटि मानौ गढ़ जीति आई हों, गरब में भरी जाय लागी गृह-काम री।

मन नाहिं माने, मनाय हारी बार-बार, पल-पल में याद आवे मोहन प्रिय श्याम री॥

कृष्ण-कृष्ण कहें सब, मोहि अति प्यारौ लगे, मन गुदगुदी होइ, बोलूँ कृष्ण-नाम री।

‘हा कृष्ण! हा प्रिय कृष्ण!’ मैं पुकारि उठी बरबस, बही अश्रुधार, चौंकी सब बाम री॥

भई मैं अचेत, देखि मोहि हँस्यो परिवार री। मोहन-मुख-पंकज पै सरबस दीन्हों वार री॥

‘सारी ब्रजनारिन कौं बेभान कहति हुती, भाभी! तू भई बेभान क्यों अबार री?’

‘हा हा! बीर! कहा कहूँ, बिंध्यो आय तीर हियें, तासों बही प्रेम-रस-सुधा-धार री॥

बेगि मो मिलाय प्राण-प्यारे मनमोहन सों, जनम-जनम भूलूँ नहीं उपकार री।

जाकौ नाम हृदय बेधि, दे बहाय सुधा-धार, ताकौ बस मिलन सब सार-कौ-सार री॥’

श्याम प्रगट भए तहाँ, बामा के प्यार री। मोहन-मुख-पंकज पै सरबस दीन्हों वार री॥

[242]

(Rāga Bhīmapalāsī - Tāla Kaharavā)

करते कभी छेड़ अति प्यारी, भर लेते अंकवार। पीते कभी, पिलाते रस अति मधुर-मनोहर कर मनुहार॥

English translation

Continuation of [241]

Hearing my words, my husband's sister laughed and dismissed them. I have surrendered everything to the lotus of Mohana's face.

After scolding her, I felt as though I had conquered a fortress. Filled with pride, I went away and began my household work.

But my mind would not obey. Again and again I failed to pacify it, for at every moment my beloved Mohana Śyāma returned to memory.

Everyone said, "Kṛṣṇa, Kṛṣṇa," and the name sounded exceedingly dear to me. My heart tingled with delight whenever I spoke Kṛṣṇa's name.

"O Kṛṣṇa! O beloved Kṛṣṇa!" I suddenly cried out helplessly. A stream of tears flowed, startling all the women.

I lost consciousness, and my family laughed when they saw me. I have surrendered everything to the lotus of Mohana's face.

"You used to call all the women of Vraja senseless. Sister-in-law, why have you now become senseless yourself?"

"Alas, sister! What can I say? An arrow has come and pierced my heart, and from that wound a stream of the nectar of loving rasa has flowed.

Quickly unite me with my life's beloved, the enchanter of my mind. Birth after birth I shall never forget this kindness.

His mere name pierced my heart and made a stream of nectar flow. Union with Him alone is the essence of every essence."

Śyāma appeared there through His love for that fair one. I have surrendered everything to the lotus of Mohana's face.

[242]

(Raga Bhimapalasi - Tala Kaharava)

At times He teases His most beloved Lady and gathers Her into His embrace. At times He drinks and gives Her to drink exceedingly sweet and enchanting rasa, tenderly coaxing Her.

Original

Hindi and Braj Bhasha

Continuation of [242]

करते विविध भाँति क्रीड़ा वे, भरते प्रेम-सुधा-भरपूर। कर देते शुचि दिव्य प्रेम- मद की मधु मादकता में चूर॥

[243]

(Rāga Alhaiyā - Tīna Tāla)

गोपी घर तें निकसी बेचन दधि सिर धर भर कर मटकी। ‘लेहु श्याम-गोविन्द’ पुकारत फिरत बावरी-सी भटकी॥ रँगी श्याम-रंग, वृत्ति-दृष्टि-मधुकरी श्याम-सरसिज अटकी। मुग्ध-मनोहर छवि पिय, बलिहारी फहरानि पीत पट की॥

[244]

(Rāga Śuddha Sāraṅga - Tīna Tāla)

ग्वालिनी भूली तन-धन-धाम। फूली फिरत बावरी इत-उत निरखत मोहन-छवि अभिराम॥ डोलत सर-सरिता-तट, कानन-कुंज सदा एकाकिनि बाम। जहँ दृग जाय तहाँ नित दीखत सोहन प्रियतम-बदन ललाम॥ एक दिना भटकत एकान्त बन, दृष्टि गई नभ दिसि सुठि ठाम। अपलक नैन मुग्ध भई ठाढ़ी, निरखत छवि मनमोहन श्याम॥ देश काल सब भये कृष्णमय, छये कृष्णघन तत्त्व तमाम। धन्य ग्वालिनी जाके दृग-पंकज बन मधुप बसे घनश्याम॥

[245]

(Rāga Sāraṅga - Tīna Tāla)

चली श्याम-गत-चित्ता ग्वालिनि धर सिर दधि-पूरन मटकी। चिन्तत श्याम, पुकारत श्यामहि, पहुँची वन एकान्त भटकी॥ मधुर-विकलता गोपी-मन की, श्याम-चित्त में जा खटकी। प्रगटे तुरत, मधुर गोपी-मुख-पद्म दृष्टि-भ्रमरी अटकी॥

English translation

Continuation of [242]

They sport together in many different ways and fill one another completely with the nectar of love. They leave one another wholly intoxicated by the honeyed ecstasy of pure, divine love.

[243]

(Raga Alhaiya - Tina Tala)

A gopī leaves home to sell curd, carrying a full pot upon her head. Wandering like one gone mad, she calls, "Take Śyāma-Govinda!" Dyed in Śyāma's color, the bees of her awareness and sight cling to the lotus of Śyāma. She is enchanted by her Beloved's captivating beauty and surrenders herself to His fluttering yellow cloth.

[244]

(Raga Suddha Saranga - Tina Tala)

The cowherd woman forgets body, wealth and home. Thrilled and seemingly mad, she wanders here and there, beholding Mohana's enchanting beauty. The fair one roams alone beside lakes and rivers and through forest bowers. Wherever her eyes turn, she always sees the splendid face of her beloved. One day, wandering in a lonely forest, her gaze rises to a lovely place in the sky. She stands entranced and unblinking, beholding the beauty of mind-enchanting Śyāma. Place and time become filled with Kṛṣṇa; the dark cloud of Kṛṣṇa covers every reality. Blessed is the cowherd woman within whose lotus eyes dark Śyāma dwells as a bee.

[245]

(Raga Saranga - Tina Tala)

With her consciousness gone to Śyāma, the cowherd woman walks on, a curd-filled pot upon her head. Thinking of Śyāma and calling out to Him, she wanders into a secluded forest. The sweet anguish in the gopī's heart touches Śyāma's own heart. He appears at once, and the bee of His gaze settles upon the lotus of the sweet gopī's face.

Original

Braj Bhasha

Continuation of [245]

निरखि श्याम सम्मुख सहसा मन छयो अमित अचरज आनन्द। देखि रही अपलक अचरज, अंगुरि धरि चिबुक, वदन सुख-कन्द॥ रसमय श्याम लैन हिय-रस-दधि भर्यो लगे लूटन स्वच्छन्द। छलक्यो दधि उत-इत, मन-रस-निधि छलक्यो, बढ़्यो तोरि सब बन्ध॥

[246]

(Rāga Jhiñjhoṭī - Tīna Tāla)

मधुर ब्रजराजकुमार वन तैं बनि आए। मधुर भेष नटवर-वपु, अद्भुत छवि छाए॥ छवि-समुद्र मधुर देह, चिन्मय अति सरस नेह, बरसत नित रूप-मेह, रस-नदी बहाए॥ मधुर अति विशाल हृदय, मधुर चित्त नित्य सदय, मधुर बुद्धि कृपा-निलय, कृपानिधि लुटाए॥ मधुर श्याम नील रंग, मधुर पीत वसन अंग, मधुर ललित तन त्रिभंग, मोद मन भराए॥ अधरनि धरें मुरलि मधुर, मधुर सप्त बाजत सुर, मोर-पिच्छ मुकुट मधुर, शोभा बगराए॥ मधुर कुटिल भृकुटि-नैन, कुंचित कच मधुर ऐन, सुधा-सने मधुर बैन, अमृत बरसाए॥ मधुर भुज, विशाल कन्ध, मधुर दिव्य अंग-गन्ध, मधुर माल वर सुगन्ध, करषत मन आए॥ मधुर फुल्ल कमल-वदन, मधुर चिबुक रूप-सदन, मधुर रसन क्लेश-कदन, दुःख-अघ नसाए॥ मधुर बिम्ब-सदृश अधर, मधुर दशन-पाँति सुघर, मधुर हास मुनि-मन-हर, सुषमा सरसाए॥ मधुर अरुण गोल गाल, मधुर कुण्डल अति रसाल, मधुर तिलक सोह भाल, द्युति अति दमकाए॥

English translation

Continuation of [245]

Suddenly seeing Śyāma before her, her heart is filled with immeasurable wonder and bliss. She gazes unblinking in amazement, finger upon her chin, at His face, the root of happiness. Rasa-filled Śyāma begins freely plundering the curd of rasa that fills her heart. The curd spills everywhere; the treasury of rasa in her heart overflows and, breaking every bond, swells higher.

[246]

(Raga Jhinjhoti - Tina Tala)

The sweet prince of Vraja returns beautifully arrayed from the forest. His sweet attire, supreme dancer's form and wondrous beauty spread everywhere. His sweet body is an ocean of beauty; His love is conscious and exceedingly full of rasa. Ever raining clouds of beauty, He makes a river of rasa flow. His vast heart is sweet, His mind is sweet and ever compassionate. His sweet intelligence is mercy's abode, and He freely distributes His treasury of grace. His dark blue color is sweet, and the yellow cloth upon His limbs is sweet. His sweet, graceful body bends in three places and fills the heart with joy. At His lips He holds the sweet flute, from which seven sweet notes sound. His sweet peacock-feather crown spreads beauty everywhere. His curved brows and eyes are sweet, and His curling locks are sweetness itself. His sweet words are steeped in nectar and shower immortality. His arms are sweet, His broad shoulders sweet, and the divine fragrance of His limbs is sweet. His excellent fragrant garland is sweet and comes to draw every mind. His blossoming lotus face is sweet; His chin is sweet, an abode of beauty. His sweet tongue destroys affliction and dispels sorrow and sin. His bimba-like lips are sweet, and the fine rows of His teeth are sweet. His sweet smile steals sages' minds and makes beauty overflow with rasa. His round crimson cheeks are sweet, and His earrings are exceedingly luscious. The sweet tilaka shines upon His brow, flashing with dazzling radiance.

Original

Braj Bhasha

Continuation of [246]

मधुर कण्ठ कमल-हार, मधुर मधुप कर गुंजार, मधुर गुंज-माल धार, नाचत हरि धाए॥ मधुर कटि, उदार उदर, त्रिवली-मधुर नाभि सुघर, मधुर श्रवण, नासावर, मधुरिमा रमाए॥ भूषण शृंगार मधुर, किंकिणि-झनकार मधुर, नूपुर-छमकार मधुर, अग-जग मधुराए॥ मधुर अंग-अंग सुठाम, कोटि-कोटि लजत काम, मुनि-मन-नैनाभिराम, रूप-निधि भराए॥ मधुर धातु अति विचित्र, अंग-अंग मधुर चित्र, रचे रुचिर मधुर मित्र, प्रेम-रस बढ़ाए॥ वृन्दावन मधुर वास, मधुर रसिक, मधुर रास, मधुर सकल रस-विलास, रसिक-रूप भाए॥

[247]

(Rāga Īmana - Tīna Tāla)

नीलमणि धेनु लिये संग आवत। गोपद-धूरि गगन महँ छाई, गो-धन इत-उत धावत॥ क्रीड़त ग्वाल-बाल-संग प्रमुदित हिलि-मिलि, हँसत-हँसावत। नाचत-कूदत विविध ताल दे, वेणु-विषाण बजावत॥ मुरली-धुनि सुनि मधुर कान्ह की, घर-घर मंगल छाए। ब्रज-जन-मन-रंजन दुःख-भंजन मोहन वन तें आए॥ अलकावलि अलि-पाँति-लजावनि, कुटिल भृकुटि अति बाँकी। सिर शिखि-पिच्छ मुकुट मणि-मण्डित, मधुर मनोहर झाँकी॥ वन विहरत श्रम-जनित स्वेद-कण शुभ ललाट पर झलकत। नीलोत्पल-दल-कान्ति मनोहर, प्रेम-सुधा-सर छलकत॥ जलद निरखि ज्यों तृषित चातकी चित्त निरतिशय हरषत। गोपीजन त्यों मगन होत हरि-रूप-माधुरी निरखत॥ रसमय वलित ललित मणि-कुण्डल गण्ड-मुकुर अति चमकत। नटवर-वेष मदनमोहन की रूप-ज्योति अति दमकत॥

English translation

Continuation of [246]

His throat and lotus garland are sweet, and the bees' humming around them is sweet. Wearing a sweet necklace of guñjā berries, Hari comes dancing. His waist is sweet, His generous abdomen sweet, and His three folds and shapely navel are sweet. His ears and excellent nose are sweet, immersing all in sweetness. His ornaments and adornment are sweet, and the ringing of His waist bells is sweet. The chiming of His anklets is sweet, making all moving and unmoving existence sweet. Every well-formed limb is sweet and puts millions of Cupids to shame. Delighting sages' minds and eyes, He fills all with the treasury of His beauty. His colorful mineral decorations are sweet, and sweet designs adorn every limb. Lovingly painted by His dear friends, they increase the rasa of love. His dwelling in Vrindavana is sweet, its connoisseurs are sweet, and its rasa dance is sweet. Every play of rasa is sweet, for His connoisseur's form delights the heart.

[247]

(Raga Imana - Tina Tala)

Nīlamaṇi returns, bringing the cows with Him. Dust raised by their hooves fills the sky, while the herds run here and there. Delighted, He mingles and plays with the cowherd boys, laughing and making them laugh. They dance and leap in many rhythms, sounding flutes and horns. Hearing Kānha's sweet flute melody, auspiciousness fills every home. Mohana, who delights the people of Vraja and destroys sorrow, has returned from the forest. His rows of curls shame lines of bees, and His curved brows are exceedingly graceful. A peacock-feather crown set with jewels rests upon His head, creating a sweet, enchanting vision. Drops of perspiration from roaming the forest glisten upon His lovely brow. His enchanting complexion resembles blue-lotus petals, while a lake of love's nectar overflows. As a thirsty cātaka rejoices beyond measure on seeing a raincloud, the gopīs become absorbed on beholding the sweetness of Hari's form. His graceful jeweled earrings, curved and filled with rasa, flash upon the mirrors of His cheeks. The radiance of Madanamohana's beauty shines brilliantly in His attire as the supreme dancer.

Original

Braj Bhasha

[248]

(Rāga Dhanāśrī - Tīna Tāla)

नीलमणि मनहर वन तें आवत। करतल लकुटि धेनु की हटकनि, वेणु अधर मीठे सुर गावत॥ नील-श्याम तन मदन-मनोहर, अंग-अंग अतिशय छवि पावत। बाँकी भौंह, कमल-दल-लोचन, करि विनोद सब सखनि हँसावत॥ कारी-धौरी धूमरि-धूसरि चितकबरी ले नाम बुलावत। नाचत-कूदत-उछरत कबहूँ, मन्द-गयन्द-गतिहि सरमावत॥ रूप-सुधा-सर विमल मनौ ब्रज-जुवतिन-मन-कुमुदहि विकसित। मुख-शरदिन्दु उदित छिन महँ सब गोपिन विरह-तमिस्र नसावत॥ विविध सौरभित सुमन-माल गल, नव पल्लव-सुषमा सरसावत। चपल ग्वाल-बालन संग हिलि-मिलि नाना विधि कौतुक उपजावत॥ निरखि परम सौन्दर्य मधुर अतुलित मनमथ-मन सहज लजावत। मोहन छैल-छबीले नटवर सब पर रूप-ठगौरी लावत॥

[249]

(Rāga Gaurī - Tīna Tāla)

नन्दसुत रसमय वन तैं आवत। रसमय करत विनोद विविध विधि, रसमय नयन नचावत॥ रसमय गो-पद-धूलि-धूसरित, रसमय वत्स खिलावत। रसमय नटवर-रूप मनोहर, रसमय कमल फिरावत॥ रसमय श्याम-नील श्रीतनु पर उज्ज्वल द्युति दमकावत। रसमय पीत वसन विद्युत-सम अनिल-लहर लहरावत॥ रसमय मधुर अधर धर मुरली, रसमय तान सुनावत। रसमय मधुर सुधाधर सुर सों रसमय रागिनि गावत॥ रसमय गोल कपोल, श्रवण रसमय कुण्डल झलकावत। रसमय भृकुटि कुटिल सों रसमय गोपी-मन सरसावत॥

English translation

[248]

(Raga Dhanasri - Tina Tala)

Enchanting Nīlamaṇi returns from the forest. A herding stick rests in His palm, and at His lips the flute sings sweet notes. His dark blue body enchants even Love, and every limb possesses surpassing beauty. With graceful brows and lotus-petal eyes, He jokes and makes all His friends laugh. He calls the black, white, smoke-colored, gray and spotted cows by name. At times He dances, leaps and bounds; at others His slow elephant gait puts proud elephants to shame. Like a pure lake of beauty's nectar, He makes the lily-hearts of Vraja's young women bloom. The autumn moon of His face rises in an instant and dispels every gopī's darkness of separation. Many fragrant flower garlands adorn His throat, enriched by the beauty of fresh leaves. Mingling with the lively cowherd boys, He creates all kinds of playful wonders. Seeing His incomparable, supremely sweet beauty, even Cupid's mind naturally grows ashamed. Mohana, the handsome and charming supreme dancer, casts the spell of His beauty upon everyone.

[249]

(Raga Gauri - Tina Tala)

Nanda's son, filled with rasa, returns from the forest. Filled with rasa, He sports in many ways and playfully moves His rasa-filled eyes. His limbs are sweetly dusted by the cows' hooves, and He fondles the calves in rasa. His enchanting dancer's form is filled with rasa, and He twirls a rasa-filled lotus. Upon His beautiful dark blue body a bright, rasa-filled radiance flashes. His yellow cloth, filled with rasa, waves in the breeze like lightning. He places the flute upon His sweet, rasa-filled lips and sounds melodies filled with rasa. With nectar-bearing notes filled with rasa, He sings melodies steeped in rasa. His round cheeks are filled with rasa, and rasa-filled earrings flash at His ears. With His curved, rasa-filled brows, He fills the gopīs' minds with rasa.

Original

Braj Bhasha

Continuation of [249]

रसमय घुँघरारी अलकावलि अलिकुल-पाँति लजावत। रसमय सिर शिखि-पिच्छ मुकुट रसमय सुषमा बगरावत॥ रसमय सकल अंग अति रसमय, मधुर-मधुर मुसुकावत। रसमय ललित भंगिमा रसमय सखनि समोद हँसावत॥

[250]

(Rāga Gaurī - Tīna Tāla)

वन तें घर हरि पहुँचे आय। गावत, नाचत, ताल बजावत, आगे-पाछे गाय॥ पीत-हेम-अम्बर शुभ सोहत, वन-माला गल राजत। विविध विचित्र चित्र तनु मण्डित, मुरली अधर विराजत॥ अंग सकल गोधूलि-धूसरित, कुंचित कुन्तल सोहत। गुँथे सुमन नव पल्लव युत, शिखि-पिच्छ-मुकुट मन मोहत॥ कुण्डल मकराकृत श्रुति शोभित, पुष्प कनेर सुरंगी। अरुणाभा श्यामल कपोल दमकत, दृग वंकिम भंगी॥ रुनझुन-रुनझुन किंकिणि बाजत, नूपुर पग झनकारत। ब्रज-नव-रमणि निरखि छवि मोहन, बरबस सरबस वारत॥

[251]

(Rāga Bhairava - Tīna Tāla)

देखी आजु अनोखी बात। गई हुती लै खरिक दोहनी, सुमिरत मोहन-गात॥ मन की जाननिहारे आए, मुरली मधुर बजात। निरखि रहे ग्वालिनि-तन ठाढ़े, मधुर-मधुर मुसुकात॥ सुनि मुरली-धुनि तिरछे नयननि निरखत मुख-जलजात। भई बावरी, बिसरी तन-सुधि, रही नहीं कछु ज्ञात॥ गैया के बदले नोई लै बाँधी बरधा-लात। प्रेम-सुधा-रस छकी ग्वालिनी ठाढ़ी पुलकित गात॥

English translation

Continuation of [249]

His rasa-filled rows of curling locks put swarms of bees to shame. The peacock-feather crown upon His head spreads rasa-filled beauty. Every limb is rasa-filled, utterly filled with rasa, and He smiles ever so sweetly. His graceful gestures are filled with rasa, and He joyfully makes His friends laugh.

[250]

(Raga Gauri - Tina Tala)

Hari returns home from the forest. He sings, dances and marks the rhythm, while cows move before and behind Him. His auspicious golden-yellow garment shines, and a forest garland adorns His throat. Many wondrous painted designs decorate His body, and the flute rests upon His lips. Every limb is dusted with the cows' dust, and His curling locks are beautiful. Flowers and new leaves are woven into them, while His peacock-feather crown steals the mind. Fish-shaped earrings adorn His ears, together with brightly colored oleander flowers. His dark cheeks glow crimson, and His sidelong eyes are gracefully curved. His waist bells ring runajhuna, and the anklets upon His feet resound. Beholding Mohana's beauty, the young women of Vraja helplessly surrender everything.

[251]

(Raga Bhairava - Tina Tala)

Today I saw an astonishing thing. I had gone to the cowshed carrying the milk pail, remembering Mohana's form. He who knows the heart arrived, playing His sweet flute. He stood gazing at the cowherd woman's form and smiled ever so sweetly. Hearing the flute, she looked upon His lotus face with sidelong eyes. She went mad, forgot all bodily awareness and knew nothing at all. Instead of tethering the cow, she took the rope and tied it around the bull's leg. Intoxicated by the nectar of love, the cowherd woman stood with every limb thrilled.

Original

Hindi and Braj Bhasha

[252]

(Rāga Jaṅgalā - Tāla Kaharavā)

यमुना-तट-संनिकट कुंजमें मृदुल शिलापर मोहन श्याम। बैठे रूप-छटा बिखराते, बजा रहे वंशी अभिराम॥ सजी-सजायी चली जा रही गोपी ले करमें मटकी। जल भरने, सुन मुरली-ध्वनि, वह रही राहमें ही अटकी॥ खिंची लोह-चुम्बक-सी मुनि-मन-मोहन-मुख-माधुर्य निहार। जा बैठी विमुग्ध, विस्मित-सी, भूल भवन-तन-मन-संसार॥ भरा अमित आमोद हृदयमें, उपजा मन मधुमय अभिलाष। बैठी रहूँ सदा यों ही, बस, मुग्ध हुई मोहनके पास॥

[253]

(Rāga Bhairavī - Tīna Tāla)

माधुरी मुरली अधर धरें। बैठे मदनगुपाल मनोहर सुन्दर कदम्ब तरें॥ इत-उत अमित ब्रज-वधू ठाढ़ीं, विविध विनोद करें। गाय-मयूर-मधुप रस-माते, नहीं समाधि टरै॥ झाँकी अति बाँकी ब्रज-सुत की, कलुष-क्लेश हरै। बसत नयन-मन नित्य निरन्तर, नव-नव रति संचरै॥

[254]

(Rāga Khamāca - Tīna Tāla)

बजावत मुरली श्याम सुजान। बनि संगीत-रूप रसमय प्रिय छेड़त मीठी तान॥ धन्य भई सब राग-रागिनीं, बड़भागिनी महान। हरि-मुख बसीं, निकसि मुरली-छिद्रन तें सुधा-समान॥ हर्यो सकल विष जग-विषयन कौ, कर्यो उदय अनुराग। प्रियतम श्याम-चरण-पंकज में, भयो सहज सब त्याग॥ टूटि गये सब बन्धन, जागे परम सखी के भाग। मुरली की मोहनी मिटाए भोग-विराग-विभाग॥

English translation

[252]

(Raga Jangala - Tala Kaharava)

In a grove near the Yamunā's bank, Mohana Śyāma sits upon a smooth stone. Scattering the splendor of His beauty, He plays His enchanting flute. Beautifully adorned, a gopī walks by carrying a water pot in her hand. On her way to draw water, she hears the flute and stops upon the path. Like iron drawn to a magnet, she is pulled toward the sweetness of the face that enchants sages' minds. She sits beside Him, spellbound and amazed, forgetting home, body, mind and world. Measureless delight fills her heart, and a honey-sweet longing arises within. "May I sit here like this forever." Enchanted, she remains beside Mohana.

[253]

(Raga Bhairavi - Tina Tala)

He holds the flute of sweetness to His lips. Enchanting Madanagopāla sits beneath a lovely kadamba tree. Countless women of Vraja stand here and there while He performs many playful acts. Cows, peacocks and bees are intoxicated with rasa, and their absorption never breaks. The graceful vision of Vraja's son removes impurity and affliction. Dwelling forever in eyes and hearts, it awakens ever-new love.

[254]

(Raga Khamaca - Tina Tala)

Wise Śyāma plays the flute. His rasa-filled Beloved assumes the very form of music and sounds a sweet melody. All the rāgas and rāginīs are blessed, supremely fortunate and great. They dwell in Hari's mouth and emerge like nectar through the flute's holes. They remove all the poison of worldly objects and awaken loving attachment. At beloved Śyāma's lotus feet, every other attachment falls away naturally. Every bond breaks and the supreme sakhī's good fortune awakens. The flute's enchantment dissolves the distinction between enjoyment and renunciation.

Original

Braj Bhasha

[255]

(Rāga Tilaṅga - Tīna Tāla)

बजाओ मति मुरली, घनश्याम! जब लौं करों रसोई तब लौं मति छेड़ो मधु तान॥ बही धार रस की मुरली-सुर पहुँची चूल्हे आय। कीन्हीं सबरी लकड़ी गीली, दीन्हीं आग बुझाय॥ धुआँ उठ्यो, रुक्यो मेरो राँधन कौ सगरौ काम। बिना रसोई कहा खाइँगे घर के लोग तमाम॥ मुरली मोय लगे अति मीठी, बिसरि जाय सब आन। या तैं सुनौ बिनती मोरी, मोहन जीवन-प्राण! मीठी मुरली मैं सुनि पाऊँ, बुझै न मेरी आग। जो तुम करौ व्यवस्था दोऊ, ऐसी जागे मेरौ भाग॥

[256]

(Rāga Bhairavī - Tīna Tāla)

मुरलिया! मत बाजै अब और। हर्यो शील-कुल-मान, करी बदनाम मोय सब ठौर॥ रहो न मोपै जाय, सुनूँ जब तेरी मधुरी तान। उमगे हियो, नैन झरि लागे, भाजन चाहें प्राण॥ कुटिल कान्ह धरि तोय अधर पर राधा-राधा टेरै। रहै न मेरौ मन तब बस में, गिनै न साँझ-सबेरे॥ घर कौ काम, सास-पति-सेवा, सब कौ मोह बिसार। करनौ परे मोहि बरबस तब मोहन हित अभिसार॥ वंशी सखी! बिनय सुन मेरी, तजि दे यह उत्पात। वा छलिया के बस ह्वै मो पै मति करे तू घात॥

English translation

[255]

(Raga Tilanga - Tina Tala)

Do not play the flute, Ghanaśyāma! Until I finish cooking, do not sound that honeyed melody. A current of rasa flowed from the flute and reached my hearth. It soaked all the firewood and put out the flame. Smoke arose, and all my cooking came to a stop. Without a meal, what will everyone in the house eat? The flute sounds so sweet to me that I forget everything else. Therefore hear my prayer, Mohana, life of my life: let me hear the sweet flute without my fire going out. If You arrange for both, how fortunate I shall be!

[256]

(Raga Bhairavi - Tina Tala)

Little flute, play no more! You have stolen my virtue and family honor and disgraced me everywhere. I cannot remain where I am when I hear your sweet melody. My heart surges, my eyes begin to stream and my life breath longs to flee. Crooked Kānha holds you to His lips and calls, "Rādhā, Rādhā." Then my mind no longer remains under my control and takes no account of evening or morning. Forgetting household work, service to mother-in-law and husband, and attachment to everyone, I am helplessly compelled to go meet Mohana in secret. Flute, my friend, hear my plea and abandon this disturbance. Do not submit to that trickster and strike me down.

Original

Braj Bhasha and Hindi

[257]

(Rāga Āsāvarī - Tīna Tāla)

ग्वालिन मुरली-धुनि सुनि अटकी। रही निहारति तरु-साखा-दिसि, वृत्ति न नेकहु सटकी॥ दधि ढुरि चल्यो, लई सिर तैं जब कर उतारि दधि-मटकी। ठाढ़ी माटी की पुतरी-सी अटल-अचल, मति ठिठकी॥ भौंचक रही देखि मोहन-छवि, सुषमा पियरे पट की। बदन-कमल-रस-माती दृग-मधुकरी रहत, नहीं हटकी॥

[258]

(Rāga Vāgeśrī - Tāla Kaharavā)

सुनि मधु मुनि-मन-मोहनि मुरली, करि मधु रूप-सुधा-रस-पान। बिसरे अग-जग, तन-मन सगरे, राधा भई तुरत बेभान॥ श्रवण-नयन-पथ करि प्रवेश उर, छेड़ि रहे मधु मुरली-तान। छाय रहे, रस लगे उँड़ेलन दिव्य मधुर रसराज सुजान॥ योगी, परम सिद्ध, तापस, मुनि, ज्ञानी, जीवन्मुक्त महान। सुनि मुरली, अवलोकि मधुर छवि, रखि नहिं सकत चित्त-अवधान॥ चकित-थकित, उर द्रवित, स्रवत दृग, बरबस तजि विराग अरु ज्ञान। डूबत मधुर प्रेम-रस-निधि अति, भजत अहेतुक मन भगवान्॥

[259]

(Rāga Deśa - Tīna Tāla)

श्याम ने मुरली मधुर बजाई। सुनत टेर तनु-सुधि बिसारि सब गोप-बालिका धाई॥ लहँगा ओढ़ि, ओढ़ना पहिरे, कंचुकि भूलि पराई। नकबेसर डारे श्रवणन महँ, अद्भुत साज सजाई॥ धेनु सकल तृण चरन बिसार्यो, ठाढ़ी श्रवण लगाई। बछुरन के थन रहे मुखन महँ, सो पय-पान भुलाई॥

English translation

[257]

(Raga Asavari - Tina Tala)

Hearing the flute melody, the cowherd woman stops. She stares toward the branch of a tree, her awareness not shifting in the least. The curd begins to spill when she takes the pot down from her head with her hand. She stands as fixed and motionless as a clay doll, her mind utterly arrested. She remains astonished, beholding Mohana's beauty and the splendor of His yellow cloth. The bee of her gaze, intoxicated by the rasa of His lotus face, stays there and will not move.

[258]

(Raga Vagesri - Tala Kaharava)

Hearing the honey-sweet flute that enchants sages' minds and drinking the nectar of His sweet form, Rādhā at once forgets moving and unmoving creation, Her entire body and mind, and loses outward awareness. Entering Her heart by the paths of hearing and sight, the honey-sweet flute melody continues to sound. The wise king of rasa pervades Her and begins pouring forth divine, sweet rasa. Yogīs, perfected beings, ascetics, sages, men of wisdom and even exalted souls liberated while living cannot preserve their concentration when they hear the flute and behold His sweet beauty. They are amazed and overcome; their hearts melt and their eyes flow. Helplessly abandoning detachment and knowledge, they plunge into the vast treasury of sweet loving rasa and worship Bhagavān with causeless hearts.

[259]

(Raga Desa - Tina Tala)

Śyāma plays His sweet flute. Hearing its call, all the young cowherd girls forget bodily awareness and run to Him. One wraps herself in a skirt and wears her veil as a garment, forgetting her bodice. Another puts her nose ring in her ear, adorning herself in an astonishing way. Every cow forgets to graze and stands listening. The calves keep the teats in their mouths yet forget to drink the milk.

Original

Braj Bhasha and Hindi

Continuation of [259]

पशु-पंछी जहँ-तहँ रहे ठाढ़े, मानो चित्र लिखाई। पेड़-पहाड़ प्रेमवश डोले, जड़ चेतनता आई॥ कालिन्दी-प्रवाह नहिं चाल्यो, जलचर सुधि बिसराई। शशि की गति अवरुद्ध, रहे नभ देव विमानन छाई॥ धन्य बाँस की बनी मुरलिया, बड़ो पुण्य करि आई। सुर-मुनि-दुर्लभ रुचिर वदन नित राखत श्याम लगाई॥

[260]

(Rāga Pūriyā - Tīna Tāla)

मुरलिया बाजी रे बाजी। जो जहँ जैसे रही तहाँ तहँ तैसे ही उठि भागी॥ तन-मन, असन-वसन, पति-सुत-घर सब की सुधि बिसराई। चली बेगि आतुर सरिता ज्यों, श्याम-समुद्र कौं धाई॥ कोउ काहू की बाट न जोई, काहूऐ संग न लीनी। खिंचि चलि गई लोह-चुम्बक-ज्यों, भई प्रेम-रंग-भीनी॥ जाइ मिली पिय सों, मनभावति वस्तु अलौकिक पाई। भुक्ति-मुक्ति, मैं-मेरी सगरी हरि महँ जाइ समाई॥

[261]

(Tune: Lāvanī - Tāla Kaharavā)

मधुर मुरलि कर, मोर-मुकुट सिर, नूतन जलद-नील घनश्याम। ऋषि-मुनि-मन-आकर्षक दृगयुग, कुटिल भृकुटि, पट पीत ललाम॥ कोटि-कोटि मन्मथ-मन्मथ-माधुर्य, रूप-गुण-निधि अभिराम। स्मरण सतत करते रहते शुचि पावन प्रेमीजन अविराम॥ नियत समय संकेत-स्थलपर पहुँच प्रतीक्षा करते श्याम। शुचितम दिव्य रास-रस-स्वामिनि स्वयं पधार रहीं छविधाम॥

English translation

Continuation of [259]

Animals and birds remain standing wherever they are, as though painted in a picture. Trees and mountains sway under love's power, and consciousness enters the inert. The Yamunā's current ceases to flow, and the creatures in her waters forget themselves. The moon's movement stops, while the sky fills with the gods' celestial vehicles. Blessed is the flute made from bamboo; it has arrived bearing immense merit. Śyāma keeps it forever pressed to His beautiful lips, a privilege rare even for gods and sages.

[260]

(Raga Puriya - Tina Tala)

The flute has sounded, yes, sounded! However and wherever each woman was, she sprang up and ran from that very place. She forgot body and mind, food and clothing, husband, children and home. Like an impatient river rushing swiftly, she ran toward the ocean of Śyāma. No one waited for another or took anyone along. Drawn like iron to a magnet, each went forth, steeped in the color of love. She reached her Beloved and obtained the transcendent object dear to her heart. Enjoyment and liberation, I and mine, all dissolved into Hari.

[261]

(Tune: Lavani - Tala Kaharava)

A sweet flute rests in His hand and a peacock-feather crown upon His head; Ghanaśyāma is blue as a fresh raincloud. His pair of eyes draws the minds of sages, His brows are curved, and a splendid yellow cloth adorns Him. His sweetness bewilders millions upon millions of Cupids; He is the enchanting treasury of beauty and virtues. Pure and holy lovers remember Him constantly and without interruption. At the appointed time Śyāma reaches the trysting place and waits. The supremely pure mistress of divine rāsa-rasa, the abode of beauty Herself, is now arriving.

Original

Hindi and Braj Bhasha

[262]

(Rāga Basanta - Tīna Tāla)

श्याम-दरस-परसनकी प्यासी विरहाकुल सब ब्रजनारी। धीरज गयो, भई अति आतुर, बाढ़ी हियें प्रीति न्यारी॥ परम रसिक नागर रस-सागर जानि गये हरि हिय की बात। यमुना-पुलिन सुकुसुमित कानन ठाढ़े जाय मधुर मुसुकात॥ धर मधु अधर मुरलिया, मोहन लगे बजावन अति अभिराम। स्वर-संकेत नाम लै-लै, सब टेरीं भाग्यवती ब्रजवाम॥ सुनत सकल भागीं ब्रज-वनिता, लखि प्रियतम कौ प्रिय आह्वान। देह-गेह कौ मोह छाँड़ि सब, तजि मरजाद लोक, कुल-कान॥ प्रेम-चतुर चातकि-गण नव घन निरखि भई आनन्द-विभोर। चतुर चकोरीं चन्द्र देखि जनु जुरि आई सब एकहि ठौर॥ तैसहि दग्ध विषम विरहानल ब्रजबाला सब जुरीं सुभाय। दिव्य सुखद सौन्दर्य-सुधा-सागर शीतल में रहीं नहाय॥ मिटीं सकल तन-मन की ज्वाला, अमित दुःख कौ आयो अन्त। भेंटे प्रेमानन्द पूर्णतम प्रियतम, बाढ़्यो प्रेम अनन्त॥

[263]

(Rāga Deśa - Tāla Mūla)

थीं वे विकसित-शारदीय-मल्लिका-सुमन-शोभित रजनी। देख उन्हें कर प्रकट ‘योगमाया’, अचिन्त्य निज शक्ति धनी॥ षडैश्वर्य भगवान् पूर्णने किया तुरत संकल्प महान। रमण-रसास्वादन, स्वरूप-वितरण का, कर सबको रस-दान॥ दीर्घकाल पर दे दर्शन निज प्यारीको जैसे प्रियतम, रंग दे केसरसे उसका मुख-मण्डल निज कर सुखद परम॥ वैसे प्राची दिशा-सुमुखी-मुख सुखद स्वकिरण-अरुणसे रंग, उदय हुआ विधु जग-जीवोंका ताप मिटाता शीतल अंग॥

English translation

[262]

(Raga Basanta - Tina Tala)

All the women of Vraja, anguished in separation, thirst to see and touch Śyāma. Their patience is gone, their urgency immense, and a singular love swells within their hearts. Hari, the supremely expert lover and ocean of rasa, understands their hearts. He stands smiling sweetly in a flower-filled forest upon the Yamunā's bank. Placing the flute upon His honeyed lips, Mohana begins playing most enchantingly. Through coded notes He calls each fortunate woman of Vraja by name. Hearing it, all the women run, recognizing their Beloved's cherished summons. They abandon attachment to body and home, social propriety, public opinion and family honor. Expert cātaka birds of love, they behold the fresh cloud and become overwhelmed with bliss. Like clever cakora birds seeing the moon, they all gather in a single place. Thus, scorched by the terrible fire of separation, all the girls of Vraja naturally assemble. They bathe in the cool ocean of divine, bliss-giving nectar that is His beauty. Every burning pain of body and mind disappears, and their measureless sorrow ends. They meet their supremely complete Beloved, the bliss of love, and infinite love swells higher.

[263]

(Raga Desa - Tala Mula)

Those nights were adorned by fully blossomed autumn jasmine flowers. Seeing them, the possessor of inconceivable power manifests His Yogamāyā. Bhagavān, complete in the six divine opulences, at once forms a sublime resolve: to relish the rasa of loving sport, distribute His own nature and bestow rasa upon all. Just as a beloved, seeing his dear one after a long time, colors her face with saffron by his own supremely pleasing hand, so the moon rises and colors the beautiful face of the eastern horizon crimson with its pleasing rays, its cooling orb removing the suffering of the world's living beings.

Original

Hindi

Continuation of [263]

लक्ष्मी-मुख-सम शोभित नव कुंकुम-सम अरुण-वर्ण शशि देख। विधुकी कोमल किरणावलिसे उद्भासित अरण्यको लेख॥ मधुर-मनोहर नेत्रवती शुचि ब्रज-सुन्दरियोंका मन हर। किया विचित्र वेणु-वादन माधवने सुललित मधुर-स्वर॥ मुरलीके मधु स्वरमें पाकर प्रियतमका रसमय आह्वान। हुई सभी उन्मत्त, चलीं तज लज्जा, धैर्य, शील, कुल-मान॥ पति, शिशु, गृह, धन, धान्य, वस्त्र, भूषण, गौ, कर भोजनका त्याग। चलीं जहाँ जो जैसे थीं, भर मनमें प्रियतमका अनुराग॥ नहीं किसीसे पूछा कुछ भी, कहा न कुछ भी, चित्त विभोर। चलीं वेगसे जहाँ बजाते थे मुरली मधु नन्द-किशोर॥ प्रेम-विवर्धक मुरली-स्वरसे हो अति विह्वल ब्रजनारी। पहुँचीं तुरत निकट प्रियतमके, भूल स्व-परकी सुधि सारी॥ थीं वे कृष्णगृहीत-मानसा, थीं वे उज्ज्वल रसकी मूर्ति। थीं वे शुचितम प्रेमपूर्ण नटवरकी मधुर लालसा-पूर्ति॥ आत्मनिवेदन, पूर्ण समर्पण था पवित्रतम उनका भाव। जिसमें था न स्व-सुख-वांछाका किंचित् लेश, न किंचित् चाव॥ विविध भाँतिसे किया परीक्षण, दिखा मोह, भय, धर्म, विवेक। पर उन प्रेममयी शुचि ब्रज-वधुओंने तनिक न छोड़ी टेक॥ कहा, ‘विभो! सर्वत्र विराजित! सर्व-समर्थ! सर्व-आधार! क्यों नृशंस तुम बोल रहे यों? आयीं हमें देख निज द्वार॥ त्याग सर्व-विषयोंको, भुक्ति-मुक्तिको, हम आयीं पद-मूल। दुरवग्रह! मत छोड़ो हमको, यों सारी रसमयता भूल॥ प्रिय! तुम ही हो प्राणिमात्रके बन्धु, आत्मा अति प्रियतम। पाकर छोड़ जाय जो तुमको, महामूर्ख वह, पतित, अधम॥ तुम्हीं बताओ परम धर्मविद्! नित्यप्रिय! तुमसे कर प्रीति, भजे अन्य दुःखदको फिरसे, क्या है कभी उचित यह नीति?’

English translation

Continuation of [263]

They behold the moon, beautiful as Lakṣmī's face and crimson like fresh kuṅkuma. Its soft rays illumine the entire forest. Stealing the minds of Vraja's pure and beautiful women with enchanting eyes, Mādhava performs extraordinary flute music in graceful, sweet notes. Within the flute's honeyed sound they receive their Beloved's rasa-filled summons. All become divinely mad and set forth, abandoning modesty, patience, decorum and family honor. They leave husband, infant, home, wealth, grain, clothing, ornaments, cows and food. However and wherever each one is, she goes with love for her Beloved filling her heart. They ask no one's permission and say nothing to anyone, their minds overwhelmed. They hasten to where the young son of Nanda is playing His honey-sweet flute. The flute notes increase their love and make the women of Vraja intensely restless. They reach their Beloved at once, forgetting every awareness of self and other. Their minds have been seized by Kṛṣṇa; they are embodiments of radiant rasa. Filled with the purest love, they fulfill the supreme dancer's sweet longing. Self-offering and complete surrender form their most sacred disposition, without the slightest trace of desire or taste for personal happiness. He tests them in many ways, invoking attachment, fear, duty and discrimination. Yet those pure, love-filled women of Vraja do not yield their resolve in the least. They say, "All-pervading Lord, omnipotent support of all, why do You speak so cruelly after seeing us arrive at Your door? Abandoning all objects of enjoyment and even enjoyment and liberation, we have come to Your feet. O obstinate One, do not forsake us and thus forget all rasa. Beloved, You alone are every creature's friend and most beloved indwelling Self. Whoever obtains You and then leaves You is a great fool, fallen and base. You are the supreme knower of dharma, our eternally beloved Lord. Tell us: after loving You, could it ever be right to serve again another source of sorrow?"

Original

Hindi

Continuation of [263]

‘छोड़ कहाँ हम जायें तुम्हें अब, चलते नहीं चरण पद एक। सुखसे लूट सभीका मन-धन, चले बताने हमें विवेक?’ आत्माराम-शिरोमणि, सत्-चित्-परमानन्दरूप पर-धाम। योगेश्वर-ईश्वर, सब-लोक-महेश्वर, नित्यतृप्त निष्काम॥ अज-भव-शेष-सनक-नारद सब करते नित जिनका गुण-गान। प्रेममयी ब्रज-वनिताओंके शुद्ध प्रेम-वश वे भगवान्॥ अंग विमल शुचि स्पर्श-दान कर किया सभीको पावन, धन्य। भावोद्दीपन किया, जगाया शुद्ध-काम रतियोग्य अनन्य॥ आत्मरमण फिर किया परम शुचि पूर्णकाम हरिने अभिराम। शारदीय उन शशधर-किरण-सुशोभित रातोंमें रस-धाम॥ सत्यकाम अवरुद्ध-सुसौरत हरिने किया पवित्र विहार। सत्-संकल्प चिन्मयी लीला-रसमय मधुर नित्य अविकार॥ नहीं रमण यह था कदापि विषयासक्तोंका ‘इन्द्रिय-भोग’। नहीं आत्माराम योगियोंका भी ‘आत्मरमण’-संयोग॥ ‘काम-विजय’ का भी न कहीं था कुछ भी यहाँ कल्पना-लेश। क्योंकि नीच कामका तो हो सकता यहाँ न कभी प्रवेश॥ था विशुद्ध वितरण माधवका ‘निज-स्वरूप-आनन्द’ महान। था यह परम ‘रसास्वादन’ का निजमें ही निजका संविधान॥ आस्वादक आस्वाद्य न दो थे, था मधुमय लीला-संचार। था यह एक विलक्षण पावन परम प्रेमरसका विस्तार॥ मधुर परम इस रस-सागरमें गोपीजनका ही अधिकार। परम त्यागका मूर्त रूप लख, जिन्हें किया हरिने स्वीकार॥ प्रेममयी ब्रज-रमणी-गण-मण्डलमें हुए सुशोभित श्याम। अगणित राशि-तारिकामें अकलंक पूर्ण विधु विमल ललाम॥ अथवा नव नीलाभ श्याम-घन दामिनि-दलमें रहे विराज। घन-दामिनि, दामिनि-घन अन्तर अगणित उभय अतुल द्युति साज॥ रासेश्वरी राधिकाके एकाधिपत्यमें सुन्दर साज। शुचि सौन्दर्य मधुर रसमय असमोर्ध्व अमित बिजली-घनराज॥

English translation

Continuation of [263]

"Where could we go after leaving You now? Our feet cannot move a single step. Having effortlessly plundered everyone's mental wealth, have You come to teach us discrimination?" He is the crown jewel of self-delighting beings, the supreme abode and embodiment of being, consciousness and absolute bliss. He is the Lord of the masters of yoga, sovereign of every world, eternally satisfied and without desire. Brahmā, Śiva, Śeṣa, Sanaka and Nārada eternally sing His virtues. Yet that Bhagavān submits to the pure love of Vraja's love-filled women. Bestowing the touch of His stainless, pure limbs, He sanctifies and blesses them all. He intensifies their bhāva and awakens pure desire fit for exclusive divine love. Then Hari, whose every desire is fulfilled, performs supremely pure, enchanting self-delighting play, the abode of rasa, through those autumn nights beautified by the moon's rays. Hari of true desire, whose power of love remains perfectly contained, performs sacred pastimes. His conscious līlā, born of His true resolve, is filled with rasa, eternally sweet and changeless. This loving play is never the sensory indulgence of people attached to worldly objects. Nor is it the inward self-enjoyment of self-satisfied yogīs. There is not even the faintest conception here of conquering lust, for base lust can never gain entrance to this realm. It is Mādhava's pure distribution of the immense bliss of His own essential nature. It is His own ordering of the supreme relish of rasa within Himself. The relisher and the relished are not two; there is only the honeyed current of līlā. It is an extraordinary, sacred expansion of the supreme rasa of love. Only the gopīs possess the right to this supremely sweet ocean of rasa. Seeing them as embodied forms of absolute renunciation, Hari accepts them. Śyāma shines within the circle of Vraja's love-filled women like the spotless full moon among countless constellations of stars. Or He is a fresh dark-blue raincloud shining amid a host of lightning flashes. Cloud among lightning and lightning within cloud, the countless Pairings display incomparable radiance. All remain beautifully arrayed under the sole sovereignty of Rādhikā, queen of the rāsa dance: an immeasurable kingdom of lightning and cloud, unequalled and unsurpassed in pure, sweet, rasa-filled beauty.

Original

Hindi

Continuation of [263]

एक-एकके मध्य मनोहर एक-एक, सब मिल, दे ताल। रास-रसिक रस-नृत्य-निरत, शुचि बाज रहे मृदु वाद्य रसाल॥ जो इस मधुर शुद्ध रसका किंचित् भी कर पाता आस्वाद, दृश्य जगत् का मिटता सारा शोक-मोह-भय-लोभ-विषाद॥ होता कामरोगका उसके जीवनमें सर्वथा अभाव। राधा-माधव-चरण-रेणु-कण-करुणासे वह पाता ‘भाव’॥ ‘भाव’ प्राप्त हो वह हो पाता राधारानीका अनुचर। सभी दोष मिट, होती उसमें प्रकट गुणावलि शुचि सत्वर॥ पाता वह फिर नित्य-निकुंजमें अति दुर्लभ सेवा-अधिकार। जिसके लिये सदा ललचाते ऋषि-मुनि-तापस छोड़ विकार॥

[264]

(Rāga Śivarañjanī - Tāla Kaharavā)

तुम लोगोंसे हुआ, न होगा कभी प्रेमदेवियो! वियोग। दिव्य नित्यलीलामें रहता है अविच्छिन्न नित्य संयोग॥ जैसे रहता छिपा सूर्य कुहरेमें, होता नहीं प्रकाश। वैसे ही वियोग-क्रन्दनमें रहता छिपा नित्य मैं पास॥ होता मैं उस काल देखकर मुग्ध तुम्हारे भाव अनन्य। विरह-दुःख अति, स्मृति-सुख युगपत् दिव्य देख कह उठता ‘धन्य!’॥ जगत, जगतके सुख, इन्द्रिय, इन्द्रियके सभी अर्थका त्याग। मन-मति इह-पर भूल विरह-कातर होती, मन भर अनुराग॥ अमिलनमें तुम देख वदन-विधु यों बन जातीं चारु चकोर। हो प्रमुदित उन्मत्त नृत्य करने लगता तब मानस-मोर॥ बनकर मैं मन-बुद्धि, प्राण, इन्द्रिय, सब अर्थ तुम्हारे आप। बनता फिर उनका अनन्य आश्रय मैं, करता नित्य मिलाप॥ नव किशोर नटवर मुरलीधर मोर-पिच्छ-सिर मोहन रूप। प्रियतम सदा तुम्हारा, नित-नव-वर्धन प्रेमानन्द अनूप॥

English translation

Continuation of [263]

One enchanting Kṛṣṇa stands between each pair of gopīs, and together they mark the rhythm. The connoisseur of rāsa-rasa is absorbed in the dance of rasa, while soft and luscious instruments sound purely. Whoever can taste even a little of this sweet, pure rasa loses every grief, delusion, fear, greed and despondency born of the visible world. The disease of lust becomes wholly absent from that person's life. Through the mercy of a particle of dust from Rādhā-Mādhava's feet, that soul obtains bhāva. Having attained bhāva, the soul becomes an attendant of Rādhārānī. Every fault vanishes, and a pure array of virtues swiftly manifests within. The soul then receives the exceedingly rare right of service in the eternal grove, for which sages, seers and ascetics, abandoning every distortion, always yearn.

[264]

(Raga Sivaranjani - Tala Kaharava)

O goddesses of love, separation from you has never occurred and never will. Within divine eternal līlā there is perpetual, uninterrupted union. As the sun remains hidden by mist so that its light is not seen, I remain eternally near you, hidden within your cries of separation. At that time I am enchanted when I behold your exclusive bhāva. Seeing simultaneously the intense pain of separation and the divine joy of remembrance, I exclaim, "Blessed!" Renouncing the world, its pleasures, the senses and every object of the senses, your minds and understanding forget this world and the next, grow anguished in separation and fill with love. During nonunion, seeing the moon of My face, you become lovely cakora birds. Then the peacock of My mind becomes delighted and begins to dance in divine madness. I Myself become your mind and intellect, life breath, senses and all their objects. Then I become their exclusive shelter and bring about eternal union. As the ever-youthful supreme dancer and flute player, with peacock feather upon My head and an enchanting form, I am forever your Beloved, the incomparable bliss of love that grows newer at every moment.

Original

Hindi

Continuation of [264]

अतुल त्यागसे उदित तुम्हारे सहज प्रेमसे मैं भगवान्। रहता मिला सदा ही तुममें बाहर-भीतर सदा समान॥ भोग-जगत् से ऊपर उठकर तुमने मुझे ले लिया मोल। प्रेम-सुधा-हित सदा तुम्हारे ललचाता मन, रहता लोल॥ इन्द्रिय-भोग-स्वर्ग-सुख-कामी, मोक्षाकांक्षी भी धीमान्। मुझे नहीं पा सकते वैसे, जैसे तुम पा चुकीं अमान॥ मेरी श्रद्धा, सेवा, महिमाका रहस्य जो गोपन शुद्ध। उसे यथार्थ जानती हो तुम, जगत-वासना-शून्य विशुद्ध॥ मेरे सभी मनोरथ होते उदित यथार्थ तुम्हारे चित्त। प्रिय अति मुझे इसीसे तुम, ज्यों प्रिय अति निर्धनके वित्त॥ कभी किया हो जिसने आनन्दमयको यों आनन्द-विभोर, सदृश तुम्हारे तुम्हीं, जगतमें हुआ न कोई तुम-सा और॥

[265]

(Rāga Hamīra - Tīna Tāla)

परम प्रेममयी श्रीराधा, गोपीजन सब कायव्यूह। कृष्णप्रेम-परिपूर्ण हृदय सब, दिव्य पूर्ण रस-भाव-समूह॥ क्षमा-क्रोध, सुख-दुःख, प्रशंसा-निन्दा, मान-नीच अपमान। जीवन-मृत्यु, विराग-राग, शुचि त्याग-भोग सब, ज्ञानाज्ञान॥ शान्ति-अशान्ति, विवेक-श्रान्ति सब, हास्य-रुदन, गायन-चीत्कार। सभी श्याम प्रियतमको लेकर एकमात्र शुचि कर्म-विचार॥ कृष्णप्रेम-रस-भावित-मति सब, कृष्णमिलन-हित आकुल-प्राण। रहतीं सदा समुत्सुक करने रूप-सुधा-मधु-रसका पान॥ इह-परके विलास-सुख-भोगोंका करके आत्यन्तिक त्याग। कृष्णप्रेममत्ता थीं वे सब मूर्तिमान प्रियतम-अनुराग॥ पाकर आज अगाध अखण्ड स्वयं रसराज रसार्णवरूप। महाभावरूपा ब्रज-सुन्दरि सुख-सुषमासे हुईं अनूप॥

English translation

Continuation of [264]

Through your natural love, born of incomparable renunciation, I, Bhagavān, remain forever united with you, equally within and without. Rising above the world of enjoyment, you have purchased Me. My mind forever longs and yearns for the nectar of your love. Those who desire sensory enjoyment and heavenly pleasure, and even wise seekers of liberation, cannot obtain Me as you, free from pride, have obtained Me. You alone, utterly pure and empty of worldly desire, truly know the hidden and sacred mystery of faith in Me, service to Me and My glory. Every one of My desires arises exactly within your hearts. Therefore you are exceedingly dear to Me, as wealth is most dear to one who is destitute. No one has ever overwhelmed the Blissful One with bliss in this way. Only you resemble yourselves; no one else like you has appeared in the world.

[265]

(Raga Hamira - Tina Tala)

Śrī Rādhā is supreme love embodied, and all the gopīs are manifestations of Her body. Their hearts are full of love for Kṛṣṇa, complete divine assemblies of rasa and bhāva. Forgiveness and anger, happiness and grief, praise and blame, honor and low humiliation, life and death, detachment and attachment, pure renunciation and enjoyment, knowledge and ignorance, peace and unrest, discernment and weariness, laughter and weeping, song and cries: all their deeds and thoughts concern only their beloved Śyāma. Their understanding is saturated with the rasa of Kṛṣṇa-love, and their lives ache for union with Him. They remain forever eager to drink the honeyed nectar of His beautiful form. Having utterly renounced pleasures and enjoyments of this world and the next, they are intoxicated with Kṛṣṇa-love, embodiments of attachment to their Beloved. Today they have obtained Rasarāja Himself, the unfathomable and indivisible ocean of rasa. The beautiful women of Vraja, embodiments of mahābhāva, become incomparable in happiness and splendor.

Original

Hindi

Continuation of [265]

इसीलिये श्रीकृष्ण सच्चिदानन्द पूर्ण परतम भगवान्। भगवत्ता सब भूल रसिकचूड़ामणि, रस-शेखर रसवान्॥ प्रेम-विवश स्वेच्छामय वे कर सहज प्रेम-बन्धन स्वीकार। करने लगे गोप-सुन्दरियोंका रसमय आदर-सत्कार॥ त्यागपूर्ण रस मधुर देखकर ललचा उठे स्वयं भगवान्। करने लगे स्वयं रस-लोलुप बन वे रस-याचना मतिमान्॥ नव-नीरद-नीलाभ श्याम-घन मानो दामिनि-दलमें आज। घन-दामिनि, दामिनि-घन अगणित बीच-बीचमें रहे विराज॥ दिव्य मिलनका उनको करके दुर्लभ दिव्यानन्द प्रदान। करने लगे स्वयं उस दिव्य रसामृतका शुचि सादर पान॥

[266]

(Rāga Vihāga - Tīna Tāla)

उदय हुए जब श्रीवृन्दावन-चन्द्र पूर्णतम चन्द्रस्वरूप। उज्ज्वल स्निग्ध सुधामयी शीतल किरणें लहरा उठीं अनूप॥ पूर्ण पूर्णिमा प्रकटी पावन, हुआ अविद्या-तमका नाश। प्रेम-प्रभा हुई उद्भासित, छाया शुद्ध सत्त्व-उल्लास॥ पावन यमुना-पुलिन प्रकट हो, छेड़ी मोहिनि मुरली-तान। किया श्यामने प्रेममूर्ति ब्रज-सुन्दरियोंका प्रिय आह्वान॥ भूल गयीं अग-जगको, भूलीं देह-गेहका सारा भान। जो जैसे थी, वैसे ही चल पड़ी, छोड़ लज्जा-भय-मान॥ होता उदय मधुर रस नव-नव रूपोंमें जब कृष्णानन्द। रुक पाता न पलक प्रेमीका तब रस-लोलुप मन स्वच्छन्द॥ नहीं खींच पाता फिर उसको भुक्ति-मुक्तिका कोई राग। प्रेम-सुधा-रस-मत्त दौड़ पड़ता, वह सहज सभी कुछ त्याग॥ प्रियतमके प्रिय मधुर-नाम-गुण-लीला-कथा-सुधा-रस मग्न। सर्व समर्पित होता उसका, होता सहज मोह-भ्रम भग्न॥

English translation

Continuation of [265]

Therefore Śrī Kṛṣṇa, the complete and supreme Bhagavān of being, consciousness and bliss, forgets all His godhood and becomes the crown jewel of connoisseurs, the summit and possessor of rasa. Though perfectly independent, He is overcome by love and accepts the natural bonds of love. He begins honoring and welcoming the beautiful gopīs in ways filled with rasa. Seeing their sweet rasa filled with renunciation, Bhagavān Himself becomes eager. The wise Lord becomes greedy for rasa and begins personally begging it from them. Today the dark cloud Śyāma, blue as a fresh raincloud, appears amid hosts of lightning. Cloud amid lightning and lightning amid cloud, countless forms shine between one another. Giving them rare divine bliss through divine union, He Himself begins reverently and purely drinking that divine nectar of rasa.

[266]

(Raga Vihaga - Tina Tala)

When Śrī Vrindavana's moon rises as the fullest embodiment of the moon, its incomparable, bright, tender, nectarean and cooling rays begin to ripple. The sacred full moon manifests in perfection, and the darkness of ignorance is destroyed. The radiance of love shines forth, and the delight of pure being spreads everywhere. Appearing on the sacred bank of the Yamunā, Śyāma sounds an enchanting flute melody. He lovingly summons the beautiful women of Vraja, embodiments of love. They forget moving and unmoving creation and every awareness of body and home. Each departs just as she is, leaving modesty, fear and honor behind. When the bliss of Kṛṣṇa arises as sweet rasa in ever-new forms, the lover's freely ranging mind, greedy for rasa, cannot pause even for a moment. No attraction to enjoyment or liberation can then draw it away. Intoxicated by the nectarean rasa of love, it runs forth, naturally abandoning everything. Absorbed in the nectar of the Beloved's dear and sweet names, virtues, līlās and stories, the lover surrenders everything, and delusion and confusion naturally break apart.

Original

Hindi and Braj Bhasha

Continuation of [266]

राधामुख्या भावमयी सब ब्रजसुन्दरियाँ कर अभिसार। पहुँचीं तुरत श्याम-चरणोंमें उन्मादिनि हो मधुर उदार॥ किया समर्पण परम मुदित-मन, सहज अखिल जीवन-आचार। बनीं सर्वथा एकमात्र वे प्रियतम-सुख-मूर्ति साकार॥ सहज अमित सौन्दर्य, परम माधुर्य, अतुल ऐश्वर्यनिधान। पूर्णकाम निष्काम सहज जो आत्माराम स्वयं भगवान्॥ गोपीके उस त्यागशुद्ध रस मधुर दिव्यका करने पान। लालायित हो उठे परम आतुर हो रसदाता रसखान॥ प्रेमीजन-मन-रंजन प्रभुने किया उन्हें सादर स्वीकार। आत्माराममयी रस-क्रीड़ा विविध विचित्र रची सुखसार॥ किया-कराया दिव्य परम रस-दान-पान अति कर सम्मान। प्रति गोपीको दिया परम सुख धर अनन्त वपु दिव्य महान्॥ प्रेमभिक्षु बन स्वयं किया गोपी-प्रदत्त सुख अंगीकार। बोले, ‘प्रेमरमणियो! यह निरवद्य तुम्हारा रस-व्यवहार॥ घरकी तोड़ अटूट बेड़ियाँ तुमने मुझे भजा अविकार। सदा बढ़ाता रक्खेगा यह मुझपर सुखमय ऋणका भार॥ नहीं चुका सकता मैं बदला इसका देव-आयु चिरकाल। तुम्हीं स्वसाधुतासे कर सकतीं मुझे कभी ऋणमुक्त निहाल॥’ राधा आदि गोप-रमणी सब सुनकर प्रियतमकी यह बात। हुईं चकित, वे लगीं देखने अपलक-दृग प्रिय-मुख-जलजात॥ देते दिव्य अनन्त परम सुख, निजको ऋणी मानते आप। कैसा शील-स्वभाव विलक्षण, कैसा हृदय उदार अमाप॥

[267]

(Rāga Kāliṅgaḍā - Tāla Kaharavā)

कुसुमित कुंज कल्पतरु-कानन, मणिमय अजिर सुहावन। रास-विलास-निरत नट-नागर, गोपी-जन-मन-भावन॥ विमल विनोदिनि वचन-विदग्धा मुग्धा नागरि नारी। नित नव तरुणि, नटिनि निरुपम, नित मनमोहन-मनहारी॥

English translation

Continuation of [266]

Led by Rādhā, all the beautiful women of Vraja, filled with bhāva, set out for the tryst. Divinely maddened, sweet and generous, they immediately reach Śyāma's feet. With supremely delighted hearts they naturally surrender every activity of their lives. They become wholly embodied forms of their Beloved's happiness alone. Bhagavān possesses innate and measureless beauty, supreme sweetness and incomparable sovereignty. Every desire fulfilled and without desire, He delights within Himself. Yet He longs intensely to drink the gopīs' sweet, divine rasa, purified by renunciation. The giver and treasury of rasa Himself grows supremely eager. The Lord who delights His lovers' hearts respectfully accepts them. The essence of happiness creates many wondrous plays of rasa, all filled with His own self-delight. With profound honor He gives and receives supreme divine rasa. Assuming infinite exalted divine forms, He grants supreme happiness to every gopī. Becoming a beggar for love, He personally accepts the happiness bestowed by the gopīs. He says, "O ladies who sport in love, your exchange of rasa is faultless. Breaking the unbreakable chains of home, you have worshiped Me without deviation. This will forever increase the weight of My blissful debt to you. Even over a god's long lifetime I cannot repay you. Only by your own goodness can you graciously free Me from this debt." Hearing their Beloved's words, Rādhā and all the other cowherd women are amazed. With unblinking eyes they begin gazing upon the lotus of His face. He gives them infinite, supreme, divine happiness, yet considers Himself their debtor. How extraordinary His character and nature, how generous and immeasurable His heart!

[267]

(Raga Kalingada - Tala Kaharava)

In a flowering bower within a forest of wish-fulfilling trees lies a lovely jeweled courtyard. The master dancer is absorbed in the pleasures of rāsa, delighting the gopīs' hearts. There is the stainless, playful, speech-wise and enchanting expert Lady. Forever newly youthful and an incomparable dancer, She forever steals even mind-enchanting Mohana's mind.

Original

Braj Bhasha

Continuation of [267]

कोटि-कोटि कामिनि, दामिनि घन संग सुशोभन साजै। मन्मथ-मन्मथ मुरलि-मनोहर द्वै-द्वै के बिच राजै॥

[268]

(Rāga Jhiñjhoṭī - Tīna Tāla)

रुचिर तपन-तनया-तट, निभृत-नव-निकुंज-निकट, निरतत नव नागर नट, लसत पीत पट ललाम। शोभा निरुपाधि सजत, कोटि-कोटि काम लजत, मुरलि अधर मधुर बजत, भजत सन्त नित निकाम॥ मृग-मद रुचि तिलक भाल, चंचल लोचन विशाल, कुंचित कच कृष्ण जाल, भृकुटि कुटिल कला-धाम। करि-वर-मद-हरनि चाल, कटि किंकिणि-रव रसाल, सुरभित वन-कुसुम-माल, रत्नहार कण्ठधाम॥ कुण्डल मणि-रत्न-चमक, शुचि कपोल गोल दमक, अंग-अंग सुरभि-गमक, रमा रमत वक्षधाम। निपट सुखद खटपट-रति, लपट-झपट नटखट गति, आकरषत तन-मन-मति, इन्द्रिय झट बिना दाम॥ मृदु मधु मुसुकान विमल, मुनिजन-मन हरत सबल, मिटत दुःख-दैन्य सकल, परम रम्य सुधा-धाम। रसमय रसराज सतत, रस-वर्षा बरसत नित, नेह-सिन्धु उमगि अमित, बहे अन्य रस तमाम। बाढ़्यो अति प्रेम-भाव, सबकें मन भर्यो चाव, भाव भयो महाभाव, भूले सब नाम-धाम॥

English translation

Continuation of [267]

Countless lovely women shine like lightning beautifully arrayed beside the cloud. The enchanter of the flute, who bewilders Love himself, shines between every pair.

[268]

(Raga Jhinjhoti - Tina Tala)

On the lovely bank of the sun god's daughter, near a new and secluded bower, the ever-fresh master dancer dances, His splendid yellow cloth gleaming. Unconditioned beauty adorns Him, putting millions of Cupids to shame. The sweet flute sounds at His lips, and saints eternally worship Him without desire. A lustrous musk tilaka marks His brow; His restless eyes are vast. His curling black hair forms a net, and His curved brows are an abode of art. His gait destroys the pride of the finest elephants, and His waist bells ring with rasa. A fragrant garland of forest flowers and a jeweled necklace adorn His throat. Jeweled earrings flash, and His pure round cheeks gleam. Fragrance streams from every limb, while Lakṣmī delights upon His chest. His utterly blissful amorous bustle, close embraces and playful movements instantly attract body, mind, intelligence and senses without any price. His gentle, honeyed and stainless smile powerfully steals sages' minds. All sorrow and poverty vanish before this supremely lovely abode of nectar. Rasarāja is forever filled with rasa and eternally showers rainfalls of rasa. The immeasurable ocean of affection swells, and all other rasas flow from it. The disposition of love rises intensely and fills every heart with eagerness. Bhāva becomes mahābhāva, and everyone forgets name and abode.

Original

Hindi and Braj Bhasha

[269]

(Rāga Hamīra - Tīna Tāla)

मन्द-मन्द मुसकावत आवत। देखि दूर ही तें भई विह्वल, राधा-मन आनन्द न समावत॥ नव नीरद-घनश्याम-कान्ति कल, पीत वसन वर तन पर शोभित। मालती-कमल-माल उर राजत, भँवर-पाँति मँडरात सुलोभित॥ सकल अंग चन्दन अनुलेपित, रत्नाभरण-विभूषित शुचि तन। शिखा सुशोभित मोर-पिच्छ, मणि-मुकुट सुमण्डित, केश कृष्ण-घन॥ मुख प्रसन्न, मुनि-मानस-हर मृदु हास-छटा चहुँ ओर बिखेरत। चित्त-वित्त हर लेत निमिष महँ, जा तन करि कटाक्ष दृग फेरत॥ मुरली, क्रीड़ा-कमल प्रफुल्लित लिये एक कर, दूजे दर्पण। देखि राधिका, करन लगी निज पुनः-पुनः अर्पित कौं अर्पण॥

(Dohā)

उमग्यो परमानन्द-निधि, राधा भई विभोर। भूमि परत, दे कर-कमल, लई उठाय किशोर॥ चरण पकर बैठी निकट, निकसत नहिं मुख-बैन। कछुक काल महँ धीर धरि, बोली, ‘सुनु सुख-ऐन!’॥

[270]

(Rāga Khamāja - Tīna Tāla)

निरखि मुखचन्द तुम्हारो नाथ! भयो जनम-जीवन मेरो यह सार्थक, धन्य, सनाथ॥ भये प्रसन्न सफल मेरे ये युगल नयन सब अंग। उछलि रहो मन आनन्दाम्बुधि विविध विचित्र तरंग॥ पाँच प्राण प्रेम-रस भींगे, आत्मा उमड़्यो नेह। जरत विरह-पावक अति भीषण, बरस्यो अमृत-मेह॥

English translation

[269]

(Raga Hamira - Tina Tala)

He approaches, smiling softly. Seeing Him from afar, Rādhā is overwhelmed, and the bliss within Her heart cannot be contained. His graceful complexion is that of a fresh dark raincloud, and an excellent yellow garment adorns His body. Garlands of jasmine and lotus flowers rest upon His chest, with rows of bees circling them beautifully. Sandal paste anoints every limb, and jeweled ornaments decorate His pure body. A peacock feather beautifies His crest, a jeweled crown adorns Him, and His hair is dark as a cloud. His joyful face spreads everywhere the luster of a gentle smile that steals sages' minds. Whomever He glances upon, turning His eyes toward that person, He steals all mental wealth in an instant. In one hand He holds the flute and a blossoming play-lotus; in the other, a mirror. On seeing Him, Rādhikā offers Herself to Him again and again.

(Doha)

The treasury of supreme bliss surges, and Rādhā becomes overwhelmed. As She falls to the ground, the youthful Lord extends His lotus hand and lifts Her. Clasping His feet, She sits nearby, unable to utter a word. After some time She gathers composure and says, "Listen, abode of happiness!"

[270]

(Raga Khamaja - Tina Tala)

Lord, beholding the moon of Your face, my birth and life have become fulfilled, blessed and sheltered. My pair of eyes and all my limbs are joyful and have attained their purpose. Many wondrous waves leap within the ocean of bliss that is my heart. My five life airs are soaked in the rasa of love, and my soul overflows with affection. While I burned in the terrible fire of separation, a rain of nectar has fallen.

Original

Hindi and Braj Bhasha

Continuation of [270]

डारि पीयूष-वर्षिणी दृष्टि मो तन, मेट्यो ताप। भर्यो सुधा-सागर उर-अन्तर, शीतल सुखद अमाप॥ रहते तुम्हरे ढिग यह मेरी सुन्दर देह पवित्र। शोभा-सुषमामयी रहत नित, शक्ति-स्वरूप, विचित्र॥ रहूँ शिवा, शिवदा, शिव-बीजा, शिव-स्वरूपा नित्य। बनी रहूँ मैं प्रियतम! तुम्हरे संग सुमतिमयी सत्य॥ पलक एक तुम्हें बिछुरत ही होय सकल शुभ नाश। शक्ति, सुमति, सुषमा, सुन्दरता, शुद्धि, मधुर-आभास॥ बिनसत सकल, तुरत मुर्दा-ज्यों धरनी पर्यो शरीर। शिव-विहीन, अति दीन, दुःखमय, दारुण, विकल, अधीर॥ यह सब समुझि प्राणवल्लभ! अब मति बिछुरौ पल एक। परम उदार! निबाहौ प्रियतम! प्रीति-रीति की टेक॥

(Soraṭhā)

सुनि राधाके बैन, प्रीति-दीनता तें सने। भरि आए दोउ नैन, बोले हरि वच मधुर शुचि॥

[271]

(Rāga Kedārā - Tīna Tāla)

राधा! हम-तुम दोउ अभिन्न। वारि-वीचि, चन्द्रमा-चाँदनी सम अभिन्न, नित भिन्न॥ नित्य सत्य सर्वदा सर्वथा रहूँ तुम्हारे संग। आठों पहर संग-संग डोलूँ, भर्यो रहूँ अंग-अंग॥ मो बिनु तुम्हरी कछू न सत्ता, तुम बिनु मैं नाचीज। समुझि न परत रहस्य रंचहूँ, को तरुवर, को बीज॥ विरह-मिलन दोउ रस हम दोउन के हैं लीला-साज। एक नित्य रस विविध रूप धरि क्रीड़त सहित समाज॥

English translation

Continuation of [270]

Casting Your nectar-raining gaze upon my body, You have removed its burning pain. An ocean of nectar now fills my heart, cooling, blissful and immeasurable. When I remain beside You, this beautiful body of mine is sacred. It stays forever filled with splendor and loveliness, wondrous and the embodiment of power. I remain Śivā, the giver and seed of auspiciousness, eternally auspiciousness embodied. Beloved, beside You I remain true and filled with sacred understanding. The moment I am separated from You, every auspicious quality is destroyed: power, right understanding, splendor, beauty, purity and sweet radiance. All vanish at once, and my body falls upon the earth like a corpse, devoid of auspiciousness, utterly helpless, sorrowful, tormented, distraught and impatient. Knowing all this, beloved of my life, do not leave me now for even a moment. Supremely generous Beloved, please uphold the sacred pledge of love.

(Soratha)

Hearing Rādhā's words, steeped in love and humility, Hari's two eyes fill with tears, and He speaks these pure, sweet words.

[271]

(Raga Kedara - Tina Tala)

Rādhā, You and I are not different. Like water and its waves, the moon and its moonlight, We are one yet eternally distinct. Eternally, truly, always and in every way I remain with You. All eight watches of the day I move beside You and remain present within every limb. Without Me You possess no existence, and without You I am nothing. Not the slightest part of the mystery can be understood: which is the tree and which the seed? Both separation and union are arrangements for the rasa of Our līlā. The one eternal rasa assumes many forms and sports together with its entire assembly.

Original

Braj Bhasha and Hindi

Continuation of [271]

नित्य, एक ही नित अनेक सजि करत विचित्र विहार। नित अनादि, आरम्भ न कबहूँ, कबहुँ न उपसंहार॥ बिछुरन-मिलन तुम्हारौ-मेरौ, नित्य मिलन के माँहिं। जा बिछुरनमें मिलन मनोहर, सो तो बिछुरन नाहिं॥ मेरे रस तें तुम रसमयि, मैं तुम्हरे रस रसवान्। एक स्व-रस कौं द्विविध भेद तें करें नित्य हम पान॥ रस, रस-पान, रसिक, रस-दाता, एक परम रसरूप। परमाश्चर्य, अचिन्त्य, अनिर्वचनीय, अगम्य, अनूप॥ कबहूँ न कतहूँ तुम्हारौ-मेरौ पलक बिछोह-वियोग। नित्य सत्य अनिवार्य अलौकिक अविच्छेद्य संयोग॥ प्रिये! न तोहि स्वरूप की विस्मृति, नहीं कबहूँ कछु खेद। एक परम रस-सरिता के ही वे तरंगमय भेद॥

(Dohā)

दोनों आप्यायित भए, मिले दिव्य रस-रीति। महाभाव-रसराज की अतुल अकल यह प्रीति॥

Book Note: Pads 269 through 271 are portions of a single līlā.

[272]

(Rāga Kalyāṇa - Tīna Tāla)

करत निज कर प्रीतम शृंगार। सुवर्ण-वर्ण सु-तन पहिरायो नील वसन करि मधु मनुहार॥ कला-कलित कंचुकि पहिराई, रतन-हार, मणि-मुक्ता-माल। दिव्य आभरण अन्य सकल अंगनि पहिराए विविध रसाल॥ सुरभित सुमन दिव्य चुनि निज कर, गूँथि गले पहिरायो हार। नयननि सावधान अति आँज्यो अंजन कोमल अंगुरिन-सार॥

English translation

Continuation of [271]

Eternally one, We forever assume multiplicity and perform wondrous pastimes. Our līlā is beginningless; it never begins and never comes to an end. Your separation and union with Me occur within eternal union. Separation that contains enchanting union is not truly separation. Through My rasa You become filled with rasa, and through Your rasa I become its possessor. Through two distinct aspects We eternally drink one rasa belonging to Our own nature. Rasa, its drinking, its connoisseur and its giver are one supreme embodiment of rasa, supremely wondrous, inconceivable, indescribable, inaccessible and incomparable. Never and nowhere do You and I suffer separation for even a moment. Our union is eternal, true, inevitable, transcendent and indivisible. Beloved, You never forget Your essential nature and never experience any real sorrow. These are only wave-like distinctions within the one supreme river of rasa.

(Doha)

Both become fulfilled and meet according to the divine way of rasa. Such is the incomparable and inconceivable love of Mahābhāva and Rasarāja.

Book Note: Pads 269 through 271 are portions of a single līlā.

[272]

(Raga Kalyana - Tina Tala)

The Beloved adorns His Lady with His own hands. Tenderly coaxing Her, He dresses Her beautiful golden body in a blue garment. He places an artfully fashioned bodice upon Her, together with jeweled necklaces and strands of gems and pearls. He adorns every other limb with many exquisite divine ornaments. Selecting fragrant divine flowers with His own hands, He weaves a garland and places it around Her neck. With utmost care He applies collyrium to Her eyes using the tips of His soft fingers.

Original

Braj Bhasha

Continuation of [272]

माँग सिन्दूर देइ मनभावन, रची सुमन-वेणी रमणीय। बेंदी भाल लगाइ मनोहर, पहिराए कुण्डल कमनीय॥ पुष्पसार लै मधुर सुगन्धित दियो लगाय प्रिया शुचि अंग। दै ताम्बूल सुवासित मुख, दृग अपलक निरखत अंग-प्रत्यंग॥ करने लगे प्रिया-संग प्रमुदित स्मित-मुख मधुमय रस-आलाप। पुष्प-सेज पर रहे विराजित, उमग्यो आनन्द-सिन्धु अमाप॥

[273]

(Rāga Deśa - Tīna Tāla)

थके पर छके न रस-प्यासे। रहत सतत रस-पान-निरत, नित नूतन भाव विकासे॥ ज्यों-ज्यों पियत प्यास त्यों बाढ़त, मधुर स्वाद उद्भासे। महाभाव-रसराज-सिरोमणि दोऊ प्यारी-प्यारे॥ लीला-रस-रत लखि सखि प्रमुदित, भूली अग-जग सारे॥

[274]

(Rāga Jaṅgalā - Tāla Kaharavā)

तत्सुख-सुखी त्यागमय अनुपम प्रेम-पीयूष मनोहर। पियत-पियावत नित अतृप्त-मन दोउ नव नागरि-नटवर॥ तरुण तमाल, कनक-लतिका-सम, नित्य मिलित तजि निज-पर। घन-दामिनि-सम, मोहन-मोहनि मोहत सतत परस्पर॥

[275]

(Rāga Vihāga - Tīna Tāla)

प्रिया-प्रीतम दोउ करत किलोल। रूप-उजागर नागरि-नागर बोलत मधुरे बोल॥ हास-विलास करत दोउ रसमय, प्रीति न हियें समात। श्रमित, हार नहिं मानत कोऊ, करत मधुर दोउ घात॥ निभृत निकुंज पुंज-सुख-माधुरि रस-स्वामिनि-रसराज। तन-मन-प्राण अभेद, अलौकिक क्रीड़त नित नव साज॥

English translation

Continuation of [272]

He places pleasing vermilion in the part of Her hair and fashions a lovely braid of flowers. He sets an enchanting bindi upon Her brow and places beautiful earrings upon Her. Taking sweetly fragrant flower essence, He applies it to His pure Beloved's limbs. He gives Her betel to perfume Her mouth, while His unblinking eyes behold every limb. With a delighted, smiling face He begins a honeyed exchange of rasa with His Beloved. They remain seated upon the flower bed while an immeasurable ocean of bliss surges.

[273]

(Raga Desa - Tina Tala)

Though tired, the thirsty connoisseurs of rasa are never satiated. They remain constantly absorbed in drinking rasa as ever-new bhāvas unfold. The more They drink, the more Their thirst increases and the sweet taste shines forth. The beloved Lady and Lord are the crown jewels Mahābhāva and Rasarāja. Seeing Them absorbed in the rasa of līlā, the delighted sakhī forgets all moving and unmoving creation.

[274]

(Raga Jangala - Tala Kaharava)

Their enchanting, incomparable nectar of love is filled with renunciation and finds happiness only in the Other's happiness. The ever-fresh expert Lady and supreme dancer drink it and give it to one another, Their minds never satisfied. Like a young tamāla tree and a golden vine, They remain eternally united, having abandoned self and other. Like cloud and lightning, the Enchanter and His Enchantress forever enchant one another.

[275]

(Raga Vihaga - Tina Tala)

The Beloved Lady and Her Beloved sport together. The radiant expert Lady and Lord speak sweet words. Both perform rasa-filled smiles and playful acts, while love cannot be contained within Their hearts. Though tired, neither accepts defeat, and each sweetly strikes at the other. The mistress of rasa and Rasarāja are the gathered happiness and sweetness of the secluded grove. Body, mind and life indivisibly one, They perform transcendent pastimes in ever-new arrangements.

Original

Braj Bhasha

[276]

(Rāga Kānharā - Tīna Tāla)

कानन नव निकुंज अति सोहनि। कुसुमित लता सुगन्ध-समन्वित, सुर-मुनिजन-मन-मोहनि॥ नव-पल्लव शोभित कदम्बकी शाखा परम विशाल। तेहि पर शुक-सारिका-पिकादिक गावत राग रसाल॥ तहाँ सुदिव्य सुरम्य हेम-मणि-मण्डित झूला डारी। रसमय रहे विराज नन्दनन्दन-वृषभानु-दुलारी॥ ब्रज-रमणी सब देवें झकोरे, प्रियतम-प्रिया झुलावत। रूप-सुधा-सागर-तरंग-सी मिलि सब मोद बढ़ावत॥ रस-प्रमत्त झूलत नव नागरि तुरत परन-सी लागी। पकरि भरी अंकवार श्याम-घन, प्रेम-सुधा-रस-पागी॥ राधा-मोहन, मोहन-राधा भए एक आकारा। विहँसि उठीं सब ब्रज की बाला, बही अमी-रस-धारा॥

[277]

(Rāga Malhāra - Tīna Tāla)

हँसि-हँसि झूलत फूल-हिंडोरें। प्यारी-प्रीतम फूलनि फूले, फूले उर कर जोरें॥ फूलन कौ लहँगा, फूलन कौ पीताम्बर अति सोहै। फूलन के सिर मुकुट-चन्द्रिका देखत ही मन मोहै॥ फूलन के तोशक-तकिया मृदु, फूलनि आसन राजैं। फूलन के पहिरें भूषण, तन सुन्दर दोउ विराजें॥ फूलत-झूलत दे गर बैयाँ, फूले अंग-अंग सारे। फूले नयन नचावत दोऊ रतनारे अनियारे॥ फूलनि साज सजी सखिगण सब, फूलनि माँग सँवारी। फूल सजे कर फूल-चँवर लै ढुरवति मृदु सखि प्यारी॥

English translation

[276]

(Raga Kanhara - Tina Tala)

The forest's fresh bower is exceedingly beautiful. Flowering, fragrant vines enchant the minds of gods and sages. Fresh leaves adorn the immense branch of a kadamba tree. Upon it parrots, saris, cuckoos and other birds sing luscious rāgas. There hangs a supremely divine and lovely swing set with gold and jewels. Nanda's son and Vṛṣabhānu's daughter sit upon it, filled with rasa. All the women of Vraja push the swing and swing the Beloved Lady and Lord. Gathered like waves upon an ocean of beauty's nectar, they increase everyone's delight. As the fresh expert Lady swings in divine intoxication with rasa, She suddenly seems about to fall. The dark cloud Śyāma catches Her and fills His embrace with Her, soaked in the nectarean rasa of love. Rādhā becomes Mohana and Mohana Rādhā, both assuming one form. All the girls of Vraja burst into laughter, and a stream of nectarean rasa flows.

[277]

(Raga Malhara - Tina Tala)

Laughing and laughing, They swing upon a flower swing. The Beloved Lady and Lord bloom among flowers, and Their hearts bloom in mutual embrace. Her skirt is made of flowers, and His flowered yellow garment shines beautifully. Their flower crowns and crescent ornaments steal the mind at first sight. Soft mattresses and pillows are made of flowers, and flower seats shine. Wearing flower ornaments, both beautiful bodies appear resplendent. Blooming as They swing with arms around one another's necks, every limb blossoms. Both move Their blooming, reddish and incomparable eyes. All the sakhīs are adorned with flowers and decorate the parts of their hair with blossoms. The tender beloved sakhīs, themselves flower-adorned, wave flower whisks in their hands.

Original

Braj Bhasha

Continuation of [277]

परमानन्द झुलावति कर लै फूल रेशमी डोरी। मृदु-मृदु झोटा देत मुदित मन फूलि रहीं सब गोरी॥ राधा-माधव-नेहरूप शुचि फूलन की फुलवारी। बाँटि रही सुषमा-सुगन्ध निज दिव्य उच्च मनवारी॥

[278]

(Rāga Malhāra - Tīna Tāla)

झूलत फूल हिंडोरे श्याम। श्यामा-सहित, वदन शुचि सुस्मित, चहुँ दिसि फूल ललाम॥ फूल हिंडोरा, फूल सुडोरी, आसन फूल सुठाम। ता पर सुमन-सुकोमल राजत दोऊ मन अभिराम॥ फूल झूल रहे नील-पीत पट, फूलन के शृंगार। करनफूल-कुण्डल फूलन के, फूलन के गल-हार॥ दोउन के सब अंग सुशोभित विविध सुगन्धित फूल। सखी-सहचरी झूला दै-दे रहीं मनहिं-मन फूल॥

[279]

(Rāga Chāyānaṭa - Tīna Tāla)

हिंडोरें झूलत श्यामा-श्याम। नव नट-नागर, नवल नागरी, सुन्दर सुषमा-धाम॥ सावन मास घटा घन छाई, रिमझिम बरसत मेह। दामिनि दमकत, चमकत गोरी, बढ़त नित्य नव नेह॥ कल्पद्रुम-तल शीतल छाया, रतन-हिंडोरा सोहै। झूलत प्रीतम-प्रिया ताहि पर, चित्त परस्पर मोहै॥ नील-हेम तनु, पीत-नील पट सोहत सरस शृंगार। चंचल मुकुट, सुचारु चन्द्रिका, गल मुक्तामणि-हार॥ सखि ललितादिक देत झकोरे, मिलत अंग-प्रति-अंग। गावत मेघ-मलार मधुर सुर, बाजत ढोल-मृदंग॥ हँसत-हँसावत रस बरसावत सखी-सहचरी-वृन्द। उमग्यो आनन्द-सिन्धु, मगन भए दोऊ आनन्द-कन्द॥

English translation

Continuation of [277]

Supreme bliss swings Them, holding the flowered silken cord. Giving gentle pushes with delighted hearts, all the fair sakhīs bloom with joy. The pure love of Rādhā-Mādhava is a flowering garden. It distributes its own divine and exalted beauty and fragrance, stealing every heart.

[278]

(Raga Malhara - Tina Tala)

Śyāma swings upon a flower swing. Śyāmā sits beside Him, Her pure face beautifully smiling, with splendid flowers everywhere. The swing is made of flowers, its lovely cords are flowers and its fine seat is flowers. Upon it the enchanting Pair appear as delicate as blossoms. Their blue and yellow garments sway among flowers, and Their adornments are flowers. Their ear ornaments and earrings are flowers, and flower garlands encircle Their necks. Many fragrant flowers beautify every limb of the Pair. As the sakhīs and attendants push the swing, their hearts bloom inwardly.

[279]

(Raga Chayanata - Tina Tala)

Śyāmā and Śyāma swing upon the swing. The ever-fresh master dancer and youthful expert Lady are beautiful abodes of splendor. In the month of Śrāvaṇa, thick clouds cover the sky and rain falls softly. Lightning flashes, the fair Lady shines and ever-new affection increases. Beneath a wish-fulfilling tree, in cooling shade, a jeweled swing shines. The Beloved Lady and Lord swing upon it, captivating one another's hearts. Their blue and golden bodies, yellow and blue garments and rasa-filled adornments shine. Restless crowns, graceful crescent ornaments and pearl necklaces adorn Their necks. Lalitā and the other sakhīs push Them so that limb meets limb. They sing Megha and Malhāra in sweet notes as drums and mṛdaṅgas sound. The assembly of sakhīs laughs, makes Them laugh and showers rasa. An ocean of bliss swells, and the two roots of bliss become fully absorbed.

Original

Braj Bhasha

[280]

(Rāga Malhāra - Tīna Tāla)

झुलावत निज कर नन्द-किशोर। रतन हिंडोरें बैठी राधा, झूल रही आनन्द-विभोर॥ झूलि रही पिय के सुख कारण, भूलि रही सगरो संसार। मुख-पंकज-मकरन्द-पानरत नयन-मधुप, आनन्द अपार॥ निरखि किशोरी कौ सुस्मित आनन्द-निमग्न वदन-शरदिन्दु। उमग्यो हरि-उर परम मधुर अति प्रेमानन्द-सुधा-रस-सिन्धु॥ सखी-सहचरी भूलीं तन-मन, निरखि मधुर लीला-रस-रंग। मर्माहत मूर्छित ह्वै रति-संग अवनी ऊपर पर्यो अनंग॥

[281]

(Rāga Hamīra - Tīna Tāla)

झुलावति श्यामा श्याम-कुमार। हेम-रत्न-निर्मित झूला पर, रुचिर रेशमी डोरी डार॥ मन अति मुदित झुलावति गोरी, सह न सकति श्रम तन सुकुमार। शोहत ललित कपोल-भाल पर स्वेद-बिन्दु श्रम-जनित अपार॥ कूदि परे लखि श्रमित श्रीमती, झट झूले का कर परिहार। बैठारी कर-कमल पकरि के निज कर, उर भरि अतिशय प्यार॥ कोमल कुसुम-कली-मण्डित सिंहासन पर, प्रिय अमित उदार। निज पट-अंचल पोंछे निज कर स्वेद-वारि-कण नन्द-कुमार॥ ललितादिक सखियन बैठारे जीवन-धन करि अति मनुहार। आदरसहित मधुर वानी सों, करन लगीं सौरभित बयार॥

[282]

(Rāga Aḍānā - Jhapatāla)

झूलत अभिराम श्याम, श्यामा बामा ललाम, सुषमा के सरस धाम, रतनमय हिंडोरे। ललितादिक सखी-वृन्द निरखत वदनारविन्द, रस-लोलुप मन-मिलिन्द, देत मृदु झकोरे॥

English translation

[280]

(Raga Malhara - Tina Tala)

The young son of Nanda swings Her with His own hands. Seated upon the jeweled swing, Rādhā swings, overwhelmed with bliss. She swings for Her Beloved's happiness and forgets the entire world. The bees of Her eyes drink the nectar of His lotus face, and Her bliss is boundless. Seeing the autumn moon of the youthful Lady's smiling face immersed in bliss, an exceedingly sweet ocean of the nectarean rasa of loving bliss swells within Hari's heart. The sakhīs and attendants forget body and mind while beholding the sweet colors of līlā-rasa. Struck in his heart, Love himself swoons and falls upon the earth with his consort Rati.

[281]

(Raga Hamira - Tina Tala)

Śyāmā swings the youthful Śyāma. Upon a swing made of gold and jewels, She holds its lovely silken cord. With a greatly delighted heart the fair Lady swings Him, but Her delicate body cannot bear the exertion. Countless drops of perspiration born of effort shine upon Her graceful cheeks and brow. Seeing Śrīmatī tired, He leaps down and immediately stops the swing. Taking Her lotus hand in His own, He seats Her and fills His heart with immense love. Upon a throne decorated with delicate flower buds, Her infinitely generous Beloved, the young son of Nanda, wipes away the drops of perspiration with the edge of His own cloth. With tender coaxing He seats Lalitā and the other sakhīs near the treasure of their lives. Speaking sweetly and respectfully, they begin creating a fragrant breeze.

[282]

(Raga Adana - Jhapatala)

Enchanting Śyāma and the splendid fair Lady Śyāmā swing as rasa-filled abodes of beauty upon a jeweled swing. Lalitā and the assembly of sakhīs behold Their lotus faces; their minds, bees greedy for rasa, give the swing gentle pushes.

Original

Braj Bhasha

Continuation of [282]

शरद-इन्दु उदित गगन, बहत विमल मलय-पवन, अलि-कुल कल-मुखरित वन, शब्द सुधा-बोरे। विशद लता रही झूल, विकसित रहे विविध फूल, कालिन्दी कलित कूल, सुखद शुचि हिलोरे॥ शोभित मणि-रत्नहार, गुंजमाल गल विहार, अंग-अंग वर शृंगार, मुनिन चित्त चोरे। नव-नीरद-नील श्याम, तड़ित-वर्ण रूप-धाम, मोहित शत कोटि काम, रहत तृणहि तोरे॥ नागर-नागरि-विलास, सखियन मन अति हुलास, मधुर अधर मन्द-हास, रसमय झकझोरे॥

[283]

(Rāga Vihāgaḍā - Tāla Dhamāra)

झूलत कुंजन प्रेम-हिंडोरें। श्यामा-श्याम प्रीति तन पुलकित, हिय रस लेत हिलोरें॥ नैन रसाल, विशाल भाल, कल भौंह-कटाक्ष झकोरें। तन-मन-प्राण परस्पर अर्पित, परम रसिक रस बोरें॥ ललित सखी ललितादि झुलावत, दै-दै झोंटा झोरें। श्याम-गौर तन झलकत श्रम-कण, यौवन-मदके जोरें॥ बोलनि मधुर-मधुर मृदु मुसुकनि, निरखि-निरखि तृण तोरें। मन आनन्द-मगन दोउन के नित नवीन रस घोरें॥

[284]

(Rāga Soraṭha Malāra - Tāla Dhamāra)

झूलत हरित कुंज पिय-प्यारी। हरित हिंडोरे, हरित डार में, हरित डोर डारे हरिआरी॥ पावस ऋतु तरु-लता हरित सब, हरित भूमि-तृण-छवि अनियारी। हरित वसन, आभरण हरित सब, आसन हरित, हँसनि हियहारी॥

English translation

Continuation of [282]

The autumn moon rises in the sky, and the pure Malaya breeze blows. Swarms of bees make the forest melodious, their sound steeped in nectar. Bright vines sway, many flowers bloom, and the lovely bank of the Yamunā moves in pure, bliss-giving waves. Jeweled necklaces shine, and a guñjā garland plays upon His throat. Excellent adornments grace every limb and steal sages' minds. Śyāma is blue as a fresh raincloud, while the abode of beauty beside Him is lightning-gold. Hundreds of millions of Cupids are enchanted and remain beneath Their feet like blades of grass. The expert Lady and Lord sport, filling the sakhīs' hearts with immense delight. Their sweet lips bear soft smiles, and the rasa-filled swing moves.

[283]

(Raga Vihagada - Tala Dhamara)

They swing upon the swing of love within the bowers. Śyāmā and Śyāma's bodies thrill with love, while rasa rises in waves within Their hearts. Their luscious eyes, broad brows and graceful sidelong glances push against one another. Body, mind and life offered mutually, the supreme connoisseurs are immersed in rasa. Lalitā and the other graceful sakhīs swing Them, giving strong and repeated pushes. Drops of exertion shine upon the dark and fair bodies, strengthened by the intoxication of youth. Their words are honey-sweet and Their smiles tender; at every glance They pluck blades of grass in humility. The minds of the Pair are absorbed in bliss as ever-new rasa thickens.

[284]

(Raga Soratha Malara - Tala Dhamara)

The Beloved Lady and Lord swing within a green bower. Upon a green swing hanging from a green branch, fresh green cords have been placed. In the rainy season every tree and vine is green, and the green earth and grass possess incomparable beauty. Their garments and ornaments are green, Their seat is green, and Their laughter steals the heart.

Original

Braj Bhasha

Continuation of [284]

हरित सखी दोउ ओर झुलावत, हरित हिये हर्षित अतिभारी। हरित राग गावत मलार सखि, हरि-हरि मनहारिनि सुखकारी॥ पीत-श्याम मिलि भयो हरित रंग, रूप मदन-कोटिन-मदहारी। खग-मृग हरित निहारत प्रमुदित, मधुर श्याम-श्यामा सुकुमारी॥

[285]

(Rāga Īmana - Tāla Tritāla)

झूलत सघन कुंज पिय-प्यारी। घन गरजत, मृदु दामिनि दमकत, रिमझिम बरसत बारी॥ भींजत अम्बर पीत, अलौकिक नील सुरंगी सारी। मद भर मोर-मोरनी नृतत, कूजत कोकिल-सारी॥ गावत मधुरे सुर मल्हार मिलि सखिजन अरु पिय-प्यारी। झोंटे देय झुलावत सखि ललितादिक बारी-बारी॥ चितवत श्यामा-श्याम परस्पर, नित नव रस विस्तारी। उमड़ि रह्यो आनन्द सरस निधि, सबहि जात बलिहारी॥

[286]

(Rāga Gauḍa Malāra - Tāla Tritāla)

भीजत रीझत दोऊ आवत। रंग हिंडोरे झूलि मुदित मन, सखियन मन सरसावत॥ उमड़ि-उमड़ि घन घनन-घनन धुनि गरजत, भय उपजावत। चपला चमकि-चमकि छिन-छिनमें घटा-छटा छहरावत॥ नाचत मोर मदन-मदमाते आनन्द-रस बरसावत। प्रेमरसज्ञ पपीहा पी-पी धुनि करि मोद बढ़ावत॥ कदम्ब-छाँह ठाढ़े भए दोऊ, अंग-अंगनि लपटावत। प्रिया-देह ढाँपी निज कामरि, नेह तें मेह बचावत॥

English translation

Continuation of [284]

Green-clad sakhīs swing Them from both sides, their fresh hearts exceedingly joyful. The sakhīs sing fresh Malhāra melodies, repeatedly enchanting the mind and giving happiness. Yellow and dark blue meet to produce green, a beauty that destroys the pride of millions of Cupids. Birds and deer gaze in delight upon the tender, sweet Śyāma and Śyāmā amid the greenery.

[285]

(Raga Imana - Tala Tritala)

The Beloved Lady and Lord swing within a dense bower. Clouds thunder, soft lightning flashes and rain falls gently. His yellow garment and Her extraordinary, many-colored blue sari grow wet. Peacocks and peahens dance in intoxication, while cuckoos and saris call. The sakhīs and the beloved Pair together sing Malhāra in sweet notes. Lalitā and the other sakhīs take turns pushing the swing. Śyāmā and Śyāma gaze upon one another, expanding ever-new rasa. A luscious treasury of bliss overflows, and everyone surrenders themselves to the sight.

[286]

(Raga Gauda Malara - Tala Tritala)

The delighted Pair return drenched by rain. Having swung upon the colorful swing with joyful hearts, They fill the sakhīs' minds with rasa. Swelling clouds thunder ghanana-ghanana, awakening fear. Lightning flashes moment by moment and spreads the splendor of the cloud bank. Peacocks dance, intoxicated with love, and shower the rasa of bliss. The cātaka, knower of love-rasa, increases delight with its cry of pī-pī. The Pair stand beneath a kadamba tree, limb embracing limb. He covers His Beloved's body with His own blanket, lovingly protecting Her from the rain.

Original

Hindi and Braj Bhasha

[287]

(First Lāvanī Tune - Tāla Kaharavā)

आश्विन मास, शरद ऋतु शोभन, शीतल शुभ्र चाँदनी रात। कालिन्दी-जल निर्मल मनहर, मन्द सुगन्ध रहा बह वात॥ रत्न-सुदीप्त रुचिर नौकापर रहे विराजित श्यामा-श्याम। करते मधुर विनोद परस्पर, नौ-विलास-रत अति अभिराम॥ श्रीमती बोलीं, ‘सुनो प्राणधन! तुम मुरलीकी छेड़ो तान। सुन्दर-सुमधुर स्वर-लहरीमें मुझे सुनाओ रसमय गान॥ मैं खे लूँगी नाव, प्राण खेलेंगे रसमय खेल महान्। नयन-मधुप रसमत्त रहेंगे कर मुख-सरसीरुह-रस-पान॥’ यों कह खेने लगी तरी, कर दृष्टि अचंचल पियकी ओर। दृष्टि जमा श्यामा-मुख, मुरली लगे बजाने नन्द-किशोर॥

[288]

(Rāga Kāfī - Tāla Dīpacandī)

नित्य मधुर ब्रज-धाम, खेल रहे हरि-संग होरी॥

विषय-विराग-राग-रंग लीन भयो, प्रेम-सुधा-रस घोरी। एक लक्ष्य करि मोहन-आनन भरि पिचकारी छोरी॥ बदन सब अरुण भयो री॥

दंभ-दर्प-मद-मोह-कोह सब राख भए जरि होरी। काम विशुद्ध भयो, हरि-मुख पे राजि रह्यो बनि रोरी॥ मिटी जग की सब खोरी॥

नाते-नेह खेह भए सारे, नातो एक रह्यो री। नेह-बिन्दु सब नेह-जलधि मिलि सागर रूप लह्यो री॥ प्रेम-रस-रंग छयो री॥

English translation

[287]

(First Lavani Tune - Tala Kaharava)

It is the month of Āśvina and the lovely autumn season, a cool night of pure moonlight. The Yamunā's water is clear and enchanting, and a gentle fragrant breeze blows. Śyāmā and Śyāma sit upon a lovely boat brilliant with jewels. They perform sweet pastimes together, absorbed in enchanting water play. Śrīmatī says, "Listen, treasure of my life. Sound a melody upon Your flute. Let me hear a song filled with rasa in waves of beautiful, supremely sweet notes. I shall row the boat while my Life performs a magnificent play filled with rasa. The bee of my eyes will remain intoxicated with rasa, drinking from the lotus of Your face." Speaking thus, She begins rowing the boat, Her gaze fixed unwaveringly upon Her Beloved. Fixing His gaze upon Śyāmā's face, the young son of Nanda begins to play the flute.

[288]

(Raga Kafi - Tala Dipacandi)

In the eternally sweet abode of Vraja, they play Holī with Hari.

Attachment and aversion toward sense objects dissolve into color, thickened with the nectarean rasa of love. Making Mohana's face their single target, they discharge their filled syringes. Every face has become crimson.

Hypocrisy, pride, arrogance, delusion and anger all burn to ash in this Holī. Desire becomes pure and remains joyfully as colored dust upon Hari's face. Every defect of the world is erased.

All worldly ties and affections become dust, and only one relationship remains. Every drop of affection merges into the ocean of love and assumes the ocean's own form. The color of loving rasa spreads everywhere.

Original

Braj Bhasha

[289]

(Rāga Kāfī - Tāla Dīpacandī)

खेलत सुन्दर श्याम सखिन संग ब्रज रस-होरी॥ भरि पिचकारी चोवा-चन्दन रंग, भरि केसर-रोरी। डारत सखियन-अंग श्याम, नटवर-तन सब मिलि गोरी। मच्यो घमसान घनो री॥

भूमि लाल, नभ लाल, ललित रंग सब दिशि लाल छयो री। लाल लता-तरु, लाल सुमन-फल, निधुवन लाल भयो री॥ आन कोउ रंग न रह्यो री॥

मोर-चकोर लाल भए, अलि-कुल रंग गुलाल लह्यो री। लाल निकुंज, लाल शुक-कोकिल, लाल रसाल बन्यो री॥ लाल ही बीज बयो री॥

लाल दिवस-निशि, लाल सूर्य-शशि, लाल क्षितिज सु छयो री। लाल सलिल कालिन्दी शोभित, लाल बयार बह्यो री॥ लाल दधि-दूध-मह्यो री॥

लाल स्वर्णयुत, लाल सु-मरकत, वसन-वेष बन्यो री। लाल अलक, दृग-पलक लाल भए, लाल सु-वचन कह्यो री॥ लाल ही लाल सुन्यो री॥

ललना-लाल लाल भए दोऊ, सखी लाल रंग बोरी। नील-पीत पट, चुनरी-पगरी, सबै लाल रंग घोरी॥ सकल जग लाल भयो री॥

English translation

[289]

(Raga Kafi - Tala Dipacandi)

Beautiful Śyāma plays Vraja's rasa-filled Holī with the sakhīs. They fill their syringes with scented sandal color and saffron powder. Śyāma casts it upon the sakhīs' limbs, while all the fair girls color the supreme dancer's body. A tremendous battle breaks out.

The earth is red, the sky red, and graceful red color covers every direction. Vines and trees are red, flowers and fruits are red, and Nidhivana has turned red. No other color remains.

Peacocks and cakoras turn red, while swarms of bees take on the color of red powder. The bowers are red, parrots and cuckoos red, and mango trees red. Only the seed of red has been sown.

Day and night are red, sun and moon are red, and the horizon is beautifully covered in red. The Yamunā shines with red water, a red wind blows, and curd, milk and buttermilk are red.

Gold and fine emeralds are red, and garments and attire have become red. Locks of hair are red, eyes and eyelids red, and beautiful words are spoken in red. Nothing but red is heard.

The beloved Lady and Lord both turn red, and the sakhīs are drenched in red. Blue and yellow cloth, veils and turbans are all thickly colored red. The entire world has become red.

Original

Braj Bhasha

[290]

(Rāga Kāfī - Tāla Dīpacandī)

खेलत श्यामा-श्याम ललित ब्रज में रस-होरी॥ राधा-संग सखी-सहचरी सब मिलि केसर-रंग घोरी। सुन्दर श्याम-वदन पर डारत भरि-भरि कनक-कटोरी॥ प्रेम-रस-रंग-विभोरी॥ खेलत॥

हेरि-हेरि हरि-मुख पिचकारी छाँड़ि रहीं चहुँ ओरी। पकरि हाथ सखियन मलि दीन्हीं मुँह गुलाल अरु रोरी॥ श्याम-मुख अरुण भयो री॥ खेलत॥

देखि प्रसन्न वदन सखियन संग रंगिनि नवल किशोरी। उमग्यो हिय आनन्द-सिन्धु, हरि रंग दीन्हीं सब गोरी॥ सुरस-संग्राम मच्यो री॥ खेलत॥

बाजत ताल-मृदंग, ढोल-ढप, सिंगा-वेणु ढपोरी। गावत राग धमार नृत्य करि, कर अबीर की झोरी॥ पुकारत हो-हो होरी॥ खेलत॥

[291]

(Rāga Kāfī - Tāla Dīpacandī)

होरी में गये हार सकल खल-दल-संहारी॥ सखी-सहचरी सब कौं लै संग, भरि रस-रंग पिचकारी। मधुर वदन, कोमल सब तन पर हेरि-हेरि के मारी॥ रंगीली कीर्ति-कुमारी॥

लाल कपोल गुलाल लपेटे, दृग सुरभित जल डारी। भागि चले मनमोहन सोहन, पोंछत नयननि बारी॥ हँसी सखि दे कर-तारी॥

मुरली कर सों परी धरनि पर, मोर-शिखा महि डारी। भए श्रमित, मृदु चरण डगमगे, बैठि गये मन मारी॥ घेरि लिए सखिन मुरारी॥

English translation

[290]

(Raga Kafi - Tala Dipacandi)

The graceful Śyāmā and Śyāma play Vraja's rasa-filled Holī. With Rādhā, all the sakhīs and attendants mix saffron color. Filling golden bowls again and again, they throw it upon beautiful Śyāma's face. They are overwhelmed by the color of loving rasa. They play Holī.

Taking careful aim at Hari's face, they fire syringes from every side. Seizing Him by the hands, the sakhīs rub red powder and colored dust upon His face. Śyāma's face turns crimson. They play Holī.

Seeing the joyful faces of the sakhīs, the colorful, ever-youthful Lady joins them. An ocean of bliss swells within Her heart, and She colors Hari with all the fair girls. A delightful battle breaks out. They play Holī.

Cymbals and mṛdaṅgas, drums and tambourines, horns and flutes resound. They sing Dhamāra, dance with bags of colored powder in hand, and call, "Ho! Ho! Holī!" They play Holī.

[291]

(Raga Kafi - Tala Dipacandi)

The destroyer of every wicked host is defeated in Holī. Taking all the sakhīs and attendants with Her, colorful Kīrti's daughter fills a syringe with the color of rasa and, aiming carefully, sprays His sweet face and every tender limb.

Red powder covers His crimson cheeks, and She casts fragrant water into His eyes. Beautiful mind-enchanting Mohana runs away, wiping the water from His eyes. The sakhīs clap their hands and laugh.

The flute falls from His hand to the ground, and His peacock feather drops upon the earth. Exhausted, His soft feet stagger and, dispirited by defeat, He sits down. The sakhīs surround Murāri.

Original

Braj Bhasha and Hindi

Continuation of [291]

बोलीं वचन व्यंग सखि मृदु हँसि, ‘बड़े वीर गिरिधारी! सहि न सके नारी-कोमल-कर-कंजन की पिचकारी॥ लाज सब कहाँ बिसारी?’

सुनि सखि-वचन सकुचि हरि बोले, ‘री वृषभानु-दुलारी! मैं तो प्रिय! सदा कौ हार्यो, नई हार कहा हारी॥ चरण-रज हौं बलिहारी।’

सुनि मृदु वचन, श्रमित लखि पिय कौं दुःखित भईं हिय भारी। राधा आइ उठाइ प्राण-धन, सिंहासन बैठारी॥ करन लगीं वसन बयारी॥

सुभग अंग सब पोंछि अरुण निज पट सों राधा प्यारी। शीतल जल मुख धोइ, अलक निज कर सुलझाई झारीं॥ मुदित भईं लखि ब्रज-नारीं॥

[292]

(Tune: Lāvanī - Tāla Kaharavā)

याद पड़ रहा है, आये थे भोजन करने मोहन श्याम। परस रही थी मैं उनको अति रुचिकर भोज्य-पदार्थ तमाम॥ यह मेरा भ्रम था, माधव तो खेल रहे कालिन्दी-कूल। आये क्यों न अभी? क्या क्रीड़ामें वे गये सभी कुछ भूल?॥ भूखे होंगे, कैसे उन्हें बुलाऊँ अब मैं यहाँ तुरन्त? हृदय विदीर्ण हो रहा, कैसे हो इस मेरे दुःखका अन्त?॥ बना-बनाया भोजन क्या यह नहिं आयेगा प्रियके काम? क्या वे इसे धन्य करनेको नहीं पधारेंगे सुखधाम?॥ माधव सुन हँस रहे प्रियाका यह मधु प्रेम-विलाप-विलास। बोले, ‘राधे! चेत करो, देखो, मैं रहा तुम्हारे पास॥ छोड़ दिया क्यों तुमने वस्तु परसना, होकर व्यर्थ उदास? भूखा मैं यदि रह जाऊँगा, होगी तुम्हें भयानक त्रास।’

English translation

Continuation of [291]

Smiling gently, the sakhīs tease Him: "What a mighty hero Giridhārī is! He could not withstand the syringe held by a woman's tender lotus hand. Where has all Your sense of shame gone?"

Hearing them, Hari replies shyly, "O daughter of Vṛṣabhānu, Beloved, I have always been defeated by You. What new defeat have I suffered today? I surrender myself to the dust of Your feet."

Hearing His tender words and seeing Her Beloved exhausted, Rādhā's heart grows heavy with sorrow. She comes, lifts the treasure of Her life and seats Him upon a throne. She begins fanning Him with Her cloth.

Beloved Rādhā wipes every beautiful crimson limb with Her own garment. She washes His face with cool water and untangles and arranges His locks with Her own hands. Seeing this, the women of Vraja become delighted.

[292]

(Tune: Lavani - Tala Kaharava)

I remember that Mohana Śyāma came to eat. I was serving Him every kind of exceedingly delicious food. But that was my delusion. Mādhava is playing on the bank of the Yamunā. Why has He not come yet? Has He forgotten everything in His play? He must be hungry. How can I call Him here at once? My heart is being torn apart. How will this sorrow of mine end? Will this prepared meal not be of use to my Beloved? Will the abode of happiness not come and bless it? Mādhava hears His Beloved's honey-sweet, playful lament of love and laughs. He says, "Rādhe, regain awareness. Look, I am here beside You. Why have You stopped serving the food and become needlessly sad? If I remain hungry, You will suffer terrible distress."

Original

Hindi and Braj Bhasha

Continuation of [292]

यों कह, मृदु हँस, माधवने पकड़ा राधाका कोमल हाथ। चौंकी, बोलीं, ‘हाय! हो गयी मुझसे बड़ी भूल यह नाथ!॥ कैसी मैं अधमा हूँ, जो मैं भ्रमसे गयी जिमाना भूल। व्यर्थ मान बैठी, प्रिय! तुम हो खेल रहे कालिन्दी-कूल।’ लगी प्रेमसे पुनः परसने विविध स्वादयुत वस्तु ललाम। भोग लगाने लगे, मधुर लीला पर हँसकर प्रियतम श्याम॥

[293]

(Tune: Lāvanī - Tāla Kaharavā)

लता-वल्लरी रही प्रफुल्लित, श्याम-तमाल सुशोभित कुंज। सुमन-समूह सौरभित सुन्दर, मँडरा रहा मुग्ध अलि-पुंज॥ मत्त मयूरी नृत्य कर रहीं, शुक-सारिका निरत कल गान। कालिन्दी कल्लोल कर रही, मत्त बही जा रही उजान॥ मधुर मुरलि-मुखरित नभ-मण्डल, सकल पूर्ण रस-भरित निनाद। दिग्-दिगन्त आनन्द-मत्त अति, हटे मिटे भय-शोक-विषाद॥ प्रेम-रस-भरी भानु-नन्दिनी सब कुछ छोड़ चली अभिसार। कौन? कहाँ मैं चली जा रही? क्यों? सब भूल गयीं संसार॥ पहुँची प्रियतम-पद-पद्मोंमें, देख रूप हो गयीं विभोर। अधर मधुर मृदु हास्य सुशोभित, नवल श्याम-घन मन-धन-चोर॥ अगणित शरद-इन्दु-मद-हारी, वदन-इन्दु वर विमल विभास। दृग विशाल मदभरे मनोहर, प्रेमीजन-मन-नयन-विलास॥ सर्वाकर्षक, सर्वाह्लादक, महारसायन रस-भरपूर। सौन्दर्यामृत-सिन्धु तरंगित, ललना-चित्त-प्लावन-शूर॥ अंग-सुगन्ध दिव्य देती नित प्राणेन्द्रियको सुख स्वच्छन्द। भाल विशाल, केश घुँघराले, मुकुट मयूर-पिच्छ सुख-कन्द॥ मुग्धा राधा बोल न पायीं, वाणी सहज हुई अवरुद्ध। चला परस्पर सुखद सरसतम भाव-तरंगोंका शुचि युद्ध॥

English translation

Continuation of [292]

Speaking thus and smiling gently, Mādhava takes Rādhā's tender hand. Startled, She says, "Alas, Lord, I have made a terrible mistake! How fallen I am to have forgotten to feed You because of delusion. Beloved, I needlessly imagined that You were playing on the bank of the Yamunā." With love She again begins serving many excellent and flavorful dishes. Beloved Śyāma begins eating, laughing at the sweetness of the līlā.

[293]

(Tune: Lavani - Tala Kaharava)

Vines and creepers bloom, and dark tamāla trees beautify the bower. Clusters of lovely fragrant flowers blossom while enchanted swarms of bees hover around them. Intoxicated peahens dance, and parrots and saris remain absorbed in melodious song. The Yamunā rises in waves and flows upstream in divine intoxication. The sweet flute fills the sky with sound, and every resonance is brimming with rasa. Every direction and horizon becomes intoxicated with bliss, while fear, grief and despondency disappear. Filled with loving rasa, Bhānu's daughter leaves everything and goes to the tryst. Who am I? Where am I going? Why? She forgets the entire world. She reaches Her Beloved's lotus feet and, seeing His form, becomes overwhelmed. His sweet lips bear a tender smile; the fresh dark cloud Śyāma steals the heart's entire treasure. The pure and splendid moon of His face destroys the pride of countless autumn moons. His vast, intoxicating and enchanting eyes are the playground of His lovers' minds and eyes. All-attracting and all-delighting, He is a great elixir completely filled with rasa. He is a surging ocean of beauty's nectar, powerful enough to inundate every young woman's heart. The divine fragrance of His limbs freely delights the life breath and senses. His brow is broad, His hair curls, and His peacock-feather crown is the root of happiness. Enchanted Rādhā cannot speak; Her voice naturally becomes obstructed. A pure battle of mutually bliss-giving, supremely luscious waves of bhāva begins.

Original

Hindi

Continuation of [293]

हृदय द्रवित हो, उमड़ा दिव्यामृत रस-सागर अमित अथाह। धैर्य-कूल कर भंग बह चला राधा-दृगसे अश्रु-प्रवाह॥ हुए क्षणोंमें ही प्रक्षालित चरण-युगल अतिशय अभिराम। जिनकी नख-चन्द्र-द्युति ही है परब्रह्म सच्चित्-सुखधाम॥ सहसा देख प्रियतमाको, उनकी इस लीलाको सुखसार। विह्वल हुए श्याम, दृग आँसू बहे, उठा लीं भुजा पसार॥ कहने लगे, ‘तुम्हारा ही प्रियतमे! कर रहा था मैं ध्यान। डूब रहा था मैं अगाध सौन्दर्य-सिन्धुमें शुचि निर्मान॥ इतनेमें ही मिला तुम्हारा मुझको अकस्मात् संस्पर्श। खुले नेत्र, सहसा दीखीं तुम, भरा तुरन्त हृदय अति हर्ष॥’ वचन-सुधा रमणीय दिव्य कर पान राधिका भूली भान। दशा ‘प्रेमवैचित्त्य’ उदय हो उठी, मिट गया बाह्य-ज्ञान॥ प्रियतमने सन्निधिमें लेकर रक्खा शुचि मस्तक निज अंक। अपलक लगे देखने वल्लभ, सुधा-मधुर-श्री-सुमुख-मयंक॥ देख पा रही नहीं राधिका किन्तु श्यामको अपने पास। दर्शन-हेतु भाग चलनेको राधा करने लगीं प्रयास॥ किन्तु नहीं उठ सकीं, कर उठीं हो व्याकुल अति करुण पुकार। ‘हा प्राणेश! प्राणवल्लभ हे! हा हृदयेश्वर! प्राणाधार!॥ कहाँ गये तुम मुझे छोड़कर, एकाकिनी सहज असहाय? कैसे कहाँ मिलूँ अब? तो ये प्राण नहीं रह सकते, हाय!॥ हाँ, हाँ, मैं अब समझी, तुमको मिलता इससे सुख-आराम। तो मैं मरती रहूँ, न मिलना मुझसे मेरे प्राणाराम!॥ तुम्हें चाहती मरकर भी मैं सुखी देखना नित्य अनन्त। पूरी करो साध मेरी यह, मेरे सर्वेश्वर! श्रीमन्त!’॥ यों कहकर हो गयीं राधिका मूर्छित, बाह्य-चेतनाहीन। छाया अति विषाद मुख-विधुपर, दशा हो रही थी अति दीन॥

English translation

Continuation of [293]

Her heart melts, and an immeasurable, unfathomable ocean of divine nectarean rasa surges. Breaking the banks of composure, a stream of tears flows from Rādhā's eyes. Within moments it washes the exceedingly enchanting pair of feet whose moonlike toenail radiance is itself Parabrahman, the abode of being, consciousness and bliss. Suddenly seeing His Beloved and this blissful essence of Her līlā, Śyāma is overwhelmed. Tears flow from His eyes, and He lifts Her with outstretched arms. He says, "Beloved, I was meditating upon You alone. I was immersed in the sacred measureless ocean of Your beauty. Then suddenly I felt Your touch. My eyes opened, I saw You before Me, and immense delight instantly filled My heart." Drinking the delightful divine nectar of His words, Rādhikā forgets outward awareness. The condition of prema-vaicittya arises, and external consciousness disappears. Drawing Her near, Her Beloved rests Her pure head upon His lap. With unblinking eyes He gazes upon the moon of Her beautiful face, sweet with nectar. Yet Rādhikā cannot perceive that Śyāma is beside Her. She tries to rise and run in search of His vision. Unable to stand, She becomes intensely agitated and cries out pitifully: "Lord of my life! Beloved of my life! Lord of my heart, support of my life! Where have You gone, leaving me alone and helpless? How and where shall I meet You now? Alas, this life cannot remain! Yes, yes, now I understand. This gives You happiness and rest. Then let me go on dying; do not meet me, delight of my life. Even after death I wish to see You happy eternally and without end. Fulfill this longing of mine, my almighty, glorious Lord!" Speaking thus, Rādhikā faints and loses external consciousness. Deep sorrow covers the moon of Her face, and Her condition becomes utterly pitiable.

Original

Hindi

Continuation of [293]

धोये नेत्र सुशीतल जलसे, प्रियने छिड़के मुख जल-बिन्दु। व्याकुल हुए देख प्यारीका सुखमय मलिन सुमुख-शरदिन्दु॥ बोले, ‘प्रिये! उठो तुम सत्वर, करो चेत, मत रहो उदास। प्राणाधार तुम्हीं हो मेरी, अतः निरन्तर रहता पास॥ गया नहीं मैं कहीं प्रियतमे! जा न सकूँगा तुमको त्याग। नहीं तुम्हारे सिवा कहीं भी है मेरा किंचित्-सा राग॥ तुम्हें सुखी करनेको ही बस मैं लेता भूपर अवतार। प्रेम-रसास्वादनमें करता दिव्य तुम्हारा अकथ अपार॥’ कहते-कहते श्याम-हृदय-सागरमें उठीं अनेक तरंग। बहने लगी अश्रु-सरिता, सब शिथिल हो गये चिन्मय अंग॥ जगीं राधिका, मिटा ‘प्रेमवैचित्त्य’, हुआ सुस्मृतिका लाभ। देखा अश्रु बहाते प्रियतम, म्लान नेत्र जो नित अमिताभ॥ आतुर आर्त्त रो पड़ीं, बोलीं, ‘प्राणेश्वर! मैं कैसी नीच! मेरे कारण नित प्रसन्न-मुख आज विषण्ण जगतके बीच॥ कैसे दुःख मिटाऊँ प्यारे! कैसे सुख पहुँचाऊँ आज? कैसे मुखपर मुक्त हास्य मैं देखूँ, हे मेरे सिरताज!’॥ सुनकर बोले मेरे प्रियतम, ‘प्रिये! एक साधन विख्यात। मुझे हँसाने, सुखी बनानेका अमोघ, यह निश्चित बात॥ सुखी बनो तुम, रहो प्रफुल्लित, रोम-रोम भर दिव्यानन्द। मृदु मन्दस्मित रहे खेलता अधरोष्ठोंपर नित्य अमन्द॥ प्रिये! तुम्हारा सुख मेरा सुख, प्यार तुम्हारा मेरा प्यार। सुखी करो, हो सुखी स्वयं तुम, यही एक बस साधन-सार।’॥

(Soraṭhā)

प्रिय-मुखकी सुन बात, राधा अति हर्षित हुईं। पुलक हो उठे गात, मिले परस्पर हर्षयुत॥

English translation

Continuation of [293]

Her Beloved washes Her eyes with cooling water and sprinkles drops upon Her face. He grows distraught seeing the blissful autumn moon of His Beloved's lovely face turned pale. He says, "Beloved, rise quickly. Regain awareness and do not remain sad. You alone are the support of My life, and therefore I remain constantly beside You. I have not gone anywhere, Beloved, and I can never leave You. Apart from You I possess not even the slightest attachment anywhere. I descend upon the earth only to make You happy. In relishing the rasa of love, I perform Your immeasurable and indescribable divine līlā." As He speaks, many waves rise within the ocean of Śyāma's heart. A river of tears begins to flow, and every conscious limb grows weak. Rādhikā awakens; prema-vaicittya subsides and clear awareness returns. She sees Her Beloved weeping, His ordinarily radiant eyes now dim. In anguish She begins to cry: "Lord of my life, how base I am! Because of me, Your eternally joyful face is sorrowful today before the world. How can I remove Your suffering, Beloved? How can I give You happiness today? How may I see an unrestrained smile upon Your face, my crowned Lord?" Her Beloved replies, "Beloved, one celebrated means is known. It is certain and unfailing for making Me laugh and making Me happy. Become happy Yourself. Remain radiant, with divine bliss filling every pore. Let a gentle, soft smile play perpetually and brightly upon Your lips. Beloved, Your happiness is My happiness, and Your love is My love. Make Me happy by becoming happy Yourself. This alone is the essence of every means."

(Soratha)

Hearing the words from Her Beloved's mouth, Rādhā becomes exceedingly joyful. Her body thrills, and the Pair meet one another filled with delight.

Original

Hindi

[294]

(Rāga Basanta - Tāla Kaharavā)

‘कहाँ गये तुम, कहाँ छिपे? हे नाथ! रमण! जीवन-आधार!’ विरह-प्रेम-वैचित्त्य-विकल राधा कर उठीं करुण चीत्कार॥ ‘विषम विरह-दावानलसे हो रहा दग्ध यह दीन शरीर। प्राण-पखेरू उड़ा चाहता, त्याग इसे, हो परम अधीर॥ यद्यपि मैं अतिशय अयोग्य हूँ, सहज मलिन, गुण-रूप-विहीन। मान बढ़ाकर तुमने मेरा, मुझे कर दिया धृष्ट, अदीन॥ लगी मानने तुम्हें प्राणवल्लभ, मैं मनमें कर अभिमान। लगा, तुम्हें मिलता होगा मुझसे कुछ सुख विशेष, रस-खान!॥ परमानन्द-सुधार्णव तुम हो नित्य, अनन्त, अगाध, अपार। क्या आनन्द तुम्हें दे सकती गुण-दरिद्र मैं, दोषागार?॥ तो भी तुम मुझसे मिलते हो, हृदय लगाते, देते स्नेह। बरसाते रहते तुम सतत मुझपर प्रेम-सुधा-रस-मेह॥ कोटि-कोटि सुन्दरियाँ हैं गुण-शील-रूप-सौन्दर्य-निधान। उन्हें छोड़, तुम मुझे निरन्तर देते रहते शुचि रस-दान॥ निश्चय ही मिलता होगा तुमको इससे अतिशय आनन्द। मुझसे बिछुड़, हो रहे तुम उस सुखसे वंचित, हे स्वच्छन्द!॥ विरह-वेदनासे यदि, प्रियतम! मेरे चले जायेंगे प्राण। वंचित सदा रहोगे फिर तुम इस सुखसे, प्राणोंके प्राण!॥ करुण विलाप करोगे फिर तुम मेरे लिये नित्य, नन्दलाल! रह जायेंगे प्राण तो दुःख न होगा तुम्हें, रमण! उर-माल!॥ मिलकर प्राण बचा लो मेरे अभी तुरन्त परम सुकुमार! करो शीघ्र आनन्द-लाभ फिर, प्रियतम हे ब्रजराज-कुमार!॥ तुम्हें तनिक सुख होता तो रहता न मुझे प्राणोंका मोह। कोटि-कोटि हैं प्राण निछावर तुमपर, परानन्द-सन्दोह!’

English translation

[294]

(Raga Basanta - Tala Kaharava)

"Where have You gone and where are You hiding? Lord, Lover, support of my life!" Tormented by separation and prema-vaicittya, Rādhā utters a pitiful cry. "This helpless body is burning in the terrible forest fire of separation. The bird of my life, utterly impatient, wishes to abandon it and fly away. Although I am exceedingly unworthy, naturally impure and devoid of virtue and beauty, You increased my honor and made me bold and independent. Proudly I began considering You the Beloved of my life. I imagined that You, treasury of rasa, must receive some special happiness from me. You are the eternal, infinite, unfathomable and boundless ocean of the nectar of supreme bliss. What happiness can I, destitute of virtues and an abode of faults, give You? Yet You meet me, embrace me and bestow affection. You constantly shower upon me a rain of the nectarean rasa of love. Millions upon millions of beautiful women are treasuries of virtues, character, form and loveliness. Leaving them aside, You continually give pure rasa to me. Surely this must give You extraordinary happiness. Separated from me, independent Lord, You are being deprived of that joy. Beloved, if my life departs from the pain of separation, then, life of my life, You will forever be deprived of this happiness. Nandalāla, You will lament pitifully for me forever. If my life remains, no such sorrow will come to You, my Lover and garland of my heart. Come and save my life immediately, supremely tender prince of Vraja. Quickly obtain Your happiness again, my Beloved. If You gain even a little happiness, I have no attachment to life. I surrender millions upon millions of lives to You, treasury of supreme bliss."

Original

Braj Bhasha and Hindi

[295]

(Rāga Bhinnaṣaḍja - Tīna Tāla)

विरहातुर, अति कातर, सब जग भूलि, गई कालिन्दी-तीर। पकरि कदम्ब-डारि ठाढ़ी ह्वै बावरी, बहत अमित दृग-नीर॥ चित नहिं धरत धीर नेकहूँ, पल-पल प्रति काँपि रह्यो मृदु गात। कल न परत, हिय जरत, दाह अति दारुण, भरत आह, बिललात॥ अति आतुर ‘प्रिय सखी’* आइ पहुँची तहाँ, देखि दशा तजि धीर। बोली अति मृदु बैन मनमोहनको, लखि हिय बिंध्यो सु-तीर॥ ‘सखि! धीरज धरु, तजु गलानि, मैं जाइ तुरत सब हाल सुनाय। प्रियतम मनमोहन कौं अबहीं हौं अपने संग लाऊँ लिवाय।’॥ प्रिय सखिके मृदु वचन सुनत, भूली प्यारी निज तनको भान। प्रियतम-रूप भई मन तेहि छिन, करन लगी निज गुण-गण-गान॥ ‘हा राधे! प्राणेश्वरि! हा मनहरनि! मधुर सुन्दरता-खानि! सद्गुण-निधि, नित-नव सुखदायिनि, सुमिरत होत सकल दुःख-हानि॥ हौं नित बिकयो हाथ तुव स्वामिनि! बिना मोल कौ चेरो मान। प्यारी! मधुर दरस-रस कौं तुव तड़पि रहे ये प्यासे प्राण॥ छायो अति दारुण वियोग-विष तुव, सब तन अति विषम अपार। मुख-शशि-सुधा सींचि सत्वर, विष हरु, अब पिय कौं लेउ उबार।’॥ प्रिय सखी आई हुती, तबहिं प्यारे हू ह्वै पहुँचे तहाँ आइ। दशा प्रेम-वैचित्त्य मधुर प्यारी की निरखत रहे लुकाइ॥ ‘हा प्रियतमे! राधिके! प्राणाधिके! प्राण-पुत्तलिके! हाय!’ कहि यों, मूर्छित परी अवनि, ह्वै प्रकट श्याम ने लई उठाय॥

Book Note: A nāyikā-bhāva-bearing equal-affectioned companion such as Śrī Lalitā or Viśākhā is not the “dear sakhī” of secluded bower service. Only Śrī Rūpa-mañjarī and others, who are free of nāyikā-bhāva and regard service to Śrī Rādhā-Mādhava in the secluded grove as the sole fulfillment of life, are eternal dear sakhīs.

English translation

[295]

(Raga Bhinnasadaja - Tina Tala)

Tormented and utterly helpless in separation, She forgets the entire world and goes to the Yamunā's bank. Grasping a kadamba branch, She stands like one gone mad while endless tears flow from Her eyes. Her mind cannot gather the slightest composure, and Her delicate body trembles moment by moment. She finds no peace; Her heart burns with terrible pain as She sighs and laments. The exceedingly anxious “dear sakhī” arrives and, seeing Her condition, loses composure. Her heart pierced by a sharp arrow, she speaks very tender words to mind-enchanting Mohana: “Friend, take courage and abandon grief. I shall go at once and tell Him everything. This very moment I shall bring your beloved mind-enchanting Lord back with me.” Hearing the dear sakhī's tender words, the Beloved Lady forgets awareness of Her body. At that instant Her mind assumes the form of Her Beloved, and She begins singing Her own virtues in His voice: “O Rādhe, queen of My life! O enchanter of My mind, treasury of sweet beauty! Treasury of virtues and giver of ever-new bliss, remembrance of You destroys every sorrow. Mistress, I am forever sold into Your hands. Regard Me as Your servant bought without a price. Beloved, this thirsty life longs for the sweet rasa of Your vision. The terrible poison of separation from You has spread throughout My entire body. Quickly sprinkle it with the nectar of the moon of Your face, remove the poison and rescue Your Beloved.” The dear sakhī has come, and at that very moment the Beloved too arrives there. Remaining hidden, He beholds His sweet Beloved's condition of prema-vaicittya. “O Beloved! Rādhike, dearer than life, little image of My life, alas!” As He speaks, She faints and falls to the ground; Śyāma reveals Himself and lifts Her.

Book Note: A nāyikā-bhāva-bearing equal-affectioned companion such as Śrī Lalitā or Viśākhā is not the “dear sakhī” of secluded bower service. Only Śrī Rūpa-mañjarī and others, who are free of nāyikā-bhāva and regard service to Śrī Rādhā-Mādhava in the secluded grove as the sole fulfillment of life, are eternal dear sakhīs.

Original

Braj Bhasha and Hindi

Continuation of [295]

भुज भरि, निज पट पीत डासि महि, दी ता पर सुवाइ अभिराम। मस्तक राखि समोद गोद निज, मुख-छवि निरखन लगे ललाम॥ गाल-भाल के घर्म-बिन्दु, दृग-सलिल पोंछि निज पट नन्दलाल। भए द्रवित मन, तन पुलकित, दृग प्रेम-सलिल छाये तत्काल॥ मृदु मधु निज कर-अँगुरिन तें प्रिय लगे सँवारन कुंचित केश। प्रियतम लखि प्यारी-सेवा-रत प्रिय सखि भई मुदित सविशेष॥ खोलि नयन छिन, निरखि श्याम-घन, ‘हा हृदयेश्वरि!’ कहि तेहि काल। मूँदे पुनि, मुख-पंकज-मधु पी, भए श्याम-दृग-मधुप निहाल॥ भई अर्ध-चेतन प्यारी तब, पुनि-पुनि खोलत-मूँदत नैन। घोरि अमिय-रस मधुर अमित पिय बोले अति विनम्र शुचि बैन॥ ‘नयन उघारि तनिक मो तन निरखौ तुम, हे मम जीवन-मूरि! सेवक हौं तुव चरणनि कौ नित, करौ न मोहि नेकु पल दूरि।’॥ पिय के वचन सुधामय सुनि, करि पूर्ण चेत, उठि बैठी बाल। दोउन के कण-कण उमग्यो अति प्रेम-सुधा-सागर सुविशाल॥ सुखी भई सखि, नाचि उठ्यो मन, जिमि घन लखि वन नाचत मोर। भई सफल-जीवन लखि प्यारी-प्रीतम कौं आनन्द-विभोर॥

[296]

(Tune: Lāvanī - Tāla Kaharavā)

अति एकान्त, विकल बैठी थी आतुर मन कालिन्दी-कूल। श्याम-विरह दुःसह पीड़ासे व्यथित गयी थी सब कुछ भूल॥ ‘आवेंगे अब नहीं कभी, वे छोड़ गये मुझको मतिमान्। जान गये मुझको सब विधिसे हीन, मलीन, दोषकी खान॥ नहीं बाह्य सौन्दर्य तनिक भी, नहीं हृदय सुन्दरता-लेश। अमित दोष-पूरित बाह्यान्तर, कलुषित कठिन कुबुद्धि विशेष॥ इसी हेतु वे गये, किया प्रियतमने समुचित निस्सन्देह। नहीं कदापि योग्य है उनके कुत्सित अति कुरूप यह देह॥’

English translation

Continuation of [295]

Gathering Her into His arms, He spreads His yellow cloth upon the ground and gently lays Her upon it. Joyfully resting Her head in His lap, He begins gazing at Her splendid face. Nandalāla wipes the drops of perspiration from Her cheeks and brow and the tears from Her eyes with His cloth. His mind melts, His body thrills and love-filled tears immediately cover His eyes. With the tender, honey-sweet fingers of His own hand, Her Beloved begins arranging Her curling hair. Seeing the Beloved Lord absorbed in serving His Beloved Lady, the dear sakhī becomes especially joyful. For a moment She opens Her eyes and beholds the dark cloud Śyāma, while He cries, “O queen of My heart!” Then She closes them again; drinking the honey of Her lotus face, the bee of Śyāma's gaze rejoices. His Beloved becomes half-conscious, repeatedly opening and closing Her eyes. Mixing immeasurable sweet nectar into His words, Her Beloved speaks with utmost humility and purity: “Open Your eyes and look upon My form for a moment, embodiment of My life. I am forever the servant of Your feet. Do not send Me away even for an instant.” Hearing Her Beloved's nectarean words, the young Lady fully awakens and sits up. A vast ocean of the nectar of love surges through every particle of the Pair. The sakhī rejoices, and her mind begins to dance like a peacock seeing a cloud. Beholding the Beloved Lady and Lord overwhelmed with bliss, she knows her life fulfilled.

[296]

(Tune: Lavani - Tala Kaharava)

In utter solitude She sits distraught on the Yamunā's bank, Her mind intensely anxious. Tormented by the unbearable pain of separation from Śyāma, She has forgotten everything. “He will never come again. The wise Lord has abandoned me. He has recognized me as wholly worthless, impure and a treasury of faults. I possess not the slightest outward beauty or the faintest beauty of heart. Within and without I am filled with countless faults, polluted and especially afflicted by harsh, corrupt understanding. For this very reason He has gone; without doubt my Beloved has acted rightly. This vile and exceedingly ugly body is never worthy of Him.”

Original

Hindi

Continuation of [296]

‘सुख पायें वे प्राणनाथ, है अमित मुझे इसमें आनन्द। प्रिय-वियोग-विष-ज्वाला विषम जलाती रहे मुझे स्वच्छन्द।’॥ करती यों विचार थी, थी वह भाव-मुग्ध सब विधि बाला। मन-ही-मन जप रही निरन्तर थी वह प्रिय-सुखकी माला॥ प्रिय-सुख-स्मृतिसे एक-एक पल नव-नव हृदय मोद भरता। किन्तु साथ ही प्रिय-वियोग-दावानल हृदय दाह करता॥ भूल गयी वह कल-कल करती बहती कालिन्दी-धारा। कूद पड़ी, कमनीय कलेवर सलिल-निमग्न हुआ सारा॥ लगा, किसीने लिया गोदमें, हुआ सुकोमल तनका स्पर्श। भरा सुधा-रस अंग-अंगमें, मिटा खेद, छाया अति हर्ष॥ हर्षपूर्ण हो गया हृदय अति, रहीं बन्द आँखें कुछ काल। उठी गुदगुदी तन-मनमें, तब खुले नयन-अरविन्द विशाल॥ देखा बँधी हुई अपनेको प्रियतमके कोमल भुज-पाश। देखा, देख रहे अपलक प्रिय, छाया अधरोंपर मृदु हास॥ हुआ अमित आनन्द परस्पर, विकसित हृदय-कुसुम तत्काल। होने लगा प्रिया-प्रियतममें रसालाप अति दिव्य रसाल॥ बोले प्रियतम, ‘भूल गयीं तुम, आये थे हम दोनों साथ। दोनों ही बैठे यमुना-तट लिये परस्पर कोमल हाथ॥ हुआ प्रेम-वैचित्त्य तुम्हें तब, जागा मन वियोगका ज्ञान। हुआ विमुग्ध देख मैं अनुपम दिव्य प्रेमकी दशा महान्॥ कूदा मैं भी साथ तुम्हारे, लिया अंकमें भुजा पसार। मैंने तुमको प्रिये! उसी क्षण, मिला दिव्य आनन्द अपार॥ रहा देखता निर्निमेष मैं प्यारी-मुख-सरोजकी ओर। उमड़ा प्रेम-सुधा-रस-सागर, रहा कहीं भी ओर न छोर॥ हटा भाव वह पाकर मुझको, हुआ तुम्हें तब बाह्य-ज्ञान। महिमामयी! नहीं तुमको है किंचित् निज महिमाका भान।’॥

English translation

Continuation of [296]

“May the Lord of my life be happy; this gives me immeasurable joy. Let the terrible poisonous flame of separation from my Beloved freely continue burning me.” The young Lady thinks in this way, completely enchanted by bhāva. Within Her mind She ceaselessly repeats the rosary of Her Beloved's happiness. At every moment, remembrance of His happiness fills Her heart with ever-new delight. Yet at the same time the forest fire of separation from Him burns Her heart. She forgets the Yamunā flowing beside Her with a murmuring sound. She leaps in, and Her entire lovely body sinks beneath the water. She feels someone gather Her into an embrace and a supremely tender body touch Hers. Nectarean rasa fills every limb, sorrow vanishes and immense delight spreads. Her heart becomes utterly joyful, though Her eyes remain closed for some time. A tingling joy rises through body and mind; then Her vast lotus eyes open. She sees Herself enclosed within Her Beloved's tender arms. She sees Him gazing at Her without blinking, a gentle smile upon His lips. Measureless mutual bliss arises, and the flowers of Their hearts blossom at once. A supremely divine and luscious exchange of rasa begins between the Beloved Lady and Lord. Her Beloved says, “You have forgotten that We came here together. We were both seated upon the Yamunā's bank, holding one another's tender hands. Then prema-vaicittya arose within You, and Your mind conceived separation. Seeing that incomparable, exalted condition of divine love, I became spellbound. When You leapt, I leapt with You and extended My arms to gather You into My embrace. Beloved, the moment I held You, I received boundless divine bliss. Without blinking I continued gazing upon the lotus of My Beloved's face. The ocean of love's nectarean rasa surged without boundary or shore. On finding Me, that bhāva subsided and Your outward awareness returned. Glorious Lady, You possess not the slightest awareness of Your own glory.”

Original

Hindi

[297]

(Rāga Īmana - Tīna Tāla)

देखा स्वप्न राधिकाने, हो गयीं दुःखित अतिशय तत्काल। सुना रहे माधव उद्धवसे अपनी दुर्गतिका सब हाल॥ दुर्बल, अति कृशकाय, मलिन-मुख, श्रान्तिपूर्ण मानस अति दीन। ढरा रहे थे नेत्र उष्ण जल दोनों, था सब वेष मलीन॥ ‘मेरे विरह-व्यथित अति राधा करती नित्य विलाप अधीर। करती सदा स्मरण मेरा निर्दहन, बहाती लोचन-नीर॥ क्षण न भूल सकती वह मुझको, क्षण न कभी पाती वह शान्ति। बढ़ता नित्य निरतिशय उसका हृदय-दाह भीषणतम क्लान्ति॥ इसका कारण यही एक, मैं भूल नहीं पाता क्षण एक। रहता सदा धधकता उरमें विरहानल, कर भस्म विवेक॥ मेरे उरकी ज्वाला बढ़ती, नित्य बढ़ाती उसका दाह। क्योंकि मधुर स्मृति उसकी रहती मेरे उरमें भरी अथाह॥ यह स्मृति ही उसमें नित जाग्रत करती मेरी स्मृति अविराम। इससे जलता हृदय, सूखता जाता उसका वदन ललाम॥ किसी तरह यदि मैं राधाको, उद्धव! जा पाऊँ भूल, तो उर-दाह बुझे राधाका, मिटे तभी मेरा उर-शूल॥ इसी भयानक चिन्तासे हो रही दुर्दशा मेरी आज। इसी हेतु मेरे जीवनमें अद्भुत छाया शोक-समाज॥ कितना मैं निष्ठुर, निर्दय हूँ, सदा कोसता अपने-आप। इतनी दूर मधुपुरीसे भी देता प्यारीको सन्ताप।’॥ देख दशा प्रियकी, सुन उनकी व्यथापूर्ण वाणी निज कान। हुई परम व्याकुल श्रीराधा, टूटा स्वप्न, हुआ मुख म्लान॥ स्वप्न स्मरण कर हुई निरतिशय पीड़ित प्रेममयी राधा। समझा उसने, मैं ही हूँ बस प्रियतमके सुखकी बाधा॥

English translation

[297]

(Raga Imana - Tina Tala)

Rādhikā has a dream and immediately becomes exceedingly sorrowful. Mādhava is telling Uddhava the entire story of His wretched condition. He is weak and emaciated, His face pale, His mind exhausted and desolate. Both eyes pour hot tears, and all His clothing is soiled. “My Rādhā, tormented by separation from Me, ceaselessly laments in anguish. She constantly remembers Me without respite and pours tears from Her eyes. She cannot forget Me for a moment and never finds a moment's peace. The burning in Her heart and Her terrible exhaustion increase without limit each day. There is only one cause: I too cannot forget Her for even a moment. The fire of separation forever blazes in My heart and burns discrimination to ash. The flame within My heart rises and daily increases Her burning pain, because sweet remembrance of Her fills My heart without depth or limit. That remembrance continually awakens remembrance of Me within Her. Thus Her heart burns and Her splendid face grows withered. Uddhava, if somehow I could manage to forget Rādhā, then Her heart's burning would cease and only then would the thorn in My own heart be removed. This dreadful anxiety has brought Me to this condition today. For this reason an extraordinary mass of sorrow has covered My life. How harsh and merciless I am! I forever condemn Myself. Even from far-away Mathurā I continue giving pain to My Beloved.” Seeing Her Beloved's condition and hearing His anguished words with Her own ears, Śrī Rādhā becomes intensely agitated. The dream breaks and Her face grows pale. Remembering the dream, love-filled Rādhā suffers beyond measure. She concludes that She alone obstructs Her Beloved's happiness.

Original

Hindi

Continuation of [297]

हुआ कलेवर कम्पित कोमल, बही अश्रुओंकी धारा। छाया मन विषाद भारी अति, विस्मृत हुआ जगत् सारा॥ लगी सोचने, ‘क्यों स्मृति होती मेरी उनके हृदय अपार? इसीलिये, मैं नहीं एक क्षण सकती उनको कभी बिसार॥ मेरी मनकी स्मृतिसे ही उनमें मेरी स्मृति उठती जाग। इसीलिये उनके अन्तरमें सदा धधकती रहती आग॥ जो मैं उन्हें भूल पाऊँ, जो करूँ नहीं उनको मैं याद, तो मैं पाऊँ उनके सहज सुखी होनेका प्रिय संवाद।’॥ यों निश्चय कर गयी अम्बिका-मन्दिरमें राधा तत्काल। आर्द्र हो गये नेत्रोंके अविरत निर्झरसे अरुणिम गाल॥ करने लगी विनय गद्गद वाणीसे, ‘हे अम्बा माई! मेरे उरसे तुरत हटा दे प्रियतमकी स्मृति सुखदाई॥ विरहानल जलता, पर पाती उस स्मृतिसे मैं सुख अनवद्य। पर प्रियके सुख-हेतु हरण कर, मैया! तू मेरा सुख सद्य॥ प्रियतमकी मधुर स्मृति ही है मेरे प्राणोंका आधार। चले जायेंगे प्राण, भले, करते भी क्या रहकर बेकार?॥ नहीं रहेंगे प्राण, रहेगा नहीं हृदय स्मृतिका आगार। हो जायेंगे सुखी सदाके लिये श्रेष्ठतम प्राणाधार।’॥ बोली नहीं अम्बिका कुछ, इतनेमें जगा दूसरा भाव: ‘हाय, कितना दुःखप्रद होगा प्रियको मेरा प्राणाभाव! पता नहीं, कैसी होगी उत्पन्न हृदयमें उनके हूक। पता नहीं, कैसे बच पायेगा वह बिना हुए दो टूक।’॥ बोली, ‘मैया! नहीं चाहिये अब मुझको कुछ भी वरदान। बना रहे सब कुछ मेरा ज्यों-का-त्यों, बदले नहीं विधान॥’ भावोदय हो उठा विलक्षण सत्वर राधाके उर-देश: ‘हम दोनों हैं सदा परस्पर प्राण-प्रिय, प्रियतम प्राणेश॥’

English translation

Continuation of [297]

Her delicate body trembles and a stream of tears flows. Immense sorrow covers Her mind, and the whole world is forgotten. She thinks, “Why does remembrance of me fill His heart without limit? For that very reason I cannot forget Him for even a moment. My mind's remembrance of Him alone awakens His remembrance of me. Therefore fire forever blazes within His heart. If I could forget Him and cease remembering Him, then I would receive the cherished news that He has naturally become happy.” Resolving thus, Rādhā immediately goes to Ambikā's temple. The ceaseless cataract from Her eyes soaks Her crimson cheeks. With a choked voice She prays, “Mother Ambā, remove from my heart at once the bliss-giving remembrance of my Beloved. The fire of separation burns, yet that remembrance gives me faultless happiness. But for my Beloved's happiness, Mother, take away my happiness immediately. Sweet remembrance of my Beloved alone supports my life. Let life depart; what use is its remaining without purpose? When life is gone, there will be no heart to house remembrance. Then the supreme support of my life will be happy forever.” Ambikā says nothing. Meanwhile another bhāva awakens: “Alas, how painful the absence of my life will be for my Beloved! Who knows what pang will arise within His heart? Who knows how it will avoid being torn in two?” She says, “Mother, now I want no boon at all. Let everything remain exactly as it is; let destiny not be changed.” At once an extraordinary bhāva arises within Rādhā's heart: “We are eternally each other's life-beloved, Beloved and Lord of life.”

Original

Hindi

Continuation of [297]

‘सदा एक हैं, सदा साथ हैं, होता नहीं कदापि वियोग। वे ही एक बने प्रिय-प्यारी, बने वही वियोग-संयोग।’॥ इतना होते ही वह टूटा स्वप्न दूसरा भी तत्काल। खोले नहीं नेत्र, वह रही सोचती निज मनमें क्षण-काल॥ पूर्व स्वप्नके अन्दर ही यह दीखा था फिर स्वप्न नवीन। स्वप्न देख जब राधा तुरत हो गयी थीं बेहद गमगीन॥ सोई थीं वस्तुतः कुंजमें सिर रक्खे प्रियतमकी गोद। नींद आ गयी थी उनको, प्रिय देख रहे थे वदन समोद॥ दीख पड़ी जब प्यारी मुख-आकृतिपर भावोंकी छाया। हिले जगानेको प्रियतम, था मन उनका कुछ घबराया॥ जगीं, नेत्र खोले, देखा प्रियतमका सुन्दर वदन-सरोज। जिनके सौन्दर्यांश कोटिपर न्योछावर शत-कोटि मनोज॥ देखा, रहे सहेज स्वयं निज कर-कमलोंसे बिखरे केश। पोंछ रहे निज वसन स्वेद-कण, हुआ स्वप्नमें था उन्मेष॥ मिटा दुःख, छायी प्रसन्नता, बनीं तुरत प्रियतम गल-हार। उमड़ा लीलोदधि, लहराने लगीं लहरियाँ मधुर अपार॥ शयन-स्वप्न-जागरण न कुछ था, था बस शुद्ध प्रेम-वैचित्त्य। लीलारत राधा-माधव थे, रहते हैं वे जैसे नित्य॥

[298]

(Rāga Jogiyā - Tīna Tāla)

विषम बिछुड़नेकी बेलामें राधा हुईं उदास। अश्रुधार बह चली दृगोंसे, चला दीर्घ निःश्वास॥ बोलीं करती करुणा-क्रन्दन, ‘मेरे प्राणाधार! निराधार ये प्राण रहेंगे कैसे, क्यों, निस्सार?’॥ बदला भाव तुरन्त, न जाने क्यों पलभरमें अन्य। बोलीं, ‘हम दोनों स्वरूपतः अविरत नित्य अनन्य॥’

English translation

Continuation of [297]

“We are eternally one and eternally together; separation never occurs. That one Reality becomes Beloved and beloved Lady, and itself becomes separation and union.” As soon as this arises, the second dream also breaks at once. She does not open Her eyes but remains thinking within Herself for a few moments. Within the earlier dream this newer dream had appeared. Seeing it, Rādhā had immediately become profoundly sorrowful. In truth She is sleeping in a grove with Her head in Her Beloved's lap. Sleep has overtaken Her while Her Beloved joyfully gazes upon Her face. When shadows of changing bhāvas appear upon His Beloved's features, He moves to awaken Her, His mind somewhat alarmed. She awakens, opens Her eyes and sees the beautiful lotus of Her Beloved's face, before one ten-millionth part of whose beauty hundreds of millions of Cupids surrender. She sees Him arranging Her disheveled hair with His own lotus hands and wiping with His garment the perspiration awakened by the dream. Her sorrow vanishes and delight spreads; at once She becomes a garland around Her Beloved's neck. The ocean of līlā surges and immeasurable sweet waves begin to rise. There is neither sleep, dream nor waking, but only pure prema-vaicittya. Rādhā-Mādhava are absorbed in līlā, as They eternally remain.

[298]

(Raga Jogiya - Tina Tala)

At the painful hour of parting, Rādhā becomes sad. A stream of tears flows from Her eyes, and She releases a long sigh. Weeping pitifully, She says, “Support of my life, how and why will this unsupported life remain, empty of meaning?” In an instant, for reasons unknown, Her bhāva changes into another. She says, “In essential nature We two are eternally and uninterruptedly one.”

Original

Hindi

Continuation of [298]

‘रहे कहीं भी, देह छूटता नहीं कभी भी संग। नित्य मिले रहते जीवनके सकल अंग-प्रत्यंग॥ हो पाता न कभी हम दोनोंका यथार्थ विच्छेद। कर सकते न कभी, कैसे भी, देश-काल-तन भेद॥ बने तुम्हारे देह-प्राण-मन चरणयुगल मम प्राण! हुआ तुम्हारे ही प्राणोंसे मेरा सब निर्माण॥ नित्य बसे रहते तुम मुझमें सहज मधुर आवास। तुममें सहज हो रहा मेरा मीठा नित्य निवास॥ नित्य मिलनमें भी जब आती कभी विरहकी बात, सुनते ही जल उठते सारे तत्क्षण मेरे गात।’॥ इतना कहते ही आकुल हो हुईं पुनः बेहाल। तन-मनमें सर्वत्र जल उठी ज्वाला कठिन कराल॥ जली लता-सी पड़ीं, उठाकर रखी श्यामने गोद। कर-कमलोंसे लगे केश सहलाने मधुर समोद॥ वचन-सुधा अति मधुर पिलाकर तन लौटाया चेत। हृदय लगाकर बोले प्रियतम माधव प्रेम-निकेत॥ ‘प्रिये! मधुरतम है यह लीला-रस-वारिधिका रंग। परम विचित्र तुम्हारा, इसमें उठती विविध तरंग॥ लीला-रसके ही स्वरूप दो विप्रलम्भ-सम्भोग। नहीं वस्तुतः हुआ, न होगा हममें कभी वियोग॥ दुग्ध-धवलता, अग्नि-दहनता ज्यों रवि-रश्मि अभिन्न। त्यों मैं-तुम, तुम-मैं, न करो तुम प्रिय! तनिक मन खिन्न॥ मथुरा रहूँ, तुलसीकावन या हो कोई-सा स्थान। हम दोनोंके बीच न होगा कभी रंच व्यवधान॥ एक, बने दो खेल रहे हम नित्य अनादि अनन्त। मधुर दिव्य रस-मत्त परस्पर नित्य निरतिशय रन्त।’॥ राधा हुईं प्रसन्न देखकर प्रियतम-वदन प्रसन्न। तत्सुख-सुखी सदा ही दोनों सहज अभिन्न-विभिन्न॥

English translation

Continuation of [298]

“Wherever We may remain, the body never loses the other's company. Every limb of life remains eternally united. No true separation between Us can ever occur. Differences of place, time or body can never divide Us. Your body, life and mind have become the life of My pair of feet. My whole being has been fashioned from Your own life. You dwell eternally within Me in a natural, sweet abode, and within You I naturally possess My sweet eternal dwelling. Even in eternal union, when mere mention of separation arises, hearing it sets every limb of Mine aflame.” Speaking thus, She again becomes distraught and loses awareness. A dreadful fire blazes throughout body and mind. She falls like a scorched vine; Śyāma lifts Her into His lap and tenderly strokes Her hair with His lotus hands. Giving Her exceedingly sweet nectar-words to drink, He restores bodily awareness. Embracing Her, beloved Mādhava, the abode of love, says: “Beloved, this is the sweetest color of the ocean of līlā-rasa. Your nature within it is supremely wondrous, and many waves arise. Separation and union are two forms of līlā-rasa itself. In reality separation has never occurred and never will occur between Us. As whiteness is inseparable from milk, heat from fire and rays from the sun, so am I from You and You from Me. Beloved, do not let Your heart grieve. Whether I remain in Mathurā, Tulasīkāvana or any other place, not the slightest obstruction will ever stand between Us. Being one, We become two and play eternally, beginninglessly and endlessly, forever delighting together, intoxicated with sweet divine rasa.” Seeing Her Beloved's face joyful, Rādhā becomes joyful. Finding happiness in the other's happiness, They are eternally and naturally one yet distinct.

Original

Braj Bhasha

[299]

(Rāga Kāfī - Tāla Dīpacandī)

माधव! हौं तुम्हरे संग जैहौं। तुम्हरे बिना न इक पल रहिहौं, लोक-लाज कुलकानि नसैहौं॥ बरजी नहिं रहिहौं काहू की, जो बाँधहिं तौ बन्धन खेहौं। जड़ तनु तजिहौं, यह मम प्रिय संग प्राणहिं अवसि पठैहौं॥ मिलिहौं जाइ तहाँ प्रीतममें, जिमि सागर बीच लहर समैहौं। श्याम-वदन महँ श्याम रंग रचि, श्याम-रूप लहि अति सुख पैहौं॥

[300]

(Rāga Vihāga - Tīna Tāla)

सखी री! मो सम कौन कठोर? विदर्यो हियो न वा दिन, सुनि प्रियतम-वाणी अति घोर॥ कह्यो, ‘काल्हि जाऊँगो मैं मथुरा निश्चय ही, प्यारी!’ सुनत रही वाणी प्रियतम की निर्भय मैं, अति खारी॥ फिरि-फिरि चितै रहे सन्तत मोहन मो तन मनहारी। तदपि न गई संग, फिरि आई, करी उपेक्षा भारी॥ पठए प्राण नहीं प्रियतम-संग, अजहूँ रहे अभागे। जीवन-लोलुप निठुर रहे निर्लज्ज सदा संग लागे॥ प्रीति-सुधा-रस तें सूनो हिय, मिथ्या आँसू ढारौं। जीवन-मूल मूल पै या तें जीवन कौं नहि वारौं॥ प्राण-मोह-मोहित नित डोलूँ, कपट-विलाप सुनाऊँ। साँची प्रीति होय तौ सखि! मैं कैसे नहिं मरि जाऊँ॥

[301]

(Rāga Sāraṅga - Tīna Tāla)

श्याम बिनु छिनहूँ नाहिं सरै। पल-पल युग समान बीतत, नहिं अधम प्राण निसरै॥ बोलनि-चलनि, आवनि-धावनि की सुधि मोद भरै। नव निकुंज की मिलनि मनोहर कबहूँ नहिं बिसरै॥

English translation

[299]

(Raga Kafi - Tala Dipacandi)

Mādhava, I shall go with You. I cannot remain without You for one moment; let public shame and family honor perish. No one's prohibition will stop me; if they bind me, I shall reduce the bonds to dust. I shall abandon this inert body and surely send my life to accompany my Beloved. There I shall merge into Him as a wave merges into the ocean. Dyed dark within Śyāma's face, I shall obtain His form and immense happiness.

[300]

(Raga Vihaga - Tina Tala)

Friend, who is as hard-hearted as I? My heart did not split that day when I heard my Beloved's terrible words. He said, “Beloved, tomorrow I shall certainly go to Mathurā.” Fearlessly I listened to my Beloved's exceedingly bitter words. Again and again Mohana, the enchanter of body and mind, continually looked back at me. Yet I did not go with Him; I turned back and gravely neglected Him. I did not send my life with my Beloved; the unfortunate thing remains even now. Greedy to live, cruel and shameless, it still clings to me. My heart is empty of love's nectarean rasa, and I shed false tears. Therefore I did not sacrifice life at the very root of life. Deluded by attachment to life, I wander and utter deceitful lamentation. Friend, if my love were true, how could I fail to die?

[301]

(Raga Saranga - Tina Tala)

Without Śyāma I cannot endure even a moment. Each moment passes like an age, yet this base life will not depart. Remembering His speech and gait, His coming and running, fills me with joy. I can never forget our enchanting meetings in the fresh bower.

Original

Braj Bhasha

Continuation of [301]

का कौं कहि कैसे समुझावौं, हिय बिच अगिनि जरै। बिनु अनुभव कैसे पतियावै, कैसे समझि परै॥ कहिबे में कछु सार न दीखत, उलटो नाम धरै। को जग ऐसो है, जासों यह जिय की जरनि जरै॥ जौ कहूँ श्याम सुधा-जल आकर मो पर बरसि परै। तब ही बुझे अनल यह जड़ सों, निर्झर अमृत झरै॥

[302]

(Rāga Malhāra - Tīna Tāla)

श्याम-घन कब बरसैगो आय? कब अमिलन-सन्ताप मिटैगो, विरह-निदाघ नसाय? कब मम मन-मयूर नाचैगो, उर आनन्द न समाय? कब चित-चातक चहकि उठेगो, श्याम स्वाति-जल पाय? श्याम-मिलन बिनु कछु नहिं भावे, कछु नहिं मोहि सुहाय। श्याम-मिलन-रस ही साँचे रस जीवनमें सरसाय॥

[303]

(Rāga Bhairavī - Tīna Tāla)

वज्र सम मेरो हियो कठोर। श्याम-विरह विदरत नहिं, छिन महँ करत अरोर-मरोर॥ जल कौ प्रेम मीन जानत जग, बिछुरत ही मरि जात। रक्षा हित इत-उत नहिं ताकत, नैन मूँदि रहि जात॥ मेरो हियो प्रेम तैं छूँछो, तातैं प्राण न निकसत। यद्यपि विरह-व्यथा अति हियमें अधिक-अधिक ही विकसित॥ याकौ एक और ही कारण मेरे मनमें आयो। तातैं दुःसह दुःख सहन करि, अपनो मरण भुलायो॥

English translation

Continuation of [301]

Whom can I tell, and how can I explain the fire burning within my heart? Without experiencing it, who can believe or understand? I see no value in speaking, for people will only give it a contrary name. Who in this world is there before whom this heart may pour out its burning pain? If somewhere Śyāma comes and rains nectarean water upon me, only then will this fire be quenched and a waterfall of nectar flow from this inert body.

[302]

(Raga Malhara - Tina Tala)

When will the dark cloud Śyāma come and rain? When will the torment of nonunion end and separation's scorching summer disappear? When will the peacock of my mind dance, unable to contain the heart's bliss? When will the cātaka of consciousness cry out on receiving Śyāma's Svāti rain? Without union with Śyāma nothing pleases or delights me. Only the rasa of union with Śyāma is true rasa and fills life with sweetness.

[303]

(Raga Bhairavi - Tina Tala)

My heart is hard as a thunderbolt. Separation from Śyāma does not split and crush it in an instant. The world knows a fish's love for water: the moment they part, it dies. It does not look here and there for protection but simply closes its eyes and remains. My heart is empty of love, and therefore my life does not depart, although separation's pain grows ever greater within it. One other reason for this has arisen in my mind: for that reason I endure unbearable sorrow and have forgotten my own death.

Original

Braj Bhasha

Continuation of [303]

श्याम कहि गये, ‘हौं आवौंगो फेरि तुम्हारे पास।’ तब तैं श्याम-दरस की हियमें लगी पियारी आस॥ मधुर श्याम-दरसन तैं मेरो मन अनुपम सुख पावे। मोकूँ सुखी देखि प्रियतम-हिय सुख-समुद्र लहरावे॥ या सुख तैं वंचित न रहें वे प्रियवर श्याम सुजान। या कारण नहिं निकसत तन तैं परम कलंकी प्राण॥

[304]

(Rāga Bilāvala - Tīna Tāla)

तिहारौ विरह दुःख-सुख-रूप। कबहूँ हँसावत, कबहूँ रुवावत, विविध भाव अनुरूप॥ जब तुम्हरे रस-सुन्दर मोहन-सुख की आवे याद, तब बहि चले प्रेम-सुख-सरिता, तजि के सब मरजाद॥ जब अमिलन की दुःखद भावना मेरे मनमें आवे, तब अति दारुण दुःख-अनल प्रगटे, तन-मनहि जरावे॥ जब मन सुमिरन करे अनन्य ह्वै मधुर दिव्य रसराज, तब उमड़े आनन्द-सुधानिधि, डूबे दुःख-समाज॥ जब मन महँ प्रत्यक्ष दरस की अति उत्कण्ठा जागे, तब अतिशय सन्ताप विरह कौ उमगे, सब सुख भागे॥

[305]

(Rāga Bhairava - Tīna Tāla)

अहो हरि! मो प्राणनि के प्राण! अब कब पुनि सुन पाऊँगी मैं मुरली की मधु तान॥ कब मुखचन्द निहारौंगी पुनि, रस-निधि हे रसराज! कब नव-नीरद तनु परसौंगी, छाँड़ि लोक-कुल-लाज॥ कब त्रिभंग-भंगिमा निरखि पुनि होंगे नैन निहाल? कब हौं पुनि पहिरावौंगी गल गूँथि मालती-माल?॥

English translation

Continuation of [303]

Śyāma said before leaving, “I shall return to you again.” Since then the cherished hope of seeing Śyāma has remained within my heart. The sweet vision of Śyāma gives my mind incomparable happiness. Seeing me happy makes an ocean of happiness surge within my Beloved's heart. May wise and excellent Śyāma not be deprived of that happiness. For this reason my utterly disgraced life refuses to leave the body.

[304]

(Raga Bilavala - Tina Tala)

Separation from You assumes the forms of both sorrow and happiness. At times it makes me laugh and at times weep, according to its many bhāvas. When I remember the happiness of Mohana, beautiful with rasa, a river of love's happiness flows forth, abandoning every boundary. When the painful thought of nonunion enters my mind, a terrible fire of sorrow appears and burns body and mind. When the mind exclusively remembers the sweet divine Rasarāja, an ocean of blissful nectar surges and every mass of sorrow drowns. When an intense longing for His direct vision awakens in the mind, the extreme torment of separation swells and every happiness flees.

[305]

(Raga Bhairava - Tina Tala)

O Hari, life of my life! When shall I again hear the honeyed melody of the flute? O Rasarāja, treasury of rasa, when shall I again behold the moon of Your face? When shall I abandon social and family shame and touch Your fresh raincloud body? When will my eyes rejoice again on beholding Your threefold-bending pose? When shall I weave a jasmine garland and place it around Your neck again?

Original

Braj Bhasha

Continuation of [305]

कब पुनि ललित पान-बीरी दे अधर करौंगी लाल? कब मैं पद-पंकज-पराग लै तिलक करौंगी भाल?॥ अब नहिं सह्यो जात मो पै यह तेरौ विषम वियोग। छटपट करत प्राण निकसेंगे, तजि शरीर-संयोग॥

[306]

(Rāga Kāmoda - Tīna Tāla)

श्याम! मोहिं तुम बिन कछु न सुहाय। जब तैं तुम तजि ब्रज गये मथुरा, हिय उथल्योई आवे॥ विरह-व्यथा सगरे तनु व्यापी, तनिक न चैन लखावे। कल नहिं परत निमिष इक मोही, मन-समुद्र लहरावे॥ नन्द-घर सूनो, मधुवन सूनो, सूनी कुंज जनावे। गोठ, विपिन, यमुना-तट सूनो, हिय सूनो, बिलखावे॥ अति विह्वल वृषभानु-नन्दिनी नैननि नीर बहावे। सकुच बिहाइ पुकारि कहति सो, ‘श्याम मिले सुख पावे।’॥

[307]

(Rāga Deśī - Tīna Tāla)

श्याम! अब मत तरसाओ जी। मनमोहन नन्दलाल दया कर दरस दिखाओ जी॥ व्याकुल आज आपकी राधा, माधव आओ जी। तव दरसन लगि तृषित दृगन कौं सुधा पिआओ जी॥ तुम बिन प्राण रहें अब नाहीं, धाय बचाओ जी। प्राणाधार! प्राण चह निकसन, बेगि सिधाओ जी॥ राधा कहत, गये राधा के, पुनि पछिताओ जी। राधा बिना श्याम नहिं ‘राधा-कृष्ण’ कहाओ जी॥

English translation

Continuation of [305]

When shall I again offer You a lovely betel morsel and redden Your lips? When shall I take pollen from Your lotus feet and mark my brow with tilaka? I can no longer endure this terrible separation from You. Writhing in pain, my life will leave its union with the body.

[306]

(Raga Kamoda - Tina Tala)

Śyāma, nothing pleases me without You. Since You left Vraja for Mathurā, my heart has continually surged in distress. The pain of separation pervades my whole body and allows not the slightest peace. I find no rest for even an instant, while the ocean of my mind rises in waves. Nanda's home is empty, Madhuyana empty, and every bower appears deserted. The cowshed, forest and Yamunā's bank are empty; my empty heart laments. Vṛṣabhānu's daughter, utterly overwhelmed, pours tears from Her eyes. Abandoning reserve, She cries, “May I meet Śyāma and find happiness.”

[307]

(Raga Desi - Tina Tala)

Śyāma, do not make me yearn any longer. Mind-enchanting Nandalāla, have mercy and show me Your form. Your Rādhā is distraught today. Mādhava, please come. Give the nectar of Your vision to these eyes thirsting for You. Without You life cannot remain; run here and save it. Support of my life, my life longs to depart, so hasten here. Rādhā says: if Rādhā dies, You will later repent. Without Rādhā, Śyāma, You cannot be called “Rādhā-Kṛṣṇa.”

Original

Braj Bhasha

[308]

(Rāga Vihāga - Tīna Tāla)

माधव! करौ वचन निज याद। आज-काल्हि करि काल बितावत, जनम जात बरबाद॥ मग जोहत दृग-दृष्टि गई, नख कुचरत भुवि दिन जात। दिन-दिन मास-बरस सब बीतत, निशि रोवत बिललात॥ आवें अब, अब ही आवेंगे, यहि आसा दिन बीतै। आवन-मिलन भए दुर्लभ, दिन बीतत रीतैं-रीतैं॥ जीवन भयो मरन, चेतन हू भयो अचेतन प्यारे! तन-धन-भूषण-वसन भार हैं, लगत अगिनि-सम सारे॥ मृदु-मधु वचन सुनाइ तबै तुम उपजायो विश्वास। अब विश्वास-घात करि मोकूँ क्यों करि रहे निरास?॥ विरह-अगिनि अति प्रबल बरि रही, पल-पल युग-सम जात। अब तौ बेगि मिलौ, जीवनधन! करि साँची निज बात॥

[309]

(Rāga Bhairavī - Tīna Tāla)

प्राणधन सुन्दर श्याम सुजान! छटपटात तुम बिना दिवस-निशि मेरे दुःखिया प्राण॥ विदरत हियो दरस बिनु छन-छन, दुःसह दुःखमय जीवन। अमिलन के अति घोर दाह तैं दहत देह-इन्द्रिय-मन॥ कलपत-विलपत ही दिन बीतत, निशा नींद नहिं आवे। सुपन-दरसहू भयो असम्भव, कैसे मन सुख पावे॥ अब जनि बेर करो मनमोहन! दया नेक हिय धारौ। सरस सुधामय दरसन दे निज, उर की अगिनि निवारौ॥

English translation

[308]

(Raga Vihaga - Tina Tala)

Mādhava, remember Your own promise. Saying “today or tomorrow,” You let time pass while my life is wasted. Watching the road has exhausted my sight; the days pass as my nails scratch the earth. Days, months and years all pass, while at night I weep and lament. “He will come now, this very moment.” My days pass in this hope. Yet His coming and our meeting remain rare as the days drain away. Life has become death, and even consciousness unconscious, Beloved. Body, wealth, ornaments and clothing are burdens, all seeming like fire. With gentle honeyed words You once awakened trust within me. Why do You now betray that trust and leave me without hope? The mighty fire of separation keeps burning, and every moment passes like an age. Come quickly now, treasure of my life, and make Your own words true.

[309]

(Raga Bhairavi - Tina Tala)

Beautiful and wise Śyāma, treasure of my life, without You my suffering life writhes day and night. Without Your vision my heart splits moment by moment, and life is unbearable sorrow. The terrible burning of nonunion scorches body, senses and mind. The days pass in anguish and lamentation, and sleep does not come at night. Even seeing You in dreams has become impossible; how can my mind find happiness? Do not delay now, mind-enchanting Lord. Hold a little mercy in Your heart. Grant Your luscious nectarean vision and extinguish the fire within my heart.

Original

Braj Bhasha

[310]

(Rāga Vihāga - Tīna Tāla)

सखी! मोय कारो नाग डस्यो। व्यापि गयो विष नस-नस बरबस, उर तैं जगत खस्यो॥ विष बगराय, भुजंगम भीषण मृदु मधु हँसी हँस्यो। हँसतहिं विष अति भयो मधुर सो, अवसर पाइ धँस्यो॥ विष भयो अमिय, नाग पुनि मोहन, मधु मधुरिमा लस्यो। करत किलोल कलित अकलन, रस-सुधा-स्रोत निकस्यो॥ श्याम-मनहि सों एकमेक मन अमन होइ विकसित। को जानै कब लौं यों मोहन मो महँ रह्यो धँस्यो॥ जाके नाम कटत भव-बन्धन, सो स्वयमेव फँस्यो। है परतन्त्र, स्वतन्त्र परम सो अपनेहि बन्ध कस्यो॥

[311]

(Rāga Āsāvarī - Tīna Tāla)

परत मन छिन नेकहूँ नहिं चैन। व्याकुल व्यथित चित्त दिन बीतत, परत नींद नहिं रैन॥ घर-धन-परिजन हुते सबहि अति प्यारे, हुतो ममत्व। अब न सुहात कतहूँ, कोउ कबहूँ, सब महँ भयो समत्व॥ मन न करत कछु तिनके आवन-जावन की परवाह। एकमात्र प्रियतम-दरसन की बढ़त नित नई चाह॥ सुरति न करत अन्य की मन, तजि सगरी व्याधि-उपाधि। ‘प्रिय-मिलनेच्छा’ रूप भयो बस, लागी सहज समाधि॥ मिटी अशान्ति-व्यथा-व्याकुलता, पायी सब विधि चैन। इच्छा तीव्र अनन्य मिलन की भई सकल सुख-ऐन॥

English translation

[310]

(Raga Vihaga - Tina Tala)

Friend, a dark serpent has bitten me. Its poison forcibly pervades every vein, and the world has fallen from my heart. Spreading poison, the terrible serpent smiled a tender honeyed smile. As soon as He smiled, the poison became exceedingly sweet and seized its opportunity to enter deep within. The poison became nectar, the serpent became Mohana, and honeyed sweetness shone forth. As He performed immeasurable graceful play, a stream of nectarean rasa flowed. My mind became one with Śyāma's mind and, becoming mindless, blossomed. Who knows how long Mohana has remained embedded within me in this way? He whose name cuts the bonds of worldly existence has Himself become trapped. The supremely independent Lord is dependent, bound by His own bonds.

[311]

(Raga Asavari - Tina Tala)

My mind finds not a moment's peace. The days pass with consciousness anguished and distressed, while sleep does not come at night. Home, wealth and family were all exceedingly dear, and I possessed attachment to them. Now no one and nothing pleases me anywhere; all have become equal. The mind no longer cares whether they come or go. Only the ever-new desire for my Beloved's vision increases daily. Remembering no other, the mind abandons every illness and limitation. It assumes only the form of longing to meet the Beloved, and natural samādhi arises. Restlessness, pain and agitation vanish, and peace is found in every way. The intense, exclusive longing for union becomes the source of all happiness.

Original

Hindi and Braj Bhasha

[312]

(Rāga Toḍī - Tīna Tāla)

विरह-दुःख सजनी! अति सुखरूप। प्रियतम की प्रिय सुधि कौ सुन्दर साधन परम अनूप॥ गृह-धन-जन-परिजन सबकी सुधि विसरावत तत्काल। हिय महँ लाय बसावत मंजुल मोहन-सुधि सब काल॥ छलकत रहत सदा हिय महँ शुचि प्रेमामृत सुख-सार। सकल अंग नित रहत रस-भरित, जग की सुरति बिसार॥ विरहानल अति प्रबल करत जग की ज्वाला कौं छार। करत सुशीतल रूप-सुधा-सागर गम्भीर महँ डार॥ दरसन-रुचि पल-पल बाढ़त, पल-पल उत्कण्ठा-जोर। निशि-दिन एक मधुर चिन्तन, कब मिलिहें नन्द-किशोर॥

[313]

(Rāga Jaṅgalā - Tāla Kaharavā)

झूर रहे दृग रूप-दरस कौं, रोय रहे अंग परसन अंग। इन्द्रिय सकल विकल बिलखत, प्रिय इन्द्रिय कौं पाने मधु संग॥ हृदय रही अति आतुर ह्वै पिय-हियके रस-आलिंगन हेतु। प्राण प्राणमें मिलन चहत उड़ि, सहज तोरि मरजादा-सेतु॥ मन अति आकुल, जाय मिलौं कब प्रियतम-मनमें अतिशय प्रीति। अंग अधीर मिलन कौं सब अति, तजि स्वभाव, निज-गुण, निज नीति॥

[314]

(Rāga Toḍī - Tāla Kaharavā)

एक-एक पल बना युगों-सा दारुण पीड़ाका आगार। आँखोंमें छायी वर्षा ऋतु, अविरत बही अश्रु-जल-धार॥ हुआ व्यथामय हृदय, कर उठे प्राण करुण-स्वर हाहाकार। प्रियतम-विरह विषमसे सूना हुआ सहज सारा संसार॥

English translation

[312]

(Raga Todi - Tina Tala)

Friend, the sorrow of separation is supremely blissful. It is the incomparable and beautiful means for cherished remembrance of the Beloved. It instantly erases memory of home, wealth, people and family and brings enchanting remembrance of Mohana to dwell forever within the heart. The pure nectar of love, essence of happiness, forever overflows within the heart. Every limb remains filled with rasa, forgetting remembrance of the world. The mighty fire of separation reduces the world's burning flames to ash and makes one supremely cool by plunging one into the deep ocean of His form's nectar. Taste for His vision and the force of longing increase moment by moment. Day and night there is one sweet thought: when shall I meet the young son of Nanda?

[313]

(Raga Jangala - Tala Kaharava)

The eyes pine for the vision of His form, and every limb weeps to touch His limbs. All the senses lament in distress, longing to attain their Beloved senses in sweet union. The heart grows intensely eager for the rasa-filled embrace of the Beloved's heart. Life longs to fly and merge into His life, naturally breaking the bridge of convention. The mind is deeply restless: when shall I go and meet the Beloved's mind in supreme love? Every limb is impatient for union, abandoning its nature, qualities and rules.

[314]

(Raga Todi - Tala Kaharava)

Each moment becomes an age, an abode of terrible pain. The rainy season covers the eyes, and a stream of tears flows without interruption. The heart fills with anguish, and life cries out in a pitiful wail. Terrible separation from the Beloved makes the entire world empty.

Original

Hindi

[315]

(Rāga Bhīmapalāsī - Tāla Kaharavā)

दिन नहिं चैन, रैन नहिं निद्रा, भूख-प्यासका भान नहीं। हियमें जलती आग अमित, पर उसका भी कुछ ज्ञान नहीं॥ रोती आँखें नित्य, बरसता रहता नित्य नेहका मेह। याद नहीं, फरियाद नहीं कुछ, तेज उज्ज्वलित जर्जर देह॥

[316]

(Rāga Bāgeśrī - Tāla Kaharavā)

गये श्यामसुन्दर जब मथुरा, छोड़ पवित्र प्रेम-रस-धाम। विरहातुरा गोप-रमणी सब पागल-सी हो गयीं तमाम॥ एक देखती, कहीं प्रकट हो दर्शन दे दें, नभकी ओर। एक निराश हुई अति आकुल, भई पूर्व-स्मृति-मग्न, विभोर॥ एक देख कुछ आशा-अंकुर, भरती अति मनमें अनुराग। एक चकित-सी सोच रही, क्यों किया हमारा प्रियने त्याग॥ सभी खिन्न, विच्छिन्न-हृदय सब, भिन्न-भिन्न कर रहीं विचार। आठों पहर गोपियाँ करतीं श्याम-संग यों विरह-विहार॥

[317]

(Rāga Vibhāsa - Tīna Tāla)

मधुपुरी गमन करत जीवन-धन। लै दाऊके संग सुफलक-सुत, सुनि जरि उठी ज्वाल सब मन-तन॥ भई विकल, छायो विषाद मुख, शिथिल भए सब अंग सुशोभन। उर-रस जर्यो, रहे सूखे द्वय दृग अपलक, तम व्यापि गयो घन॥ लगे आइ समझावन प्रियतम, पै न सके, प्रगट्यो विषाद मन। वाणी रुकी, प्रिया लखि आरत, स्थिर तन भयो, मनो बिनु चेतन॥ भावी विरहानल प्रिय-प्यारी जरन लगे, बिसरे जग-जीवन। कौन कहै महिमा या रति की, गति न जहाँ पावत सुर-मुनिजन॥

English translation

[315]

(Raga Bhimapalasi - Tala Kaharava)

No peace comes by day and no sleep at night; hunger and thirst are forgotten. An immeasurable fire burns within the heart, yet even that is scarcely known. The eyes forever weep while the rain of affection continually falls. There is neither memory nor complaint, only radiance illuminating the worn body.

[316]

(Raga Bagesri - Tala Kaharava)

When Śyāmasundara leaves the sacred abode of loving rasa and goes to Mathurā, all the cowherd women, tormented by separation, become as if mad. One gazes toward the sky, hoping He may appear and grant His vision. Another, despairing and intensely restless, becomes absorbed in memories of the past. One sees a small sprout of hope and fills her mind with deep love. Another wonders in astonishment why their Beloved has abandoned them. All are sorrowful, their hearts shattered, each thinking in a different way. Through all eight watches, the gopīs thus perform separation-pastimes with Śyāma.

[317]

(Raga Vibhasa - Tina Tala)

The treasure of life departs for Mathurā. Hearing that Sūraphala's son is taking Him with Dāū, flames rise through every mind and body. She becomes distraught, sorrow covers Her face and every beautiful limb grows weak. The rasa within Her heart burns; Her two dry eyes remain unblinking, and dense darkness spreads. Her Beloved comes to console Her but cannot speak, for grief manifests within His mind. His voice stops. Seeing His Beloved afflicted, His body becomes still, as though without consciousness. The Beloved Lady and Lord begin burning in the coming fire of separation and forget world and life. Who can describe the glory of this love, whose course even gods and sages cannot attain?

Original

Hindi and Braj Bhasha

[318]

(Rāga Deśa - Tīna Tāla)

जब ते हरि मधुपुरी सिधाये। तब ते रहत अनमने दोऊ, तन-मन की सब सुधि बिसराये॥ सूखी हृदय-अमी-रस-धारा, सूखे सकल अंग पथराये। सूखे दृग थिर पलकहीन ह्वै, चढ़े रहत मधुबन-चित लाये॥ भूषण-वसन-असन सब भूले, बाढ़ी जटा, केस अरुझाये। व्यापी विपुल वेदना अन्तर, सहमे रोम-रोम अकुलाये॥ कर दै चिबुक बिसूरति जसुमति, सुरति करत नँद बदन फिराये। देखि न सकत परस्पर दोऊ, उर की उर अति व्यथा छिपाये॥ सूनी दृष्टि, सृष्टि सब सूनी, सून जो ब्रज ब्रजनिधि बिछुराये। अतिहि अकिंचन भए रहत सब, श्याम-राम बिनु कछु न सुहाये॥

[319]

(Rāga Āsāvarī - Tīna Tāla)

ब्रज की सुरत मोहिं बहु आवे। जसुमति-मैया कर-कमलन की माखन-रोटी भावे॥ बूढ़े बाबा नंद मोहिं लै ललराते निज गोद। हौं चढ़ि तौंद नाचतो, तब वे भरि जाते अति मोद॥ बालपने के सखा ग्वाल-बालक सब भोरे-भारे। सब तजि जिन मोहिं कहँ सुख दीन्हों, कैसे जायँ बिसारे॥ ब्रज-जुवतिन की प्रीति-रीति की कहाँ कहा में बात। लोक-वेद की तज मरजादा, मो हित नित ललचात॥ मेरे नयननि की पुतरी वे, जीवन की आधार। सुधि आवत ही प्रिय गोपिन की, बही नयन जल-धार॥ आराधिका, नित्य आराध्या राधा को लै नाम। चुप रहि गए, बोल नहिं पाए, परे धरनि, हिय थाम॥

English translation

[318]

(Raga Desa - Tina Tala)

Ever since Hari departed for Mathura, Nanda and Yasoda have remained distraught, forgetting all awareness of body and mind. The heart's stream of nectarean rasa has dried; every limb has withered and turned to stone. Their dry, fixed and unblinking eyes remain raised toward Madhuban, where their minds have gone. They have forgotten ornaments, clothes and food; their hair has grown into tangled locks. Immense pain fills them within; every hair trembles in distress. Yasoda rests her chin upon her hand and grieves; remembering Him, Nanda turns away his face. Neither can look at the other, for each hides the heart's unbearable anguish within the heart. Their gaze is empty and all creation is empty, for Vraja is desolate after separation from its treasure. They remain utterly destitute; without Syama and Rama, nothing pleases them.

[319]

(Raga Asavari - Tina Tala)

So many memories of Vraja come to Me. I cherish the butter and bread from Mother Yasoda's lotus hands. My aged father Nanda would take Me upon his lap and caress Me. When I climbed upon his belly and danced, he overflowed with delight. My childhood companions, the guileless cowherd boys, abandoned everything to give Me happiness. How could I ever forget them? What words could ever tell of the cowherd maidens' way of love? Abandoning worldly and Vedic convention, they forever yearned for My sake. They are the pupils of My eyes and the very support of My life. The moment I remember those beloved gopis, streams of tears flow from My eyes. Taking the name of Radhika, My eternal worshiper and eternally worshipful Lady, He fell silent, could speak no more and collapsed upon the earth, clutching His heart.

Original

Braj Bhasha

[320]

(Rāga Bhairavī - Tīna Tāla)

ऊधौ! बिसरत नहिं मनभावनि। राधा, राधा की मधु लीला हिय-संताप-नसावनि॥ मुक्त हँसनि, मुसुकावनि मधुमय, चोचल करनि, हँसावनि। व्यंग करनि, मृदु रूठनि, मुख गंभीर करनि, उठि धावनि॥ मान करनि, हिय-ताप जगावनि, नव निकुंज नहिं जावनि। मन करि रोष, बाष्पपूरित दृग, सिसकि-सिसकि सुबुकावनि॥ रोवनि, स्तब्ध रहनि, मूर्छित ह्वै मो मन भय-उपजावनि। अकुलावनि अति, दूतिहि देखत आतुर मो ढिग आवनि॥ मिलनि मधुर, कोकिल सम बानी सरस सुधा बरसावनि। मृदुल मनावनि, सकुच सहित शुचि विनय-भाव दरसावनि॥ मुसुकनि नैकु निरखि मो मुख तन, सहसा अति सरमावनि। नैन मूँदि, मस्तक नीचौ करि, बदन ढाँपि चुचुकावनि॥ सुनतहि बैन प्रेमपूरित मम, चंचल नैन चलावनि। संभ्रम-सकुच सकल तजि, हँसि-हँसि नैननि नैन मिलावनि॥ अंग-अंग शुचि गंध विलेपनि, मधुर सुगंध लगावनि। पुष्पहार, भुजहार मनोहर मुक्त-हृदय पहिरावनि॥ चपल, सुधीर, चतुर-चूड़ामनि, सकल सुकला सिखावनि। मो मन मोद भरनि, अति भोरी, अति सूधी बतरावनि॥ मो सुख-हेतु विचित्र विविध नित नव-नव रूप रचावनि। प्राणाधिका, प्राण-प्रतिमा मम, प्राणाधारा पावनि॥ निकसत नाहिं पलक मो मन तैं, सुख-सागर लहरावनि। प्रीति-सुधा-रस दिव्य मधुर दे, जीवन मधुर बनावनि॥

[321]

(Rāga Vāgeśrī - Tīna Tāla)

ब्रज-बनितनि की महिमा न्यारी। ऊधौ! उन की मूरति छिन भर मन सौं टरत न टारी॥

English translation

[320]

(Raga Bhairavi - Tina Tala)

Uddhava, the beloved of My heart is never forgotten. Radha, Radha, and Her sweet pastimes dispel the anguish of My heart. Her uninhibited laughter, nectar-filled smile, playful gestures and the way She makes Me laugh; Her witty barbs, gentle sulking, suddenly grave face and the way She rises and runs away; Her jealous pride that kindles pain within My heart and Her refusal to enter the new bower; Her inward anger, tear-filled eyes and broken sobbing; Her weeping, stunned silence and swoon that fills My heart with fear; Her intense agitation, and the way She sees the messenger and hurries eagerly to My side; Our sweet meeting, and Her cuckoo-like voice pouring streams of delicious nectar; Her gentle conciliation, and the pure humility She reveals with bashful reserve; Her faint smile as She gazes at My face and body, then suddenly becomes deeply shy; Her closing Her eyes, lowering Her head, covering Her face and drawing Herself in; Her restless glances as soon as She hears My love-filled words; Her casting off all confusion and reserve, laughing as She joins Her eyes with Mine; Her anointing every limb of My body with pure and fragrant unguents; Her open-heartedly adorning Me with flower garlands and lovely armlets; Her playful yet composed nature, Her crown of cleverness and the way She teaches every art; Her filling My mind with joy while speaking with utter innocence and simplicity; Her daily fashioning ever-new and wondrous forms solely for My happiness; She who is dearer than life, the image of My life, its holy and sustaining ground; She never leaves My mind even for an instant and raises waves in its ocean of happiness. Giving the divine, sweet nectar-rasa of love, She makes My life itself sweet.

[321]

(Raga Vagesri - Tina Tala)

The glory of the women of Vraja is altogether unique. Uddhava, their forms cannot be removed from My mind even for an instant.

Original

Braj Bhasha

Continuation of [321]

वे मेरे हिय बसत निरंतर, हौं नित उन के पास। सत्य कहौं, वे स्वामिनि मेरी, हौं नित उन कौ दास॥ परम रहस्य, सत्य अति गोपन एक दूसरौ और। हौं ही राधा बन्यौ रहूँ नित, गोपिन कौ सिरमौर॥ लीलारत राधा ही अगनित गोपीरूप बनाय। लीला करत रसास्वादन-हित नित्य सहज समुदाय॥ या विधि हौं ही गोपी सब, राधा, राधा कौ प्यारौ। रसिक, रसास्वादनरत, रसमय, तदपि न कब्हूँ न्यारौ॥ उन के छिन देह कौ दुख-सुख, सब मोकूँ ही होय। हौं ही विरह, मिलन पुनि हौं ही, वे-हम कबौं न दोय॥

[322]

(Rāga Deśa - Tīna Tāla)

ब्रज-बनिता नहिं मो तैं न्यारी। मम सुख-हित करि सरबस अरपन, मो में आइ समानी सारी॥ मेरौ मन नित तिन कौ मन बनि, करत मनोहर लीला सब दिन। मेरे प्राणनि सौं अनुप्राणित, मेरौ जीवन ही तिन जीवन॥ तिन की देह, अंग-अवयव सब मेरी लीलाके आलंबन। नहीं पृथक कबहूँ कछु तिन कौ, अपनौ अन्य साध्य अरु साधन॥ ग्रहण-त्याग अरु भोग-मोच्छ, नहिं कर्म-अकर्म-भाव तिन के मन। सब कछु सदा एक मैं ही, बस, नित्य प्राप्त तिन कौ जीवन-धन॥

[323]

(Rāga Khamāja - Tīna Tāla)

राधा की सुधि करत कन्हाई। कहत रूप-गुण-शील प्रिया के, धीरज चली पराई॥ प्रगटी प्रिया-मूर्ति नभ स्मृति अनुरूप मंजु छवि छाई। मृदु मुसुकान, तदपि मुख-पंकज रहो मनो कुम्हिलाई॥

English translation

Continuation of [321]

They dwell forever within My heart, and I remain forever beside them. In truth, they are My mistresses and I am forever their servant. There is yet another supreme and deeply hidden mystery: I Myself eternally become Radha, the crown of all the gopis. Radha, absorbed in divine play, assumes the countless forms of the gopis and forms their eternal, natural assembly to perform pastimes and relish rasa. Thus I Myself am all the gopis, Radha and Radha's Beloved, the rasika, the relisher of rasa and rasa itself, yet never separate from them. Whatever pain or happiness touches their bodies comes entirely to Me. I am separation and I am reunion; they and I are never two.

[322]

(Raga Desa - Tina Tala)

The women of Vraja are not separate from Me. Offering everything for My happiness, they have all come and merged into Me. My mind eternally becomes their mind and performs enchanting pastimes every day. They are animated by My life-breath, and My very life is their life. Their bodies, limbs and every part are supports for My divine play. Nothing of theirs is ever separate, nor do they possess any other goal or means. Their minds hold no ideas of acceptance or rejection, enjoyment or liberation, action or inaction. For them everything is always Me alone, the eternally attained treasure of their lives.

[323]

(Raga Khamaja - Tina Tala)

Kanhaiya remembers Radha. As He speaks of His Beloved's beauty, virtues and character, His composure deserts Him. Her form appears in the sky of memory, and a lovely image suited to remembrance spreads there. A gentle smile rests upon Her lotus face, yet that face seems withered by sorrow.

Original

Braj Bhasha

Continuation of [323]

स्थिर सब अंग, नैन नीचे स्थिर, सहज समाधि लगाई। प्रिय-उर-भाव प्रगट भए सगरे, मूर्तिवंत ह्वै आई॥ लखि लच्छन विरुद्ध-धर्माश्रय, मगन भए जदुराई। हर्ष-विषाद भरी मुख-छवि वह हरि-हिय माँझ समाई॥ ढरे अश्रु-मुक्ता ऊधौ-दृग, स्नेह-सुधा सरसाई। अकथ कहानी दिव्य प्रेम की, कैसेहूँ कही न जाई॥

[324]

(Rāga Deśa - Tāla Rūpaka)

ऊधौ! निठुर मो सम कौन? कोटि कुलिशहू तें कठिन, तेहि छिन रह धरि मौन॥ ले चल्यो बैठारि रथ मोहि क्रूर अति अक्रूर। दौरि आईं ब्रज-वधू सब, रहीं नेकहिं दूर॥ ध्येय-मूरति राधिका, नहिं राखि पाई धीर। चली बिलपति करति क्रंदन, बहत दृग द्रुत नीर॥ गिरति, उठति, दहाड़ मारति, उच्च सुर बेहाल। दौरि आवति अति उतावरि, युग-सदृश पल काल॥ उष्ण अँसुअन ताप तें तरु-लता सब मुरझाय। सूखि गईं पल माहिं, रोवत विहग-कुल बिलखाय॥ वत्स-गो-वृष भए व्याकुल, रहे करुण डकार। भए जीवनहीन-से सब, बहि चली दृग-धार॥ लगे रोवन नेह-पूरित वन्यचर तजि धीर। नभ घटा-घन छई असमय, बढ़्यो जमुना-नीर॥ बाँस-वन में अनल प्रगट्यो, बही बरति बयार। धरा-हृदय तुरंत विदर्यो, परी प्रचुर दरार॥ रोय दीन्ही प्रकृति सब, बुधजन बिसार्यो बोध। रोकि लीन्हीं गोपिका गुरुजनन करि पथ-रोध॥

English translation

Continuation of [323]

Every limb is still and Her lowered eyes remain motionless, as though She has naturally entered samadhi. All the emotions within the Beloved's heart become manifest and appear embodied before Him. Beholding the signs of an abode in which contrary qualities coexist, the Lord of the Yadus becomes absorbed. That countenance, filled at once with joy and sorrow, enters Hari's heart. Pearls of tears fall from Uddhava's eyes, made tender by the nectar of affection. The tale of divine love is ineffable and cannot be told by any means.

[324]

(Raga Desa - Tala Rupaka)

Uddhava, who could be as cruel as I? Harder than ten million thunderbolts, I remained silent at that moment. The exceedingly pitiless Akrura seated Me in the chariot and carried Me away. All the women of Vraja came running and remained only a little way behind. Radhika, the very form of My meditation, could no longer preserve Her composure. She ran after us, lamenting and crying aloud while swift tears streamed from Her eyes. She fell, rose again and wailed in a piercing voice, utterly overwhelmed. She ran in desperate haste while every moment of time became an age. The heat of Her burning tears made every tree and vine wither. They dried within a moment, and the flocks of birds wept and lamented. Calves, cows and bulls grew distraught and uttered piteous cries. All seemed lifeless as streams poured from their eyes. The forest creatures, filled with affection, abandoned composure and began to weep. Dark clouds gathered out of season in the sky, and the Yamuna's waters rose. Fire broke out in the bamboo forest, and a scorching wind began to blow. The earth's heart split open at once, and vast cracks appeared. All nature burst into tears, and the wise forgot their wisdom. The elders blocked the path and held the gopis back.

Original

Braj Bhasha and Hindi

Continuation of [324]

राधिका सब सखिन के संग भई अति निरुपाय। रहीं कातर दृगनि देखत गमन-पथ असहाय॥ हृदय-बेधी देखि यह, नहिं फट्यो हिय हहराइ। रही देखत हौं मृतक-सो, दियो रथहि चलाइ॥ उतरि रथ तें हौं पलक भर दई ताहि न धीर। कौन मो-सो निरदई निर्मम निपट बेपीर॥ राधिका की विकल आकृति, अकथ निज अपराध। छिन न भूलत मोय ऊधौ! जरत हृदय अगाध॥ देखि पावौं सकृत पद-जुग, अश्रु-जल सौं धोय। करौं कछू हलकौ हियौ, नीरव नयन सौं रोय॥ किंतु डर यह लगत भारी, देखि रोवत मोय। अमित हिय संताप, ताको अभल नहिं कछु होय॥

[325]

(Rāga Paraja - Tāla Kaharavā)

प्राणेश्वरि! जबसे मैं आया हूँ मथुरा कर तेरा त्याग। तबसे तुझे भूलकर पलभर भी न पा सका सुख निर्भाग॥ मधुर एक, बस, तेरी ही स्मृति है मेरा जीवन-आधार। प्रतिपल वह जीवनमें जीवन भरती रहती है अनिवार॥ स्वप्न-जागरणमें जो कुछ भी करते हैं सब इन्द्रिय-मन। सबमें बस, तेरा मीठा सम्बन्ध बना रहता प्रति छन॥ भोजन-शयन सभीमें तेरी सन्निधि देती परमानन्द। तेरे बिना सदा भूला रहता मैं सहज स्वरूपानन्द॥ तू ही एकमात्र सुख मेरा, तू ही है प्राणोंकी प्राण। हृदयेश्वरि! तेरी विस्मृति लवभर न सहन कर सकते प्राण॥

English translation

Continuation of [324]

Radhika, surrounded by all Her companions, became utterly helpless. Powerless, She kept gazing with anguished eyes along the road of departure. My heart should have burst in terror at that heart-piercing sight, yet it did not. I watched like a dead man and allowed the chariot to move on. I did not descend from the chariot and give Her courage even for an instant. Who could be as heartless, merciless and utterly unfeeling as I? Radhika's distraught form and My unspeakable offense are never forgotten for a moment, Uddhava; My unfathomable heart keeps burning. If only I could behold Her two feet once and wash them with My tears, I might lighten My heart a little and weep silently through My eyes. Yet this great fear grips Me: if She should see Me weeping, Her heart would suffer limitless torment, and some terrible harm might befall Her.

[325]

(Raga Paraja - Tala Kaharava)

Sovereign of My life, ever since I abandoned You and came to Mathura, I, unfortunate as I am, have not found happiness for even a moment by forgetting You. The one sweetness sustaining My life is remembrance of You alone. Moment after moment it irresistibly pours life into My life. Whatever all My senses and mind do in dream or wakefulness, each act remains sweetly related to You at every instant. In eating and sleeping, Your presence bestows supreme bliss. Without You I remain forever oblivious even to the innate bliss of My own true nature. You alone are My happiness; You are the life of My very life. Sovereign of My heart, My life-breath cannot endure forgetting You for even the smallest fraction of a moment.

Original

Hindi

[326]

(Rāga Sohanī - Tāla Dādarā)

मत समझना तुम कभी यह, मैं तुम्हें हूँ छोड़ आया। नित्य आत्मा मिल रही है, कहीं भी यह रहे काया॥ नित्य अनुभव हो रहा है, हृदयमें है रूप छाया। एक पलको भी कभी हटता न, वह बलसे हटाया॥ हृदयके प्रत्येक स्तरमें, देहके हर रोममें नित। स्पर्श मधुमय हो रहा है, दे रहा है सुख अपरिमित॥ इह-परत्र सुमिलन ही, बस, हो चुका नित सत्य निश्चित। विलग होना है कभी सम्भव नहीं, अब यही सुविहित॥ नित्य नव अनुराग, नित नव रस, विमल आनन्द नित नव। हो रहे सब एक मिलकर मुदित आभ्यन्तरिक अवयव॥ प्रेम-मिलन वियोग-विरहित, नहीं तनिक विछोह त्रुटि-लव। सूक्ष्म अणु-अणुमें सदा ही, सर्वथा आनन्द-अनुभव॥ पांचभौतिक देह नश्वरका मिलन-अमिलन सदृश है। क्योंकि दुष्परिणाम उसका एकमात्र वियोग-विष है॥ आत्म-मिलन अबाध अविनाशी मधुरतम परम रस है। सदा लहराता अमृत-सागर वहाँ शुचि एकरस है॥

[327]

(Rāga Jaṅgalā - Tāla Kaharavā)

हे राधे! उस दिन जिस क्षणसे तुझसे मेरा हुआ विछोह। नहीं छूटती स्मृति पलभर भी, बढ़ा अमित शुचितम है मोह॥ जाग्रत-स्वप्न, क्रिया-निष्क्रियता सबमें स्मृति अखण्ड रहती। तेरी रस-धारा नस-नसमें अतिशय सुखद मधुर बहती॥ रहता मन है सदा तुझीमें, रहती तू नित मेरे पास। नित्य निरन्तर अनुभव होता, बढ़ता रहता रस-उल्लास॥ व्यथा विछोह-मोहकी मार्मिक करती मुझे सहाय विशेष। मानस-सन्निधि-सुखका निरुपम अनुभव होता सदा अशेष॥

English translation

[326]

(Raga Sohani - Tala Dadara)

Never think that I have left You behind. Our souls meet eternally, wherever these bodies may remain. The experience is constant: Your form is reflected within My heart. It never withdraws even for a blink, nor could it be removed by force. At every level of the heart and within every hair of the body, Your nectar-sweet touch is forever felt and bestows immeasurable happiness. Here and hereafter, our perfect union is already an eternal and certain truth. Separation can never be possible; this alone is now firmly established. Ever-new love, ever-new rasa and ever-new stainless bliss all unite, filling every inner faculty with joy. This union of love is free from separation; not even the smallest trace of distance remains. Within every subtle atom there is always the experience of complete bliss. Meeting or not meeting through the mortal body of five elements is much the same, for its only ultimate consequence is the poison of separation. The union of souls is unobstructed, imperishable and the sweetest supreme rasa. There a pure and undivided ocean of nectar forever surges.

[327]

(Raga Jangala - Tala Kaharava)

O Radha, from the very moment on that day when I was separated from You, remembrance has not left Me for an instant, and immeasurably pure attachment has grown. In waking and dream, in activity and inactivity, remembrance remains unbroken. Your current of rasa flows sweetly through every vein, bringing incomparable happiness. My mind remains forever absorbed in You, and You remain forever beside Me. This is My constant and continuous experience, and the joy of rasa keeps increasing. The poignant anguish born of separation and love becomes My special aid, and I forever experience without limit the matchless joy of Your presence within My mind.

Original

Hindi and Braj Bhasha

[328]

(Rāga Bhīmapalāsī - Tāla Kaharavā)

राधे! तुम जो अनुभव करती, लीला-रत रहती हो नित्य। सो कल्पना नहीं है किंचित्, परम तथ्य है अतिशय सत्य॥ लोग देखते हैं केवल मथुरामें मेरा नित्य निवास। किंतु तुम्हारा प्रियतम मैं रहता हूँ सदा तुम्हारे पास॥ किसी परिस्थिति, किसी स्थानमें होता नहीं कदापि वियोग। खान-पान, व्यवहार-शयनमें रहता सदा नियत संयोग॥ नहीं घृणा-लज्जा है कोई, नहीं कहीं संकोच-दुराव। एकरूपतामें कैसे कब रह सकता है भेद-छिपाव॥ नहीं एक पल भी हटता मैं, नहीं छोड़ता मधुमय संग। अनुपम मधुर ललित लीलाका बढ़ता नित नवीन रस-रंग॥ सदा एक-तन, सदा एक-मन, सदा एक-रस, एकाकार। सदा बने दो, सदा बहाते पावन प्रीति-सुधा-रस-धार॥ नहीं कभी होता बिछोह है, होता नहीं कभी अलगाव। बढ़ता नित्य मधुर रस उज्ज्वल, बढ़ता नया-नया नित चाव॥ होती नहीं क्लान्ति, मिलती विश्रान्ति वर सुखमय निर्मल। रहती सदा अशान्ति, शान्ति अति रस-आस्वादिनि अविचल चल॥ नित्य नयी क्षमता है बढ़ती, नित्य नया उल्लास अथाह। नित्य नयी आकांक्षा अविरल, बढ़ता नित्य नया उत्साह॥ दोनों दोनोंके प्रिय-प्रियतम, दोनों दोनोंके श्रृंगार। दोनों दोनोंके शुचि आत्मा, दोनों दोनोंके आधार॥ दोनों दोनोंके नित संगी, दोनों दोनोंके हिय-हार। दोनों दोनोंमें मिल भूले, भुक्ति-मुक्ति, अग-जग संसार॥

[329]

(Dohā)

ऊधौ! तुम ते कहाँ का गोपी-प्रेम-महत्त्व। जिन जान्यौ केवल परम शुद्ध प्रेम कौ तत्त्व॥

English translation

[328]

(Raga Bhimapalasi - Tala Kaharava)

Radha, what You experience as You remain eternally absorbed in divine play is not imagination in the least; it is the supreme reality and utterly true. People see only that I now reside in Mathura, yet I, Your Beloved, remain forever beside You. In no circumstance and in no place does separation ever occur. In eating, drinking, daily dealings and sleep, our union remains constant and ordained. There is no aversion or shame, no reserve or concealment anywhere. How could distinction or secrecy ever remain within complete oneness? I do not withdraw for even a moment or abandon our nectar-sweet companionship. The ever-new colors of rasa in our incomparable, graceful and sweet play continually increase. Forever one body, one mind, one rasa and one form, we forever become two and forever pour the sacred stream of love's nectarean rasa. Parting never occurs, and there is never any separation. The radiant sweetness of rasa increases eternally, and ever-new delight continually grows. There is no weariness; instead comes excellent, pure and blissful repose. An everlasting restlessness abides within an unwavering peace that relishes rasa and is ever in motion. New capacity grows eternally, and ever-new joy is fathomless. Ever-new longing flows without cease, and fresh enthusiasm continually increases. Each is the other's dear one and Beloved; each is the other's adornment. Each is the other's pure self and sustaining ground. Each is the other's eternal companion and the garland upon the other's heart. Merged in one another, both forget enjoyment, liberation and the whole moving and unmoving world.

[329]

(Couplets)

Uddhava, how could you know the greatness of the gopis' love? They alone have known the principle of supremely pure love.

Original

Braj Bhasha and Hindi

Continuation of [329]

मो में ही अनुराग शुचि, ममता अमल अनन्य। सेवत सर्वस्व सौंपि सो, मोय गोपिका धन्य॥ मो मन नित्य मनस्विनी, प्राणवती मम प्राण। मेरे ही हित कर्म सब करत विगत अभिमान॥ असन-वसन तन-धन सकल धारत मम सुख-काज। निज सुख-इच्छारहित नित तजि सब विषय-समाज॥ राग न नैकहु कितहूँ कछू, अग-जग ममताहीन। इह-पर-भोग-विराग नित सहज नेह-रस-लीन॥ मम महिमा, सेवा, परम श्रद्धा, मन की बात। केवल गोपी-जनन कौं सबे तत्त्वतः ज्ञात॥ तिनमें सब की आत्मा, सब की परमाधार। महाभावमयि राधिका, रस-पर-पारावार॥ तिनके मन-वच-कर्ममें उमगत नित रस-सिंधु। धन्य भयो मैं पाय कछु तिन तें मधु-रस-बिंदु॥ परम त्यागमय प्रेम कौ सुख-सागर लहरात। वा सुख चाखन कौं सदा मम मन अति ललचात॥ बनौं कबौं जो राधिका मैं लै तिन कौ भाव। कृष्ण मानि सेवौं तिनहिं, तब पूरे मन-चाव॥ जाउ सखा, धनि होउ, लै सिर तिन चरनन-धूरि। दरसन करि दृग-फल लहौ, जो मम जीवन-मूरि॥

[330]

(Rāga Pīlū - Tāla Kaharavā)

मुझसे करके प्रेम, चाहता जो उसका बदला पाना। वह भी सुकृती पुण्यजन, जिसने मुझको फलदाता जाना॥ उससे ऊँचा वह प्रेमी है, जो निष्काम प्रेम करता। सेवा करके मुक्ति चाहता, मायिक जगसे जो डरता॥

English translation

Continuation of [329]

Her pure love and stainless, exclusive affection are fixed upon Me alone. That blessed gopi surrenders everything to Me and serves Me. She is eternally My mind's sovereign, and her life gives life to My very life. Free from pride, she performs every act solely for My sake. She wears food, clothing, body and wealth only as instruments of My happiness. Forever without desire for her own pleasure, she abandons the whole society of sense objects. She has not the slightest attachment anywhere and no possessiveness toward the moving or unmoving world. Beyond enjoyment here or hereafter and beyond renunciation, she remains naturally absorbed in the rasa of affection. My glory, My service, supreme faith in Me and the secrets of My heart are known in truth only to the gopis. Among them, the soul and supreme foundation of all is Radhika, embodiment of mahabhava and the boundless ocean beyond all rasa. The ocean of rasa forever surges through Her mind, words and deeds. I become blessed if I receive even one drop of sweet rasa from Her. The ocean of happiness born of supremely self-renouncing love rises in waves, and My mind forever yearns intensely to taste that happiness. At times I Myself become Radhika and assume Her disposition, and serve Her as Krishna; only then are all the desires of My heart fulfilled. Go, friend, and become blessed by taking the dust of Her feet upon your head. Gain the fruit of your eyes by beholding Her, for She is the very form of My life.

[330]

(Raga Pilu - Tala Kaharava)

One who loves Me but seeks a return for that love is still virtuous and blessed, for such a person has recognized Me as the giver of fruits. Higher is the lover who loves without selfish desire, yet serves in pursuit of liberation because he fears the world of maya.

Original

Hindi

Continuation of [330]

उससे भी ऊँचा वह मेरा प्रेमी शुद्ध हृदय प्यारा। देते-देते मुझे मधुरतम वस्तु कभी न थका-हारा॥ उससे भी उच्च स्तरपर वह, जो सेवा करता दिन-रात। सेवाका फल सदा चाहता, सेवाकी बढ़ती अभिजात॥ जो न किसीका दास, किसीको नहीं बनाता दास कभी। युग-युग सेवा ही जो करता, त्याग अन्य व्यवहार सभी॥ उससे ऊँची प्रेममयी हैं वे सौभाग्यवती गोपी। जो निज-सुखको भूल सर्वथा सबसे बढ़कर हैं ओपी॥ स्नेह-राग-अनुराग-भावकी उठती जिनमें अमित तरंग। जिनका मुझसे छाया सारा जीवन, सभी अंग-प्रत्यंग॥ केवल यही चाहतीं, मैं बस, रहूँ देखता उनकी ओर। बढ़ता रहे नित्य प्रेमार्णव, रहे कहीं भी ओर न छोर॥ पर राधा तो उन सबकी है दिव्याधार-भूमि भावन। जिसके स्नेह-सुधाका है शुचि एक-एक कण अति पावन॥ निरवधि, नित्य नवीन, नित्य निरुपम, निरुपाधिक, नित्य उदार। नित्यानन्त-अचिन्त्य-अनिर्वचनीय अतुल रस-पारावार॥ राधा-प्रेम परम उज्ज्वलतम, विधि-हरि-हर-अविगत-गति रूप। परमहंस-तापस-योगी-मुनि-मति-दुर्गम आश्चर्य-स्वरूप॥ पर इससे उसका न तनिक भी परिचय कभी हुआ होता। बहता सहज तीव्र-गति मंजुल मधुर दिव्य यह रस-स्रोता॥ चौंसठ-कला-चतुर स्वाभाविक, पर वह मनकी अति भोली। नहीं जानती दम्भ-कपट वह, नहिं बनावटी कुछ बोली॥ सहज विनम्र, सरल शुचि अन्तर, निश्छल सुधासनी वाणी। मधुर सुधास्रावी स्वभावसे आप्यायित सब ही प्राणी॥ सदा दीखती रहती उसको निजमें दोषावलि भारी। समझ न पाती कैसे, क्यों उससे प्रसन्न सब नर-नारी॥

English translation

Continuation of [330]

Higher still is My beloved devotee of pure heart, who never tires or grows defeated while giving Me the sweetest things. On a still higher level stands one who serves day and night, always seeking only the fruit of service itself as that service becomes ever more noble. Such a lover is no one's slave and never makes anyone a slave, but serves age after age, abandoning every other transaction. Higher even than that are the fortunate gopis, embodiments of love, who have completely forgotten their own happiness and shine above all others. Measureless waves of affection, passionate attachment, ever-deepening love and bhava rise within them. Their entire lives and every limb are wholly pervaded by Me. They desire only that I should keep looking toward them and that the ocean of eternal love should forever increase, without shore or limit. Yet Radha is the divine foundational ground of feeling for them all. Every pure particle of the nectar of Her affection is supremely holy. It is without limit, eternally new, forever matchless, unconditional and ever generous, an eternal, infinite, inconceivable, ineffable and incomparable ocean of rasa. Radha's love is supremely radiant, a wondrous reality whose course is unknown to Brahma, Visnu and Siva and inaccessible to the understanding of paramahamsas, ascetics, yogis and sages. Yet She never possesses even the slightest awareness of it. This lovely, sweet and divine current of rasa simply flows from Her with natural and tremendous force. She is naturally accomplished in all sixty-four arts, yet Her heart is utterly innocent. She knows neither pretense nor deceit and speaks nothing artificial. Naturally humble, simple and pure within, Her guileless speech is a seat of nectar. Her very nature pours sweet nectar and brings fulfillment to every living being. She forever sees only a vast host of faults within Herself and cannot understand how or why all men and women are pleased with Her.

Original

Hindi

Continuation of [330]

मेरे प्रति क्यों प्यार उसे है पता नहीं, कैसे इतना? पता नहीं मैं स्वयं खिंचा रहता क्यों उसके प्रति कितना? चकित, किंतु अति सहज प्रेमकी बनी दिव्य वह पावन मूर्ति। करती सदा सहज ही मेरे मनमें नव-नव रसकी स्फूर्ति॥ राधा-गुण-गण विमल अमोलक रत्न-विलक्षण पारावार। जितना गहरा जभी डूबता, पाता नव-नव रत्न अपार॥ नहीं पा सका, पा न सकूँगा कभी गुण-गणोंकी मैं थाह। बनी रहेगी राधा-गुण-निधिमें डूबे रहनेकी चाह॥ कैसे मैं क्या-क्या गुण गाऊँ, क्या भेजूँ उसको संदेश? जीवन ओत-प्रोत सदा है उसमें सभी काल सब देश॥ मेरी उस भोली-भाली प्राणेश्वरिसे यह कहना सत्य। मधुर तुम्हारी ही स्मृतिमें है जीवन लगा निरन्तर नित्य॥

[331]

(Rāga Deśakāra - Tāla Kaharavā)

माधव-सखा मनीषी उद्धव, सहज ज्ञान-विज्ञान-निधान। सदाचार-रत शुचितम नैष्ठिक, वाग्मी सुप्रसिद्ध विद्वान॥ हरिसे सुनकर ब्रजकी बातें उनके मन आया आवेश। कहा, मिटा दूँगा मैं उनका दुःख वहाँ जा, दे उपदेश॥ बतलाया हरिने इंगितसे उद्धवको गोपिका-महत्त्व। ज्ञान-गर्व कुछ था, इससे वे समझ नहीं पाये पर-तत्त्व॥ पहुँचे ब्रज, बाबा-मैयासे मिले, देख उनका शुचि स्नेह। देख बालकोंकी गति उद्धव चकित-थकित हो गये विदेह॥ गलित-ज्ञान-गौरव उद्धव ब्रज-बनिताओंके आये पास। देख श्याम-रसमय शुचि जीवन मन-ही-मन हो गये निराश॥ "क्या सिखलाऊँगा मैं इनको, प्रेम दिव्यतमकी ये मूर्ति। नहीं अभाव-कामना कुछ जिसकी हो इनको इच्छित पूर्ति॥

English translation

Continuation of [330]

She does not know why or how She loves Me so greatly, and I do not know why or how powerfully I Myself remain drawn toward Her. Wonderstruck yet utterly natural, She is the divine and sacred embodiment of love. Without effort She forever awakens ever-new rasa within My mind. Radha's countless virtues are an immeasurable ocean of rare, stainless and priceless jewels. The deeper I plunge, the more endless and ever-new jewels I discover. I have never fathomed and never shall fathom the depth of Her virtues. The longing to remain immersed in Radha's treasury of qualities will endure forever. How could I sing all Her virtues, and what message could I possibly send Her? My life is forever permeated by Her in every time and every place. Tell this truth to that guileless Lady who rules My life: My life is eternally and ceaselessly absorbed in sweet remembrance of You alone.

[331]

(Raga Desakara - Tala Kaharava)

Madhava's friend Uddhava was wise, a natural treasury of knowledge and realization, steadfast in pure conduct, disciplined, eloquent and renowned for learning. Hearing Hari speak about Vraja, an impulse arose within his mind. He said, "I shall go there, instruct them and remove their sorrow." Through subtle indications Hari revealed the greatness of the gopis to Uddhava, but because some pride in knowledge remained, Uddhava could not understand the supreme truth. He reached Vraja and met Father Nanda and Mother Yasoda; beholding their pure affection, then seeing the condition of the children, Uddhava became astonished, exhausted and oblivious to his body. His pride in knowledge melted away as he approached the women of Vraja. Seeing their pure lives filled with Syama's rasa, he despaired inwardly: "What could I teach these embodiments of the most divine love? They lack nothing and desire nothing whose fulfillment they might seek.

Original

Hindi and Braj Bhasha

Continuation of [331]

त्यागमयी प्रतिमा ये सचमुच, कृष्ण-प्राण-मनसे संयुक्त। इनके सम्मुख ज्ञान छाँटना है निश्चय अज्ञान, अयुक्त॥" तदपि गोपिका-मुख-निःसृत रस-सुधा दिव्यका करने पान। मचल उठे ज्ञानी उद्धवके प्राण-चित्त-मन, दोनों कान॥ अति विनम्र वे बैठ निकट, फिर करने लगे विविध आलाप। देख-देख गोपीजन-मुख-भंगिमा खो गये निजमें आप॥

[332]

(Rāga Kedāra - Tīna Tāla)

ऊधौ! स्याम बड़े ही धूत। कारौ तन, मनहू अति कारौ, कारी सब करतूत॥ मीठी तान सुनाइ मुरलि की, मीठी करि-करि बात। हँसि-हँसि के सरबस हरि लीन्हो, भीतर सौं करि घात॥ बार-बार करि सपथ कह्यो, हौं तुम्हरौ, तुम सब मेरी। कितव त्याग दीन्हीं नगन्य गनि, बिलपतहू नहिं हेरी॥ मुँह मीठौ, मन भरयो जहर-सौं, निठुर निरदई पूरे। जरे घावपर नौन लगावन पठयो तुमहिं धतूरे॥ मति तुम गुण बरनौ उन के, मति करो हमहिं उपदेस। गुण-निधि के सब गुण हम जानें, हिय कठोर, मृदु भेस॥ भयो विधाता वाम, तदपि हिय सुरति टरत नहिं टारी। दरसन-हित नित रोवत-कलपत बयस बीति रहि सारी॥

[333]

(Rāga Malāra - Tīna Tāla)

ऊधौ! कहा सिखावौ जोग। हमरो नित्य-जोग प्रियतम सौं, होय न पलक वियोग॥ वे ही हमरे मति-मन-इन्द्रिय, वे ही जीवन-प्राण। वे ही अंग-अंग सब हमरे, सेवें बिनु व्यवधान॥

This pad and pad 349 are portions of the same līlā.

English translation

Continuation of [331]

"They are true embodiments of renunciation, joined with Krishna in life and mind. To display learning before them would surely be ignorance and wholly improper." Even so, learned Uddhava's life, heart, mind and both ears grew eager to drink the divine nectar of rasa issuing from the gopis' mouths. He sat beside them with great humility and began many kinds of conversation. Gazing again and again at the expressions upon their faces, he lost all awareness of himself.

[332]

(Raga Kedara - Tina Tala)

Uddhava, Syama is a consummate rogue. His body is dark, His mind is darker still, and all His deeds are dark. Sounding sweet melodies upon His flute and speaking words of honey, Hari smiled and stole our everything, ambushing us from within. Again and again He swore, "I am yours, and all of you are Mine." That deceiver then abandoned us as worthless and never looked back at us weeping. His mouth is sweet but His mind is filled with poison; He is utterly hard and merciless. He has sent you, you thorn apple, to rub salt into our burning wounds. Do not recite His virtues and do not instruct us. We know every virtue of that treasury of virtues: a hard heart beneath a gentle disguise. Fate has turned against us, yet His memory cannot be driven from our hearts. Our whole lives pass in ceaseless weeping and anguish for the sight of Him.

[333]

(Raga Malara - Tina Tala)

Uddhava, what yoga could you teach us? Our eternal yoga is with the Beloved, from whom we are not separated even for a blink. He alone is our understanding, mind and senses; He alone is our life and breath. He alone is every one of our limbs, which serve Him without interruption.

Book note: This pad and pad 349 are portions of the same lila.

Original

Braj Bhasha

Continuation of [333]

रहैं सदा हिय माँझ हमारे, भरे परम अनुराग। रहि न सकैं वे मोहन हमकूँ कबहूँ त्रुटि-भर त्याग॥ वे हममें, हम उनमें निशि-दिन, हम वे सदा अभिन्न। सूर्य-सूर्य की किरन-सदृश हम, रहें कदापि न भिन्न॥ नित्य विहार, नित्य नव लीला, नित नव सुख-संजोग। जोग-विधान करौ तुम उनकूँ, जिनके स्याम-वियोग॥

[334]

(Rāga Hamīra - Tīna Tāla)

ऊधौ! मोहन स्याम हमारे। लिपटे रहत अंग-अंग निशि-दिन, होत न कबहूँ न्यारे॥ मथुरा जाय मिले कुबजा तैं, ये बाहर के खेल। हमरौ-उनकौ छुटत न कब्हूँ, हिय तें हिय कौ मेल॥ उनके बिना न सत्ता हमरी, छोड़ कहाँ वे जावँ। वे न रहैं तो हमकूँ जीवित कोई कैसे पावँ॥ ऊधौ! तुम्हरे नहीं नेत्र सो, हमहिं स्याम जो दीन्हें। या तें भरम परे तुम डोलत, ज्ञान-जोग-पद लीन्हें॥ हममें-उनमें दीखत जो कछू कबहूँ वियोग-विछोह। रस-वर्धन-हित उदय होत, सो लीला-रस-संदोह॥

[335]

(Rāga Khamāja - Tīna Tāla)

ऊधौ! हम क्यों स्याम-वियोगिनि? हम तो स्याम-सुहागिनि नित ही, नित ही स्याम-सँजोगिनि॥ स्याम हमारे बाहर-भीतर रहत नित्य ही छाये। कायामें, मनमें, जीवनमें, केवल स्याम समाये॥ रमत सदा हममें वे मोहन, हम नित उनमें रेलैं। पै वे रमन न, नहिं हम रमनी, एक बने दो खेलें॥

English translation

Continuation of [333]

Filled with supreme love, He remains forever within our hearts. That enchanter cannot abandon us even for the smallest fragment of a moment. He is within us and we are within Him day and night; He and we are forever one. Like the sun and the sun's rays, we can never remain separate. Our play is eternal, the lila forever new, and each union brings fresh happiness. Teach your discipline of yoga to those who are separated from Syama.

[334]

(Raga Hamira - Tina Tala)

Uddhava, enchanting Syama is ours. Day and night He clings to every limb and never becomes separate. His going to Mathura and meeting Kubja are outward games. The union of His heart with ours can never be severed. Without Him we have no existence; where could He go after leaving us? If He did not remain within us, how could anyone find us alive? Uddhava, you do not possess the eyes Syama has given us. Therefore you wander in confusion, taking refuge in knowledge and yoga. Whatever separation or distance sometimes appears between Him and us arises only to increase rasa and is itself a treasury of lila-rasa.

[335]

(Raga Khamaja - Tina Tala)

Uddhava, why should we be women separated from Syama? We are eternally Syama's wedded beloveds and eternally united with Him. Syama forever pervades us outside and within. Only Syama fills our bodies, minds and lives. Mohana forever delights within us, and we forever sport within Him, yet He is no enjoyer and we are not the enjoyed: the One becomes two and plays.

Original

Braj Bhasha

Continuation of [335]

मथुरा-गमन, कंस-वध, कुबरी तें जो उनको नेह। हमरे मन न अर्थ कछु इनको, नहिं कछु मन-संदेह॥ स्याम नित्य ही हमरे हैं, हमरे ही नित्य रहेंगे। बिछुरेंगे न पलक भर हम तें, बिछुरन की न कहेंगे॥ लीला करें कितहूँ वे, कैसी लीलामय मन-मोहन। यातें परमाह्लाद बढ़े नित, देखि हँसी मुख सोहन॥ सब कूँ वे सुख देयें, सबहि तें वे प्यारे सुख पावँ। उन के मन की होय सदा, यह अति हमरे मन भावें॥ हम तें होय न बिलग कबहूँ, जब तब हम क्यों रिस मानैं। हमरे धन कूँ भले अन्य सब अपनो ही धन जानें॥

[336]

(Rāga Madhuvatī - Tāla Dhamāra)

ऊधौ! प्रिय तें कहियो जाय। है बाहर की बात जदपि यह, पै सुनियो मन लाय॥ ऊधौ कूँ पठाय सुधि लीन्हीं, पठई निज कुसलात। या तें अति सुख भयो हृदयमें, नहिं आनंद समात॥ कंस मारि, वसुदेव-देवकी कूँ जो तुम सुख दीन्हो। उग्रसेन कूँ राज दियो, सो सब ही अति भल कीन्हो॥ वृंदावन तजि बसे जाय मथुरा, हो सत्ताधारी। सुखी देखि यातें तुम कूँ हम सुखी भई अति भारी॥ जदपि वियोग तुम्हारो दुःसह, हृदय आग भभकावत। पै तुम्हरौ मुख सुखी देखि वह रस-सुखमयी सुहावत॥ कुबरी तें करि नेह प्राण-धन! जो तुम छिन सुख पायो। हमरे मन उमग्यो सुख-सागर, भयो देखि मन भायो॥ धन्य कूबरी नमन-जोग नित, बनी जु प्रिय-सुख-साधन। हम तो चरण-सेविका ता की, करें समुद आराधन॥ सुखी रहो तुम प्राणनाथ! नित एक यही हम चाहें। जो तुम्हरे सुख के कारन हों, तिन कूँ सदा सराहैं॥

English translation

Continuation of [335]

His journey to Mathura, the killing of Kamsa and His affection for Kubja have no meaning to our minds and create no doubt within us. Syama is eternally ours and will eternally remain ours. He will not part from us even for a blink, nor shall we speak of separation. Wherever and however that lila-filled enchanter of minds performs His pastimes, our supreme delight forever increases when we behold His lovely smiling face. May He give happiness to all and receive from every beloved the happiness they offer. Our hearts deeply cherish that His every wish should forever be fulfilled. Since He never becomes separate from us, why should we feel jealous? Let everyone else freely regard our own treasure as their treasure too.

[336]

(Raga Madhuvati - Tala Dhamara)

Uddhava, go and tell the Beloved this. Although it concerns the outward world, please listen with your whole heart. He sent Uddhava to inquire about us and conveyed news of His own welfare. This brought such happiness to our hearts that their joy could not be contained. You killed Kamsa and gave happiness to Vasudeva and Devaki, and You restored the kingdom to Ugrasena; all this was exceedingly good. Leaving Vrindavana, You settled in Mathura and became its sovereign. Seeing You happy there, we too became supremely happy. Although separation from You is unbearable and makes fire blaze within the heart, beholding Your happy face makes even that separation lovely and filled with the joy of rasa. Treasure of our lives, if Your affection for Kubja gave You even a moment's happiness, an ocean of joy surged within our hearts and delighted our minds. Blessed Kubja is forever worthy of reverence, for she became an instrument of the Beloved's happiness. We are the servants of her feet and gladly worship her. Lord of our lives, remain happy: this alone is our eternal desire. We shall forever praise all who become causes of Your happiness.

Original

Braj Bhasha

[337]

(Rāga Bhairavī - Tīna Tāla)

ऊधौ! तुम तो बड़े विरागी। हम तो निपट गँवारि ग्वालिनीं, स्याम-रूप-अनुरागी॥ जेहि छिन प्रथम स्याम-छवि देखी, तेहि छिन हृदय समानी। निकसत नहिं अब कौनेहू विधि, रोम-रोम उरझानी॥ आठों जाम मगन मन निरखत स्याम-मूरति निज माहीं। दृग नहिं पेखत अन्य वस्तु जग, बुद्धि विचारत नाहीं॥ ऊधौ! तुम्हरो ज्ञान निरंतर होउ तुमहिं सुखकारी। हम तौ सदा स्याम-रँग राचीं, ताहि न सकहिं उतारी॥

[338]

(Rāga Jaiminī Kalyāṇa - Tāla Ghumālī)

स्याम तव मूरति हृदय समानी। अंग-अंग व्यापी, रग-रग राची, रोम-रोम उरझानी॥ जित देखौं तित तू ही दीखत, दृष्टि कहा बौरानी। श्रवण सुनत नित ही बंसी-धुनि, देह रही लपटानी॥ स्याम-अंग-शुचि-सौरभ मीठी, नासा तेहि रति मानी। जिह्वा सरस मनोहर मधुमय, हरि-जूठन-रस-खानी॥ ऊधौ कहत सँदेस तिहारौ, हमहिं बनावत ज्ञानी। कह थल जहाँ ज्ञान कों राखैं, कहा मसखरी ठानी॥ निकसत नाहिं हृदय तें हमरे, बैठ्यो रहत लुकानी। ऊधौ! स्याम न छाड़त हम कों, करत सदा मनमानी॥

[339]

(Rāga Tilaṅga)

ऊधौ! सो मनमोहन रूप। जो हम निरख्यो सदा नैन भरि, सुंदर अतुल, अनूप॥ शिव-विरंचि-सनकादिक-नारद-ब्रह्म-वित्त, जग जाने। सुरगुरु-सुरपति जेहि देखन-हित रहत सदा ललचाने॥

English translation

[337]

(Raga Bhairavi - Tina Tala)

Uddhava, you are a great renunciant. We are utterly rustic cowherd women, passionately attached to Syama's form. The instant we first saw His beauty, it entered our hearts. Now it cannot emerge by any means, for it is entangled in every hair of our bodies. Throughout all eight watches, the absorbed mind beholds Syama's form within itself. The eyes see no other object in the world, and the intellect considers nothing else. Uddhava, may your knowledge forever bring happiness to you. We are eternally dyed in Syama's color and cannot wash it away.

[338]

(Raga Jaimini Kalyana - Tala Ghumali)

Syama, Your form has entered my heart. It pervades every limb, colors every vein and is entangled in every hair. Wherever I look, I see only You. How could my vision have gone mad? My ears forever hear the flute's melody, and my body remains clasped to Yours. My nose delights only in the sweet, pure fragrance of Syama's limbs. My tongue is charming, nectar-filled and full of rasa from Hari's remnants. Uddhava repeats Your message and tries to make us wise. Tell us where we could place this knowledge. Why has he chosen to mock us? Syama never leaves our hearts but remains seated there in hiding. Uddhava, Syama will not release us and forever acts according to His own sweet will.

[339]

(Raga Tilanga)

Uddhava, that form enchants the mind. We have forever gazed upon it with eyes filled to the brim, beautiful, unequaled and incomparable. Siva, Brahma, Sanaka and the other sages, Narada, knowers of Brahman and the whole world know it. Brhaspati, teacher of the gods, and Indra forever yearn to behold it.

Original

Braj Bhasha and Rajasthani

Continuation of [339]

वेद-बुद्धि कुण्ठित भई बरनत, "नेति-नेति" कहि गायो। सारद-शेष सहसमुख निशि-दिन गावत, पार न पायो॥ जेहि लगि ध्यान-निरत जोगी-मुनि, नित जप-तप-व्रत-धारी। तदपि सो स्याम त्रिभंग मुरलिधर सकत न नैन निहारी॥ सोई प्रभु दधि-माखन-हित नित प्रति आँगन हमरे आये। तनिक-तनिक दधि-नवनी दै-दै हम बहु नाच नचाये॥ ऊधौ! सोई माधुरी मूरति अंतर-दृगन समाई। ज्ञान-विराग तिहारौ बोरौ कालिंदी महँ धाई॥

[340]

(Rāga Sāraṅga - Tīna Tāla)

[Rajasthani dialect]

ऊधो मधुपुरका बासी। म्हाँरी बिछड़्यो स्याम मिलाय, बिरहकी काट कठण फाँसी॥ स्याम बिन चैन नहीं आवे। म्हाँरी जबसे बिछड़्यो स्याम, हीवड़ो उझल्यो ही आवै॥ छाय रही व्याकुलता भारी। म्हारे स्याम बिरहमें आज, नैनसैं रही नीर जारी॥ स्याम बिनु ब्रज सूनो लागे। सूनी कुंज, तीर जमुनाको, सब सूनो लागे॥ गोठ-बन स्याम बिना सूनो। म्हारें एक-एक पल जुग सम बीतै, बिरह बढ़े दूनो॥ ऊधौ! अरज सुणो म्हाँरी। थाँरो गुण नहिं भूलाँ कदे, मिलाद्यौ मोहन बनवारी॥

[341]

(Rāga Vihāga - Tīna Tāla)

ऊधौ! तुम्हरे नैन अधूरे। पहुँचि न पावत मो उर महँ, जहँ बसत स्याम नित रूरे॥ छिन नहिं छाँड़त उर-मंदिर कौं, समुझि परम निज धाम। लीला करत विचित्र विविध विधि, पूरित प्रेम ललाम॥

English translation

Continuation of [339]

The intelligence of the Vedas grows blunted while describing Him and sings, "Not this, not this." Sarasvati and thousand-mouthed Sesa sing day and night yet cannot reach His limit. Yogis and sages absorbed in meditation forever practice recitation, austerity and vows for His sake, yet their eyes cannot behold that threefold-bending Syama who bears the flute. That very Lord came daily into our courtyards for yogurt and butter. Giving Him a little yogurt and fresh butter at a time, we made Him dance again and again. Uddhava, that same embodiment of sweetness has entered our inner vision. Run and drown your knowledge and renunciation in the Yamuna.

[340]

(Raga Saranga - Tina Tala)

[Rajasthani dialect]

Uddhava, resident of Mathura, reunite me with Syama, from whom I am separated, and cut the hard noose of separation. Without Syama no peace comes. Ever since I was parted from Syama, my heart grows ever more distraught. A crushing restlessness has spread over me. Today, in separation from my Syama, tears keep streaming from my eyes. Without Syama, Vraja appears empty. The bowers are empty, the bank of the Yamuna is empty, everything appears empty. The pastures and forest are desolate without Syama. Each moment passes like an age, and separation grows twice as strong. Uddhava, hear my plea. I shall never forget your kindness if you reunite me with forest-garlanded Mohana.

[341]

(Raga Vihaga - Tina Tala)

Uddhava, your eyes are incomplete. They cannot reach within my heart, where beautiful Syama eternally dwells. He never leaves the heart's temple for even an instant, regarding it as His own supreme abode. Filled with the crown of love, He performs wondrous pastimes there in countless ways.

Original

Braj Bhasha and Hindi

Continuation of [341]

तहँ न प्रवेश करन पावत कोउ विधि-हर-सुर-सिरमौर। सुख-दुख, भुक्ति-मुक्ति, नहिं ज्ञानाज्ञान रहत तेहि ठौर॥ एक अनन्य स्याम-सुंदर कौ वह नित लीला-धाम। दिव्य देश, तहँ बसौं नित्य हौं उनके सँग अभिराम॥ ऊधौ! जदपि सखा तुम उन के, रहो निरंतर संग। अंतरंग पहुँचे नहिं, हरि जहँ क्रीड़त नाना रंग॥ जौ कहूँ हरि कौ रंग-भवन मम हृदय देखि तुम पावौ। तौ तुम रस-मद-माते ह्वै सब जोग-ज्ञान बिसरावौ॥

[342]

(Rāga Deśa - Tīna Tāla)

ऊधौ! मो में नैकु न नेह। या तैं निकसत नहिं निष्ठुर प्राण, छाँड़ि यह देह॥ जात रहे मथुरा वे रथपर सुफलक-सुत के संग। फिरि-फिरि चितवत रहे दूरि तैं मो तन विगत-उमंग॥ फिरि आई मैं जीवित तिन कूँ त्यागि, लियेँ तन-प्राण। प्रियतम-सून्य भवन, नहिं विदर्यो हिरदे वज्र-समान॥ मनमें जीवन-लोभ, देहमें अतिसे ममता-मोह। रहे अभागे प्राण सहत अति दारुन व्यथा-विछोह॥ ऊधौ! तुम ही समुझौ, मेरौ कहाँ स्याममें प्रेम। दंभ-भरयो रोनौ यह जानत, नाहिं प्रेम कौ नेम॥

[343]

(Rāga Bhairava - Tāla Kaharavā)

उद्धव! तुम मुझको किसका यह सुना रहे कैसा संदेश? भुला रहे क्यों मिथ्या कहकर? प्रियतम कहाँ गये परदेश? देखे बिना मुझे, पलभर भी कभी नहीं वे रह पाते! क्षणभरमें व्याकुल हो जाते, कैसे छोड़ चले जाते?

English translation

Continuation of [341]

No one can enter there, not Brahma, Siva or the foremost gods. Neither happiness nor sorrow, enjoyment nor liberation, knowledge nor ignorance exists in that place. It is the eternal abode of play belonging solely and exclusively to beautiful Syama, a divine realm where I dwell forever in delightful companionship with Him. Uddhava, although you are His friend and remain continually beside Him, you have not reached that innermost chamber where Hari sports in countless colors. If you could somehow behold within my heart Hari's pleasure-palace, you would become intoxicated with rasa and forget all yoga and knowledge.

[342]

(Raga Desa - Tina Tala)

Uddhava, there is not the slightest love within me. That is why my cruel life-breath does not leave this body. As He traveled toward Mathura in the chariot with the son of Svaphalka, He repeatedly looked back from afar at my body, emptied of all joy. Yet I turned back alive after abandoning Him, still clinging to body and breath. Though my home was empty of the Beloved, my thunderbolt-like heart did not split. My mind clings to life, and my body holds immense possessiveness and delusion. This unfortunate breath remains, enduring the terrible anguish of separation. Uddhava, judge for yourself: where is there any love for Syama within me? This weeping is filled with pretense; it knows nothing of love's true law.

[343]

(Raga Bhairava - Tala Kaharava)

Uddhava, whose message are you reciting to me, and what kind of message is this? Why do you confuse me by speaking falsely? When did the Beloved ever go abroad? He can never remain even for a moment without seeing me. Within an instant He grows restless, so how could He leave and go away?

Original

Hindi

Continuation of [343]

मैं भी उनसे ही जीवित हूँ, वे ही हैं प्राणोंके प्राण। छोड़ चले जाते तो कैसे तनमें रह पाते ये प्राण? देखो, वह देखो, कैसे मृदु-मृदु मुसकाते नन्द-किशोर। खड़े कदम्ब-मूल, अपलक वे झाँक रहे हैं मेरी ओर॥ देखो, कैसे मत्त हो रहे, मेरे मुखको पंकज मान। प्राण-प्रियतमके दृग-मधुकर मधुर कर रहे हैं रस-पान॥ भ्रुकुटि चलाकर, दृग मटकाकर मुझे कर रहे वे संकेत। अति आतुर एकान्त कुंजमें बुला रहे हैं प्राण-निकेत॥ कैसे तुम भौंचक-से होकर देख रहे कदम्बकी ओर? क्या तुम नहीं देख पाते? या देख रहे हो प्रेम-विभोर? हैं! यह क्या? सहसा वे कैसे, कहाँ हो गये अन्तर्धान? हाय! क्यों नहीं दीख रहे मुझको मन-मोहन मोद-निधान? आँखमिचौनी लगे खेलने क्या वे लीलामय फिर आज? दिखा दिया मैंने तुमको, क्या इससे उन्हें आ गयी लाज? नहीं, नहीं! तब क्या वे चले गये सचमुच ही मुझको छोड़? मुझे बनाकर अमित अभागिनि, हाय! गये मुझसे मुख मोड़? सच कहते हो, उद्धव! तुम, हो सत्य सुनाते तुम संदेश। चले गये, हा! चले गये वे, छोड़ गये रोना अवशेष॥ प्रतिपल जो अपलक नयनोंसे मुझे देखते ही रहते। सुखमय मुझे देखनेको जो सभी द्वन्द्व सुखसे सहते॥ मेरा दुःख दुःख अति उनका, मेरा सुख ही अतिशय सुख। वे कैसे मुझको दुख देकर खो देते निज जीवन-सुख? मुझे परम सुख देनेको ही गये मधुपुरीमें, बस, श्याम। समझ गयी, मैं सुखी हो गयी, निरख सुखद प्रियतमका काम॥ याद आ गयी मुझको सारी मेरी-उनकी बीती बात। जान गयी कारण, इससे हो रही प्रफुल्लित, पुलकित-गात॥

English translation

Continuation of [343]

I too live through Him alone; He is the life of my very life. If He had left me, how could this breath remain within my body? Look, there He is! See how gently the young son of Nanda smiles. Standing beneath the kadamba tree, He gazes unblinkingly toward me. See how intoxicated He becomes, taking my face to be a lotus. The bee-like eyes of the Beloved of my life sweetly drink its rasa. Moving His brows and casting playful glances, He signals to me. The abode of my life calls me with intense eagerness into a secluded bower. Why do you stare toward the kadamba tree in such astonishment? Can you not see Him, or are you beholding Him overwhelmed by love? Ah, what is this? How and where did He suddenly disappear? Alas, why can I no longer see the mind-enchanter, the treasury of delight? Has the playful Lord begun another game of hide-and-seek today? Did He become shy because I showed Him to you? No, no! Then did He truly leave me and go away, turning His face from me after making me infinitely unfortunate? You speak the truth, Uddhava. The message you tell is true. He has gone, alas, He has gone, leaving only weeping behind. He who gazed upon me every moment with unblinking eyes, who gladly endured every duality simply for the joy of seeing me, for whom my sorrow is the deepest sorrow and my happiness the highest joy, how could He give me pain and thereby lose the happiness of His own life? Syama has gone to Mathura solely to bestow supreme happiness upon me. Now I understand and am happy, beholding the Beloved's joy-giving purpose. Every incident that passed between us has returned to memory. I know the reason now, and therefore my body blooms with joy and horripilation.

Original

Hindi

Continuation of [343]

सद्गुणहीन, रूप-सुषमासे रहित, दोषकी मैं थी खान। मोह-विवश मोहनको होता मुझमें सुन्दरताका भान॥ न्योछावर रहते मुझपर, सर्वस्व समुद कर मुझको दान। कहते, थकते नहीं कभी, "प्राणेश्वरि!" "हृदयेश्वरि!" "मतिमान!"॥ "प्रियतम! छोड़ो इस श्रमको तुम," बार-बार मैं समझाती। नहीं मानते, उर भरते, मैं कण्ठहार उनको पाती॥ गुण-सुन्दरता-रहित, प्रेमधन-दीन, कला-चतुराईहीन। मूर्खा, मुखरा, मान-मद-भरी मिथ्या, मैं मतिमन्द-मलीन॥ मुझसे कहीं अधिकतर सुंदर, सद्गुण-शील-सुरूप-निधान। सखी अनेक योग्य, प्रियतमको कर सकतीं अतिशय सुख-दान॥ प्रियतम कभी भूलकर भी, पर नहीं ताकते उनकी ओर। सर्वाधिक क्यों प्यार मुझे देते अनन्यप्रियतम सब ओर॥ रहता अति संताप मुझे, प्रियतमका देख बढ़ा व्यामोह। देव मनाया करती मैं, "प्रभु! हर लें सत्वर उनका मोह"॥ मेरा अति सौभाग्य, देवने सुन ली मेरी करुण पुकार। मिटा मोह मोहनका, अब वे प्राप्त कर रहे मोद अपार॥ पाकर सुन्दर चतुरा किसी नागरीको वे प्राणाराम। भोग रहे होंगे अनुपम सुख, पूर्ण हुआ मेरा मन-काम॥ परम सुखवती आज हुई मैं, खुले भाग्य मेरे हैं आज। सुनकर श्याम-संदेश सुखाकर, मुद-मंगलमय जीवन-साज॥ नहीं, नहीं! ऐसा हो सकता नहीं कभी प्रियतमसे काम। मेरा-उनका अमिट, अनोखा, प्रिय, अनन्य सम्बन्ध ललाम॥ मुझे छोड़ "वे", उन्हें छोड़ "मैं", रह सकते हैं नहीं कभी। "वे मैं," "मैं वे," एक तत्त्व हैं; एक रूप हैं भाँति सभी॥ अरे, अरे उद्धव! देखो तो पुनः प्रकट हो गये सुजान। प्रेमभरी चितवन सुंदर, छायी अधरोंपर मृदु मुसुकान॥

English translation

Continuation of [343]

I lacked every virtue and all beauty of form; I was a mine of faults. Overcome by delusion, Mohana imagined beauty within me. He remained wholly offered to me and gladly gave me His everything. He never tired of saying, "Sovereign of My life! Sovereign of My heart! Wise one!" Again and again I explained, "Beloved, abandon this exertion." He would not listen but clasped me to His breast, and I found Him as the garland around my neck. Devoid of virtue and beauty, poor in the treasure of love and bereft of skill in the arts, I am foolish, outspoken, falsely filled with pride and vanity, dull-minded and impure. Many companions are far more beautiful than I, treasuries of virtue, character and lovely form, worthy women who could bestow immeasurable happiness upon the Beloved. Yet even by mistake the Beloved never looks toward them. Why does my uniquely beloved Lord give me the greatest love of all? Seeing the Beloved's delusion increase caused me intense anguish. I used to propitiate the gods: "Lord, quickly remove His delusion." How greatly fortunate I am that the gods heard my anguished prayer. Mohana's delusion has ended, and now He receives limitless joy. Having found some beautiful and clever woman of the city, the delight of my life must be relishing incomparable happiness; the desire of my heart is fulfilled. Today I have become supremely happy, and today my fortune has opened. Hearing Syama's happiness-giving message has adorned my life with joy and auspiciousness. No, no! The Beloved could never act in such a way. The bond between Him and me is indelible, wondrous, dear, exclusive and supreme. He cannot remain after leaving me, nor can I remain after leaving Him. "He is I" and "I am He": we are one reality and one form in every way. Oh, Uddhava, look! The wise Lord has appeared again. His beautiful gaze is filled with love, and a gentle smile rests upon His lips.

Original

Hindi and Braj Bhasha

Continuation of [343]

ललित त्रिभंग, कुटिल कुन्तल, सिर मोर-मुकुट, कल कुण्डल कान। धर मुरली मुरलीधर अधरोंपर हैं छेड़ रहे मधु तान॥ प्रेम-सुधा-सागर राधामें उठतीं विविध-विचित्र तरंग। देखि विमुग्ध हुए उद्धव अति, बरबस विवश हुए सब अंग॥ उदित नवीन प्रेम-सरिता शुभ बढ़ी अचानक, ओर न छोर। भू-लुण्ठित तन धूलि-धूसरित शुचि, उद्धव आनन्द-विभोर॥

[344]

(Rāga Īmana - Tīna Tāla)

ऊधौ! सोई प्रीति अनन्य! सोई जनम सफल, जेहि कबहूँ आवत नहिं सुधि अन्य॥ हमरे प्राणनाथ मनमोहन, हम सौं उनकी प्रीति। तुम का जानौ या रहस्य कौं, निपट अटपटी रीति॥ विरह-विकल यह देह दुबरी, दीखति गत-लावण्य। सुधानन्द-सागर हिय लहरत, विकसित नित तारुण्य॥ कहाँ तिहारौ जोग-ज्ञान-सीकर अति तुच्छ नगण्य। कहाँ अतुल सौन्दर्य-सुधारस-वारिधि सुमधुर धन्य॥

[345]

(Rāga Śivarañjanī - Tāla Kaharavā)

उद्धव! राधा-सी अभागिनी, दुःखभागिनी, पापिनि कौन? जिसको छोड़, मधुपुरी जाकर माधव मधुर हो गये मौन! ऐसी प्रिय-वियोगिनी तरुणी मेरे सिवा न कोई और। प्रिय-विछोहमें शून्य दीखते जिसको सभी काल, सब ठौर॥ पल-पलमें बढ़ता जाता है दारुण-से-दारुण उर-दाह। सूखे कण्ठ-तालु सब जिसके, निकल न पाती मुखसे आह॥ प्रियतमके वियोगकी ज्वालामें कैसा भीषण उत्ताप। कर न सकेगा उसका कोई, कभी कल्पनासे भी माप॥

English translation

Continuation of [343]

Gracefully curved in three places, with curling locks, a peacock-feather crown upon His head and lovely earrings at His ears, the flute-bearer holds His flute to His lips and sounds a nectar-sweet melody. Many wondrous waves rise within Radha, the ocean of love's nectar. Beholding Her, Uddhava becomes utterly spellbound, and all his limbs are overcome beyond his control. A sacred, new-born river of love suddenly rises and expands without shore or limit. Uddhava falls upon the earth, his pure body covered with dust, overwhelmed by bliss.

[344]

(Raga Imana - Tina Tala)

Uddhava, that alone is exclusive love! That life alone is fulfilled in which no awareness of anything else ever arises. The enchanter of minds is the Lord of our lives, and His love is fixed upon us. What could you know of this mystery and its utterly bewildering way? This frail body, distressed by separation, appears to have lost all beauty, yet an ocean of nectarean bliss surges within the heart and youthfulness forever blossoms. How can the trifling, insignificant droplet of your yoga and knowledge compare with this blessed and supremely sweet ocean of the nectarean rasa of matchless beauty?

[345]

(Raga Sivaranjani - Tala Kaharava)

Uddhava, who is as unfortunate, sorrow-destined and sinful as Radha, whom Madhava abandoned to go to Mathura, falling sweetly silent? There is no other young woman separated from her Beloved as I am, for whom every time and every place appears utterly empty in separation from Him. The heart's terrible burning grows more terrible at every moment. Her throat and palate are wholly dry, and no sigh can escape her mouth. How fierce is the torment within the flames of separation from the Beloved! No one could ever measure it even in imagination.

Original

Hindi

Continuation of [345]

मेरे मनकी विषम वेदना रहती मनमें ही अव्यक्त। भाषा नहीं पहुँच पाती है, शब्द नहीं कर पाते व्यक्त॥ कैसे किसे सुनाऊँ, उद्धव! मैं अपने मनकी यह बात। कौन बोध देकर कर सकता शीतल मेरे जलते गात॥ दुखी न होओ देख मुझे तुम, जाओ, उद्धव! हरिके पास। झुलसा दें न कहीं ये मेरे तुम्हें घोर संतापी श्वास॥

[346]

(Rāga Āsāvarī - Tīna Tāla)

उद्धव! मुझमें तनिक नहीं है प्रियतमके प्रति सच्चा स्नेह। इसीलिये ये नहीं निकलते निष्ठुर प्राण छोड़कर देह॥ रथपर चढ़े जा रहे थे वे मथुरा जब अक्रूरके संग। फिर-फिर देख रहे थे मेरी ओर दूरसे विगत-उमंग॥ मैं जीवित ही लौटी प्रियतम-शून्य भवनमें लेकर प्राण। हुआ न हृदय विदीर्ण उसी क्षण मेरा पामर वज्र समान॥ मनमें भरा लोभ जीवनका, तनमें अतिशय ममता-मोह। इसीलिये ये प्राण अभागे सहते दारुण व्यथा-विछोह॥ दम्भपूर्ण यह रोना-धोना है सब मेरा करुण विलाप। भोले माधव समझ नहीं पाते हैं मेरे मनका पाप॥ प्रियतमके वियोगमें भी मैं चला रही निज योग-क्षेम। उद्धव! तुम ही समझो मेरा कहाँ श्यामसुन्दरमें प्रेम॥ सत्य, हृदय छिदता है, होते नहीं किंतु उसके दो टूक। जिससे विरह-मुक्त हो जाती, मरकर मन हो जाता मूक॥ विरह-विकल मूर्छा होती है, पर न चेतना करती त्याग। अन्तर सदा जलाती रहती, भीषण बढ़ती उरमें आग॥ मेरे प्रियतमके समीपसे आये हो, उद्धव! बड़भाग। कुशल और संदेश सुनाओ, यदि भेजा हो कर अनुराग॥

English translation

Continuation of [345]

The unbearable pain within my mind remains unexpressed there. Language cannot reach it, and words cannot reveal it. How and to whom can I speak of this condition of my mind, Uddhava? What instruction could cool my burning limbs? Do not become sorrowful on seeing me. Go, Uddhava, to Hari's side, lest these breaths, scorched by terrible anguish, burn you too.

[346]

(Raga Asavari - Tina Tala)

Uddhava, I possess not the slightest true affection for the Beloved. That is why this cruel life-breath does not leave the body. When He mounted the chariot and traveled toward Mathura with Akrura, He repeatedly looked toward me from afar, emptied of all joy. Yet I returned alive to a home empty of the Beloved, still carrying body and breath. My base, thunderbolt-like heart did not split at that very moment. The mind is full of greed for life, and the body of immense possessiveness and delusion. Therefore this unfortunate breath endures the terrible anguish of separation. All my piteous lamentation and weeping are filled with pretense. In His innocence, Madhava cannot understand the sin within my mind. Even in separation from the Beloved, I continue attending to my own preservation and welfare. Uddhava, judge for yourself: where is there any love for Syamasundara within me? It is true that the heart is pierced, yet it does not break in two, which would free me from separation and silence the mind in death. I swoon in the distress of separation, yet consciousness does not depart. Within, the terrible fire continues to burn and grow in my heart. Fortunate Uddhava, you have come from beside my Beloved. Tell me of His welfare and any message He has lovingly sent.

Original

Hindi

[347]

(Rāga Jaunapurī - Tīna Tāla)

राधे! क्या संदेश सुनाऊँ, क्या कहलाऊँ मनकी बात। छिपा नहीं तुमसे कुछ भी जब घुला-मिला रहता दिन-रात॥ नित्य अहेतुक हम दोनोंका, प्रिये! प्रेम यह अति पावन। नित्य-निरन्तर बढ़ता रहता, सहज मधुरतम मन-भावन॥ नहीं घटा सकते इसको हैं कैसे भी शत-शत अपराध। अनुनय-विनय, विषय-सुख मिथ्या नहीं बढ़ा सकते कर साध॥ निष्कारण, निरुपाधिक, निर्मल, नीरव, नित्य इयत्ताहीन। अपरिमेय, अनवद्य, अनिर्वचनीय, अनन्त, अकाम, अदीन॥ अति शुचि गुरुतर प्रेम दिव्य यह दुर्लभ सुधा-विनिन्दक स्वाद। वाणीमें ला कैसे कर दूँ इसे अशुचि, लघु मैं अस्वाद॥ मथुरामें रहकर रहता मैं, प्रिये! तुम्हारे संतत पास। इसी प्रेमसे बँधा, न पाता मैं अन्यत्र कदापि सुपास॥ पर मैं करता नित्य प्रेममें अपने अति अभावका बोध। राधे! बढ़ते ऋण अपारका कभी न कर पाऊँगा शोध॥

[348]

(Rāga Vihāga - Tīna Tāla)

उद्धव! सत्य सुनाया तुमने, मुझको प्रियतमका संदेश। घुले-मिले रहते मुझमें वे प्रियतम सर्व काल, सब देश॥ पर मैं प्रेमशून्य, रस-वर्जित, रसमय दिव्य चक्षुसे हीन। उन्हें निरन्तर रहते भी मैं देख न पाती मलिना दीन॥ कभी विरह-व्याकुल हो जाती, कर उठती तब करुण पुकार, "हा प्राणोंके प्राण! दयित हे! दीनदयार्द्र-हृदय सुकुमार! यमुना-पुलिन नाचते सुन्दर नटवर वेश धरे घनश्याम। नहीं दिखाओगे क्या दुःखिनिको अब वह मुख-चन्द्र ललाम?"॥

English translation

[347]

(Raga Jaunapuri - Tina Tala)

Radha, what message can I tell You, and what thoughts of My heart can I ask him to convey? Nothing is hidden from You when I remain merged and mingled with You day and night. Beloved, our eternal and causeless love is supremely sacred. It continually increases, natural, sweetest and enchanting to the mind. Even hundreds of offenses of every kind cannot diminish it. Entreaty, supplication and false sensory pleasure cannot increase it by any contrivance. It is causeless, unconditional, stainless, silent and eternally without boundary, immeasurable, faultless, ineffable, infinite, desireless and never impoverished. This deeply sacred and weighty divine love has a rare taste that puts nectar to shame. How could I bring it into speech and thereby make it impure, slight and tasteless? Though dwelling in Mathura, Beloved, I remain forever beside You. Bound by this very love, I can never find repose anywhere else. Yet within this love I forever perceive My own profound insufficiency. Radha, I shall never be able to discharge this limitless and ever-growing debt.

[348]

(Raga Vihaga - Tina Tala)

Uddhava, you have truthfully delivered the Beloved's message to me. The Beloved remains mingled and merged within me at every time and in every land. Yet I am empty of love and rasa, lacking the divine, rasa-filled vision. Though He remains forever, impure and wretched as I am, I cannot see Him. At times I become distraught by separation and cry out piteously: "O life of my life! O Beloved, tender-hearted Lord whose heart melts for the lowly! Dark Syama dances upon the Yamuna's bank in the beautiful attire of the supreme dancer. Will You not show this sorrowing woman that glorious moon of Your face?"

Original

Hindi

Continuation of [348]

कोटि-कोटि विधु-सुधा मधुर हो सहसा उदय श्याम रस-सार। लगते सतत अमित बरसाने शीतल परम सुधाकी धार॥ युगपत् बाह्याभ्यन्तर होता उनका मधुर मिलन अश्रान्त। विरह-यन्त्रणाकी सब ज्वाला हो जातीं तुरंत ही शान्त॥ उठती प्रेम-सुधा-रस-सागरमें उत्ताल अनन्त तरंग। हो जाते प्रफुल्ल सब अवयव पाकर प्रिय आलिंगन-संग॥ उठता नाच प्रेम-सागर तब, बढ़ जाती रस-राशि अपार। विस्मृत हो जाता तब सब कुछ, कौन, कहाँ, शरीर-संसार॥ इसी समय सहसा फिर मनमोहन हो जाते अन्तर्धान। जल उठती फिर वही विरहकी ज्वाला, अति मन होता म्लान॥ फिर मनमें आती, मैं क्यों हूँ जलती उनकी करके याद? नहीं योग्य मैं उनके किंचित्, दोषमयी नित भरी विषाद॥ रूप-शील-गुणहीन कहाँ मैं, कहाँ रूप-गुण-शील-निधान! कहाँ प्रेम-सागर सुविज्ञ वे, कहाँ प्रेम-विरहित अज्ञान॥ उद्धव! इसी दुःख-सुख-सागरमें मैं रहती नित्य निमग्न! इतना है संतोष, वृत्ति अविरत रहती उनमें संलग्न॥ सुनते ही उद्धवके अन्तरमें उमड़ा अतिशय अनुराग। पड़े मुग्ध हो श्रीराधा-चरणोंमें तुरत चेतना त्याग॥

[349]

(Rāga Deśakāra - Tāla Kaharavā)

कहने लगे राधिकासे फिर कर अभिनन्दन आदर-मान, "हरिने भेजा मुझे आपको देने यह संदेश महान। गये साथ अक्रूर चचाके मथुरा कंस-यज्ञके हेतु। राज-रजक वधकर पहने सब नूतन वसन, उड़ा यश-केतु॥ धनुष-भंग कर, मारे मुष्टिक तथा मल्ल चाणूर विशाल। गज कुवलयापीडन कर, मारे मामा कंस वीर विकराल॥

English translation

Continuation of [348]

Syama, the essence of rasa, suddenly appears sweeter than the nectar of millions upon millions of moons and begins ceaselessly pouring limitless streams of supreme and cooling nectar. Our sweet union occurs simultaneously outside and within, without fatigue, and every flame of separation's torment is instantly stilled. Infinite towering waves rise upon the ocean of love's nectarean rasa. Every limb blossoms upon receiving the Beloved's embrace. The ocean of love begins to dance, and the boundless wealth of rasa increases. Then everything is forgotten: who and where I am, the body and the world. At that very moment the mind-enchanter suddenly disappears once more. The same flame of separation rises again, and the mind becomes deeply dejected. Then the thought arises: why do I burn while remembering Him? I am not worthy of Him in the least, forever full of faults and sorrow. Where am I, devoid of beauty, character and virtue, and where is He, their perfect treasury? Where is He, the wise master of the ocean of love, and where am I, ignorant and empty of love? Uddhava, I remain forever immersed in this ocean of sorrow and happiness. My one consolation is that the current of my mind remains ceaselessly joined to Him. As soon as Uddhava heard this, overwhelming love surged within him. Enraptured, he fell at Sri Radha's feet and immediately lost consciousness.

[349]

(Raga Desakara - Tala Kaharava)

Then, honoring and reverently greeting Radhika, he began to speak: "Hari sent me to deliver this great message to You. He went with Uncle Akrura to Mathura for Kamsa's sacrificial festival. After killing the royal washerman, He put on new garments and raised the banner of His fame. He broke the bow and killed Mustika and the mighty wrestler Canura. After destroying the elephant Kuvalayapida, He killed His formidable warrior-uncle Kamsa.

Original

Hindi

Continuation of [349]

माता-पिता देवकीजी-वसुदेव हुए फिर कारामुक्त। प्रणत हुए उनके श्रीचरणोंमें हरि आदर-श्रद्धायुक्त॥ उग्रसेनका किया कृष्णने फिर सिंहासनपर अभिषेक। त्राण किया द्विज-साधुवर्गका, रखी धर्मकी पावन टेक॥ अज, अविनाशी, अखिल भुवनपति, ब्रह्म परात्पर सर्वाधार। दुष्कृत-नाश, साधु-संरक्षण-हित लेकर मानव अवतार॥ करते धर्म-स्थापना वे, पर रहते सदा स्वमहिमा-लीन। चिदानन्दघन घट-घटवासी सम माया-ममतासे हीन॥ कहलाया है, 'मोह त्याग कर करो निरन्तर मनमें ध्यान ब्रह्म रूपका जो व्यापक निर्गुण निरुपाधि नित्य निर्मान'॥"

(Soraṭhā)

सुन उद्धवकी बात विस्मय-विधकित राधिका। हर्ष-प्रफुल्लित गात बोलीं मधुर सरल वचन॥

(Rāga Deśakāra - Tāla Kaharavā)

"उद्धवजी! हम समझ न पायीं आप सुनाते किसका हाल। कौन ब्रह्म व्यापक निर्गुण निरुपाधि कुवलयाके हैं काल॥ आकर श्रीअक्रूर ले गये जिनको मथुरा अपने संग। रजक-प्राण हर, वसन पहनकर, किया जिन्होंने धनुका भंग॥ होंगे कोई वीर जिन्होंने मार दिये मुष्टिक-चाणूर। वधकर कंस नरेश किये वसुदेव-देवकीके दुःख दूर॥ नहीं जानते उद्धवजी! वे प्रियतम श्याम नित्य मनचोर। रहते आठों याम हमारे भीतर-बाहर शुचि सब ओर॥ ललित त्रिभंग-अंग, सुषमा-निधि, गुण-निधि, शुचि सौन्दर्य-निधान। नव-नव नित माधुर्य, मुरलिधर, मोर-मुकुटधर, शोभा-खान॥ गुंजमाल, लकुटी कर शोभित, अधरोंपर मधुमय मुसकान। वन-वन विचरण कर, देते वे जीवमात्रको शुचि रस-दान॥

English translation

Continuation of [349]

His parents, Devaki and Vasudeva, were then freed from prison. With reverence and faith, Hari bowed at their sacred feet. Krishna then consecrated Ugrasena upon the throne. He protected the brahmanas and saints and upheld the sacred foundation of dharma. Unborn and imperishable, Lord of every realm, the supreme Brahman and support of all, He assumed human form to destroy evildoers and protect the holy. He establishes dharma yet remains eternally absorbed in His own glory. The solid essence of consciousness and bliss dwelling in every heart, He is impartial and free from maya and possessiveness. He has sent this instruction: 'Abandon delusion and meditate continually within the mind upon the all-pervading form of Brahman, without qualities or limiting conditions, eternal and free from pride.'"

(Soratha)

Hearing Uddhava's words, Radhika was struck with astonishment. Her body blossoming with joy, She spoke these sweet and simple words.

(Raga Desakara - Tala Kaharava)

"Uddhavaji, we could not understand whose story you are telling. Who is this all-pervading, qualityless and unconditioned Brahman who killed Kuvalayapida? Whom did Sri Akrura come and take with him to Mathura? Who killed the washerman, put on his clothes and broke the bow? There must be some hero who killed Mustika and Canura and, after slaying King Kamsa, removed the sorrow of Vasudeva and Devaki. You do not know Him, Uddhavaji. Our Beloved Syama is the eternal thief of hearts. Through all eight watches He remains within and outside us, pure and present everywhere. His graceful body bends in three places; He is a treasury of loveliness, virtue and stainless beauty, forever new in sweetness, bearer of the flute and peacock crown, a mine of splendor. Adorned with a gunja garland and a staff in His hand, a nectar-filled smile rests upon His lips. Wandering from forest to forest, He bestows the sacred gift of rasa upon every living being.

Original

Hindi

Continuation of [349]

आते सदा घरोंमें प्यारे, खाते वे नित माखन चोर। देख-देख उनकी लीला हम रहतीं नित आनन्द-विभोर॥ कालिन्दीके कूल खेलते, मधुर मनोहर रचते रास। निभृत निकुंजोंमें लीला कर मधुर बढ़ाते अति उल्लास॥ नहीं जानतीं हम वे क्या हैं, ब्रह्म परात्पर, अज, अखिलेश! हम तो नित्य देखतीं-पातीं उनको निज प्रियतम हृदयेश! श्रीवसुदेव-देवकीके हैं कौन सुपुत्र तेज-बल-धाम? नन्द-यशोदाके लाला हैं मधुर हमारे तो घनश्याम! वे न छोड़ सकते हैं हमको, हम न छोड़ सकतीं पल एक। रहते सदा मिले वे प्रियतम, भूल सभी कुछ त्याग-विवेक॥ नहीं चाहतीं भोग-मोक्ष कुछ, करतीं नहीं धारणा-ध्यान। जब प्रियतमका संग प्राप्त है नित्य मधुरतम अव्यवधान॥ प्रियतम श्याम हमारे वे कर रहे यहींपर नित्य निवास। किनका क्या संदेश सुनें हम, हों फिर किसके लिये उदास? किसका ध्यान करें, क्यों? हम क्यों जानें किसी ब्रह्मका रूप, मन-छाये, तन-मिले निरन्तर जब प्राणप्रिय श्याम अनूप॥" सुनकर राधाकी रस-वाणी, पाकर पावन प्रेम-समीर। ज्ञान-गर्व उड़ गया, हो उठे उद्धव सहसा प्रेम-अधीर॥ "कैसा अनुपम त्याग परम है, कैसा परम दिव्य अनुराग! कैसी प्रिय-उपलब्धि सहज है, नहीं कहीं भी कुछ भी दाग॥ धन्य-धन्य इन गोपी-जनको, सफल इन्हींका जीवन श्रेष्ठ। बने प्रेमवश सर्वात्मा भगवान् स्वयं हैं जिनके प्रेष्ठ॥ श्रुतियाँ ढूँढ़ रहीं नित जिसको, पाती नहीं कहीं संधान। उस दुर्लभ मुकुन्द-पदवीको पा प्रत्यक्ष भजा अम्लान॥ दुस्त्यज स्वजन-समूह, आर्य-पथका कर त्याग बिना आयास। पाया माधवके शुचि हृदय-भवनमें इसीलिये शुभ वास॥

English translation

Continuation of [349]

The beloved butter thief forever comes into our homes and eats butter there. Watching His pastimes again and again, we remain eternally overwhelmed by bliss. He plays upon the bank of the Kalindi and creates sweet and enchanting rasa dances. Performing pastimes in secluded bowers, He greatly increases our sweet delight. We do not know what He may be: supreme Brahman, unborn Lord of all. We forever see and attain Him simply as our Beloved and sovereign of our hearts. Who is this illustrious and mighty son of Vasudeva and Devaki? Our dark Syama is the sweet child of Nanda and Yasoda. He cannot abandon us, nor can we leave Him for a single moment. The Beloved remains forever united with us, while we forget all else, including renunciation and discrimination. We seek neither enjoyment nor liberation and practice no concentration or meditation, for we possess uninterrupted and eternally sweetest companionship with the Beloved. Our own beloved Syama resides eternally right here. Whose message should we hear, and for whom should we then be sad? Upon whom should we meditate, and why? Why should we know the form of any Brahman when incomparable Syama, dearer than life, forever fills the mind and meets the body?" Hearing Radha's rasa-filled words and receiving the sacred breeze of Her love, Uddhava's pride in knowledge flew away, and he suddenly became restless with love. "What matchless and supreme renunciation! What utterly divine attachment! How natural is their attainment of the Beloved, without the slightest stain anywhere. Blessed, blessed are these gopis; their excellent lives alone are fulfilled. Overcome by their love, the indwelling Lord of all has Himself become their dearest Beloved. The revealed scriptures search eternally for Him yet cannot discover Him anywhere. These women have directly attained and worshiped the stainless and rarely gained station of Mukunda. Effortlessly abandoning the nearly impossible bonds of family and the path of respectable society, they have therefore gained an auspicious dwelling within Madhava's pure heart."

Original

Hindi

Continuation of [349]

मेरे लिये यही सर्वोत्तम लाभ, यही है परम श्रेय। पड़ती रहे चरण-रज मेरे मस्तकपर इनकी, यह ध्येय॥ बन जाऊँ मैं वृन्दावनमें लता-गुल्म-औषधि सामान्य। मिलती रहे सतत मुझको इनकी पद-धूलि नित्य सुर-मान्य॥" दिव्य मनोरथ कर यों मनमें, कर राधा-पदमें प्रणिपात। चले नमन कर गोपी-जनको उद्धव हर्षित-पुलकित गात॥

[350]

(Rāga Lalita - Tīna Tāla)

माधव! दशा सुनाऊँ कैसे मैं उस प्रेममयीकी आज। जुड़ा वहाँ है विषम विरहकी व्यथा-व्याधिका सभी समाज॥ रोती, करती करुणा-क्रन्दन, कर उठती वह हाहाकार। करती अति विलाप कातर हो, "चले गये तुम प्राणाधार! रुग्णा मरणासन्ना आज तुम्हारी यह सेविका सुजान। अभी बचाओ, परम महौषध अधरामृतका देकर दान॥" कभी देखती निर्निमेष हो, उन्मत्ता-सी नभकी ओर। "हा प्रियतम!" पुकार कर उठती, "हा! हा! प्यारे नन्द-किशोर!" कभी बैठती ध्यान-मग्न हो, हो जाते दोनों दृग बंद। लग जाती समाधि शुचि अनुपम, होते सभी अंग निस्पन्द॥ बनती वह वियोगिनी, योगिनि, धरकर मौन, त्याग व्यवहार। बैठी रहती उदासीन एकान्त शून्य अविरत अविकार॥ खान-पान-तन-वसन सभीकी स्मृतिका कर अतिशय उच्छेद। एक अनन्य वृत्तिमें रहती नित्य निमग्न, भूल सब भेद॥ कभी दौड़ती धैर्य छोड़कर व्याकुल हो अति भुजा पसार। आलिंगनके लिये, न पाकर रोने लगती कर चीत्कार॥ दोनों कर कपालपर रखकर, विरहानलसे हो संतप्त। बार-बार मूर्छित होती वह, चलता दीर्घ श्वास उत्तप्त॥

English translation

Continuation of [349]

For me this alone is the highest attainment and the supreme good: may the dust of their feet forever fall upon my head. May I become some ordinary vine, shrub or healing herb in Vrindavana and continually receive the dust of their feet, eternally revered even by the gods." Holding this divine aspiration within his mind, Uddhava bowed at Radha's feet. He departed after reverencing the gopis, his body joyful and thrilled with horripilation.

[350]

(Raga Lalita - Tina Tala)

Madhava, how can I describe today the condition of that embodiment of love? The whole host of painful afflictions born of terrible separation has gathered around Her. She weeps and cries piteously, then bursts into loud lamentation. Overwhelmed, She wails, "You have gone away, O support of my life! Today this wise servant of Yours lies sick and near death. Save her now by bestowing the supreme medicine, the nectar of Your lips." At times She gazes unblinkingly toward the sky like a madwoman. She suddenly cries, "O Beloved! Alas, alas, dear young son of Nanda!" At times She sits absorbed in meditation, and both eyes close. She enters matchless and sacred samadhi, and every limb becomes motionless. The woman of separation becomes a yogini, embracing silence and abandoning all dealings. Indifferent and changeless, She sits ceaselessly within solitary emptiness. She utterly cuts away remembrance of food, drink, body and clothing. Forgetting every distinction, She remains forever immersed in one exclusive current of mind. At times She casts composure aside and runs with arms outstretched in desperate anguish, seeking an embrace; failing to find You, She screams and begins to weep. Placing both hands upon Her brow, tormented by the fire of separation, She repeatedly swoons while long, burning breaths continue to escape.

Original

Hindi

Continuation of [350]

निद्रारहित बीतती रजनी, क्षीण धूसरित धूलि सुअंग। हृदय-दाह दारुण, अति पीड़ित, दंशित द्वारा विषम भुजंग॥ श्वास निदाघ, नेत्र पावस ऋतु, वदन शरद, पुलकोद्गम शीत। बुद्धि शिशिर, चन्दन-तन मधु, षड्ऋतु राधा-तन प्रकट पुनीत॥ कोमल कमल-सेज शीतल हो उठी तप्त राधा-तन-स्पर्श। हरी लता जल गयी स्पर्श पा, नासा-पवन-अनल दुर्धर्ष॥ इसी भाँति विरह-ज्वर पीड़ित हैं ब्रजकी गोपिका तमाम। कितने तुम निष्ठुर निर्दय हो, मिथ्या धरे मधुरतम नाम! कर सर्वस्व समर्पण तुमको, पीड़ा-निधि-निमग्न वे आज। व्यथित न हो उनकी पीड़ासे, भोग रहे मथुराका राज॥ जाओ शीघ्र धैर्य दो मिलकर, दो तुरंत शुचि जीवन-दान। करो विलम्ब न एक पलक अब, रखो त्याग-प्रेमका मान॥" करुण वचन सुनते ही उद्धवके हरि हुए व्यथित अति दीन। सिहर उठा सहसा मंगल-वपु, विधु-निन्दक मुख-चन्द्र मलीन॥ रुका कण्ठ, कुछ बोल न पाये, आँखें लगीं बहाने नीर। बढ़ा विरह-दावानल दारुण, लगा दहकने दिव्य शरीर॥ बोले गद्गद गिरा धैर्य धर, दीर्घकालतक रहकर मौन, "उद्धव! मेरी विषम व्यथाको है जग सुननेवाला कौन? बता नहीं सकता मैं, कैसा विषम हृदयमें दारुण दाह। कैसी मर्मवेधिनी पीड़ा, कैसी प्रबल मिलनकी चाह॥ सुधा-समान सरस शुचि सुन्दर स्निग्ध राधिकाके मधु बोल। अतुलनीय अनवद्य नित्य सौन्दर्य, मधुर माधुर्य अतोल॥ सरल हृदय, सेवा, सहिष्णुता, त्याग, समर्पण, दैन्य अनूप। भूल नहीं सकता मैं अगणित गुण-गण-संयुक्त राधा-रूप॥ मधुर मनोहर महिमामय वह रसमय शुचितम रास-विलास। पावन विविध विनोद, सुधा-रसपूर्ण मधुर मुख-पंकज-हास॥

English translation

Continuation of [350]

Her nights pass without sleep, Her beautiful body emaciated, gray and covered with dust. Her heart burns terribly, as though grievously afflicted by the bite of a deadly serpent. Her breath is summer, Her eyes the rainy season, Her face autumn and Her rising horripilation the cool season. Her intellect is winter and Her sandalwood-anointed body spring: all six seasons manifest in Radha's sacred form. The cool bed of soft lotuses grows hot at the touch of Radha's fevered body. A green vine burns when touched by the unconquerable fire-wind of Her breath. In the same way, all the gopis of Vraja suffer the fever of separation. How hard and merciless You are, falsely bearing the sweetest name! Having surrendered everything to You, they are now submerged in an ocean of pain, yet You feel no anguish at their suffering and enjoy sovereignty in Mathura. Go quickly, meet them and give them courage; immediately bestow the sacred gift of life. Do not delay even for a blink. Honor their self-renouncing love." As soon as Hari heard Uddhava's piteous words, He became deeply afflicted and forlorn. His auspicious form suddenly trembled, and the moon of His face, which shames the moon, grew pale. His throat closed and He could not speak; His eyes began streaming tears. The terrible forest fire of separation intensified, and His divine body began to blaze. After remaining silent for a long time, He steadied Himself and spoke in a broken voice: "Uddhava, who in this world could listen to My unbearable anguish? I cannot tell you how fierce the terrible burning within My heart is, how deeply the pain pierces My core, or how powerful is My longing for union. Radhika's sweet words are lovely, pure, tender and delicious as nectar. Her eternal beauty is incomparable and flawless, Her sweet charm unfathomable. Her simple heart, service, forbearance, renunciation, surrender and matchless humility, and Radha's form endowed with countless virtues, I can never forget. That sweet, enchanting, glorious, rasa-filled and supremely pure rasa play, Her many sacred amusements and the sweet, nectar-rasa-filled smile upon Her lotus face,

Original

Hindi

Continuation of [350]

परम मधुरतम निभृत निकुंजोंका वह शुचि आनन्द-विहार। भूल नहीं सकता पल, होती मधुर-स्मृति मन बारम्बार॥ सर्वत्याग कर, मनमें केवल रखती मेरा सुख-अभिलाष। इसी हेतु ये जीतीं जगमें, करतीं नित वृन्दावन-वास॥ खान-पान-परिधानाभूषण, जगके भोग-त्याग-व्यवहार। मेरे ही सुख-हेतु एक, वे करतीं सदा सभी आचार॥ त्यागमयी गोपीजन-मण्डित उस राधाका विषम वियोग। प्रतिपल है संतप्त कर रहा, चाह रहा मन नित संयोग॥ पर उद्धव! यह विप्रलम्भ ही करता अति सुखका संचार। मिलनानन्द-रसामृतका यह करता शुचि विचित्र विस्तार॥ प्रेम-राज्यमें विप्रलम्भ-सम्भोग उभय रस नित्य स्वतन्त्र। विविध रूप-भावोंमें नित करते रहते संयोग विचित्र॥ किंतु साथ ही रहते हैं ये आश्रित एक दूसरेके सब काल। अविनाभाव बने, सरसाते नव-नव रस-पीयूष रसाल॥ किंतु तत्त्वतः मेरा-उसका रहता नित्य सतत संयोग। एक बने दो लीला करते नित्य वियोग, नित्य सम्भोग॥ आना-जाना कहीं कभी भी रखता नहीं तत्त्वतः अर्थ। मिले हुए हैं सदा, सर्वथा नित्य अभिन्न सत्य परमार्थ॥ देख कहीं पाते तुम उद्धव! हम दोनोंका तात्त्विक रूप। सदा एक-तन, सदा एक-मन, सदा एक-रस तत्त्व अनूप॥ मिट जाते संदेह सभी, तुम पाते भगवदीय आनन्द। राधा-शरण-ग्रहण कर अब भी, प्राप्त करो इसको स्वच्छन्द॥"

[351]

(Rāga Khamāja - Tīna Tāla)

प्यारे कान्ह सखाकी मीठी स्मृतिमें सखा सभी लवलीन। रहते सदा सोचते बात उसीकी, केवल मन अति दीन॥ डूबा अति आश्चर्य सोचता एक, चिबुकपर अँगुलि टेक। शोक-सिन्धु डूबा, विवेक तज, आँखें फाड़ देखता एक॥

English translation

Continuation of [350]

and the sacred, supremely sweet play of bliss within secluded bowers, I cannot forget for a moment. Their sweet memory returns again and again within My mind. Renouncing everything, they hold only the desire for My happiness within their minds. For this alone they remain alive in the world and continually dwell in Vrindavana. Food, drink, dress, ornaments, enjoyment, renunciation and every worldly dealing, all their conduct is performed for the single purpose of My happiness. Terrible separation from that Radha, surrounded by self-renouncing gopis, torments Me at every moment, and My mind forever longs for union. Yet Uddhava, this very separation in love carries an abundance of happiness. It wondrously and sacredly expands the nectar of rasa born of the bliss of union. Within the kingdom of love, the rasas of separation and union are both eternally independent. In diverse forms and feelings, they forever create wondrous conjunctions. At the same time, each remains eternally dependent upon the other. Inseparable, they enrich one another with ever-new and nectarean rasa. Yet in truth, Her union with Me remains eternal and unbroken. The One becomes two and performs the play of eternal separation and eternal union. Coming and going anywhere never has ultimate meaning. We remain forever united, wholly and eternally one in the supreme truth. If somehow you could behold the essential form of Us both, Uddhava, forever one body, one mind and one rasa, a matchless single reality, all your doubts would vanish and you would attain divine bliss. Even now, take shelter of Radha and freely attain it."

[351]

(Raga Khamaja - Tina Tala)

All the cowherd friends are absorbed in sweet remembrance of their dear companion Kanhaiya. They forever think only of Him, their minds utterly forlorn. One, immersed in astonished thought, rests a finger upon his chin. Another, submerged in an ocean of grief and bereft of judgment, stares with eyes wide open.

Original

Hindi and Braj Bhasha

Continuation of [351]

आशा एक दिलाता, उड़ता नभमें देख विहग-समुदाय। कहता एक, जियें कैसे हम, हाय! कृष्ण-विरहित असहाय॥ खड़ा लकुटिया टेक भूमिपर एक अपार विषाद-विभोर। दीन-हीन मुख मलिन सखा सब आज बिना मोहन मनचोर॥

[352]

(Rāga Bhūpālī - Tīna Tāla)

स्याम! तुम परम निठुर हम जाने। कबहूँ न सुरति करत प्रेमिन की, करत करम मन-माने॥ हौं ब्रज जाय देखि आयो निज आँखिन सब करतूत। चित चुराय तजि आये रोवत-बिलपत, ऐसे धूत॥ ब्रज-जुवतिन कै देख्यो मैंने सतत नयन नित नीर। छिनहूँ भूलि न सकौं लाड़िली कौ अति छीन सरीर॥ जो तुम्हरे जिय नैक प्रेम है, जो उर करुना-लेस। तौ ब्रज जाय, मिलौ उन सौं पुनि, तजि यह माथुर भेस॥

[353]

(Rāga Vihāga - Tīna Tāla)

तुम सम निठुर दूजो कौन? राधिका-सी प्रेम-पुतरी रुदित छाड़ी भौन॥ बिंधि गयो नहिं हियौ तेहि छिन कुटिल, वज्र-कठोर। बीच धारा नाव तजि दई, लै गये नहिं छोर॥ देखि आयो मलिन धूमिल स्वर्ण-तन कृश छीन। विकल तड़पत दीन दिन-निशि, जल-रहित जिमि मीन॥ तजे भूषण, सकल सुवसन, अंगराग-सिंगार। शिथिल बेनी, सुमन बिखरे, केस रूखे झार॥

English translation

Continuation of [351]

One gives the others hope when he sees flocks of birds flying through the sky. Another says, "Alas, helpless without Krishna, how shall we live?" One stands leaning upon his staff, overwhelmed by boundless grief. Without Mohana, the thief of minds, all the friends' destitute faces are dark with sorrow today.

[352]

(Raga Bhupali - Tina Tala)

Syama, I now know You to be supremely hard-hearted. You never remember those who love You and act only according to Your own will. I went to Vraja and saw all Your deeds with my own eyes. What a rogue You are: You stole their hearts and abandoned them weeping and lamenting. I saw endless tears forever streaming from the eyes of the women of Vraja. Not even for an instant can I forget the exceedingly frail body of Your cherished Radhika. If there is the slightest love in Your heart or even a trace of compassion within Your breast, then abandon this Mathura attire, go to Vraja and meet them again.

[353]

(Raga Vihaga - Tina Tala)

Who else could be as cruel as You? You left an embodiment of love like Radhika weeping at home. Crooked and hard as diamond, Your heart was not pierced at that moment. You abandoned the boat in midstream and did not carry it to the shore. I saw Her once-golden body now tarnished, pale, emaciated and frail. Day and night She writhes in helpless misery like a fish without water. She has abandoned ornaments, every lovely garment, unguents and adornment. Her braid hangs loose, its flowers scattered, and Her hair is rough and disheveled.

Original

Braj Bhasha and Hindi

Continuation of [353]

बोध नहिं कछु रात-दिन कौ, नहीं जल-थल-ज्ञान। आत्म-पर, मानव-अमानव की न कछु पहचान॥ "हा दयित! हा हृदय-वल्लभ! हाय प्राणाधार!" अश्रु-धारा बहत अविरत, करत करुण पुकार॥ विरह-ज्वाला जरत मन, तन दहत दारुन पीर। जरी परसत कुसुम-शय्या, साँस-अनल-समीर॥ रस-रहित उर भयो, सूख्यो तप्त आँसू-स्रोत। रुकत पुनि-पुनि प्राण, पुनि छिन पुनर्जीवन होत॥ "सकल सुख कारण" कहावौ, "जगत-जीवन" नाम। प्राण अबलनि के हरत, यह कहा तुम्हरौ काम॥ धाइ पहुँचौ बेगि, माधव! करौ जीवन-दान। मिलि अबाधित विरह-पीड़ा हरौ सपदि महान॥ भई कोउ न राधिका-सी, है, न आगें होय। प्रेम-मूरति भजति तुम कौं लोक-वेदहि खोय॥

[354]

(Tune: Lāvanī - Tāla Kaharavā)

मैं छोड़, प्रिये! तुमको मथुरामें आया। तुमपर दुःख अति घनघोर घटा बन छाया॥ तुम प्रतिपल मनही-मन हो अविरत रोती। मिथ्या ही खाती, मिथ्या निद्रा सोती॥ तुम एक पलक भी नहीं चैन चित पाती। अंदरही-अंदर घुलती नित बिलखाती॥ भीतर जो भीषण अग्नि तुम्हारे जलती। वह बिना जलाये नहीं किसीसे टलती॥ छू जाय किसीकी वृत्ति भूलसे जाकर, जल जाती वह भी ताप भयानक पाकर॥

English translation

Continuation of [353]

She has no awareness of night or day and no knowledge of water or land. She cannot distinguish self from other, human from nonhuman. "O Beloved! O darling of my heart! Alas, support of my life!" She cries piteously while an unbroken stream of tears flows. The flame of separation burns Her mind, and terrible pain consumes Her body. The flower bed burns at Her touch beneath the fire-wind of Her breath. Her heart has become empty of rasa, and the stream of burning tears has dried. Again and again Her life-breath stops, then revives after a moment. You are called "the cause of all happiness" and named "the life of the world," yet You take away the lives of helpless women. What kind of work is this? Run swiftly to Her, Madhava, and bestow the gift of life. Meet Her at once and remove the immense, unbroken pain of separation. There has never been, is not and never will be another like Radhika. That embodiment of love worships You after casting away both worldly and Vedic convention.

[354]

(Tune: Lavani - Tala Kaharava)

Beloved, I left You and came to Mathura. A dense and terrible cloud of sorrow descended upon You. At every moment You weep inwardly without cease. Your eating is unreal, and the sleep You take is no true sleep. Your heart finds no peace even for the blink of an eye. You forever waste away and lament within. The terrible fire burning inside You cannot be averted from anyone without first burning them. If anyone's current of thought touches it even by mistake, that person too is consumed by its dreadful heat.

Original

Hindi

Continuation of [354]

तुम पीड़ा अन्तरकी न किसीसे कहती। ऊपरसे हँसती-सी दुःख दारुण सहती॥ मैं जान गया यह दुःख तुम्हारा, प्यारी! है भड़क उठी इससे उर-ज्वाला भारी॥ था पहलेसे ही अति वियोग-दुःख दुस्सह। अब दोनोंने मिलकर धर दी तह-पर-तह॥ मेरी क्या दशा तुम्हें, प्यारी! बतलाऊँ? कैसे भीषण संताप तुम्हें दिखलाऊँ? बढ़ रही सुदारुण पल-पल उरकी ज्वाला। है पहनी जलते अंगारोंकी माला॥ कैसे तुमको धीरज दूँ, मैं समझाऊँ, जब अपनेको ही नित्य धधकता पाऊँ॥ पर उस दिन मैंने देखी बात अनोखी। तुम बैठी मेरे पास उल्लसित चोखी॥ हँस बोली, "प्यारे! क्यों उदास तुम होते? तुम तो नित मेरे साथ जागते-सोते॥ दिन-रात कदापि न होते मुझसे न्यारे। करते तुम आठों याम काम सँग सारे॥ मैं रहती तुमको नित्य किये आलिंगन। तुम कभी न होते विलग पलक, जीवनधन! रोती मैं बाहर, हूँ अंदर नित हँसती। मेरी बढ़ती रहती शुचि रसकी मस्ती॥ प्रिय! दृष्टि लौकिकीमें तुम भले न आओ। पर रहो नित्य ही पास, न पलभर जाओ॥ विलसो ऐसे ही नित्य, मुझे विलसाओ। तुम हँसो, प्राणधन! मुझको सदा हँसाओ॥"

English translation

Continuation of [354]

You speak to no one of the pain within. Outwardly seeming to smile, You endure terrible sorrow. Beloved, I have come to know this suffering of Yours, and it has made the mighty flame within My heart blaze higher. The unbearable pain of separation was already present; now both our sufferings have united, layer upon layer. How can I describe My condition to You, Beloved? How could I show You the terrible torment I endure? The dreadful flame within My heart grows at every moment. It is as though I wear a garland of burning coals. How can I console You or make You understand when I find Myself forever aflame? Yet that day I witnessed something wondrous. You sat beside Me, radiant and full of joy. Smiling, You said, "Beloved, why do You become sad? You forever wake and sleep beside me. Day and night You are never separate from me. Through all eight watches You perform every act together with me. I forever hold You in My embrace. Treasure of my life, You are never apart from me even for a blink. Outwardly I weep, yet inwardly I forever laugh. My pure intoxication with rasa continually increases. Beloved, even if You do not enter my worldly sight, remain forever beside me and never go away for even a moment. Play eternally in this way and make me rejoice. Smile, treasure of my life, and forever make me smile."

Original

Hindi

Continuation of [354]

हो कभी न पलक-वियोग तुम्हारा-मेरा। दोनोंका गोपन रहे एक ही डेरा॥" हँस उठा हृदय यों सुनकर प्यारी वाणी। हँस उठे सभी, मुरझाये थे जो प्राणी॥ तबसे तुम मेरे पास सदा ही रहती। मीठा ही करती, सब मीठा ही कहती॥ विष-रहित हुआ दोनोंका सुखमय जीवन। नित खिले रहेंगे अब तो अपने तन-मन॥ हम दोनों हैं नित एक, वियोग न सम्भव। है, हुआ, न होगा कभी विलग प्रेमार्णव॥ है लीला यह संयोग-वियोग दिखाती। ये प्रेमोदधिमें रस-लहरें लहराती॥

[355]

(Rāga Darabārī - Tīna Tāla)

जबसे सुना सुधामय सुन्दर "श्याम" नाम, अतिशय सुख-धाम। हुए मुग्ध मन-बुद्धि-प्राण सब, चलने लगा नाम अविराम॥ नाम-माधुरीने प्राणोंमें कर दी जाग्रत दर्शन-प्यास। हुआ चित्त उत्कण्ठित आकुल, चला सुतप्त दीर्घ निश्वास॥ स्नेहमयी शुचि सखी विशाखा देख राधिकाको बेहाल। चित्रकला-निपुणा, अंकित कर लाई श्याम-चित्र तत्काल॥ निरख चित्र अति मधुर मनोहर, नख-शिख रूप परम रमणीय। मानो मिले मदन-मद-हर मनमोहन प्राणकान्त कमनीय॥ हुई हर्ष-विह्वल, विस्मित-मन, करने लगी गंभीर विचार। नहीं त्रिकाल, तीन लोकोंमें ऐसा दिव्य रूप रस-सार॥ जिसके क्षुद्र एक कणको ले सुमनोंका सारा संसार। सबको सुख दे रहा अमित, कर रूप-माधुरीका विस्तार॥

English translation

Continuation of [354]

"May there never be even a blink of separation between You and me. May our hidden dwelling forever remain one." Hearing the Beloved's words, My heart laughed with joy. Every creature that had withered began to laugh again. Since then You have remained forever beside Me, performing only sweetness and speaking only sweet words. The poison has left our blissful lives. Now our bodies and minds will blossom forever. We are eternally one; separation is impossible. The ocean of love is not separate now, never was and never shall be. This lila merely displays apparent union and separation, causing waves of rasa to rise upon the ocean of love.

[355]

(Raga Darabari - Tina Tala)

From the moment She heard the beautiful, nectar-filled name "Syama," the supreme abode of happiness, Her mind, understanding and life became enchanted, and the Name began flowing without cease. The sweetness of the Name awakened within Her life an intense thirst for His vision. Her heart became restless with longing, and long, burning sighs began to flow. Seeing Radhika overwhelmed, Her pure and affectionate companion Visakha, skilled in painting, immediately drew and brought Her a portrait of Syama. Gazing upon that supremely sweet and enchanting image, lovely from head to foot, She felt as though She had met Her charming life-Beloved, the mind-enchanter who shatters Cupid's pride. Overcome with joy and filled with wonder, She began to ponder deeply: there is no such divine, rasa-filled form in the three times or the three worlds. Taking only one tiny particle from it, the entire realm of flowers expands its sweetness of form and bestows limitless happiness upon all.

Original

Hindi and Braj Bhasha

Continuation of [355]

जिसके कोटि अंशका लेकर एक अंश शुचि नीलाकाश। विश्व-विमोहित करता विधु-मुख भरकर रूप-सुधामय हास॥ जिसकी एक बूँद-सुषमासे प्रकृति-सुन्दरी कर श्रृंगार। अगणित विश्व सजाती रहती संतत विविध विचित्र प्रकार॥ अतल रूप-सागर जिसमें नित उठती अतुल अनन्त तरंग। है न्योछावर जिसके एक-एक कणपर नित अमित अनंग॥ कैसे किया सुअंकित उसको लघुतम पटपर सखिने आज? कैसे एक-एक अवयवपर सजा सकी वह सुन्दर साज? कैसे द्रवित न हृदय हो गया, कैसे रहा धैर्यका बन्ध? कैसे खिसी न हस्त-तूलिका पाकर श्याम-रूप-सम्बन्ध? कैसे क्षुद्र तूलिकामें वह आया रूप-समुद्र महान? मन-अतीत, नित बुद्धि-अगोचर, कैसे उसे सकी सखि जान? जाग उठी सुस्मृति, उर-अन्तर लगा दीखने रूप ललाम। जो चिर अंकित था, अब प्रकटी पूर्ण मिलन-इच्छा अभिराम॥ पर न हो सकी पूर्ण सदिच्छा, अमित यन्त्रणा बढ़ी तुरन्त। बड़वानल अति विषम जल उठा, उठी हृदयमें हूक दुरन्त॥ हुआ युगों-सा एक-एक पल, रहा न रंचक धैर्य-विवेक। सूखा हृदय, अश्रु-दृग सूखे, एकमात्र प्रिय-दर्शन-टेक॥ सहसा प्रगट हो गये प्रियतम, अनुपम मधुर लिये मुसकान। चकित-प्रहर्षित लगी देखने, उमड़ा सुख-समुद्र निर्मान॥

[356]

(Rāga Īmana - Tīna Tāla)

चित्रपट देखत भूली भान। कैसो रूप मनोहर-मंजुल, सुंदरता की खान॥ आँकि सकीं सखि! छवि यह कैसे, कैसे राख्यो धीर? कैसे रही तूलिका कर, जब उर उपजी तस्वीर॥

English translation

Continuation of [355]

Taking a millionth portion of one fraction of His beauty, the pure blue sky fills the moon's face with a nectar-filled smile of beauty that enchants the world. With a single drop of His loveliness, beautiful Nature adorns herself and ceaselessly decorates countless universes in many wondrous ways. He is a fathomless ocean of beauty in which matchless and infinite waves forever rise. Countless Cupids eternally offer themselves to every particle of that form. How did Her companion portray Him so perfectly today upon this tiny canvas? How could she arrange such lovely adornment upon each and every limb? How did her heart not melt, and how did the bond of composure remain? How did the brush not slip from her hand upon coming into relation with Syama's form? How did that vast ocean of beauty enter this tiny brush? How could Her friend know Him, beyond mind and forever inaccessible to understanding? Sacred memory awakened, and the glorious form became visible within Her heart. The delightful wish for complete union with Him, long inscribed there, now became manifest. Yet the holy wish could not be fulfilled, and limitless torment increased at once. A terrible submarine fire blazed, and an uncontrollable pang arose within Her heart. Each moment became an age, and not a trace of composure or judgment remained. Her heart dried, Her tear-filled eyes dried, and only the hope of the Beloved's vision remained. Suddenly the Beloved appeared with an incomparable, nectar-sweet smile. Startled and overjoyed, She gazed at Him while a guileless ocean of happiness surged within.

[356]

(Raga Imana - Tina Tala)

Gazing upon the painted cloth, I forgot all awareness. How enchanting and lovely is this form, a mine of beauty! Friend, how could you paint this image, and how did you preserve your composure? How did the brush remain in your hand when this form arose within your heart?

Original

Braj Bhasha

Continuation of [356]

सखि! मैं कैसे कहूँ हृदयकी कलित कसक की बात। छिन आमोद, जरत छिन हिय, अति विषम जरनि दिन-रात॥ चित्र देखि जब भई दशा यह, भयो सहज सब त्याग। निरखूँ नैन चित्रवारे कौं, कब जागैंगे भाग॥ कल नहिं परत एक पल मोकूँ, भए चित्र-छवि नैन। दरस-परस की लगी चटपटी, छायो मन शुचि मैन॥

[357]

(Rāga Khamāja - Tīna Tāla)

श्रीमती मूरति अंकित करती। मधुर तूलिका कोमल करनमें ले नाना रँग भरती॥ विविध भाँति अति मधुर मनोहर रूप बनाती जाती। तन्मय मन, दृग-दृष्टि अचंचल, उमंग न हृदय समाती॥ नव-नीरद-शुचि-नील-श्याम तनु उज्ज्वल आभा आँकी। भाल विशाल तिलक मृग-मदके, भ्रुकुटि मनोहर बाँकी॥ सरस नयन शोभाके आकर, मोहन आँजे अंजन। अतिशय चपल, चोर मन-धनके, सुर-ऋषि-मुनि मन-रंजन॥ मुख मुसकान, नासिका नीकी, कानन कुण्डल झलकें। केश कृष्णघन घुँघरवारे, इत-उत बिथुरीं अलकैं॥ मणिमय मुकुट मयूर-पिच्छ-युत सुन्दर सिरपे साजे। कम्बुकण्ठ वनमाल विराजै, रत्नहार उर राजै॥ पीत वसन दमकत दामिनि-सो, कटि किंकिणि अति सोहै। निरखि-निरखि निज अंकित मूरति भामिनि निज मन मोहै॥ लई तूलिका खींचि अचानक, भई सशंकित भारी। चरण उभय आँके नहिं पियके, गहरी बात विचारी॥ भागि जायें जीवनधन पाछें, जो चरणनके पाये। तो फिर कहा बनेगो मेरो, यही सोच उर छाये॥ ठाढ़े निरखि रहे मनमोहन प्रीति-रीति अति पावन। प्रकट भये, विहँसे, पुलकित तनु भई देखि मनभावन॥

English translation

Continuation of [356]

Friend, how can I describe the exquisite ache within my heart? One moment brings delight, the next the heart burns; this terrible fire blazes day and night. If merely seeing His portrait has brought me to this state and made me naturally renounce everything, when will fortune awaken so that these eyes may behold the One portrayed? I find no peace for even a moment, for my eyes have become the image in the painting. An intense craving for His vision and touch has arisen, and sacred desire has covered my mind.

[357]

(Raga Khamaja - Tina Tala)

Srimati paints the Beloved's form. Holding a delicate brush in Her tender hand, She fills it with many colors. In many ways She gradually creates a supremely sweet and enchanting form. Her mind is wholly absorbed, Her gaze motionless, and joy cannot be contained within Her heart. She paints a dark-blue body like a fresh rain cloud, surrounded by a brilliant radiance, a broad brow marked with musk tilaka and gracefully curving brows. She outlines with collyrium Mohana's liquid eyes, treasuries of splendor, supremely restless thieves of the mind's wealth that delight gods, seers and sages. A smile rests upon His face, His nose is lovely and earrings shimmer at His ears. His curling hair is dark as rain clouds, with locks scattered here and there. A jeweled crown adorned with peacock feathers beautifies His head. A forest garland adorns His conch-like neck, and a necklace of gems shines upon His breast. His yellow garment flashes like lightning, and little bells shine beautifully at His waist. Gazing again and again upon the form She has painted, the radiant Lady enchants Her own mind. Suddenly She draws back the brush, seized by deep apprehension. She does not paint the Beloved's two feet, having pondered a profound concern: if the treasure of Her life were to obtain feet and run away, what would become of Her? This thought fills Her heart. The mind-enchanter stands watching this supremely sacred way of love. He appears and laughs; seeing the Beloved of Her heart, Her body thrills with joy.

Original

Hindi

[358]

(Rāga Vilāsa - Tīna Tāla)

कृष्ण-सुखैक-वासना, केवल कृष्ण-सुखैक-रूप सब काल। काम-भोग-वर्जित स्वाभाविक राधा-हृदय रहित जग-जाल॥ महामोह-तम-रजनी-विरहित, प्रकट प्रेम-रवि-ज्योति अपार। कृष्ण-स्मरणपूर्ण शुचि जीवन, अर्पित सहज अखिल आचार॥ प्रियतम परम श्यामकी स्मृतिमें हुई राधिका अति तल्लीन। स्वयं हो गयी "स्मृतिरूपा" वह अपनी सुधिसे हुई विहीन॥ श्यामा, श्याम, श्यामकी स्मृति, इस त्रिपुटीका हो गया अभाव। रहे नहीं आस्वाद्य-आस्वादन, रहा न आस्वादकका भाव॥ स्मृति, स्मृतिकर्ताके अभावमें उपजा मनमें भाव नवीन। विस्मय परम हुआ जब दीखा खाली हृदय सहज स्वाधीन॥ जानें कैसे दीं दिखलायी भावभरी आँखें पल एक। पता नहीं क्यों जाग उठा कुछ, हार चला सब बुद्धि-विवेक॥ दीखा नेत्र-भावमें उसको रसका बहता विमल प्रवाह। उसके प्रति आया द्रुत गतिसे, भरा शून्य उर अमित अथाह॥ उदय हुई जिज्ञासा, थे ये किसके नेत्र सुधा-रस-पूर। रस-विन्यासे किया उसे अति विवश, विचित्र मधुर मद चूर॥ बसे नेत्र, नेत्रोंके द्वारा आकर उर-मंदिर तत्काल। बता दिया उन नेत्रोंने, वे नेत्रवान हैं श्रीनन्दलाल॥ टूट गया तब मनका बन्धन, बरबस तुरत हुआ अभिसार। कहाँ, कौन, वह क्यों जाती है, रहा न इसका तनिक विचार॥ चली तीरकी तरह लक्ष्यपर, मिला स्वयं प्रियका संधान। पहुँच गयी वह प्रिय चरणोंमें, देखे चरण-जलज रस-खान॥ देख मृदु स्मित, दृष्टि-भंगिमा, चित्त-वित्तहारी सुभ्रू-भंग। बाह्य चेतना गयी, पड़ी प्रिय-अंक, शिथिल सब अवयव-अंग॥

English translation

[358]

(Raga Vilasa - Tina Tala)

Her sole desire is Krishna's happiness; at every moment She is the very form of Krishna's happiness alone. Naturally free from lust and enjoyment, Radha's heart is untouched by the world's net. The dark night of great delusion is absent, and the limitless radiance of love's sun shines forth. Her pure life is filled with remembrance of Krishna, and all Her conduct is naturally offered to Him. Radhika becomes utterly absorbed in remembrance of supremely beloved Syama. She Herself becomes the very form of remembrance and loses all awareness of Herself. Syama, Syama's beloved and the remembrance of Syama: this triad disappears. Nothing remains to be relished, no relishing remains and no sense of a relisher remains. When memory and the one who remembers disappear, a new feeling arises within the mind. Supreme wonder comes when the heart is seen to be naturally free and entirely empty. Somehow, for one moment, a pair of emotion-filled eyes reveals itself. No one knows why, but something awakens, and all reason and discrimination begin to fail. Within the feeling carried by those eyes She sees a pure current of rasa flowing. She rushes toward it, and Her immeasurably empty heart is filled. Curiosity arises: whose eyes are these, filled with the nectar of rasa? Their arrangement of rasa makes Her utterly helpless and intoxicated with a wondrous sweetness. Those eyes come through Her own eyes and immediately dwell within the temple of Her heart. They reveal that their owner is Sri Nandalala. Then the mind's bond breaks, and She is irresistibly driven at once toward the tryst. She gives not the slightest thought to where She is going, who She is or why She goes. She flies like an arrow toward its target and finds the Beloved Himself. She reaches His feet and beholds those lotus feet, treasuries of rasa. Seeing His gentle smile, the gesture of His gaze and the graceful movement of His lovely brows that steals the heart's wealth, She loses outer consciousness and falls into the Beloved's lap, every limb relaxed.

Original

Hindi

Continuation of [358]

सिर कर धर, कर पवन, कराया प्यारीको प्रियतमने चेत। सहमी, उठी दूर जा बैठी, देख रही माधुर्य-निकेत॥ देख वदन मोहन रसवर्षी, हुआ हृदय साहस-संचार। बोली मधुर विनम्र वचन शुचि, बनकर स्वयं "दैन्य" साकार॥ मिटे अहंता-ममता, आशा-तृष्णा, भोग-वासना-काम। हो समत्व सर्वत्र सर्वदा, मिटे द्वन्द्वका भेद तमाम॥ रह न जाय जब कल्पित-सा भी भुक्ति-मुक्ति-इच्छाका लेश। परम शान्तिका अनुभव हो जब, तब खाली हो हृदय अशेष॥ जिसका हृदय हो गया खाली पूरा, यों न रही कुछ चीज। उसमें पड़ता पावन रसमय "प्रिय-सुख-सुखी प्रेम" का बीज॥ पा वह प्रेमी जन-मनके मधुमय निर्मल रस-जलका संग। वचनावलि-अनुकूल-पवन पा, बीज बदलता अपना रंग॥ होता वह अंकुरित, पल्लवित, पुष्पित, देता मधु फल-दान। मिलता परमाह्लाद मुझे, मन बढ़ता अति लालच निर्मान॥ इसीलिये मैं सदा चाहता रहे नित्य वह मेरे पास। पलभर, तिलभर भी न परे हो, रस-समुद्र आह्लाद-निवास॥ केवल परमाह्लाद-लालसा ही न मुझे करती लाचार। प्रेम वहीं बन जाता मेरे जीवनका केवल आधार॥ पर उस रसका उदय कठिन अति, नहीं सहज सम्भव संसार। हार गये ऋषि-मुनि, योगी-त्यागी, सुरपति, विधि, मर्दनमार॥ राधे! तुम स्वरूपतः ही हो सहज उसी रसकी भंडार। तुममें सदा उमड़ता रहता दिव्य प्रेम-रस-पारावार॥ रखती तुम मुझको जीवन, मन-तन-धन दिव्य गुणोंसे युक्त। देकर निज सर्वस्व बढ़ाती महिमा नित सुषमा-संयुक्त॥ मेरे जीवनकी आशा तुम, मेरी एक सहाय उदार। मेरे प्राणोंकी स्पन्दन तुम, परम हृदय-गति प्राणाधार॥

English translation

Continuation of [358]

The Beloved places a hand beneath Her head and fans Her until She regains awareness. Startled, She rises and sits at a distance, gazing upon the abode of sweetness. Seeing Mohana's rasa-showering face, courage enters Her heart. She speaks pure, sweet and humble words, becoming humility itself embodied. When ego and possessiveness, hope and craving, enjoyment, desire and lust have vanished; when equality prevails everywhere and always, and every distinction born of duality is erased; when not even an imagined trace of desire for enjoyment or liberation remains; when supreme peace is experienced, only then does the heart become entirely empty. When a person's heart has become so completely empty that nothing remains, the sacred, rasa-filled seed of "love that is happy in the Beloved's happiness" falls within it. Receiving the honeyed, stainless rasa-water of that loving person's mind and the favorable wind of streams of words, the seed begins to transform. It sprouts, puts forth leaves, blossoms and bestows nectar-filled fruit. I receive supreme delight, and My guileless mind grows intensely eager. Therefore I forever desire that such a lover should remain eternally beside Me, never distant even for an instant or a sesame seed's breadth, for that ocean of rasa is the dwelling of delight. It is not merely longing for supreme delight that makes Me helpless. That very love becomes the sole support of My life. Yet the awakening of that rasa is exceedingly difficult and cannot easily occur in this world. Seers and sages, yogis and renunciants, Indra, Brahma and Siva have all failed to attain it. Radha, by Your very nature You are the spontaneous treasury of that rasa. The boundless ocean of divine love-rasa forever surges within You. You sustain My life and endow My mind, body and wealth with divine qualities. Giving Your everything, You forever increase My glory and loveliness. You are the hope of My life and My one generous support. You are the pulsation of My life-breath, the supreme movement of My heart and the ground of My life.

Original

Hindi and Braj Bhasha

Continuation of [358]

न हो दाहिका शक्ति अग्निमें, न हो सूर्यमें ताप-प्रकाश। अग्नि-सूर्य तब नहीं कहाते, हो जाता अस्तित्व-विनाश॥ इसी भाँति मैं, शक्ति-राधिका! हो जाऊँ यदि तुमसे हीन। रहे न कुछ भी सत्ता मेरी, बन जाऊँ अस्तित्व-विहीन॥ शक्तिमान मैं बना तुम्हींसे, तुम्हीं नित्य हो मेरी शक्ति। हटती नहीं हृदयसे मेरे किसी तरह तुममें आसक्ति॥ जैसे चाहे खेल खिलाओ, जैसे जँचे कराओ नृत्य। तुम स्वामिनि सब भाँति एक नित, मैं नित सहज तुम्हारा भृत्य॥

[359]

(Rāga Īmana - Tāla Rūpaka)

स्वर्ण-पिंजरस्थित मगन मन शुक सुनावत बैन। नीलमणि-सौन्दर्य-सुषमा कोटि मर्दन-मैन॥ मधुरतम मनहरन लीला सुनि चकित चित चैन। लगीं निरखन छवि परम सुख, रहे अपलक नैन॥ मुख-कमल, कर-पद अचंचल, अंग आनन्द-ऐन। मुक्त चंचु, सुमौन मुख, लखि लाड़िली सुख-दैन॥

[360]

(Rāga Dhanāśrī - Tīna Tāla)

राधिका आई कुंज-बिहार। रही जहाँ कौ, जैसो, जो संकेत-समय निर्धार॥ आशा हुती, मिलेंगे मोहन तहँ संकेत-अनुसार। पर वे नहीं मिले, नहिं आये, घरी बीति गईं चार॥ भई अनिष्टाशंका जाग्रत, मिले न दूत-संवाद। कहा भयो, कैसे नहिं आये, छायो विषम विषाद॥ भई अबेर, चलन लागी लू, प्रगट्यो निपट निदाघ। आ न जायें एहि काल स्याम कहुँ, कठिन भयानक दाघ॥

English translation

Continuation of [358]

If fire possessed no power to burn, or the sun no heat and light, they would no longer be called fire and sun; their existence itself would be destroyed. In the same way, O Radhika, My divine power, if I were deprived of You, nothing of My being would remain and I would cease to exist. I am the possessor of power only through You, for You are eternally My power. My attachment to You cannot be removed from My heart by any means. Make Me play whatever games You desire and make Me dance however You please. You alone are eternally My mistress in every way, and I am eternally and naturally Your servant.

[359]

(Raga Imana - Tala Rupaka)

Absorbed within a golden cage, a parrot begins to speak. The splendor of the sapphire Lord's beauty crushes the pride of millions of Cupids. Hearing the sweetest, mind-stealing lila, the heart becomes astonished and still. She begins gazing upon the supremely blissful form, Her eyes unblinking. Her lotus face, hands and feet become motionless; every limb is an abode of bliss. Its beak released and mouth beautifully silent, the parrot beholds the Beloved who bestows happiness.

[360]

(Raga Dhanasri - Tina Tala)

Radhika came to sport in the bower, to the place and at the appointed time fixed for the tryst. She hoped Mohana would meet Her there according to their signal, but He did not come and could not be found, though four watches passed. Fear of misfortune awoke, and no word arrived from any messenger. What had happened? Why had He not come? Crushing sorrow descended. It grew late, the burning wind began to blow and the fierce summer heat revealed itself. What if Syama came at such a time and suffered this terrible, fearsome burning?

Original

Braj Bhasha

Continuation of [360]

पठई एक सखी कौं देखन, जानन प्रिय-कुशलात। कह्यो सँदेसो, "मत अइयो अब, दाघ जरैंगे गात॥" अति उदास, शंका अनिष्ट की, भय-विह्वलता संग। ह्वै निरास बैठी निकुंजमें, जरत अंग-प्रत्यंग॥

[361]

(Rāga Kedāra - Tīna Tāla)

स्याम पाकर निकुंज-संकेत। कह्यो, "काल्हि मैया! जाऊँगो मैं इक सखा-निकेत। बहुत सिदौसी तहाँ जुरैगी, बहुत सखनि की भीर। होंगी भाँति-भाँति की क्रीड़ा, खेलेंगे सब वीर॥ दाऊऐ रखि लीजौ मैया! घरहीं तुम परभात। हैं तिनके संकोच खेलमें, खा जाऊँगो मात॥" मैया तैं हाँ करवा लीनी, उठे सिदौसी भोर। चले कलेऊ करि, लै सँग इक सखा कुंजकी ओर॥ मारगमें भिड़ रहे मत्त दो दीखे साँड़ विशाल। छाय रही नभ धूलि-राशि, जुरि रहे वृद्ध अरु बाल॥ पकरि गये मोहन मगमें ही, कहि न सके कछु बात। रुकनो पर्यो विवश, भय-चिंता-वश कुम्हिलाये गात॥ प्यारी देखि रही होगी उत मेरी व्याकुल बाट। कौन जुगुति भाजूँ कैसे हौं, रचूँ कौन-सो ठाट॥ सखी आय पहुँची इतनेमें, कह्यो प्रिया-संदेश। सुनत स्याम ह्वे चकित-व्यथित अति, रहे नैन अनिमेष॥ कह्यो, "सखी नीकी! तुम जाकर प्यारी तैं यों कहियो, अटक्यो हौं मारगमें बरबस, चूक मती तुम गहियो॥ तुम निषेध कीन्हो आवन कौ, मो पै रह्यो न जाय। आय रह्यो, अब ही पहुँचूँगो तुम्हरे चरननि धाय॥"

English translation

Continuation of [360]

She sent a companion to look for Him and learn whether the Beloved was safe, with the message, "Do not come now, for the burning heat will scorch Your limbs." Deeply dejected, fearing disaster and overwhelmed with dread, She sat hopelessly within the bower while every limb burned.

[361]

(Raga Kedara - Tina Tala)

Receiving the signal for the bower tryst, Syama said, "Mother, tomorrow I shall go to a friend's home. Many provisions will be gathered there and a great crowd of friends. There will be games of many kinds, and all the boys will play. Keep Dau at home tomorrow morning, Mother. His presence makes them shy in play, and I shall eat there." He obtained His mother's consent and arose very early at dawn. After breakfast He set out toward the bower with one companion. On the road He saw two enormous, maddened bulls fighting. Clouds of dust covered the sky while old and young gathered around. They caught Mohana there upon the road, and He could say nothing. Forced to remain, His body withered under fear and worry. "My Beloved must be watching the road for Me in anguish. What device can I use to escape, and what plan can I form?" Just then the companion arrived and conveyed the Beloved's message. Hearing it, Syama became astonished and deeply pained, His eyes motionless. He said, "Good friend, go and tell My Beloved this: I was helplessly detained upon the road; do not hold this failure against Me. You forbade Me to come, but I cannot remain away. I am coming now and shall run straight to Your feet."

Original

Braj Bhasha

[362]

(Rāga Gauḍa Sāraṅga - Tīna Tāla)

सखीने आकर बात कही। सुनत प्रिया प्रियतम कौ निश्चय, अतिशय हृदय दही। सुखी भई प्रिय-कुशल जानि, सुनि आवन की जू कही॥ ग्रीष्म की बरती बयारमें भई विषम असही। भई रीस पियपर सुनि आवन, दया संग उमही॥ कह्यो, "छाँह बैठइयो, करि शीतल बयार तबहीं। शीतल-सुरभित सलिल पियइयो, करियो हृदय-चही॥ पुनि रिसाइ बैठी हौं तिन तैं, बोलूँगी न कही। घाम सहत आये, क्यों मेरी मानी बात नहीं॥" भरि विषाद-अभिमान, मान करि रही, कुरेदि मही। बैठी हर्ष-विषाद भरे हिय, सोच न सकति सही॥

[363]

(Rāga Vilāvala - Tīna Tāla)

स्याम आ पहुँचे तुरत निकुंज। सहमे देखि विषाद भरयो अभिमान प्रिया-मुख-कंज॥ नीचे नैन गड़े भूतलपर, सलिल-रहित गंभीर। कर अवलंब कपोल बामपर, मन अधीर धरि धीर॥ शिथिल शरीर, पीर अभ्यंतर, गये तुरत सब जान। मेरे दुःख दुखी ह्वै प्यारी करि बैठी है मान॥ आ समीप अति आर्तभाव सौं, चरननि दृष्टि जमाय। अति अपराधी-से संभ्रम अति, मन संकोच सुभाय॥ कहन लगे मृदु बचन, बोलि नहिं पाये, उमड़्यो नेह। गद्गद कंठ, लगे बरसन दोउ नयन अमित रस-मेह॥

English translation

[362]

(Raga Gauda Saranga - Tina Tala)

The companion returned and told Her what had happened. Hearing of the Beloved's resolve, the Beloved Lady's heart burned intensely. She became happy to know He was safe and to hear that He was coming. Yet the fierce summer wind was blowing unbearably. Hearing He would come, anger toward Him arose together with compassion. She said, "Seat Him in the shade and fan Him with cool air. Give Him cool, fragrant water to drink and fulfill every wish of His heart. Then I shall sit offended with Him and will not speak a word. Why did He refuse My request and come while suffering the blazing sun?" Filled with sorrow, pride and loving displeasure, She scratched the earth. She sat with joy and grief filling Her heart, unable to think clearly.

[363]

(Raga Vilavala - Tina Tala)

Syama immediately reached the bower. He became fearful on seeing the Beloved's lotus face filled with sorrow and wounded pride. Her eyes were lowered and fixed upon the earth, grave and without tears. Her left cheek rested upon Her hand; restraining Her restless mind, She maintained composure. Seeing Her weakened body and inward pain, He understood everything at once: "My Beloved is hurt by My suffering and has therefore assumed loving displeasure." He approached in deep anguish, fixing His gaze upon Her feet. Like a great offender, He was overcome with confusion, reserve and natural shame. He tried to speak gentle words but could not, for love surged within Him. His throat choked, and both eyes began pouring an immeasurable rain of rasa.

Original

Braj Bhasha

Continuation of [363]

देखि दशा प्रियतम की, भूली राधा सारो मान। कंठहार बनि लगी मनावन, उलटे तजि अभिमान॥ बोली, "भई अनिष्टाशंका मेरे मन लखि देर तुम्हरे आवनमें, बिलपी मैं, क्यों ह्वै गई अबेर॥ हौं इहि डर तैं डी भयानक, देखि दाघ विकराल। आ न जायें कहूँ वे मेरे ढिंग इहाँ विषम एहि काल॥ सुनी बात तुमने नहिं प्यारे! तब मन उपज्यो रोष। देखि तुम्हारो बदन क्लान्त अति, बढ़्यो रोषपर रोष॥ पर एहि रोष देखि तुम कूँ पिय! अब एहि भाँति उदास, उदय भयो अति दाह हृदय, जग उठी भयानक त्रास॥ थके-थकाये, प्यासे-झुलसे आये तुम करि प्यार, स्वागत दूर, कियो मैंने तुम्हरो अपमान अपार॥ मीठी बात कही नहिं, पूछी, करी न तनिक बयार। मैं निर्दई मान कर बैठी, बढ़ा दियो दुःख-भार॥ कैसे कहा करूँ अब प्रियतम! जा तैं तव मुख-कंज देखूँ परम प्रफुल्लित, सुरभित, सुषमामय, सुख-पुंज?" हँसि बोले, "प्यारी! तुम्हरौ सुख ही मेरी सुख-मूल। होउ सुखी तुम, देखु, रह्यो हौं सुख-झूले पै झूल॥"

[364]

(Rāga Sāraṅga - Tīna Tāla)

स्याम-सरोज-वदन शुचि सुन्दर, नयन-जुगल चंचल सुविशाल। भ्रुकुटि कुटिल आकर्षति मुनि-मन, मृगमद-कुंकुम तिलक सुभाल॥ झूमि रहीं अलकावलि कारी, घुँघुरारी घन रुचिर विचित्र। कानन कुण्डल ज्योति छिटक रहि, कलित कपोलनि रचना चित्र॥

Pads 360 through 363 form a single līlā episode.

English translation

Continuation of [363]

Seeing the Beloved's condition, Radha forgot all Her wounded pride. Abandoning Her own dignity, She became the garland around His neck and began consoling Him. She said, "When Your coming was delayed, fear of disaster arose within My mind. I lamented, wondering why You were so late. Seeing the terrible heat, I sent word out of this dreadful fear that My Beloved might come toward Me during such a dangerous time. Beloved, You did not heed My request, and anger arose within My mind. Seeing Your face so exhausted, My anger increased upon anger. Yet now, Beloved, seeing You so dejected because of that anger, intense burning arises within My heart and terrible fear awakens. You came out of love, tired, thirsty and scorched, yet far from welcoming You, I dishonored You beyond measure. I spoke no sweet word, asked nothing and did not fan You even slightly. Heartless, I sat in offended pride and increased the burden of Your sorrow. What can I do now, Beloved, so that I may behold Your lotus face supremely blossoming, fragrant, lovely and filled with happiness?" Smiling, He replied, "Beloved, Your happiness alone is the root of My happiness. Be happy. See, I am swinging upon the swing of joy."

[364]

(Raga Saranga - Tina Tala)

Syama's pure and lovely lotus face, His two restless and enormous eyes, His curving brows that draw the minds of sages, and the musk and saffron tilaka upon His fine brow; His dark rows of curling locks sway like lovely and wondrous rain clouds. The earrings at His ears scatter light, painting designs upon His graceful cheeks.

Book note: Pads 360 through 363 form a single lila episode.

Original

Braj Bhasha

Continuation of [364]

सीस मुकुट मणि-मोर-सिखा-जुत लसत मंजु वर बिनु उपमान। अरुण अधर, विकसित दशनावलि, छायी मंद मधुर मुसुकान॥ उर विशाल शोभित मुक्ता-मणि, सुरभित कुसुम तुलसिका-हार। कटि किंकिणि-रव सुमधुर बाजत, झनकत पग नूपुर-झनकार॥ रूप अनूप अपार अलौकिक धरे चल रहे मारग स्याम। राधा निरखि रही अपलक दृग, बैठि झरोखे वदन ललाम॥ नेत्र अतृप्त निरखि सुंदरता, आनन्द-सागर उर न समात। बही दृगन धारा अबाध गति, प्लावित कर शुचि मुख-जलजात॥ देखि राधिका मुख-शशि सुखमय, हर्षित भये मोहन रस-मग्न। सहसा एक नयो भय उपज्यो, तातें भयो स्याम-सुख-भग्न॥ "देखि मोहिं प्रियतमा राधिका कितनी सुखी भई एहि काल। आँखिन ओझल होत अदर्शन तें कैसी होगी बेहाल! सहि पावैगी कैसे राधा हृदय-विदारक सो उर-शूल?" "हाय!" पुकार रो उठे मोहन, सहसा गये सकल सुख भूल॥ देखि विषाद भरयो प्रियतम-मुख, काँपि उठ्यो राधा-तन धीर। उठी हृदय तें हूक, बिंधि गयो मानों विषम विष-बुझ्यो तीर॥ निज सुख-हेतु स्याम-सन्मुख मैं आई क्यों अपराधिनि आज? जो सुख स्याम-दुःख कौ कारण, ता पर परी क्यों नहीं गाज? नहीं आवती जो सन्मुख मैं, होती नहिं आनन्द-विभोर। मेरी भावी दुःख-शंका तें तो न दुःखी होते चित-चोर॥ मेरे दुःख-दुखी वे प्रियतम, मेरे सुख तें सुखी अमान। तिन कूँ नित्य दुःखी मैं करती, निज-सुख-इच्छामें बेभान॥ कबहूँ न मैं देखूँ अब तिन कूँ, देख जु पाऊँ रहूँ सचेत। सुख-लहरी आवे न वदनपर, प्रगट न होवे सुख-संकेत॥

[365]

(Rāga Pīlū - Tāla Kaharavā)

कृष्ण-प्रिया राधा-चरन चिपकी रज बड़भाग। छाड़ि ताहि चलन न चहति, राधा अति अनुराग॥

English translation

Continuation of [364]

Upon His head shines a lovely, matchless jeweled crown adorned with a peacock plume. His lips are rosy, His rows of teeth revealed, and a gentle, nectar-sweet smile rests upon them. Pearls and gems adorn His broad chest, together with fragrant flower and tulasi garlands. The little bells at His waist sound sweetly, and the anklets upon His feet ring and chime. Bearing an incomparable, boundless and unearthly beauty, Syama walks along the path. Seated at a window, Radha gazes upon His glorious face with unblinking eyes. Her eyes remain unsatisfied while drinking His beauty, and the ocean of bliss cannot fit within Her heart. A ceaseless stream flows from Her eyes and floods Her pure lotus face. Seeing the blissful moon of Radhika's face, Mohana becomes joyful and immersed in rasa. Suddenly a new fear arises, and Syama's happiness is shattered: "Seeing Me, My beloved Radhika is so happy at this moment. How distraught will She become when I pass from Her sight and can no longer be seen? How will Radha endure that heart-rending thorn within Her breast?" Crying "Alas!" Mohana bursts into tears and suddenly forgets all happiness. Seeing sorrow fill the Beloved's face, Radha's composed body begins to tremble. A pang rises from Her heart as though it were pierced by a terrible, poison-tipped arrow. "Why did I, an offender, come before Syama today for the sake of my own pleasure? Why did lightning not strike this happiness, which has become the cause of Syama's sorrow? Had I not come before Him, I would not have become overwhelmed by joy, and the thief of hearts would not have suffered from fear of my future sorrow. The Beloved suffers from my sorrow and receives boundless happiness from my happiness, yet, unconscious in desire for my own pleasure, I forever make Him suffer. I shall never look upon Him again; if I do see Him, I shall remain vigilant. No wave of happiness will reach my face, and no sign of joy will appear."

[365]

(Raga Pilu - Tala Kaharava)

Blessed is the dust clinging to the feet of Radha, Krishna's Beloved. Because of Radha's profound love, it refuses to leave Her and move away.

Original

Braj Bhasha and Hindi

[366]

(Dohā)

प्यारी-पग काँटो चुभ्यो, निकसी मुख सिसकार। सुनि बेसुध दौरे तुरत, अति सुध रहे निकार॥

[367]

(Dohā)

कदम्ब-वृक्ष-छाया सुखद, राजत स्यामा-स्याम। करत परस्पर रुचिर मधु विविध विनोद ललाम॥ खेलत-खेलत ही लई राधा मुरलि छिपाय। लाड़िलि की लीला ललित, समुझे स्वामी सुभाय॥ छिपे तुरत, राधा विकल, विरहाकुल गंभीर। ठाढ़ी भरे विषाद मन, रस-सागरके तीर॥ औचक कैसे प्रियतम गये, चिंता चित्त अपार। भ्रुकुटि कुटिल भई मान-वश, मगन विचित्र विचार॥

[368]

(Rāga Māṇḍa - Tāla Kaharavā)

लै मुरली प्रिय छिप गये, विरहाकुल गंभीर। मानिनि-सी बैठी विकल, रस-सागरके तीर॥

[369]

(Rāga Khamāja - Tīna Tāla)

विरह-व्यथा-पीड़ित, विषाद-मुख, बैठी निज एकान्त निकुंज। प्रियतम-स्मृति-रत, विरत जगत सब, विस्मृत सकल विषय-सुख-पुंज॥ श्याम-वियोग-अनल जलते सब अंग, अनलसे उपजा जल। बही अश्रुधारा अजस्र अति उष्ण, जलाती सारा स्थल॥ उदय हुआ उच्चाट घोर उर, निकली मुखसे करुण पुकार, "हा प्राणेश! प्राणवल्लभ! हे प्राण-प्राण! हा प्राणाधार!"

English translation

[366]

(Couplet)

A thorn pierces the Beloved's foot, and a gasp escapes Her lips. Hearing it, He instantly runs to Her, losing all awareness while remaining supremely attentive to Her alone.

[367]

(Couplets)

Beneath the pleasant shade of a kadamba tree, Syama and Syama's Beloved shine together, performing many lovely, nectar-sweet and delightful amusements with one another. In the midst of play, Radha takes the flute and hides it. The Lord naturally understands the Beloved Lady's graceful game. He immediately conceals Himself. Radha becomes distraught, grave and tormented by separation. She stands at the shore of the ocean of rasa, Her mind filled with sorrow. How did the Beloved suddenly disappear? Limitless worry fills Her heart. Her brows curve beneath loving displeasure, and She becomes absorbed in wondrous thought.

[368]

(Raga Manda - Tala Kaharava)

Taking the flute, the Beloved has hidden Himself, leaving Her grave and afflicted by separation. Like an offended beloved, She sits distraught upon the shore of the ocean of rasa.

[369]

(Raga Khamaja - Tina Tala)

Afflicted by the pain of separation, Her face sorrowful, She sits in Her secluded bower. Absorbed in remembrance of the Beloved, detached from the world, She forgets every mass of sensory pleasure. Every limb burns in the fire of separation from Syama, and water arises from that fire. An endless stream of burning tears flows, scorching the whole ground. Terrible desolation rises within Her heart, and a piteous cry escapes Her lips: "O Lord of my life! O Beloved of my life! O life of my life! O support of my life!"

Original

Hindi

Continuation of [369]

वचन रुद्ध हो गया अचानक, सूखे नेत्र, स्तब्ध सब अंग। हुए, तभी दीखे मनमोहन, विजयी अमित अनन्त अनंग॥ मधुर-सुमधुर, मधुर उससे भी, परम मधुर, उससे भी और। मधुर-मधुरतम, नित्य-निरन्तर वर्धनशील मधुर सब ठौर॥ अंग-अंग माधुर्य-सुपूरित, मधुर अमृतमय पारावार। अखिल विश्व-सौन्दर्य, मधुर माधुर्य सकलके मूलाधार॥ नील कमल कमनीय कलेवर, सहज सौरभित मधुर अपार। नेत्रद्वय, मुख, नाभि, करद्वय, चरणद्वय द्युति-सुषमागार॥ विविध वर्ण, सौरभ विभिन्न-युत अष्ट-कमल ये अति अभिराम। यों विकसित नव कमल मिलित हो, अनुपम शोभा हुई ललाम॥ देख छबीली छटा, देख छरहरा वदन, छाया आनन्द। छकी, लुभाई, लगी देखने अपलक अति अतृप्त अद्वन्द्व॥ उमड़ा उर आनन्द-सुधा-निधि, बही नेत्र शीतल रस-धार। देख अतुल छवि, माधव मृदु हँस बोले अमृत वचन सुख-सार॥ "प्रिये! तुम्हारा तन-मनका यह दिव्य अतुल लीला-विस्तार। सहज निरीहरूप मुझमें भी करता इच्छाका संचार॥ परमानन्दरूप मैं पाता इसे देख अतिशय आनन्द। इसीलिये मैं छिप-छिपकर अविरत देखा करता स्वच्छन्द॥ परमसिद्ध योगीन्द्र, ब्रह्मवेत्ता मुनीन्द्र, शुचितम सब संत। छू सकते न तुम्हारी छाया, पा सकते न भावका अन्त॥ ललचाते नित रहते, कहते, धन्य! धन्य!! गोपीजन-भाव! चरण-धूलि-कण सदा चाहते, सेवाका अति रखते चाव॥ इसीलिये वे पशु-पक्षी-द्रुम बन ब्रजमें लेते अवतार। पद-रज-कण लै गोपीजनका होते धन्य सिरोंपर धार॥"

English translation

Continuation of [369]

Her speech suddenly stops, Her eyes dry and every limb motionless. Then the mind-enchanter appears, victorious over countless and infinite Cupids. Sweet, sweeter than sweetness, supremely sweet and sweeter still, sweetest of the sweet, His sweetness eternally increases everywhere without cease. Every limb is filled with sweetness, a boundless ocean of sweet nectar. He is the beauty of the entire universe and the original foundation of every sweet charm. His lovely body resembles a blue lotus, naturally fragrant with immeasurable sweetness. His two eyes, face, navel, two hands and two feet are treasuries of radiance and loveliness. These eight enchanting lotuses possess diverse colors and distinct fragrances. Together with the lotus of His blossoming body, the nine lotuses create incomparable splendor. Seeing His graceful beauty and slender form, bliss descends upon Her. Intoxicated and captivated, free from duality yet wholly unsatisfied, She gazes without blinking. An ocean of nectarean bliss surges within Her heart, and a cooling stream of rasa flows from Her eyes. Seeing Her matchless beauty, Madhava smiles gently and speaks nectar-filled words, the essence of happiness: "Beloved, this divine and incomparable unfolding of lila through Your body and mind awakens desire even within Me, whose nature is naturally free from desire. Though I am the embodiment of supreme bliss, beholding it gives Me extraordinary joy. Therefore I hide and forever watch You freely from concealment. Supremely perfected lords of yoga, sages who know Brahman and all the purest saints cannot touch even Your shadow or reach the limit of Your feeling. They forever yearn and cry, 'Blessed, blessed is the feeling of the gopis!' They eternally desire a particle of the dust of their feet and cherish an intense longing to serve. Therefore they take birth in Vraja as animals, birds and trees, becoming blessed by taking a particle of the gopis' foot-dust and bearing it upon their heads."

Original

Hindi

[370]

(Tune: Lāvanī - Tāla Kaharavā)

मलयज पवन, उल्लसित पुलकित लता-गुल्म-तरु क्षुद्र विशाल। कानन कलित सुशोभित, पिक-शुक-कूजित, मुकुलित मधुर रसाल॥ निर्मल जल-पूरित सर-सरिता करती शीतलता संचार। कुंज-कुटीर कुसुम नव-पल्लव, करते अलि-कुल मधुर गुंजार॥ आयी अतिशय प्रमुदित राधा, अन्तरंग सखियाँ ले साथ। हँस-हँस थी कर रही मधुर आलाप, हिलाती कोमल हाथ॥ बता रही थी, कैसे वह कल आ न सकी थी कुंज-कुटीर। कैसे बेसुध थी, कैसे था रहा अचेतन स्थूल शरीर॥ प्रियतम-ध्यान-जनित-सुख-सागरमें वह कैसे रही निमग्न। रहा न था कुछ भी, थी वह बस केवल प्रियतमसे संलग्न॥ बाह्य-ज्ञान-विरहित बरबस, वह याद न रख पायी संकेत। इसीलिये वह बाहर देख न पायी प्रिय आनन्द-निकेत॥ सखियोंसे कह रही लाड़िली थी यों, इसी बीच शुचि एक श्याम-सखी आ बोली, "राधा! सुनो बात मेरी सविवेक। अखिल-रसामृत-सिन्धु रसिक-प्रिय यहाँ पधारे थे कल श्याम, बड़ी मधुर आशा ले मनमें तुमसे मिलनेकी अभिराम॥ पर न प्राप्त कर तुम्हें हुए अति कातर-दुःखी स्वयं सुख-धाम। भूल अन्न-जल-निद्रा, रहे प्रतीक्षामें आतुर वसु-याम॥ अन्तरंग सखियोंने प्रातः देखा, पड़े अचेत-उदास। किसी तरह ले गयीं उठा वे उनको सत्वर कुंज-विलास॥ छिड़क गुलाब कराया चेतन, मनमें भरे विषाद अपार। 'हा राधे! हा प्राणवल्लभे! प्रिये!' तभीसे रहे पुकार॥" श्याम-सखीसे सुनते ही दुःखप्रद समाचार यह घोर, अधोमुखी हो सुधामुखी श्रीराधा हुई विषाद-विभोर॥

English translation

[370]

(Tune: Lavani - Tala Kaharava)

The sandal-scented breeze blows while vines, shrubs and trees, small and great, rejoice and thrill. The lovely forest shines, cuckoos and parrots call, and sweet mango trees open their buds. Ponds and rivers filled with stainless water spread coolness everywhere. Flowers and new leaves cover the bower cottages, while swarms of bees hum sweetly. Radha arrives in supreme joy, accompanied by Her intimate friends. Laughing, moving Her tender hands and speaking sweetly, She explains why She could not come to the bower cottage the previous day, how She had lost all awareness while Her physical body remained unconscious. She had been submerged in an ocean of happiness born of meditation upon the Beloved. Nothing else remained; She was joined only to Him. Irresistibly deprived of outer awareness, She could not remember their appointed signal and therefore could not look outward and see the Beloved, the abode of bliss. As the cherished Lady spoke thus to Her friends, one pure companion of Syama arrived and said, "Radha, listen thoughtfully to what I tell You. Yesterday Syama, the rasika Beloved and ocean of all nectarean rasa, came here with a beautiful, sweet hope within His mind of meeting You. Unable to find You, the very abode of happiness became deeply distressed and miserable. Forgetting food, water and sleep, He waited eagerly through all eight watches. At dawn His intimate companions found Him lying unconscious and dejected. Somehow they lifted Him and quickly carried Him to the pleasure bower. Sprinkling rosewater, they revived Him, but limitless sorrow filled His mind. Ever since then He has cried, 'O Radha! O Beloved of My life! O Beloved!'" Hearing this terrible and painful news from Syama's companion, nectar-faced Sri Radha lowered Her face and became overwhelmed by grief.

Original

Hindi

Continuation of [370]

राधा-हृदय-विषाद क्षणोंमें निकला, फैला चारों ओर। मुरझाये तरु-लता, हो गये अति विषण्ण शुक-पिक-अलि-मोर॥ मलिन हुई सब वन्य-प्रकृति अति, छाया सभी ओर अनुताप। तुरत जल उठा बड़वानल-सा सर-सरिता-जल अपने-आप॥ हो व्याकुल अर्धोन्मत्त-सी उठी, न तनकी तनिक सँभाल। नेत्रोंसे बह चली उष्ण धारा, था मन चंचल बेहाल॥ दिव्य सुकोमल काँप उठा सुकुमार मधुर वह स्वर्ण-शरीर। करने लगी करुण क्रन्दन वह, सिसक-सिसककर बनी अधीर॥ "हूँ मैं कैसी नीच पापिनी, हुई ध्यान-सुखमें जो लीन। भूली प्रियतम-सुख, मैं बनकर स्व-सुख-वासना-जलकी मीन॥ दुःख-हेतु मैं हूँ प्रियतमकी, नीच स्वार्थमें सनी असार। ऐसे पतित घृणित जीवनको बार-बार अतिशय धिक्कार॥ मेरे लिये प्राणवल्लभको सहना पड़ा घोर संताप। भूखे-प्यासे रहे, न सोये, किया भयानक मैंने पाप॥ प्रेम-नामको किया कलंकित, काम-पापसे मैं भरपूर। प्रियतम-सुख-घातिनि मैं, दुःख-विधायिनी, सदा मोह-मद-चूर॥ कैसे, क्या मैं करूँ घोर इस पातकका अब प्रायश्चित्त? नहीं त्याग, तप, शुचिता मुझमें, नहीं तनिक भी साधन-वित्त॥ डूबी रहूँ दुःख-सागरमें नित्य-निरन्तर काल अनन्त, यदि इस पातक-बीज स्वसुख-अभिलाषा-पातकका हो अन्त॥ प्रभो! कृपाकर करो आज तुम मुझे, वरद! दे यह वरदान: कभी नहीं छोड़ूँ प्रियतमको, करूँ न कभी भूलकर ध्यान॥ जहाँ बुलावें, जब जो चाहें, जाऊँ, करूँ वही मैं काम। मनकी छोड़ सभी, मैं चिपटी रहूँ चरण-युग आठों याम॥" इतना कह पड़ गयी धरणिपर अकस्मात होकर अज्ञान। प्रकट हुए वे प्रेमरसार्णव प्रियतम तुरत स्वयं भगवान॥

English translation

Continuation of [370]

Within moments, the grief in Radha's heart emerged and spread in every direction. Trees and vines withered; parrots, cuckoos, bees and peacocks became deeply sorrowful. All forest nature grew dull, and anguish covered every side. The waters of ponds and rivers suddenly began burning like a submarine fire. Distraught and half-mad, She rose without the slightest care for Her body. A burning stream flowed from Her eyes, and Her restless mind was utterly overwhelmed. That divine, supremely tender, lovely golden body began to tremble. She sobbed and cried piteously, overcome with impatience: "How base and sinful I am to have become absorbed in the happiness of meditation! I forgot the Beloved's happiness and became a fish in the water of desire for my own pleasure. I am the cause of the Beloved's suffering, worthless and steeped in vile selfishness. Again and again, shame upon such a fallen and contemptible life! Because of me, the Beloved of my life had to endure terrible anguish. He remained hungry, thirsty and sleepless. I have committed a dreadful sin. Filled with the sin of selfish desire, I have stained the very name of love. I destroy the Beloved's happiness, inflict sorrow and remain intoxicated with delusion and pride. How and by what act can I now atone for this terrible sin? I possess no renunciation, austerity or purity, not the slightest wealth of spiritual practice. Let me remain submerged in an ocean of sorrow forever and through endless time, if only the sinful seed, the sin of longing for my own pleasure, may thereby end. Lord, graciously grant me this boon today, O giver of blessings: may I never leave the Beloved and never forget to meditate upon Him. Wherever He calls, whenever and whatever He desires, let me go and perform that very act. Abandoning every wish of my own, let me cling to His two feet through all eight watches." Saying this, She suddenly lost awareness and fell upon the earth. At once the Beloved Himself, the Lord who is an ocean of loving rasa, appeared.

Original

Hindi

Continuation of [370]

उठा, भुजा भर ले निजांकमें, किया भाल कोमल कर-स्पर्श। जगी चेतना, देख प्राण-प्रियतमको हर्षित, उमड़ा हर्ष॥ उठी, पार्श्वमें बैठी, दोनों लगे देखने अपलक नैन। फिर बरसाने लगे नेत्र दोनोंके शीतल रस-सुख-ऐन॥ लगे परस्पर क्षमा माँगने, दोनों दोनोंके आराध्य। धन्य प्रेम! हो जाता जिसमें साध्य सुसाधक, साधक साध्य॥

[371]

(Rāga Madhuvantī - Tīna Tāla)

विरहाकुल अति व्यथित-हृदय है, छाया है सब ओर विषाद। एक परम सुख है, प्रियकी है बनी निरन्तर प्यारी याद॥ "श्याम आ गये," इसी समय यह सखिने दिया सुखद संवाद। सुनते ही उर-व्यथा मिट गयी, बना विषाद परम आह्लाद॥ उठी, दर्शनातुर विह्वल हो, भाग चली प्रियतमकी ओर। कौन, कहाँ, क्यों भाग रही मैं, भूली होकर प्रेम-विभोर॥ मदमाती डगमगती दौड़ी, पहुँची तुरत कुंजके द्वार। देखा, खड़े मधुर मुसकाते वहाँ प्रेम-धन नन्द-कुमार॥ देख परस्पर मुख-शशि अनुपम, अगणित विधु-निन्दक सुख-सार। हुए निमग्न प्रेम-सुख-रसनिधि, दृगसे बही प्रेम-रस-धार॥ जगी तुरत अपनी अयोग्यता, प्रेमहीनताकी अनुभूति। दीखी उधर रूप-गुण-निधिकी अतुल पवित्र प्रेम-अभिभूति॥ उपजा मन संकोच, बढ़ी फिर प्रियता प्रियतमपर सविशेष। कहाँ अतुल ये सर्वगुणाश्रय, कहाँ हीन मैं सद्गुण-लेश॥ कितने अमित प्रेममय प्रियतम, कितने सहज असीम उदार, जो मिलने मुझ-सी मलिनासे आये स्वयं तुच्छता धार॥ इतनेमें प्रियतमने उसको स्नेह-भरे हाथोंसे खींच, अति निषेध करते-ही-करते लिया उसे निज उरमें भींच॥

English translation

Continuation of [370]

He lifted Her, filled His arms with Her and drew Her into His lap, gently touching Her brow with His hand. Consciousness awoke; seeing the Beloved of Her life joyful before Her, joy surged within Her. She rose and sat beside Him, and both gazed at one another with unblinking eyes. Then both pairs of eyes began showering cooling rasa, the abode of happiness. Each began asking forgiveness of the other, for each was the other's worshipful Lord. Blessed is love, in which the goal becomes the perfect seeker and the seeker becomes the goal.

[371]

(Raga Madhuvanti - Tina Tala)

Tormented by separation, Her heart is deeply pained and sorrow covers every side. One supreme happiness remains: tender remembrance of the Beloved has become continuous. At that moment a companion brings the joyful news, "Syama has come." The moment She hears it, the heart's anguish vanishes and grief becomes supreme delight. Overwhelmed and longing for His vision, She rises and runs toward the Beloved. Immersed in love, She forgets who is running, where She goes and why. Intoxicated and staggering, She runs and immediately reaches the bower's door. There She sees the young son of Nanda, Her treasure of love, standing with a sweet smile. Each beholds the other's matchless moonlike face, essence of joy that puts countless moons to shame. Both become submerged in the treasury of loving happiness and rasa, while streams of love-rasa flow from their eyes. At once awareness of Her own unworthiness and lovelessness awakens. Before Her She sees the unequaled, sacred manifestation of love in the treasury of beauty and virtue. Reserve arises within Her mind, and Her love for the Beloved grows especially intense. Where is this incomparable refuge of every virtue, and where am I, destitute of even a trace of goodness? How immeasurably loving and naturally, infinitely generous is the Beloved, who humbled Himself and came to meet an impure woman like me! Just then the Beloved draws Her toward Him with affectionate hands. Though She protests intensely, He gathers Her and presses Her to His breast.

Original

Hindi and Braj Bhasha

Continuation of [371]

मिलनेपर निषेध शुचि होता, अमिलनमें मिलनेकी चाह। पावन परम प्रेम-रस-निधिकी मिलती नहीं किसीको थाह॥ अपने दोष दीखते अगणित, उसका सद्गुण-सिन्धु अपार। उदय नहीं हो पाता इससे कहीं कभी गर्वाहंकार॥ भरता रहता प्रेम-सिन्धु नित, पर न कभी भर पाता पूर्ण। प्रेम-वृद्धिकी सहज होड़ दिखलाती अपना प्रेम अपूर्ण॥

[372]

(Rāga Bhairava - Tīna Tāla)

सखी! वह कैसो मीठो सपनो। देखत ही प्रेमाम्बुधि उमग्यो, बिसर्यो तन-मन अपनो॥ ठाढ़ी हुती भोरकी बेला हौं निकुंजके द्वार। अति अनमनी, विरह-दुःख-पीड़ित, लखि जीवन निस्सार॥ आय अचानक पाछे सौं मेरे ढिंग वे चुपचाप। कोमल करतल सौं ढाँके दृग दोऊ अपने-आप॥ कर परसत बिजुरी-सी दौरी, बढ़्यो अति अनुराग। हौं पहचानि गई प्रियतम-कर, प्राण उठे पुनि जाग॥ आय गये सन्मुख जीवन-धन प्रियतम हरि अनवद्य। हिय-सरोज बिकस्यो दरसन करि प्रिय-दिनकर के सद्य॥ मिले नयन सौं नयन, हृदय सौं हृदय, बिना व्यवधान। शान्त भयो विरहानल करि कै प्रेम-सुधा-रस-पान॥ इतने महँ कोउ आय जगाई मो कहँ कुलिश-कठोर। जरत हियौ तबही सौं सजनी! बिछुरे प्राण-किशोर॥

[373]

(Rāga Jaṅgalā - Tāla Kaharavā)

नियत समयपर पहुँच न पायी मैं संकेत-स्थान। आये विविध विघ्न-बाधा मिल, लज्जा-भय-अज्ञान॥

English translation

Continuation of [371]

When union comes, sacred refusal arises; when union is absent, longing for union arises. No one can fathom the supremely holy treasury of loving rasa. Each sees countless faults in the self and an immeasurable ocean of virtue in the other. Therefore pride and ego can never arise anywhere. The ocean of love forever fills yet never becomes completely full. Their natural contest to increase love reveals each one's own love as incomplete.

[372]

(Raga Bhairava - Tina Tala)

Friend, what a sweet dream it was! The moment I saw Him, the ocean of love surged and I forgot my own body and mind. At dawn I stood at the entrance of the bower, utterly distraught, tormented by separation and seeing life as worthless. Suddenly He came silently from behind and stood beside me. With His tender palms He covered both my eyes. At the touch of His hands, lightning coursed through me and love greatly increased. I recognized the Beloved's hands, and my life awoke again. Hari, the flawless Beloved and treasure of my life, came before me. Beholding the beloved sun, the lotus of my heart instantly blossomed. Eyes met eyes and heart met heart without obstruction. The fire of separation became still after drinking the nectarean rasa of love. Just then someone as hard as a thunderbolt came and awakened me. Friend, ever since the young Lord of my life departed, my heart has burned.

[373]

(Raga Jangala - Tala Kaharava)

I could not reach the trysting place at the appointed time. Many obstacles and impediments arose together with shame, fear and confusion.

Original

Hindi

Continuation of [373]

घन-विद्युत् गर्जन-तर्जन, अति वर्षा झंझावात। अन्धकारमय पथ, दिनमें हो गयी भयानक रात॥ इतनेपर भी पहुँच गये प्रिय, क्षणभर हुई न देर। हो अधीर, कर रहे प्रतीक्षा, लगा रहे मन टेर॥ पहुँची अति विलम्बसे, प्यारे लगे पूछने बात। मृदु कर-कमलोंसे सहलाने लगे स्वयं मम गात॥ बोले, "क्यों आयी तुम इस दुर्दिनमें कर परिताप? सुख पहुँचाने मुझको तुम नित ही सहती संताप॥" मैंने कहा, "प्राणधन! तुम तो सदा यही हो कहते। पता नहीं तुम मेरे सुख-हित कितने संकट सहते॥ कितना तुम्हें सताती, कितना देती कष्ट अपार। पर तुम क्षुब्ध न हो कदापि, करते नित नूतन प्यार॥ गिनते मम दूषणको भूषण, तमको विमल विकास। मेरे अघको पुण्य मानते, कटुताको उपहास॥ सदा देखते रहते, प्यारे! मेरे मुखकी ओर। देख जरा-सा मलिन, तुरत हो जाते दुःख-विभोर॥ मुझको सुखी देखनेको ही करते सारे काम। एक इसी चिन्तामें रहते, प्यारे! आठों याम॥" तरुण तमाल, कनक-लतिका सम नित्य मिलित तजि निज-पर। घन-दामिनि सम, मोहन-मोहनि मोहत सतत परस्पर॥

[374]

(Rāga Guṇakalī - Tāla Rūpaka)

जग रही थी रातभर सुधिहीन मैं। थी सुखी प्रियके स्मरणमें लीन मैं॥ नित्य ही जगते निशा यों बीतती। श्यामकी स्मृति-खान तदपि न रीतती॥

English translation

Continuation of [373]

Clouds and lightning thundered and threatened; rain and tempest raged. The path was dark, and a fearsome night descended in the middle of day. Even so, the Beloved arrived without a moment's delay. Growing restless, He waited and called to me within His mind. I arrived exceedingly late. The Beloved began asking what had happened and Himself stroked my body with His tender lotus hands. He said, "Why did You come and torment Yourself in such terrible weather? You forever endure suffering simply to bring Me happiness." I replied, "Treasure of my life, You always speak this way. No one knows how many dangers You endure for my happiness. How greatly I trouble You and cause You limitless pain, yet You never become disturbed and forever offer new love. You count my faults as ornaments, my darkness as stainless radiance, my sins as virtue and my harshness as gentle play. Beloved, You forever gaze toward my face. The moment You see it slightly pale, You become overwhelmed by grief. You perform every act only to see me happy. Beloved, this one concern fills all eight watches of Your day." Like a young tamala tree and a golden vine, they remain forever entwined, abandoning self and other. Like a rain cloud and lightning, Mohana and His enchantress forever captivate one another.

[374]

(Raga Gunakali - Tala Rupaka)

I remained awake all night, oblivious to everything. Absorbed in remembrance of the Beloved, I was happy. Night after night passes while I remain awake in this way, yet the treasury of Syama's remembrance never becomes empty.

Original

Hindi

Continuation of [374]

आज प्रातः सहज झपकी आ गयी। वह मुझे मधुपुरीमें पहुँचा गयी॥ देखकर मैं दशा विचलित हो गयी। उसी क्षण मन-शान्ति मेरी खो गयी॥ वाटिकामें घूमते वे श्याम थे। दुःखी व्याकुल हो रहे अविराम थे॥ नेत्र थे आँसू-सलिल बरसा रहे। विकलताको और भी सरसा रहे॥ "हा प्रिय! हा राधिके! हृदयेश्वरी! हा सकल सुखसाधिके! प्राणेश्वरी! लोग कहते यहाँ अति सुख-साज है। देखता मैं, छा रहा दुःख-राज है॥ है नहीं तेरे बिना सुख एक पल। चित्त अधिकाधिक हुआ जाता विकल॥" बिलखते यों पड़े सहसा भूमिपर। दौड़ मैंने ले लिया निज गोद सिर! हाय! इतनेमें तुरत मैं जग गयी! अग्नि दारुण प्राणमें बस लग गयी॥ सोचती हूँ तभीसे मैं मन दिये, हो रहे क्यों विकल प्रिय मेरे लिये॥ रूप-गुणसे हीन तुच्छ नगण्य मैं, कुमति, कुत्सित भाव, नित्य जघन्य मैं॥ है रिझानेको नहीं गुण एक भी, निन्दनीय नितान्त, दोष भरे सभी॥ हूँ नहीं मैं कभी उनको भूलती, इसी कारण बस जो रहती झूरती॥

English translation

Continuation of [374]

This morning I naturally drifted into a brief sleep. It carried me to Mathura. Seeing His condition, I became distraught. At that very moment the peace of my mind was lost. Syama was wandering through a garden, ceaselessly sorrowful and distressed. His eyes were showering streams of tears and making His anguish still more tender. "O Beloved! O Radhika, sovereign of My heart! O fulfiller of every happiness, sovereign of My life! People say this place is richly furnished with happiness, but I see only the kingdom of sorrow spreading everywhere. Without You there is not a moment of happiness. My heart grows ever more distressed." Lamenting thus, He suddenly fell upon the earth. I ran to Him and took His head into my lap. Alas, at that very moment I awoke! A terrible fire took hold within my life. Ever since, I have pondered with concentrated mind: why should the Beloved suffer such anguish for me? I am insignificant and worthless, devoid of beauty and virtue, always wicked-minded, base in feeling and contemptible. I possess not a single quality that could please Him, but am utterly blameworthy and filled with faults. I never forget Him, and this alone is why I remain forever pining.

Original

Hindi

Continuation of [374]

सदा उनके सरल मनमें मैं बुरी। यह स्मृति ही आघात करती बन छुरी॥ भूल उनको मैं अगर जाऊँ अभी, तो न हो फिर दुःख प्रियतमको कभी॥ प्राणका आधार है प्रियका स्मरण। प्राण हर लेगा तुरत ही विस्मरण॥ किन्तु दुःख-विमुक्त हों यदि प्राणधन, लाख ऐसे प्राण दूँगी सुखी मन॥ श्यामकी स्मृति अभी तुम हर लो प्रभो! मरूँ सुखसे, हों सुखी प्रियतम विभो!॥

[375]

(Rāga Vilāsakhānī - Tāla Kaharavā)

सखी! न कोई और जगतमें मुझ-सा कहीं अघी दुःख-धाम, जिसके कारण रहते प्रियतम दुःखी, नहीं पाते विश्राम॥ भूल न सकती मैं प्रियतमको एक पलक भी आठों याम। इसीलिये वे मेरी स्मृतिमें रहते सदा व्यथित घनश्याम॥ सुख-साधन समग्र, सेवक शुचि, सु-प्रासाद, रम्य आराम, ललना गुण-सौन्दर्य परम माधुर्यमयी सेविका ललाम॥ सब कुछ होनेपर भी रहती मेरी स्मृति छायी उर-धाम। इससे कुछ न सुहाता उनको, पाते नहीं तनिक आराम॥ मैं यदि भूल सकूँ तो वे भी भूल जायें मुझको सुखधाम। पाकर सब अनुकूल, बनें वे सुखी सहज प्रिय प्राणाराम॥ प्यारी सखी! करो तुम ऐसा कोई तुरत सिद्धिप्रद काम। मेरे मनसे मृत-संजीवनि स्मृति उनकी मिट जाय तमाम॥ मुझे बताओ या मैं जिसको करूँ अभी मनसे अविराम, जिससे हों वे सुखी प्राणधन, खिले वदन-पंकज अभिराम॥

English translation

Continuation of [374]

Within His guileless mind I am forever a source of pain. This very remembrance strikes Him like a knife. If I could forget Him now, the Beloved would never again suffer sorrow. Remembrance of the Beloved is the support of my life. Forgetting Him would instantly take that life away. Yet if the treasure of my life could thereby become free from suffering, I would gladly give a hundred thousand such lives. Lord, remove Syama's memory from me now! Let me die happily, and let the almighty Beloved be happy!

[375]

(Raga Vilasakhani - Tala Kaharava)

Friend, nowhere in the world is there another sinner and abode of sorrow like me, because of whom the Beloved remains unhappy and finds no rest. I cannot forget the Beloved for even a blink through all eight watches. Therefore dark Syama forever remains afflicted by remembering me. He possesses every means of happiness, pure servants, excellent palaces and lovely pleasure gardens, and beautiful attendants who are treasuries of virtue, beauty and supreme sweetness. Yet despite possessing everything, memory of me continues to cover the abode of His heart. Therefore nothing pleases Him and He finds not the slightest rest. If I could forget, then He too could forget me, O abode of happiness. Finding everything favorable, the beloved delight of my life would then naturally become happy. Dear friend, perform at once some effective act that will wholly erase from my mind His life-restoring memory. Tell me what unceasing practice I should now undertake within the mind so that the treasure of my life may be happy and the lovely lotus of His face may blossom.

Original

Braj Bhasha and Hindi

[376]

(Rāga Aḍānā - Tīna Tāla)

नाथ! अब मो पै कृपा करौ! जसुमति मैयाके नारायन! मो पै आजु ढरौ॥ मोरे मन तैं मधुर स्यामकी सुधि तत्काल हरौ, जातैं भूलि सकैं वे मो कूँ, सुख हो बिनैं खरौ॥ प्रिय-सुख-काज प्राण जो जावें, मेरो काज सरौ। या तैं अधिक लाभ नहिं दूजो मो कूँ समुझि परौ॥

[377]

(Rāga Varāḍī - Tāla Mūla)

मधुर मनोहर नील-श्याम-तन, अनुपम छबिमय। कोटि-कोटि मन्मथ-मन्मथ, सौन्दर्य सुधामय॥ कहाँ दिव्य गुण-रूप-राशि वह मुनि-मन-हारिणि, कहाँ कुरूपा मैं अति कुत्सित तन-मन-धारिणि॥ यद्यपि बाहर नहीं दीखते चिह्न बुरे अति, पर चल रही अहं-क्षत-धारा हृदय तीव्र गति॥ ममता मनमें भरी, नहीं समता है किंचित्। सदा रागमें रँगी, रागसे संतत सिंचित॥ दीख रही ऊपर छायी ठंढक सुख-व्यापिनि, भीतर जलती अग्नि कामनाकी संतापिनि॥ सहज हृदयका क्रोध छा रहा भीतर-बाहर, लोभ हृदयमें भरा, कर्म करवाता दुःखकर॥ हुए प्रकट सब दोष भयानक मेरे सम्मुख, काँपी, डरी, निराशा-सी छायी मेरे मुख॥

Pads 374 through 376 form a single līlā episode.

English translation

[376]

(Raga Adana - Tina Tala)

Lord, show me Your grace now! O Narayana of Mother Yasoda, let Your compassion flow upon me today. Immediately remove sweet Syama's remembrance from my mind so that He may forget me and find unalloyed happiness. If my life departs for the Beloved's happiness, my purpose will be fulfilled. I understand that no greater attainment than this could ever come to me.

[377]

(Raga Varadi - Tala Mula)

His enchanting dark-blue body is sweet and filled with matchless beauty, nectarean loveliness that bewilders millions upon millions of Cupids. Where is that divine treasury of beauty and virtues that steals the minds of sages, and where am I, ugly and bearing a thoroughly base body and mind? Although no terribly evil marks appear outwardly, a violent stream issuing from wounded ego rushes through my heart. Possessiveness fills the mind, and there is not the slightest equality. It is forever dyed in attachment and continually watered by attachment. Outwardly, an all-pervading coolness of happiness appears to cover me, while inwardly the tormenting fire of desire burns. The heart's natural anger spreads within and without, and greed fills the heart and drives it to painful actions. All my dreadful faults became manifest before me. I trembled in fear, and despair covered my face.

Book note: Pads 374 through 376 form a single lila episode.

Original

Hindi

Continuation of [377]

किस साहससे प्रियतमके समीप मैं जाऊँ? तन-मन मलिन अपार, किस तरह मुख दिखलाऊँ? किस मुख उनसे कहूँ, मुझे दो पद-पंकज प्रिय! शुचि पद-रज दे, मुझे बना दो शुद्ध सत्त्वमय॥ मान नहीं मन रहा किंतु, मचला वह अतिशय, चलो, चलो प्रियकी सन्निधिमें, छोड़ो श्रम-भय॥ उठने लगी, गिरी फिर अपनी ओर देखकर, घृणित दोषसे पूर्ण, हाय! मैं जाऊँ क्योंकर? रूप-शील-सौन्दर्य-सद्गुणोंके वे सागर, अतुलनीय, अनुपम सब विधि, प्रियतम नट-नागर॥ मेरे सदृश न कोई पामर, नीच, घृणित जन। मिलनेच्छाका त्याग तदपि करता न हठी मन॥ तम-घन इच्छा करे सूर्यसे मिलनेकी ज्यों, मेरा मन भी श्याम-मिलन-इच्छा करता त्यों॥ पर साहस न जुटा पायी, स्थिति हुई भयानक, मर्मव्यथा अति असहनीय जग उठी अचानक॥ बाह्य चेतना गयी, पड़ी अब सुध-बुध खोकर। अंदर प्रकटे श्याम, रूप-गुण-निधि मुनि-मन-हर॥

English translation

Continuation of [377]

With what courage can I approach the Beloved? My body and mind are immeasurably impure; how can I show Him my face? With what face can I ask Him, "Beloved, give me Your lotus feet? Bestow their pure dust and make me wholly pure in being." Yet the mind will not submit and grows exceedingly restless: "Come, come into the Beloved's presence. Abandon exhaustion and fear." She begins to rise, then falls again after looking upon Herself: "Alas, filled with contemptible faults, how can I go? He is an ocean of beauty, character, loveliness and noble virtues, the Beloved, master of divine play, incomparable and matchless in every way. There is no one as base, low and contemptible as I. Yet this stubborn mind refuses to abandon its desire to meet Him. As a mass of darkness might desire to meet the sun, so my mind desires union with Syama." She cannot gather courage, and the situation becomes terrible. Suddenly an unbearable pain piercing the heart awakens. Outer consciousness leaves, and She falls, losing all awareness. Within, Syama appears, treasury of beauty and virtue, stealer of sages' minds.

Original

Hindi

Continuation of [377]

करने लगे दुलार, सहज मनुहार अपरिमित। नहलाने बस लगे प्रेम-धारामें अविरत॥ कहने लगे, "तुम्हारे जो कुछ बाहर-भीतर है, होता है, छिपा न है मुझसे रत्तीभर॥ अहं, ममत्व, सुराग, कामना, क्रोध, लोभ सब है नित मेरे लिये, नहीं कुछ उनमें तब-अब॥ किंतु तुम्हारा प्रेम शील, निज-गुण न मानकर, गुणमें करता दोष-बुद्धि नित सत्य जानकर॥ प्रिये! तुम्हारा दैन्य सहज, पावन अति सुखकर। अतः नित्य रहता मैं सुख-सम्पादन-तत्पर॥" अन्तर्धान हुए सहसा शुचि रस-वर्षा कर। खुले नेत्र अविलम्ब, चेतना आयी सत्वर॥ देखा खड़े सामने मृदु मुसकाते प्रियवर। हुई कृतार्थ विशुद्ध रसभरी पद-रज पाकर॥

[378]

(Tune: Lāvanī - Tāla Kaharavā)

बैठी राधा थीं यमुना-तट, मनही-मन कर रहीं विचार: मेरे कारण प्रियतमको होता है कितना कष्ट अपार॥ आते मेरे पास सभी आवश्यक कार्योंका कर त्याग। सहते हिम-आतप-वर्षा अति, रखते नहीं कहीं कुछ राग॥ बड़े-बड़े तार्किक, सिद्धान्ती, तत्त्वज्ञानी, सिद्ध, विदेह निन्दा करते, खण्डन करते, कर भगवत्तामें संदेह॥ महान ईश्वर सब लोकोंके, सबके एकमात्र आधार, सर्वातीत, सर्वमय, जिनसे सबका होता है विस्तार॥ वही परात्पर प्रभु करते हैं मुझमें कैसा पावन मोह! नहीं पलकभर भी सह सकते मेरा कभी नितान्त बिछोह॥ परम प्रेममय, प्रेम-रसिक-वर, प्रेम-विवश वे प्रेमाधार, मेरे मनके तोष-हेतु वे करते सब कुछ अंगीकार॥ कहाँ नगण्य, तुच्छ मैं, रूप-गुणोंसे विरहित, दोषागार; कहाँ सर्व सद्गुण-सुषमा-सौन्दर्य अप्रतिमके भंडार॥ मेरे दोषोंपर प्रियतमकी नहीं कदापि दृष्टि जाती। लगता, उनके सुखकी मुझमें सब गुणराशि स्थान पाती॥ सब भगवत्ता भूल, वरण करते वे कुत्सा, कष्ट, कलंक। देख तनिक मुख म्लान, तुरत हो आतुर वे भर लेते अंक॥

English translation

Continuation of [377]

He begins caressing Her and offering limitless, natural endearments. He simply bathes Her without cease in streams of love. He says, "Whatever exists or occurs within or outside You is not hidden from Me by even the slightest fraction. Ego, possessiveness, passionate attachment, desire, anger and greed are all forever directed toward Me; there is nothing else in them, now or ever. Yet such is the nature of Your love that, refusing to regard its own virtues as virtues, it forever judges those virtues to be faults and accepts that judgment as truth. Beloved, Your natural humility is sacred and brings supreme happiness. Therefore I remain eternally intent upon creating Your happiness." Showering sacred rasa, He suddenly disappears. Her eyes open at once and consciousness quickly returns. She sees the Beloved standing before Her with a gentle smile. Receiving the pure, rasa-filled dust of His feet, She becomes wholly fulfilled.

[378]

(Tune: Lavani - Tala Kaharava)

Radha sat upon the Yamuna's bank, pondering inwardly: "How much limitless suffering the Beloved endures because of me! Abandoning every necessary duty, He comes to my side. He endures cold, burning sun and heavy rain without attachment to anything. Great logicians, doctrinal scholars, knowers of truth, perfected beings and those beyond bodily awareness criticize and refute Him, doubting His divinity. He is the great Lord of every realm, the sole support of all, beyond everything yet present as everything, the source from which all expands. What sacred enchantment with me does that transcendent Lord possess! He cannot endure complete separation from me even for a blink. Supremely filled with love, foremost relisher of loving rasa, overcome by love and foundation of love, He accepts everything solely to satisfy my mind. Where am I, insignificant and worthless, devoid of beauty and virtue, an abode of faults; and where is He, the incomparable treasury of every noble virtue, loveliness and beauty? The Beloved never directs His gaze toward my faults. It seems that within me He finds the whole treasury of virtues that bring Him happiness. Forgetting all His divinity, He accepts disgrace, hardship and scandal. If He sees my face even slightly pale, He immediately becomes distressed and gathers me into His lap.

Original

Hindi

Continuation of [378]

नहीं तनिक भी लज्जा करते, करते नहीं तनिक संकोच। ध्यान नहीं देते कदापि वे, कोई कहे भला या पोच॥ मेरे वे सर्वस्व एक ही, वे ही मेरे इह-परलोक। गति-मति-रति, मन-जीवन वे ही, एकमात्र वे ही आलोक॥ इस मेरी बाह्याभ्यन्तर स्थितिका उनको है पूरा ज्ञान। इसीलिये वे मुझपर सदा निछावर रहते हैं भगवान॥ कैसे भी मैं क्षणभर भी इस स्थितिका त्याग न कर पाती। सहते उन्हें देख पर-निन्दा-श्रम, जलती मेरी छाती॥ यद्यपि उनको होता अति सुख मुझे देखकर सुखी अपार, पर मुझको लगता, वे सहते कष्ट नित्य अति प्राणाधार॥ कैसे, मैं क्या करूँ, मिटे जिससे यह प्रियका कष्ट तुरंत? मेरे कारण होनेवाले कष्टोंका हो कैसे अन्त?" इस दुश्चिन्ताकी ज्वालासे जला हृदय, वे हुईं अचेत। स्वर्ण-देह वे पड़ीं भूमिपर, मलिन-वदन सौन्दर्य-निकेत॥ प्यारे वहीं खड़े थे, गिरते देख तुरंत ले लिया गोद। सिर सहलाने लगे स्व-कर, मुखचन्द्र देखने लगे समोद॥

[379]

(Rāga Bhairava - Tīna Tāla)

नित्य उन्होंने चाहा मुझको, मैंने सदा किया अपमान। नित्य उन्होंने मान दिया, पर मैंने किया सदा अभिमान॥ मेरे ही सुख-हेतु नित्य ही दिया उन्होंने सारा प्यार। पर मैंने अवहेला की नित, देती रही सदा दुतकार॥ बार-बार वे मुझको सुखी बनाने आये मेरे पास। मधुर बोल, सत्कार न करके, लौटा दिया निराश-उदास॥ पर वे तनिक न हुए रुष्ट, मुझपर न कदापि किया कुछ रोष। उनके मनको कभी न दीखा मेरा सहज अल्प-सा दोष॥ देते-देते थके न पलभर, देते रहे सदा सर्वस्व। मानिनि, किंतु उन्हें क्या देती मैं दरिद्र स्वाभाविक निःस्व॥

English translation

Continuation of [378]

He feels not the slightest shame or hesitation. He never cares whether anyone speaks well or badly of Him. He alone is my everything, my world here and hereafter. He alone is my path, understanding, love, mind and life; He alone is my light. He knows completely this condition of mine, within and without. Therefore the Lord remains forever wholly offered to me. I cannot abandon this condition for even a moment by any means. Seeing Him endure others' criticism and such hardship makes my breast burn. Although seeing me happy gives Him immeasurable joy, I feel that the support of my life forever endures suffering. What can I do to end the Beloved's pain at once? How can the sufferings He bears because of me be brought to an end?" The flame of this terrible anxiety burns Her heart, and She loses consciousness. Her golden body falls upon the earth, Her face pale, though She is the abode of beauty. The Beloved is standing there and, seeing Her fall, immediately takes Her into His lap. With His own hand He caresses Her head and joyfully gazes upon the moon of Her face.

[379]

(Raga Bhairava - Tina Tala)

He has eternally desired me, yet I have always dishonored Him. He has forever shown me honor, while I have always displayed pride. Solely for my happiness He has forever given all His love, yet I continually neglect Him and always rebuff Him. Again and again He came to me to make me happy, but I offered neither sweet words nor hospitality and sent Him back dejected and sad. Yet He did not become even slightly angry and never showed any resentment toward me. His mind never perceived even the smallest natural fault within me. He never tired for even a moment of giving and eternally offered His everything. Yet what can I, a proud beloved, poor by nature and possessing nothing, give Him?

Original

Hindi and Braj Bhasha

Continuation of [379]

अब रो रही अभागिनि, पतिता, दीना मैं अविरत दिन-रात। याद आ रही मुझको उनकी एक-एक अब मीठी बात॥ इसी योग्य हूँ मैं, मिलता है उचित मुझे बस यह परिणाम: रोना, अश्रु बहाना, व्याकुल स्मृतिमें रहना आठों याम॥ पर मैं मर न सकूँगी, कारण मृत्यु रहेगी मुझसे दूर। होता नित्य रहेगा उनका स्मरण-सुधा-सिंचन भरपूर॥ यों कहती, रोती वह करती सिसक-सिसककर करुण विलाप। मूर्छित हुई, लगी गिरने, ली थाम भुजामें प्रियने आप॥ हुए प्रकट, रखा सिर अपनी मधुर मनोहर कोमल गोद। पीताम्बरसे पोंछ वदन, वे करने लगे पवन मन-मोद॥ गिरे अचानक मुखपर प्रियतम-प्रेमामोद-सुधाके बिन्दु। चेत हुआ, पा प्रिय-गोदीमें, उमड़ा उरमें आनन्द-सिन्धु॥ देखा, प्रियतम अपने कर-कमलोंको फिरा रहे सब गात। अश्रुपूर्ण दृग देख रहे प्रिय अपलक प्यारी-मुख अवदात॥ उठीं, हृदयसे लगीं, बही दोनोंके नेत्रोंसे शुचि धार। वाणी रुद्ध, अमन मन, सारा हुआ निरुद्ध सहज व्यापार॥

[380]

(Rāga Vihāga - Tīna Tāla)

प्रियतम-भामिनि, मधुमय जामिनि, विहरत जमुना-तीर। अलिकुल गुंजत, कोकिल कूजत, मलयज बहत समीर॥ सखी-सहचरी मृदुल मंजरी, गावत वाद्य सुतान। गोपी-चातकिगण निरखत घनश्याम, अतुल आनन्द। चतुर चकोरी निरखत गोरी, रङ्ग चाँदनी चन्द॥ श्रम-जल-बिन्दु, सुरूप-सिन्धु दोऊ, नील-पीत रुचि रङ्ग। रसनिधि अमित अगाध तरंगित, विविध विचित्र तरंग॥

English translation

Continuation of [379]

Now unfortunate, fallen and lowly, I weep without cease day and night. Every one of His sweet words returns to my memory. This alone befits me, and this result alone is just: to weep, shed tears and remain restless in remembrance through all eight watches. Yet I shall not be able to die, for death will remain distant from me. The nectar of His remembrance will forever shower me abundantly and preserve my life. Speaking thus, She weeps and sobs in piteous lamentation. She faints and begins to fall, but the Beloved Himself catches Her in His arms. Manifesting before Her, He rests Her head within His sweet, enchanting and tender lap. He wipes Her face with His yellow cloth and joyfully begins to fan Her. Drops of the nectar of the Beloved's loving joy suddenly fall upon Her face. Awareness returns; finding Herself in the Beloved's lap, an ocean of bliss surges within Her heart. She sees the Beloved passing His lotus hands over all Her limbs. His tear-filled eyes gaze unblinkingly upon the Beloved Lady's stainless face. She rises and presses Herself to His heart; pure streams flow from both pairs of eyes. Speech stops, the mind becomes still and every natural activity is restrained.

[380]

(Raga Vihaga - Tina Tala)

The Beloved and His radiant Lady wander upon the Yamuna's bank in the nectar-filled night. Swarms of bees hum, cuckoos call and the sandal-scented breeze blows. Tender companions and maidservants sing while instruments sound in beautiful melody. The gopis, like cataka birds, gaze upon dark Syama in incomparable bliss. The clever cakori-like fair Lady gazes upon Her moon, delighting in His moonlight. Drops of perspiration adorn both oceans of lovely form, radiant in blue and gold. The limitless and fathomless treasury of rasa surges with many wondrous waves.

Original

Hindi and Braj Bhasha

[381]

(Rāga Toḍī - Tīna Tāla)

एक दिन मिलि प्यारी-प्रीतम कुसुम-सरोवर गये नहान। सखी-मंजरी चलीं संग ले वसनाभूषण अति अवधान॥ गुप्त-घाट जल अमल सुगंधित, प्रविशे दोउ अति सुख स्वच्छंद। रहीं बाहर सखिगण चर्चा-रत, भई प्रिया-प्रिय की सुख-कंद॥ लागे करन परस्पर दोऊ जलमें विविध भाँति कल्लोल। अन्हवाये दोऊ दोउन कौं, बढ़्यो अमित रंग-रस-रोल॥ भूले निज-निज रूप, भई विपरीत दुहुन कौं निज प्रतीति। प्रीतम प्यारी, प्यारी प्रीतम, समझे हो विभोर रस-रीति॥ लगी सजावन प्यारी पिय कौं, उन्हें समझि प्यारी अति नेह। पहिरायो निज नील वसन, कंचुकी, रुचि आभूषण सब देह॥ यही भाँति पिय प्यारी कौं पहिराये अपनो पट रंग पीत। पुरुष समान लाँग दै, सब आभरण सजाये सुंदर रीत॥ स्याम बने स्यामा सब विधि सौं, बनी मनोहर स्यामा स्याम। निकसे, निरखि सखी विहँसीं सब, अति विपरीत वेष अभिराम॥ सहमि गये प्यारी-प्रीतम, लखि हँसिबे कौ रहस्य अज्ञात। "क्यों तुम हँसी देखि हमरे तन?" पूछीं सखियन सौं यह बात॥ हँसि बोली सखि, "देखौ पिय-प्यारी! तुम निज वसनन की ओर।" देखत ही सकुचे दोउ, विहँसे, छूटी हँसी अमित सब छोर॥

[382]

(Second Lāvanī Tune - Tāla Kaharavā)

खड़े हुए थे लिये सहारा तरुका, था सौन्दर्य अनूप। दृष्टि चौंधियायी, मैं देख न सकी प्रथम वह द्युतिमय रूप॥ खुले नयन, देखे मैंने तब अरुण-चरण-जलजात नवीन। नूपुर सुभग सुसज्जित सुन्दर, नृत्य-कुशल वे कला-प्रवीण॥

English translation

[381]

(Raga Todi - Tina Tala)

One day the Beloved Lady and Her Beloved met and went to bathe in Kusuma-sarovara. Their companions and maidservants followed attentively, carrying garments and ornaments. The two freely and joyfully entered the fragrant, stainless water at a secluded bathing place. The companions remained outside, conversing and delighting in the happiness of the Beloved Pair. The two began splashing and playing with one another in the water in many ways. Each bathed the other, and boundless festivity of color and rasa arose. They forgot Their respective forms, and each gained the opposite awareness of self. Overwhelmed by the way of rasa, the Beloved thought Himself the Beloved Lady and She thought Herself the Beloved. With deep affection, the Beloved Lady began adorning Her Beloved while regarding Him as Herself. She dressed Him in Her own blue garment and bodice and placed beautiful ornaments upon every limb. In the same way, the Beloved dressed Her in His yellow cloth, tying it in a man's style and arranging every ornament beautifully. Syama became Syama's fair Beloved in every way, and the enchanting Syama became Syama. When They emerged, all the companions laughed on seeing Their lovely and completely reversed attire. The Beloved Pair became alarmed, unable to understand the mystery of the laughter. They asked the companions, "Why do you laugh when you look at Our bodies?" Laughing, one friend replied, "Beloved and Beloved Lady, look at Your own clothes." The moment They looked, both became shy and laughed, and limitless laughter broke out everywhere.

[382]

(Second Lavani Tune - Tala Kaharava)

He stood leaning against a tree, His beauty incomparable. My vision was dazzled, and at first I could not behold that radiant form. When my eyes opened, I saw His fresh, rosy lotus feet, beautifully adorned with lovely anklets, accomplished in dance and expert in every art.

Original

Hindi and Braj Bhasha

Continuation of [382]

नील-श्याम वदनारविन्द, नव-नागर, कृष्ण सुकुंचित केश। पीताम्बर विद्युत-द्युति, आभूषणयुत अंग, मनोहर वेष॥ मुक्ता-गुंजा हार सुशोभित, झूल रही वनमाला वक्ष। कुटिल भ्रुकुटि, अति दीर्घ नेत्र, रसमय दोनों मनहरण सुदक्ष॥ देख रूप मैं भूली अग-जग, लोचन रहे स्तब्ध अनिमेष। हुई कठिन अति स्थिति, न रही स्मृति, हूँ मैं कौन, कहाँ, किस देश॥ देखा मधुर वक्र नयनोंसे नागरने हँस मेरी ओर। मिले नेत्र-तारे, उमड़ा रस-उदधि हृदयमें ओर न छोर॥ प्रेमधाम सौन्दर्य-वाण, सखि! बिंधा हृदयमें आ सुख-रूप। हुई तुरंत विकल घायल मैं, सुखमय पीड़ा बढ़ी अनूप॥ लज्जा-भय-संकोच-शील सब रमणी-गुण-गौरव शुचि भाव मिटा तुरंत किया आकर्षण, रहा एक दर्शनका चाव॥ छल-छल विमल सुकोमल नयन, अरुण रस-पूरित हृदय महान। नाना भाव तरंगित-विस्मित, कम्पित, मोहित, गत तन-ज्ञान॥ उठी लहर, मन हुआ, भाग अब चलूँ, नहीं पर उठते पैर। बजे मधुर नूपुर, आये वे निकट तुरंत मनोहर गैर॥

[383]

(Rāga Bhūpālī - Tīna Tāla)

उस कैतवके लिये कर रही क्यों तुम सखी! विलाप? माया-ममता-रहित, गूढ़तम जिसके कार्य-कलाप॥ निराकांक्ष, निर्भय, निज-निर्भर, निरवधि भाव-निमग्न, परम स्वतन्त्र सदा जो सस्मित मुख मुरली-संलग्न॥ नहीं किसीके मरने-जीनेकी जिसको परवाह, अपने मनकी ही करनेमें जिसको परमोत्साह॥ काला, कुटिल-भ्रुकुटि, कपटी अति, कुलिश-हृदय, निर्मोह, मोहितकर, हर मन-धन सत्वर, देता विषम विछोह॥

English translation

Continuation of [382]

His lotus face is dark blue; this ever-fresh gallant has black, curling hair. His yellow garment shines like lightning, His limbs are ornamented and His attire enchants. Pearl and gunja garlands beautify Him, while a forest garland swings upon His breast. His brows curve and His exceedingly long, rasa-filled eyes are supremely skilled at stealing the mind. Beholding His form, I forgot the moving and unmoving world; my eyes remained fixed and unblinking. My condition became unbearable; no memory remained of who or where I was, or in what land. The gallant Lord smiled and looked toward me through sweet, sidelong eyes. The stars of our eyes met, and a shoreless ocean of rasa surged within my heart. Friend, an arrow of beauty from the abode of love entered and pierced my heart as the very form of happiness. At once I became wounded and distraught, while an incomparable, blissful pain increased. Shame, fear, reserve, character, the dignity of womanly virtue and every pure feeling were instantly erased by His attraction; only the desire for His vision remained. My stainless, supremely tender eyes overflowed, and my great heart filled with rosy rasa. Waves of countless feelings rose; astonished, trembling and enchanted, I lost awareness of the body. A wave arose and my mind cried, "Run away now," yet my feet would not move. Sweet anklets rang, and the enchanting stranger immediately came near.

[383]

(Raga Bhupali - Tina Tala)

Friend, why do you lament for that deceiver, whose deeply mysterious deeds are free from maya and possessiveness? Desireless, fearless, self-dependent and immersed in feeling without limit, He is supremely independent, forever smiling with flute pressed to His lips. He cares nothing for anyone's living or dying and takes supreme delight in doing only as He pleases. Dark, with crooked brows, exceedingly deceitful, diamond-hearted and detached, He enchants, swiftly steals the mind's wealth and then inflicts terrible separation.

Original

Hindi

Continuation of [383]

पुष्प-पुष्पपर मधुकर जो मँडराता नव-रस-हेतु, भूल भरोसा करना उसका, रखेगा श्रुति-सेतु॥ परम राग-रति-रहित रमण, उसका करके विश्वास ठगी गयी सरला तुम, रसवति, रोती अब भय-त्रास॥ प्रेमरहित वह निष्ठुर निरुपम, नहीं भरोसे जोग। भूलो उसे, छोड़ सब आशा, क्यों करती दुःख-भोग?॥

[384]

(Rāga Khamāja - Tāla Kaharavā)

सखि! सुख-दान करो, कह मोहन मनहरकी मधु बात। प्रियतमकी निन्दा कर तुम मत करो हृदयपर घात॥ मेरे प्राणनाथ वे गुण-निधि, रस-निधि, परम उदार, परम प्रेम-रस-सुधा अमितके पावन पारावार॥ मेरे प्रति अति प्रीति विलक्षण, चिर दिन नित्य नवीन, रस-रहस्यमयी, अन्तर्निहिता, अनुपम, अवधि-विहीन॥ उन मेरे प्रिय प्रियतमके प्राणाभ्यन्तर रस-धार, मधुर सुधामयी अन्तःसलिला-सी बह रही अपार॥ मैं उस परम पावनी अन्तर्मधुरा धारा बीच रहती नित्य निमग्न, न छू पाता मुझको तट-कीच॥ अन्तर्दृष्टिहित तुम उनका देख न पायी भाव। कर बैठी संदेह, परम शुचि रसका समझ अभाव॥ समझ लिया तुमने, वे करते मुझको दुःख-प्रदान। दोष-छिद्र इससे ला-लाकर करने लगी बखान॥ सखि! मैं कैसे तुम्हें बताऊँ, मैं ही सदा सदोष। प्रियमें बस, यह एक दोष है, वे नितान्त निर्दोष॥ सहते मेरे लिये नित्य वे विविध भाँति संताप, कटु कुवाच्य, कुत्सा, तथापि वे क्षुब्ध न होते आप॥

English translation

Continuation of [383]

Like a bee hovering from flower to flower in search of ever-new rasa, if you mistakenly trust Him, He will certainly preserve only the boundary laid down by scripture. Simple and rasa-filled as you are, you trusted that lover who is utterly free from attachment and passion. Now you have been deceived and weep in fear and distress. That loveless and uniquely hard-hearted Lord is unworthy of trust. Forget Him, abandon every hope. Why continue suffering this sorrow?

[384]

(Raga Khamaja - Tala Kaharava)

Friend, give me happiness by speaking sweetly of Mohana, the stealer of minds. Do not strike my heart by reviling the Beloved. The Lord of my life is a treasury of virtue and rasa, supremely generous, the sacred and boundless ocean of immeasurable nectar from the highest loving rasa. His extraordinary love for me is ancient yet eternally new, filled with rasa's mystery, inwardly hidden, matchless and without limit. Within the life of that dear Beloved, an immense current of rasa flows like a sweet, nectarean subterranean river. I remain eternally immersed within that supremely holy and inwardly sweet stream, and no mud from its banks can touch me. Because you lack inner vision, you could not see His feeling. You fell into doubt and mistook the absence of outward display for absence of the supremely pure rasa. You concluded that He causes me suffering and therefore began collecting and proclaiming every supposed flaw. Friend, how can I tell you? I alone am forever at fault. The Beloved has only this one fault: He is utterly faultless. For my sake He eternally endures suffering of many kinds, harsh abuse and slander, yet He Himself never becomes disturbed.

Original

Hindi and Braj Bhasha

Continuation of [384]

देते मुझे नित्य सुख अतुलित, बाहर रहते मौन। सदा उपेक्षा-सी दिखलाते, मनकी जाने कौन?॥ रोती मैं न दुःखसे किंचित्, नहीं मुझे भय-त्रास। मेरे नयन-सलिलका प्रियतम मर्म समझते खास॥ सत्य, प्रीतिवश ही तुम करती प्रियके अवगुण-गान। चुभते किंतु हृदयमें आकर अति विष-बाण समान॥ एक तरफ दुस्सह प्रिय-निन्दा, एक ओर तव प्यार। सखी! क्षमा करना, न समझना इसे कहीं दुत्कार॥ पर जिनको तुम बता रही हो निन्द्य दोषमय काम, ऋषि-मुनि-वांछित वे सद्गुण हैं श्लाघ्य विशुद्ध ललाम॥

[385]

(Rāga Toḍī - Tīna Tāla)

मग जोहति मन व्यथित भामिनी! प्रियतम अजहुँ कुंज नहिं आये, बीति रही मधुमयी जामिनी॥ छटपटात अति प्राण मिलन कौं, चन्द-वदनि सौन्दर्य-धामिनी। प्रेममयी प्राणेश्वरि राधा, साधारण नहिं जगत-कामिनी॥ हाय! हाय! क्यों प्रिय नहिं आये, बिलखि विसूरति हृदय-स्वामिनी। छायो अति विषाद उर-अन्तर, मति भई संतत शोक-गामिनी॥

[386]

(Rāga Sāraṅga - Tīna Tāla)

आय दूतीने बात कही: "चन्द्रावलि की कुंज सिधारे साँवर आजु सही।" सुनत प्रफुल्लित भई राधिका, धीरज सहज गही॥ उठी अमित आनन्द-लहर उर, मानस-सिद्धि लही। चन्द्रावलि सम नहीं कितहूँ कोउ सुन्दरि अन्य मही॥

English translation

Continuation of [384]

He eternally gives me incomparable happiness while remaining outwardly silent. He forever displays what seems like indifference, but who can know His mind? I do not weep from the slightest sorrow and possess no fear or distress. The Beloved alone understands the special mystery of the water flowing from my eyes. It is true that love for me moves you to sing of the Beloved's supposed faults, yet those words enter and pierce my heart like deadly poisoned arrows. On one side is the unbearable reviling of the Beloved, and on the other your love. Friend, forgive me and do not mistake my words for rejection. The acts you describe as blameworthy and filled with faults are praiseworthy, stainless and glorious virtues desired by seers and sages.

[385]

(Raga Todi - Tina Tala)

The radiant Lady watches the path, Her mind afflicted. The Beloved has not yet come to the bower, while the nectar-filled night passes. Her life writhes in longing for union; the moon-faced Lady is an abode of beauty. Radha, sovereign of life and embodiment of love, is no ordinary woman of this world. "Alas, alas, why has the Beloved not come?" The sovereign of His heart laments and grieves. Deep sorrow covers Her heart, and Her mind moves continually through grief.

[386]

(Raga Saranga - Tina Tala)

A messenger arrived and said, "Today dark Syama has truly gone to Candravali's bower." Hearing this, Radhika blossomed with joy and naturally regained composure. An immeasurable wave of bliss arose within Her heart, and Her wish was fulfilled. Nowhere on earth is there another beautiful woman equal to Candravali.

Original

Braj Bhasha and Hindi

Continuation of [386]

मधुर सुहासिनि चतुर विलासिनि, गुन-समूह उमही। मैं नित ही कहती पिय तैं, 'तुम क्यों न जाउ उतही'॥ सुनी नायें पिय बिनय कबहूँ उलटे मो कूँ उलही। दूती! भयो विधाता दच्छिन मन की होय रही॥

[387]

(Rāga Jauḍa Sāraṅga - Tīna Tāla)

निरखि न्यौछावर प्रानपियारे॥ भाव प्रिया के परम मनोहर जग की बिधि तैं न्यारे। पठई हुती स्वयं दूती, छिपि ठाढ़े एक किनारे॥ ब्याकुल दसा देखि प्यारी की निज वियोग मन हारे। निरखि नयन तैं भाव प्रिया के आँसू ढारत प्यारे॥ प्रिया-हृदय के भाव मधुरतम, सुचि, प्रिय, सुखमय सारे। देखने कौं मन जग्यो मनोरथ नहीं टर्‌यौ सो टारे॥ देखि प्रिया कौ सुखमय मुख अब, छूटे प्रेम-फुहारे। पिय कौं सनमुख देखि सलज भये प्रिया-नयन अरुनारे॥

[388]

(Rāga Pīlū - Tīna Tāla)

साँझ लौं रह कैसैं जाय? गाय चरावन गए हरि बन, चित्त अति अकुलाय। निमिष एक अनेक जुग सम दीर्घ मोहि लखाय॥ छिनहिं-छिन मन होय आतुर, मिलन कौं उड़ि धाय। स्याम-दरसन बिना सबहि मसान-सौ दरसाय॥

[389]

(Rāga Pīlū - Tīna Tāla)

अनुपम मोरें मन अभिलास। नव निकुंज सुख-सज्या बिरची, कान्ह-मिलन की आस॥

Book note: Pads 385 through 387 form a single līlā episode.

English translation

Continuation of [386]

She is sweetly smiling, clever in play and overflowing with hosts of virtues. I am forever telling my Beloved, "Why do You not go there?" He never heeds my entreaty and instead reproaches me. Messenger, providence has at last become favorable, and my heart's desire is being fulfilled.

[387]

(Raga Jauda Saranga - Tina Tala)

The Beloved of my life was wholly overcome as He gazed. The Beloved Lady's supremely enchanting feelings are unlike the ways of this world. He Himself had sent the messenger and then stood hidden to one side. Seeing His Beloved distraught in separation from Him, His heart was overcome. As He beheld Her feelings with His own eyes, the Beloved shed tears. Every feeling within His Beloved's heart was most sweet, pure, dear and filled with joy. The wish to witness them awakened in His heart and could not be turned away. Now, seeing His Beloved's blissful face, fountains of love burst forth. When She saw Her Beloved standing before Her, Her eyes reddened with bashful love.

[388]

(Raga Pilu - Tina Tala)

How can I possibly endure until evening? Hari has gone to the forest to graze the cows, and my heart is deeply restless. A single moment appears to me as long as countless ages. Moment after moment my heart grows desperate and would fly to meet Him. Without Syama's vision, everything appears like a cremation ground.

[389]

(Raga Pilu - Tina Tala)

Incomparable is the longing within my heart. Hoping to meet Kanha, I have prepared a delightful bed in a new bower.

Book note: Pads 385 through 387 form a single lila episode.

Original

Braj Bhasha and Hindi

Continuation of [389]

मंगल कलस धरे नव पल्लव, रोपे रंभा-खंभ। निभृत निकुंज करत नित जगमग रतन-दीप-सुस्तंभ॥ बिबिध भोग, बिंजन सुहद्य, फल मधुर, सुधा-संभार। सुरभित सलिल धर्‌यौ भरि झारी, बिबिध भाँति उपहार॥ मृगमद-चंदन-गंध, सुलेपन, विकसित चंपा-फूल। संपुट भरि राखे अति रुचिकर सुचि कपूर-तंबूल॥ तुलसि-मंजरी-सहित सुमन सुंदर सुगंध बर हार। मन में ललित लालसा लसि रहि, करन मधुर मनुहार॥ एक-एक पल बीतत जुग-सम, चित्त परत नहिं चैन। धधकत मन बिरहानल भीषन, छिन-छिन बाढ़त मैन॥

[390]

(Rāga Dhanāśrī - Tīna Tāla)

सखी! यह कैसी भूल भई। लिखन लगी पाती पिय कौं ले दाड़िम-कलम नई॥ भूली निज सरूप हौं तुरतहिं, बन घनस्याम गई। बिरह-बिकल बोली पुकार - 'हा राधे! किते गई?' पाती लिखी - 'प्रिये हृदयेस्वरि! सुमधुर सु-रसमयी। प्रानाधिके! बेगि आओ तुम नेह-कलह-बिजयी'॥ ठाढ़े हुते आय मनमोहन, मो तन दृष्टि दई। हँसे ठठाय, चेतना जागी, हौं सरमाय गई॥

[391]

(Rāga Hamīra - Tīna Tāla)

कान्ह बर धर्‌यौ बिनोदिनि रूप। रूप-सुधा बरसावन भावन अति कमनीय सरूप॥ केस सँवारि, रम्य बेनी रचि, सुरभित सुमन गुँथाए। बेंदी सुभ सिंदूर भाल पर, मृगमद चित्र बनाए॥

English translation

Continuation of [389]

I placed auspicious vessels with fresh leaves and erected pillars of plantain trees. Splendid pillars bearing jeweled lamps make the secluded bower sparkle constantly. There are many offerings, pleasing delicacies, sweet fruits and stores of nectar. I filled a ewer with fragrant water and arranged gifts of many kinds. There are musk, sandalwood fragrance and fine unguents, along with blossoming champaka flowers. In a casket I placed especially pleasing, pure betel rolls prepared with camphor. Beautiful, fragrant garlands of flowers with tulasi blossoms are ready. A graceful longing shines within my heart as I prepare to entreat Him sweetly. Each passing moment is like an age, and my heart finds no rest. The terrible fire of separation blazes within my mind, and desire grows every moment.

[390]

(Raga Dhanasri - Tina Tala)

Friend, what strange forgetfulness came over me! Taking a fresh pomegranate-twig pen, I began to write a letter to my Beloved. At once I forgot my own identity and became dark Syama. Distraught by separation, I cried aloud, "Ah Radhe, where have You gone?" I wrote, "Beloved mistress of my heart, supremely sweet and filled with beautiful rasa, dearer than life, come quickly, for You triumph in every loving quarrel." Manamohana had come and was standing nearby, gazing upon me. He burst into laughter; my awareness returned, and I became ashamed.

[391]

(Raga Hamira - Tina Tala)

Kanha assumed the exquisite form of a playful woman, a most lovely form made to shower the nectar of beauty. He arranged His hair, fashioned a charming braid and wove fragrant flowers into it. He placed an auspicious bindi and sindura upon His brow and drew designs with musk.

Original

Hindi and Braj Bhasha

Continuation of [391]

श्रवण झूमका, नासा में नथ, गल मोतियन कौ हार। घूँघट काढ़ि चले गज-गति सौं, मंदस्मित सुख-सार॥ काजर रेख नयन अति सोभित, आभूषन सब अंग। नूपुर छमछमात चरननि महँ मूर्छित होत अनंग॥

[392]

(Rāga Pīlū - Tāla Kaharavā)

मेरे हे जीवन-जीवन! मेरे हे जीवनके रस! मेरे हे भीतर-बाहर! मेरे हे केवल सरबस! मैं नहीं जानती कुछ भी अतिरिक्त तुम्हारे प्रियतम! मैं नहीं मानती कुछ भी बस, तुम्हें छोड़कर प्रियतम! हर सभी पृथकता, मेरे रह गये एक तुम-ही-तुम। कर आत्मसात्‌ 'मैं-मेरा' सब कुछ अपनेमें ही तुम॥ अब तुम्हीं सोचते-करते सब 'मैं' 'मेरा' मुझमें बन। नित तुम्हीं खेलते रहते बन मेरे चित्त-बुद्धि-मन॥ आनन्द मुझे तुम देते नित बने पृथक लीलामय! अपनेमें अपनेसे ही तुम होते प्रकट कभी लय॥ नित मिलन बिरहकी लीला चलती यों सतत अपरिमित। होते सब खेल अनोखे नित सुख-वाञ्छासे विरहित॥ मैं कहूँ अलग क्या प्रियतम! कहते हो तुम ही सब कुछ। सुनते भी तुम ही हो सब, तुम ही हो, मैं हूँ जो कुछ॥ बैठी निकुंजमें आली! थी ध्यानमग्न सब कुछ तज। एकान्त हृदय-मन्दिरमें यों थी मैं रही उन्हें भज॥ मेरे मनकी ये बातें सुनकर वे प्यारे मोहन। हो गये प्रकट यमुना-तटकी उस निकुंजमें सोहन॥ उरसे अन्तर्हित सहसा हो गये प्राण जीवनधन। व्याकुलता उदय हुई अति, खुल गये नेत्र बस, तत्क्षण॥

English translation

Continuation of [391]

Jhumka earrings adorned His ears, a ring His nose and a pearl necklace His throat. Drawing a veil over His face, He walked with an elephant's gait, the essence of bliss in His gentle smile. Lines of collyrium made His eyes exceedingly beautiful, and ornaments graced every limb. The anklets chimed upon His feet, causing even the god of love to swoon.

[392]

(Raga Pilu - Tala Kaharava)

O life of my life! O rasa of my life! O my within and without! O my sole and entire treasure! Beloved, I know nothing whatsoever apart from You. Beloved, I acknowledge nothing at all except You. You removed every separation, and only You upon You remained for me. You absorbed all of "I" and "mine" into Yourself. Now it is You who think and do everything, becoming the "I" and "mine" within me. You eternally play as my consciousness, intellect and mind. You give me joy by appearing separate and filled with lila, while within Yourself You manifest from Yourself and sometimes become absorbed again. Thus the play of meeting and separation proceeds forever without limit. All these wondrous sports are ever free from the desire for personal happiness. Beloved, what can I say separately? It is You who speak everything. You too are the one who hears it all; You are whatever I am. Friend, I was seated in a bower, absorbed in meditation and having abandoned everything. Thus I worshiped Him within the solitary temple of my heart. Hearing these thoughts of my heart, that dear, enchanting Mohana appeared beautifully in that bower on the bank of the Yamuna. Then the treasure and life of my life suddenly vanished from within my heart. Great anguish arose, and at that very instant my eyes opened.

Original

Hindi and Braj Bhasha

Continuation of [392]

वे देख रहे थे मुझको रसभरे दृगोंसे अपलक। मिलनेकी उठी हृदयमें अत्यन्त तीव्रतम सु-ललक॥ बस, मुझे लगा ली उरसे निज स्वयं भुजाओंमें भर। रसभरे दृगोंसे आँसू बह चले प्रेमके झर-झर॥

[393]

(Rāga Vasanta - Tīna Tāla)

प्राण-प्राण! हे प्राणनाथ! हे प्राण-प्रियतम! हे प्राणेश! परम रमण! हे मधुर मधुरता, सुन्दर सुन्दरताके देश॥ बिना तुम्हारे दर्शनके अब परमाकुल ये पीड़ित प्राण। पाना सहज चाहते अब ही दुस्सह विरहानलसे त्राण॥ निकल भागनेको आतुर ये दर्शन-हेतु त्याग तन-धाम। सुन्दर-सुन्दर कोटि-कोटि शशि-निन्दक मुख-चन्द्रमा ललाम॥ अंग-अंग जल रहा तापसे, मनमें भरा विषाद-विमर्श। शीतल-शान्त-सुखी हो सकता नहीं, बिना पाये संस्पर्श॥ हरी-भरी हिय-लता सुधा-सी सूखी-जली विरहके ताप। दर्शन-स्पर्श-सुधा बरसाकर जीवन-दान करो, निष्पाप॥ पल-पलमें मूर्छित होती, फिर करती जाग करुण-क्रन्दन। हा गोविन्द, गोपिका-वल्लभ, गोपति, प्रियतम, नन्द-नन्दन॥ प्रकटी मिलन-सुधा-धारा उस विरहानलसे अपने-आप। अकस्मात् पलभरमें ही सब पलटा भाव, मिटा संताप॥ एक अनन्य तीव्र विरहानल जल उठता जब उर अन्तर। होते प्रकट उसी क्षण प्रियतम स्वयं वहाँ व्याकुल होकर॥ उदय हुए वे मन्मथ-मन्मथ, लिये मधुर मुख-पंकज हास। मुरली मधुर लिये कर, छाया सभी दिशाओंमें उल्लास॥ मिटी व्यथा, भूली स्मृति सारी, मानो था संतत संयोग। मानो नित्य-प्राप्त था प्रियका चिद्रूप दिव्य सम्भोग॥

English translation

Continuation of [392]

He was gazing at me unblinkingly with rasa-filled eyes. An exceedingly intense longing to meet Him arose within my heart. Then He drew me to His breast and enclosed me within His own arms. From His rasa-filled eyes, tears of love streamed in torrents.

[393]

(Raga Vasanta - Tina Tala)

O life of my life! O Lord of my life! O life-beloved! O sovereign of my life! O supreme lover, sweet essence of sweetness, realm of all beautiful beauty! Without Your vision, these afflicted lives are now utterly distraught and long at once to find deliverance from the unbearable fire of separation. Eager to escape the body's abode for the sake of Your vision, they seek Your lovely moon-face, which puts millions upon millions of beautiful moons to shame. Every limb burns with fever, and the mind is filled with sorrowful reflection. It cannot become cool, peaceful and happy without receiving Your touch. The verdant vine of my heart, once like nectar, has withered and burned in separation's heat. Sinless Lord, shower the nectar of Your vision and touch and grant it life. Moment by moment I faint, then awaken and lament piteously: "Ah Govinda, beloved of the gopis, Lord of the cows, my Beloved, son of Nanda!" From that very fire of separation, a stream of the nectar of union manifested by itself. In a single sudden moment, every feeling was transformed and anguish disappeared. Whenever an exclusive and intense fire of separation ignites within the heart, the Beloved Himself appears there that very instant, overcome with longing. He arose as the bewilderer of the god of love, a sweet smile upon His lotus face. Holding His sweet flute in His hand, He filled every direction with delight. Pain vanished and every memory was forgotten, as though union had been uninterrupted, as though the divine conscious union with the Beloved had been eternally attained.

Original

Hindi and Braj Bhasha

Continuation of [393]

'गया न कहीं कभी था मैं, जा सकता कहीं न तुमको त्याग।' बोले प्रिय - 'मैं पान कर रहा था छिप तव रसमय अनुराग॥' कहा श्रीमतीने - 'हाँ-हाँ, सच, तुम न गये थे मुझको छोड़। जा सकते न कभी अपने ही बँधे स्नेह-बन्धनको तोड़॥ लुका-छिपी-लीलामें जब तुम हो जाते प्रिय! अन्तर्धान। ब्याकुलता लख मन-नैनोंको स्वयं बता देते संधान॥ जहाँ-जहाँ जाते फिर मेरे नेत्र ढूँढ़ने तुमको श्याम। जहाँ-जहाँ जाता मन पाने तुम्हें, छोड़कर सारे काम॥ वहाँ-वहाँ तुम खड़े दीखते, मोहन! मधुर नचाते नैन। बरबस हरते चित्त सुधा-से सुना-सुनाकर मीठे बैन॥ मधुर-मधुर मुसकाते, हृदय लगाते, कर मोहन भ्रूभंग। परम सुखद संस्पर्श प्राप्तकर होते धन्य, सुखी सब अंग॥ सदा साथ रहते तुम मेरे, हो चाहे समीप या दूर। जीवनमें भीतर-बाहर तुम, बस, छाये रहते भरपूर॥ यों संयोग सुख-सुधा-रस-सागरमें दोनों हुए निमग्न। उदित प्रेम निर्मल भास्कर हो मोह-निशा कर देता भग्न॥ प्रेमास्पद-सुख-रूप त्यागमय प्रेमराज्यके ये दो तत्त्व। मिलन-वियोग नित्य रसवर्धक, दोनों रखते परम महत्त्व॥

[394]

(Rāga Āḍānā - Tīna Tāla)

तुम बिनु बीतत छिन-छिन जुग-सम जीवनधन! बनवारी। जरत रहत नित हिय दावानल दारुन दहत देह सारी॥ पै या तैं सुख होत जु तुमकूँ आवत जब यह सुधि प्यारी। तब अति उपजत मो चित महँ सुख मिटत मरम पीरा सारी॥ धन्य वियोग-जनित मेरौ दुख जो तुम्हरे हित सुखकारी। वा दुख पै हौं नित्य निछावर पल-पल जाऊँ बलिहारी॥

English translation

Continuation of [393]

"I never went anywhere," said the Beloved. "How could I ever abandon You and go? Hidden from sight, I was drinking Your rasa-filled love." Srimati replied, "Yes, yes, it is true. You did not leave me. You could never break the bonds of affection that bind You to Your own self. Beloved, whenever You disappear during the play of hide-and-seek, You see my mind and eyes grow distraught and reveal Your whereabouts Yourself. Wherever my eyes travel in search of You, Syama, and wherever my mind goes to find You, abandoning every other task, there You appear standing, Mohana, making Your eyes dance sweetly. By speaking nectar-like, honeyed words, You irresistibly steal my heart. You smile so sweetly, draw me to Your heart and make enchanting movements of Your brows. Receiving Your supremely delightful touch, every limb becomes blessed and happy. You remain forever with me, whether near or far. Within and without my life, You alone pervade everything in fullness." Thus both became immersed in the ocean of rasa, nectar and bliss of union. The stainless sun of love arose and shattered the night of delusion. These two principles of love's realm are self-renunciation embodied as the Beloved's happiness. Meeting and separation eternally increase rasa, and both possess supreme importance.

[394]

(Raga Adana - Tina Tala)

Without You, each passing moment is like an age, treasure of my life, Banavari. The wildfire within my heart blazes constantly, fiercely consuming my whole body. Yet when the dear remembrance of this reaches You and gives You happiness, great joy arises within my heart and all its deepest pain disappears. Blessed is my sorrow born of separation when it brings happiness to You. I offer myself eternally to that sorrow and sacrifice myself to it every moment.

Original

Braj Bhasha and Hindi

Continuation of [394]

जुग-जुग जनम-जनम रोवत मोय मिलत रहे यह सुख भारी। तुम्हरौ सुख ही है मेरौ सुख केवल, मन्मथ-मनहारी॥ या सिवाय नहिं जगै कबहूँ कछू कोउ अभिलाषा अधघहारी। बिछुरन-रोवन, मिलन-हँसन सब तुअ सुख-हित गिरिधारी॥ सुनि मृदु मधुर बचन प्यारी के पुलकित तन मुरलीधारी। निज सुख हेतु त्याग लखि सखि कौ उमग्यौ हिय रस सुधि-हारी॥ निकस्यौ दृग-द्वारनि मधु-रस सो अमृत अनुत्तम बिस्तारी। दोउ अति विह्वल भये प्रेमबस उदई प्रीति-रीति न्यारी॥ रहे मौन कछु काल रसिक प्रभु तब रस-बानी उच्चारी। 'मो पे प्रिये! बस्तु नहिं कोऊ तुम्हरे रसकी अनुहारी॥ कैसें करि सुख पहुँचावों तोय, त्याग-रस-मतवारी। जुग-जुगको मैं रिनी, न मो पे वा रति रिन-सोधनवारी'॥ सुनि प्रिय बचन परी चरननि में प्रेमातुर सर्बस हारी। लई उठाय तुरत प्रियतम ने भरी नेह भरि अँकवारी॥

[395]

(Rāga Bāgeśrī - Tāla Kaharavā)

कोटि-कोटि कंदर्प-दर्पहर हैं माधव सौन्दर्य-निधान। तुम्हें देखते ही बढ़ आयी इनमें सुन्दरता सुमहान॥ माधव हैं सौन्दर्य अतुल-माधुर्य-रस-सुधा पारावार। शशि-ज्योत्स्नासे सागरकी ज्यों उठती आनन्दोर्मि अपार॥ देखो! कैसे विह्वल हो, ये भूल स्वरूपानन्द पवित्र। तव मुख-कमल-निरीक्षण-सुखमें खड़े विभोर लिखे-से चित्र॥

[396]

(Rāga Vihāga - Tīna Tāla)

श्रीमती! छमा करौ, तजि मान। हौं तो सदा तिहारौ सेवक, तुम स्वामिनी सुजान॥ बेर भई या कारन मोकूँ, करत रहो तव ध्यान। देखत रह्यौ निरंतर अति समीप तुम कूँ रसखान॥

English translation

Continuation of [394]

May I receive this immense joy of weeping through age after age and birth after birth. Your happiness alone is my happiness, O enchanter of the god of love. Apart from this, may no other desire, destroyer of sin, ever arise within me. Separation and weeping, meeting and laughter, all are solely for Your happiness, Giridhari. Hearing His Beloved's soft and sweet words, the flute-bearer's body thrilled with joy. Seeing His companion renounce everything for His happiness, a rasa that stole all awareness surged within His heart. Honeyed rasa streamed through the gateways of His eyes and spread as incomparable nectar. Both were utterly overwhelmed under love's power, and a wondrous way of affection arose. The rasika Lord remained silent for a while, then spoke these words filled with rasa: "Beloved, I possess nothing that could equal the rasa of Your love. How can I bring happiness to You, who are intoxicated by the rasa of renunciation? I am Your debtor for age after age, and I have no love capable of discharging that debt." Hearing Her Beloved's words, She fell at His feet, overcome with love and having surrendered all. Her Beloved immediately lifted Her and clasped Her tightly in a loving embrace.

[395]

(Raga Bagesri - Tala Kaharava)

Madhava, the abode of beauty, shatters the pride of millions upon millions of Cupids. The instant He saw You, an immeasurably greater beauty arose within Him. Madhava is a shoreless ocean of incomparable beauty and the nectar of sweetness and rasa. As moonlight raises endless waves of joy upon the sea, so Your sight stirs His beauty. Look how overwhelmed He is, forgetting the pure bliss of His own being. Absorbed in the joy of gazing upon Your lotus face, He stands as motionless as a painted image.

[396]

(Raga Vihaga - Tina Tala)

Srimati, forgive Me and abandon Your wounded pride. I am forever Your servant, and You are my wise and sovereign mistress. I was delayed because I remained absorbed in meditation upon You, continually beholding You, the treasure-house of rasa, very near to Me.

Original

Braj Bhasha and Hindi

Continuation of [396]

करत रहीं नव-नव नाना-बिधि लीला तुम मो संग। अति प्रत्यच्छ मिलन-माधुरि अति, रसमय कथा-प्रसंग॥ मधुर अमिय-रस-बरसी बचन, मनोहर मधुरालाप। सुनत, निहारत रूप-माधुरी, देखत क्रिया-कलाप॥ आनंदामृत परम दिव्य पाकर हौं भूल्यो भान। रह्यौ तिहारे सुख-सेवा-रत, तुमहि निकट निज जान॥ टूट्यौ ध्यान, छिपी मन मूरति, उदयौ बाहर-ग्यान। तब हौं दौरि चल्यौ आतुर हल, मन महँ अति भय मान॥ छमहू छमा-मन्दिर! मेरौ यह मोह-जनित अपराध। बाहर-भीतर सदा रह्यौ हौं तो तव ढिंग निर्बाध॥

[397]

(Lāvanī Tune - Tāla Kaharavā)

"तुम कुछ भी कहो भले, कहकर सुख पाओ। डाँटो, दुत्कारो, पर निकुंजमें आओ॥ अब देखे बिना न मैं पलभर रह पाता। तुमसे क्या कहूँ - न कुछ भी मुझे सुहाता॥ मुरली, लकुटी, प्रिय सखा, वत्स, गो-माता। है नहीं किसीसे मेरा मन हरषाता॥ मैयाका मिश्री-माखन मुझे न भाता। मन अधर-सुधा-रस-पान-हेतु बिलखाता॥ क्या भेजूँ तुम्हें सँदेश, न मैं लख पाता। तुम मिलो तुरत, बस, एक यही मन आता॥ है प्रेम नहीं मुझमें, जो मन सरसाता। दृग-मधुप-युगल तव मुख-पंकज मँडराता॥ तुम हो प्राणोंकी प्राण न अब तरसाओ। मैं पैरों पड़ता, मुझे न यों छिटकाओ॥

English translation

Continuation of [396]

You performed ever-new lilas of countless kinds with Me. The sweetness of our meeting was vividly present, along with rasa-filled stories and exchanges. Your words showered the sweet rasa of nectar, and Your charming conversation was exceedingly sweet. I listened, gazed upon the sweetness of Your form and watched all Your acts and gestures. Receiving that supremely divine nectar of bliss, I lost all outward awareness. I remained absorbed in serving Your happiness, knowing You to be close beside Me. Then the meditation broke, the image within My mind vanished and awareness of the outer world arose. I immediately ran here in desperate haste, greatly afraid within My heart. Abode of forgiveness, forgive this offense born of bewilderment. Within and without, I have always remained unobstructedly beside You.

[397]

(Lavani Tune - Tala Kaharava)

"Say whatever You wish, if speaking it gives You happiness. Scold Me and cast Me off, but please come to the bower. Now I cannot remain even a moment without seeing You. What can I tell You? Nothing at all gives Me pleasure. My flute and staff, dear companions, calves and mother cows, none of them can gladden My heart. Mother's rock sugar and butter no longer please Me. My heart laments to drink the nectar-rasa of Your lips. I cannot discover what message I should send You. Only this one thought arises: meet Me at once. I possess no love within Me that could make My heart tender. The twin honeybees of My eyes hover around the lotus of Your face. You are the life of My life, so do not make Me pine any longer. I fall at Your feet; do not cast Me away like this.

Original

Hindi and Braj Bhasha

Continuation of [397]

प्राणेश्वरि! विनती सुनो, मुझे अपनाओ। दर्शन दे मुझको प्राण-दान दो, आओ॥ आना न रुचे तो मुझको ही बुलवाओ। दे अनुमति, मुझपर प्रिये! दया दिखलाओ॥ तुम अब भी यदि मुझपर न दया लाओगी। तो मुझे प्राण-संकटमें तुम पाओगी'॥ दूतीने आ जब यह संदेश सुनाया। राई रो पड़ी, पड़ी हो मूर्छित काया॥ दौड़ी सखियाँ, कर यत्न चेत करवाया। बोली - 'मैं कितनी हूँ निर्दयी, अमाया॥ मैं प्राणनाथको हूँ कितना दुख देती? उनसे केवल मैं निज सुखको ही लेती'॥ हो आतुर अति, दूतीको ले सँग आयी। देखी प्रियतमकी बुरी दशा अकुलायी॥ निज पटसे पोंछे नेत्र मधुर-मृदु हँसकर। फिर प्राणनाथसे मिली बाहुमें कसकर॥ सब मिटी व्यथा मुखपर मुसकाहट छायी। कर अधर-सुधा-रस-पान गले लपटायी॥ सब हुए प्रफुल्लित अंग, बही रस-धारा। सुख अन्तहीनने सारे दुखको मारा॥

[398]

(Rāga Āsāvarī - Tīna Tāla)

स्याम-मन उमग्यौ आनंद-सिंधु। निरखत मधुर, मनोहर, सुन्दर राधा-मुख-सरदिंदु॥ तन अति पुलक, मुलक मधु अधरन, हृदे प्रेम-रस-पूर। चंचल नयन अचंचल, अपलक ठिठकि रहे लखि नूर॥

English translation

Continuation of [397]

"Sovereign of My life, hear My plea and accept Me as Your own. Come, grant Me Your vision and give Me the gift of life. If You do not wish to come, then summon Me to You. Give Me permission, Beloved, and show mercy to Me. If even now You will not show Me mercy, You will find Me in mortal peril." When the messenger came and delivered this message, Rai burst into tears and fell unconscious. The companions ran to Her and labored to restore Her awareness. She said, "How merciless and unfeeling I am! How much suffering I cause the Lord of my life. I only take my own happiness from Him." Utterly anxious, She brought the messenger with Her and came. Seeing Her Beloved's terrible condition, She became distraught. Smiling sweetly and gently, She wiped His eyes with Her veil. Then She met the Lord of Her life and clasped Him tightly in Her arms. All anguish disappeared and a smile spread across His face. Drinking the nectar-rasa of Her lips, He clung to Her neck. Every limb blossomed and a stream of rasa flowed. Endless happiness destroyed every sorrow.

[398]

(Raga Asavari - Tina Tala)

An ocean of bliss surged within Syama's heart as He gazed upon Radha's sweet, enchanting and beautiful autumn-moon face. His body thrilled intensely, honey blossomed upon His lips and His heart filled with the rasa of love. His restless eyes became motionless and remained fixed and unblinking upon Her radiance.

Original

Braj Bhasha and Hindi

Continuation of [398]

बही सुधा-धारा अति सीतल, भीगे मधुर कपोल। गदगद कंठ, गिरा नहिं आवत, बोले रसमय बोल॥ प्रान प्रियतमे! तुम हो मेरे जीवन की आधार। कबहूँ न बिछुरौ मन-नयननि तैं सहज कृपा उर धार॥

[399]

(Rāga Vihāga - Tīna Tāla)

मो तें भईं चूक अनगिनती राधे! जान-अजान। अजहूँ होति रहति पद-पद पर पल-पल बिनु-परिमान॥ दीन्हे, देत रहूँ मैं तुमकौं दुःख अनेकन भाँति। लखि न लखीं, न तजौं मैं कबहूँ अपनी अवगुन-पाँति॥ तुम-सी परम सती कहाँ, पावन सखियन की सिरताज। स्वसुख-वासनारहित, सुखाकर, जियन-मरन मम काज॥ कहाँ मैं अज्ञ, विशुद्ध-प्रीति-रस-रहित, अकृतज्ञ, गँवार। कितव, नित्य नूतन रस-लोभी, लंपट, लँगर, लबार॥ तुम्हरौ प्रेम परम सुचि, पावन अति, अनन्य एकान्त। जुग-जुग हौं मन राखौं सबकौ, कोटि कामिनी-कांत॥ नहीं तुम्हारी मेरी राधे! तुलना काहु प्रकार। तुम उज्ज्वल प्रकास-गुन-निधि, हौं कारौ, निरगुन झार॥ तुम सौं करौं प्रीति जो कबहूँ सो अपने सुख-काम। नहीं त्याग रंचक वा में, नहि निरमल प्रीति ललाम॥ तदपि न चढ्यौ दोष एकहु मन, गुन करि जाने दोस। बढ़त न रुकी, प्रेम-रस-सरिता अमित नित नये जोस॥ तुम्हरे बिमल हृदय-रस कौ मैं करूँ नित्य अपमान। तदपि बढ़त देखौं मैं तुम्हरी पावन प्रीति अमान॥ सर्व त्यागमय अति महान यह तुम्हरो दुरलभ भाव! तदपि दैन्य तें सन्यौ सहज नित, तनिक न मान-लगाव॥

English translation

Continuation of [398]

An exceedingly cooling stream of nectar flowed and bathed His lovely cheeks. His throat choked and speech would not come, yet He spoke words filled with rasa: "Beloved of My life, You are the support of My existence. By Your natural grace, never become separated from My mind or eyes."

[399]

(Raga Vihaga - Tina Tala)

Radhe, I have committed countless errors, knowingly and unknowingly. Even now they continue without measure at every step and every moment. I have caused You, and continue to cause You, sorrow in many ways. Though I see them, I do not truly see them, nor do I ever abandon the multitude of My faults. Where is there another supremely faithful Lady like You, the sacred crown of all companions, free from every desire for personal happiness, a giver of joy and the purpose of My living and dying? And where am I: ignorant, devoid of the rasa of pure love, ungrateful and uncultured, a deceiver, forever greedy for fresh rasa, wanton, shameless and boastful? Your love is supremely pure, sacred, exclusive and one-pointed. Age after age I seek to please everyone, the lover of millions of women. There can be no comparison of You and Me in any way, Radhe. You are radiant light and a treasury of virtues; I am dark and a barren heap without virtue. Whenever I love You, it is from desire for My own happiness. It contains not the slightest renunciation and is no crown jewel of stainless love. Yet not one fault ever arose in Your mind; You regarded My faults as virtues. The boundless river of the rasa of Your love never ceased to swell with ever-new vigor. I eternally dishonor the rasa of Your stainless heart, yet I behold Your immeasurable, sacred love continually increasing. This rare feeling of Yours is supremely great and consists wholly of renunciation, yet it is naturally and eternally joined with humility, without the slightest attachment to pride.

Original

Hindi and Braj Bhasha

Continuation of [399]

भाव-सुधा-रस-बारिधि या कौ मिले जु सीकर एक। बने धन्य मेरौ जीवन, तब रहे प्रेम की टेक॥ सहम गई, लज्जित भई भारी, राधा सुनि प्रिय बैन। धरती लगी कुरेदन, धारा बही सलिल दोउ नैन॥ बानी रुकी, कंठ भये गदगद, काँपी कंचन देह। बरसन लग्यौ अमित उर अंतर सहज दैन्य-रस-मेह॥ अधम, निपट गुनरहित, मलिन-मन, औगुन की आगार। विरहित नित सौन्दर्य, रहित माधुर्य कुरूपाकार॥ लेती रही नित्य सुख तिन्ह तें, निज सुख कौ नित चाव। इतनौ ही प्रेमार्थ लह्यौ मन, यही मम महाभाव॥ बोली अति धीरज धर राधा - 'सुनो, जीवनाधार! हौं अति नीच मान की भूखी, मन अति तुच्छ बिचार॥ निकसे नहीं बिषम बानी सुन, या तें ये पंच-प्रान। विदर्‌यौ नहीं हियौ कुलिसाधिक तुम तें लहि सम्मान॥ निश्चै ही प्रानेस्वर हौ तुम इतने अर्थ गँवार। देख रहे जो मो-सी नीच अधम में गुन-संभार॥ इसी भाँति तुम निश्चै ही हौ इतने अर्थ लबार। जो गुन-रूप-हीन मेरे गुन गाते बारंबार॥ निश्चै ही लंपट हो जो तुम करौ सबहिं सुख-दान। नित नव-रस-लोभी तुम, तुम कूँ प्रेम-तत्त्व-कौ ग्यान॥ कितव, लँगर, साँचे तुम छल सब ठगत फिरत संसार। सुखमय निज निरमल रस दे तुम लेते स्वयं उबार॥ कोटि-कोटि हैं सक्ति-सरूपा प्यारिन कौ बिस्तार। मन रख, बने कांत तुम सबके प्रियतम एक उदार॥ मो तें अधिक सकल सुंदर सुचि, मधुर सील गुनधाम। सहज समर्पित जीवन, अति सुखदायिनि परम ललाम॥

English translation

Continuation of [399]

If I could receive even one drop from this ocean of the nectar-rasa of Your feelings, My life would become blessed and love would then have a foundation." Hearing Her Beloved's words, Radha trembled and became deeply ashamed. She began scratching the earth while streams of water flowed from both eyes. Her speech stopped, Her throat choked and Her golden body trembled. Within Her heart, a limitless rain of the rasa of natural humility began to fall. "I am fallen, utterly without virtue, impure of mind and an abode of faults. I am forever bereft of beauty and sweetness, my form ugly. Yet I have continually taken happiness from Him, forever seeking my own delight. My mind has understood only this much as the meaning of love, and this alone is my mahabhava." Gathering great composure, Radha said, "Listen, support of my life! I am exceedingly base, hungry for honor, and my mind's thoughts are utterly petty. That these five life-airs did not depart on hearing Your terrible words, and that this heart, harder than a thunderbolt, did not split on receiving praise from You! Surely, sovereign of my life, You are uncultured in this sense: You behold a treasury of virtues in someone as low and fallen as me. In the same way, You are surely boastful in this sense: You repeatedly sing the virtues of me, who possess neither virtue nor beauty. Surely You are wanton, for You give happiness to everyone. You are forever greedy for fresh rasa, for You know the truth of love. Deceiver and shameless rogue, in truth You wander through the world tricking everyone. Giving them Your own pure, blissful rasa, You Yourself rescue them. Your beloveds, embodiments of Your potency, expand into millions upon millions. Pleasing the heart of each, You become the one generous lover of them all. Every one of them is more beautiful and pure than me, a sweet abode of character and virtue, her life naturally surrendered, supremely glorious and a giver of immense happiness.

Original

Braj Bhasha and Hindi

Continuation of [399]

सब तें दीन-हीन हौं कलुषित, मो में इतनो मोह? बिनु गुन मानत गुन, स्वभाव बस परानंद-संदोह!॥ तुम्हरे मुख गुन-सुंदरता सुन सुख मानत मम चित्त। काम, कलंक, बासना मन की, यहे एक है बित्त॥ मुँह न दिखाऊँ तुमहि, कहा मैं करूँ किंतु असहाय। हिय विदरत तुव दरसन बिन छिन, जरत जोर जिय हाय!'॥

[400]

(Rāga Naṭa - Tīna Tāla)

नहीं तुम्हारा अन्तर देखा, देखे नहीं भीतरी भाव। भूलभरी अपनी आँखोंसे देखा बाहरका बर्ताव॥ भूल गयी मैं शील तुम्हारा सहज नित्य निर्मल निर्दोष। अपने दृष्टि-दोषसे मुझको दिये दिखायी तुममें दोष॥ जाने लगे श्यामसुन्दर जब तुम मथुरा, हो रथ-आरूढ़। लगी समझने निष्ठुर निर्दय प्रेमशून्य मैं तुमको मूढ़॥ यद्यपि तुम निज आत्मा-मनको छोड़ गये थे मेरे पास। लोक-दिखाऊ तनसे जाते भी, थे अतिशय खिन्न, उदास॥ मेरे शुद्ध प्रेमका करके जान-बूझकर तुम अपमान। जाते हो, माना, अकुलायी, लगी चोट, भड़का अभिमान॥ प्रेमरहित मिथ्या अभिमानिनि मुझ कुटिलाका यह दुर्भाव। डाल न सका तुम्हारे निर्मल प्रेम-सूर्यपर किंतु प्रभाव॥ हुए प्रकट, नित नव-वर्धन-सौन्दर्य कमल-मुख किये मलान। अपराधी-से खड़े हो गये, मस्तक नीचा किये अमान॥ नित्य अधर मुस्कान मधुरयुत मदन-मनोहर नित्य किशोर। क्यों हो रहे खिन्न यों? परमानन्द-सिन्धु मुनि-मानस-चोर॥ देख सहम मैं गयी, मलिन मुख-शशि, मन उमड़ा दुःख अपार। बोल न सकी, बह चली नेत्रोंसे उत्तप्त अश्रुकी धार॥

English translation

Continuation of [399]

I am the lowest, most destitute and impure of all, so why this fascination with me? By Your own nature, O treasury of supreme bliss, You see virtues where none exist. Hearing beauty and virtue praised from Your lips gives pleasure to my heart. This is lust, disgrace and the craving of my mind; it is my sole possession. I should never show You my face, but what can I do? I am helpless. Without Your vision, my heart splits in a moment and my life burns fiercely. Alas!"

[400]

(Raga Nata - Tina Tala)

I did not see what lay within You or behold Your inner feelings. Through my error-filled eyes, I saw only Your outward conduct. I forgot Your naturally and eternally stainless, faultless character. Because of the defect in my own vision, faults appeared to me within You. When You mounted the chariot and began to leave for Mathura, Syamasundara, in my foolishness I began to regard You as hard, merciless and devoid of love. Yet You had left Your very self and mind beside me, and though only Your visible body departed for the world's sake, You were deeply afflicted and sad. Thinking that You were deliberately insulting my pure love by leaving, I became distraught, felt wounded and let pride flare up. But this evil feeling of mine, crooked and filled with false, loveless pride, could have no effect upon the sun of Your stainless love. You appeared, Your ever-new and ever-increasing beauty dimming Your lotus face. You stood like an offender, without pride, Your head bowed. Eternally youthful and enchanting even to Cupid, with lips forever adorned by a sweet smile, why are You so dejected, ocean of supreme bliss and thief of the sages' minds? Seeing the moon of Your face so pale, I trembled and immeasurable sorrow surged within me. I could not speak, and a stream of burning tears flowed from my eyes.

Original

Hindi

Continuation of [400]

बोले - 'अति अगाध प्रेमोदधि-रूपे हे राधे! सुख-खान। तेरे गुण-सौन्दर्य-सुधा अनुपमसे पोषित मेरे प्राण॥ तेरे बिना नहीं क्षण भर भी है मेरा सम्भव अस्तित्व। तू ही मेरी जीवन-जीवन, तू ही मेरी जीवन-तत्त्व॥ आत्मा तो तू ही है मेरी, तू ही मेरी है आधार। तुझसे ही मैं हूँ, तुझसे ही चलते ये सारे व्यापार॥ नहीं गया था तुझे त्याग मैं, नहीं कहीं जा सकता त्याग। मेरे प्राणोंका है बस, परमाश्रय, तेरा ही अनुराग॥ देह गया था मथुरा, सो भी लोक-दृष्टिसे ही केवल। पर कर दिया उसीने आह्लादिनि! तुझको अत्यन्त विकल॥ तेरी इस व्याकुलतासे ये प्राण रो उठे, हो उद्विग्न। प्राणरूप-अनुराग इसीसे हुआ तुरंत शोक-संलग्न॥ शोकाकुल अनुराग-प्राणमें उठी त्वरित आतुरता जाग। खड़ा कर दिया मुझे उसीने तेरे सम्मुख ला, बड़भाग॥ कर अपराध क्षमा हे करुणामयी! क्षमामयि! स्नेहागार! निज-स्वरूप-महिमामयि स्वामिनि! नित्य सहज ही रहित विकार॥ हो प्रसन्न-मुख देख सकृत इस अपने आश्रित तनकी ओर। आह्लादिनि! मुझे हँसा दे, हँसकर, रससागरे! न जिसका छोर॥ नहीं समझना कभी मुझे रंचकभर भी अपनेसे भिन्न। दिव्य अभिन्न प्रेमरस-सागर नित्य-निरन्तर अपरिच्छिन्न'॥ प्रियतमके सुन वचन, भाव दर्शन कर, मैं हो गयी निहाल। सदा बिकी बेमोल, पड़ी आतुर प्रिय-पद-पंकज तत्काल॥

[401]

(Rāga Bhairavī - Tāla Kaharavā)

स्याम बतावत प्रेम-मूर्ति मोहि, सदा सुनावत आदर-बैन। हौं निज हृदय देखि सरमाऊँ राखूँ नित्य झुकाये नैन॥ इत-उत दृष्टि जाय नहिं मेरी, सुनती रहूँ स्याम के बैन। यासौं ध्यान-निरत हौं रहती, रखती निसि-दिन नीचे नैन॥

English translation

Continuation of [400]

He said, "O Radhe, embodiment of an unfathomably deep ocean of love, treasury of happiness! My life is nourished by the incomparable nectar of Your virtues and beauty. Without You, My existence is impossible even for a moment. You are the life of My life and the very principle of My existence. You alone are My self, and You alone are My foundation. I exist through You, and through You every one of My activities proceeds. I did not abandon You and go, nor can I ever leave You. Your love alone is the supreme refuge of My life. Only the body went to Mathura, and that merely for the world's eyes, yet even this made You, My delighting potency, utterly distraught. Your anguish caused My life to cry out in distress, and therefore love, which is My very life, immediately became joined with grief. Within that grief-stricken life of love, desperate longing swiftly awakened and, greatly blessed, brought Me here to stand before You. Forgive My offense, compassionate Lady, embodiment of forgiveness and abode of affection! Mistress glorious with the majesty of Your true nature, eternally and naturally free from all change! With a joyful face, look just once upon this body that depends upon You. O delighting potency, smile and make Me laugh; O shoreless ocean of rasa! Never regard Me as separate from You by even the slightest degree. We are one divine, indivisible and boundless ocean of the rasa of love, eternally and without interruption." Hearing Her Beloved's words and beholding His feeling, I became fulfilled. Forever sold without price, I immediately fell in longing at His lotus feet.

[401]

(Raga Bhairavi - Tala Kaharava)

Syama calls me the embodiment of love and forever speaks words of honor to me. When I look within my own heart, I feel ashamed and keep my eyes forever lowered. My gaze does not wander here and there; I continue listening to Syama's words. Thus I remain absorbed in meditation, keeping my eyes lowered night and day.

Original

Braj Bhasha

Continuation of [401]

रूप-सुधा प्रिय स्याम-रूप की पीकर मस्त हो रहे ऐन। और न कछ देखन चाहत यासौं लाड़िलि के नीचे नैन॥ प्रियतम की मुख-छवि मनहर पे नित्यहि मोहित रहते नैन। दीठि न लगे, याहि डर सों वह सदा झुकाये रखती नैन॥

[402]

(Rāga Bāgeśrī - Tīna Tāla)

स्याम-स्यामा दोउ करत बिहार। नव निकुंज सौरभित सुमनकी छाई छटा अपार॥ खेलत हँसत लसत अति प्रमुदित बहत सुधा रस धार। बढ़त अमित अनुराग परस्पर लोचन ललित निहार॥ सुचि रसपान-प्रमत्त परस्पर सुख सागर लहरात। उठत तरंग बिबिध बिधि अनुपम फूले अँग न समात॥ रस-सागर रस-सरिता दोऊ, मिलि, करि प्रेम विकास। अंग-अंग राजत सुषमा श्री माधुरि अमित विकास॥ रहत निहारत पल-पल दोऊ निरखि न नैन अघात। उदित प्रेम प्रमुदित मन अतिसय पुलकित मधुमय गात॥

[403]

(Rāga Chāyā Naṭa - Ekatāla)

नव-निकुंज सुख-पुंज बिराजित, मोहनि मोहन मधुर महान। सुन्दर बदन, सदन रसमाधुरि, बंकिम भृकुटि उभय रसखान॥ प्रिय-अनुरागिनि नित बड़भागिनि निरखत नित नव रूप सुजान। करत स्याम-दृग मधुप निरन्तर लाड़िलि-मुख-पंकज-मधुपान॥ कुटिल कटाच्छ बिसिख तन जरजर, पाइ सुधा-मधु मृदु बर हास। भये परस्पर सबल रम्य तन, रचे रुचिर सुचि सुखद बिलास॥ प्रेम सुधारस-उदधि मध्य मृदु तीब्र उठत रस बिबिध तरंग। सहज तरंगायित मन-मति सब पुलकित ललित अंग-प्रत्यंग॥

English translation

Continuation of [401]

Her eyes become intoxicated drinking the nectar of the Beloved Syama's form. They wish to see nothing else, and therefore the Darling Lady keeps them lowered. Her eyes remain eternally enchanted by the captivating beauty of Her Beloved's face. Fearing that Her gaze might cast the evil eye upon Him, She always keeps them lowered.

[402]

(Raga Bagesri - Tina Tala)

Syama and His fair Beloved both sport together. The endless splendor of fragrant blossoms covers the fresh bower. Playing, laughing and shining in supreme delight, They send forth a stream of nectar-rasa. Their boundless mutual love increases as Their lovely eyes gaze upon one another. Intoxicated by drinking each other's pure rasa, They make the ocean of happiness surge. Incomparable waves of countless kinds arise, and Their blossoming limbs cannot contain them. He is the ocean of rasa and She the river of rasa; meeting, They expand love. Splendor and grace adorn every limb as infinite sweetness unfolds. Moment after moment They continue gazing, and Their eyes are never satisfied. Love arises, Their minds rejoice intensely and Their honey-filled bodies thrill.

[403]

(Raga Chaya Nata - Ekatala)

In the new bower, a mass of bliss, sits the great, sweet and enchanting Enchanter. His lovely face is an abode of rasa-filled sweetness; His curved brows are twin treasuries of rasa. His wise and ever-fortunate Beloved, filled with love for Him, beholds His ever-new form. The honeybees of Syama's eyes continually drink honey from the lotus face of His Darling Lady. The arrows of crooked sidelong glances pierce Their bodies, which find nectar and honey in each other's gentle, exquisite smiles. Their lovely forms regain strength through one another, and They create beautiful, pure and delightful sports. Within the ocean of the nectar-rasa of love, gentle and intense waves of many rasas arise. Mind and understanding naturally undulate, and every lovely limb and sub-limb thrills.

Original

Braj Bhasha and Hindi

[404]

(Rāga Āsāvarī - Tāla Kaharavā)

मुरली ली, प्रिय छिप गये, बिरहाकुल गंभीर। मानिनिसी बैठी, विकल रससागर के तीर॥

[405]

(Rāga Vasanta - Tīna Tāla)

बच रहे थे दो, नहीं जग-भान था। लोक-सत्ताका मिटा सब ज्ञान था॥ नहीं कुछ कर्तव्य मनमें शेष था। नहीं तिलभर जगत्-स्मृतिका लेश था॥ मिट गया सब भोगका अस्तित्व था। कर्म था न कहीं तनिक कर्तृत्व था॥ मैं तथा मेरे हृदय-धन श्याम थे। खेलते रहते सदा अविराम थे॥ थी नहीं मनमें कहीं कुछ वासना। थी नहीं कुछ भी किसीकी त्रासना॥ अखिल प्राणि-पदार्थ थे मनसे हटे। सभी ममता-रागके बन्धन कटे॥ श्याम शेषी, मैं उन्हींकी शेष थी। एक यह प्यारी अहंता शेष थी॥ एक प्रिय हैं, प्रिया उनकी एक मैं। एक वे बस, दूसरी हूँ एक मैं॥ नहीं दोसे भिन्न कुछ भी था कहीं। सब सिमट मिटकर समाया था यहीं॥ चल रही दोमें सदा रँगरेलियाँ। हो रही थीं सुखमयी रस-केलियाँ॥

English translation

[404]

(Raga Asavari - Tala Kaharava)

Taking His flute, the Beloved hid Himself, solemn with separation. Like a proud lover, He sat distressed upon the shore of the ocean of rasa.

[405]

(Raga Vasanta - Tina Tala)

Only two remained, and there was no awareness of the world. All knowledge of worldly existence had disappeared. No duty remained within the mind. Not even the slightest trace of worldly memory remained. The existence of every object of enjoyment had vanished. There was no action anywhere, nor the slightest sense of agency. There were only I and Syama, the treasure of my heart. We played together forever without interruption. No desire of any kind remained within the mind. There was no fear or distress arising from anyone. Every living being and object had withdrawn from the mind. All bonds of possessiveness and attachment had been cut. Syama was the possessor, and I was wholly His possession. Only this dear sense of "I" remained. There is one Beloved, and I alone am His one beloved. There is only He, and I alone am the second. Nothing anywhere existed apart from these two. Everything else contracted, dissolved and became absorbed here. Festive play proceeded forever between the two. Blissful sports of rasa continually unfolded.

Original

Hindi and Braj Bhasha

Continuation of [405]

था नहीं व्यवधान कोई भी कहीं। एक ही दो बने लीलारत वहीं॥ दो मिटे, फिर एक ही बस हो गये। भेद सारे सब तरहके खो गये॥ मैं समायी श्याममें हो श्याम ही। प्रिया बन मुझमें समाये श्याम भी॥ कौन जाने श्याम हैं या राधिका? नहीं अब आराध्य हैं, आराधिका॥ सब तरह घुल-मिल हुए बस, एक हैं। इन्द्रियाँ, मन, चित्त, मति न अनेक हैं॥ सभी अवयव अंग आपसमें मिले। एक ही प्रिय मधुरिमासे हैं खिले॥ एक थे पहले, अभी भी एक हैं। यही दोनोंकी मधुमयी टेक है॥

[406]

(Rāga Bhīmapalāsī - Tāla Kaharavā)

महामहिम मुनि-मनहर, मंजुल, मधुर परम मंगलमय श्याम। पल-पल वर्धमान शुचि अनुपम दिव्य रूप-लावण्य ललाम॥ कुटिल भ्रुकुटि करती आकर्षित बरबस मनको अपनी ओर। उमड़ उठा रस-सागर परमानन्द, कहीं भी ओर-न-छोर॥ रूप सिन्धुमें मन निमग्न था, पर न तनिक-सा जगा विकार। जगना दूर रहा, स्वाभाविक चित्त हो गया शुचि अविकार॥ तन्मयता हो गयी, तनिक भी रहा न तनका बाह्य ज्ञान। प्रलय नहीं, पर मिटी जगत्‌की सारी रचना, सारा भान॥ इतनेमें हो गया अचानक आँखोंसे ओझल वह रूप। सहसा व्यथा-वियोग-वह्नि जल उठी, बढ़ गयी विपुल अनूप॥

English translation

Continuation of [405]

There was no obstruction anywhere. The one had become two and sported there. Then the two disappeared and became only one again. Every distinction of every kind was lost. I became absorbed in Syama and became Syama Himself. Syama too entered me, becoming His Beloved Lady. Who can tell whether this is Syama or Radhika? There is now neither worshiped Lord nor worshiper. They have blended completely and are simply one. Senses, mind, consciousness and understanding are no longer many. Every limb and component has united with its counterpart. All blossom through the sweetness of the one Beloved. They were one before and remain one even now. This is the honey-filled foundation of the two.

[406]

(Raga Bhimapalasi - Tala Kaharava)

Syama is supremely glorious, captivating to sages' minds, lovely, sweet and wholly auspicious. His pure and incomparable divine form and beauty increase at every moment. His curved brows irresistibly draw the mind toward Him. A shoreless ocean of rasa and supreme bliss surged up. The mind was immersed in the ocean of His form, yet not the slightest disturbance arose. Far from arising, every disturbance ceased and consciousness naturally became pure and changeless. Complete absorption came, and not the slightest outer awareness of the body remained. It was not dissolution, yet the entire construction of the world and all awareness of it disappeared. Then suddenly that form vanished from my eyes. At once the fire of painful separation blazed up, growing vast beyond compare.

Original

Hindi and Braj Bhasha

Continuation of [406]

पर आश्चर्य, विरह-दावानलमें प्रियतम-स्मृति रही अभंग। ले अगणित शीतल सुधांशुकी सुधामयी शीतलता संग॥ घोर तापमें थी विचित्र अनुपम शीतलताकी अनुभूति। सहज विरोधी धर्म प्रकट थे, युगपत थी अद्भुत आकूति॥ सखी! बताऊँ मैं कैसे प्रियतमके प्रतिदिनके वे छन्द। प्रियतम हैं स्वच्छन्द सदा, ये लीलाएँ भी हैं स्वच्छन्द॥

[407]

(Rāga Jogiyā - Tīna Tāla)

खड़ा यह कौन कुंजके द्वार? देखो ललिते! अरी विसाखे! करो न तनिक अबार॥ है घनश्याम वारिधर? है या गिरधर स्याम सुजान? उमड़ा घन नूतन? या आये घर मोहन रस-खान?॥ नव-जलधर में इंद्रधनुष है? या है सिर सिखि-पक्ष? बक-पाँती उड़ रही? हिल रही मुक्त-माल या वक्ष?॥ घन-तन-पर बिजली है? या है मोहन-तन पट पीत? मंद मेघ-गर्जन है? या है प्रियका मुरली-गीत?॥ सजनी! जाओ तुरत, बताओ आ मुझको सब बात। हँस बोलीं - 'सखि! माधोसे मिल करो सुसीतल गात'॥

[408]

(Rāga Śivarañjanī - Tāla Kaharavā)

प्रिय-बियोगमें अबिरत स्मृति सौं भयौ नित्य मानस-संयोग। भई बियोगिनि, नित्य स्याम-संजोगिनि, भूली दुःख-बियोग॥ रह्यौ न मन कछु देस-काल-कुल-लोक-बेद के भय कौ भाव। नित निरवधि निर्बाध मिलन मनभर प्रिय कौ, चित नित नव चाव॥ उदय भई रति पूर्ण तीब्रतम, छाई सब दिसि, ओर-न-छोर। बितरत नित्य नवीन अमित रस-सुख पिय, नित्य-रमन मन-चोर॥ भंगुर-भयद मिलन सुख सीमित, सुख-बियोग अतिसय अबिराम। या तैं रहीं गोपिका ब्रज में, तजि भजनीय द्वारका-धाम॥

English translation

Continuation of [406]

Yet wondrously, within the wildfire of separation, remembrance of the Beloved remained unbroken, bearing the nectar-filled coolness of countless cooling moons. Within that terrible heat was the strange and incomparable experience of coolness. Naturally opposed qualities manifested together in one wondrous condition. Friend, how can I describe the Beloved's daily ways? The Beloved is eternally free, and these lilas too are entirely free.

[407]

(Raga Jogiya - Tina Tala)

Who is this standing at the entrance to the bower? Look, Lalite! Visakhe, do not delay even a moment! Is it the rain-bearing dark cloud Syama, or wise Giridhara? Has a fresh cloud arisen, or has Mohana, the treasury of rasa, come home? Is that a rainbow in the new rain cloud, or a peacock feather upon His head? Does a flight of cranes pass by, or does a pearl necklace sway upon His breast? Is that lightning upon the cloud-body, or yellow cloth upon Mohana's form? Is it the gentle rumble of a cloud, or the Beloved's flute-song? Friend, go at once, then return and tell me everything. Laughing, they said, "Friend, meet Madho and make your body completely cool."

[408]

(Raga Sivaranjani - Tala Kaharava)

Through unbroken remembrance in separation from the Beloved, perpetual union arose within the mind. Though separated, she remained eternally united with Syama and forgot the sorrow of separation. No feeling of fear from place, time, family, society or the Vedas remained within the mind. Her heart held ever-new delight in unrestricted, uninterrupted union with the Beloved to its full capacity. Complete and supremely intense love arose, covering every direction without boundary. The Beloved, the ever-sporting thief of the mind, bestowed immeasurable and ever-fresh happiness of rasa. The happiness of union is limited, fragile and fear-filled, while the joy of separation is exceedingly unbroken. Therefore the gopis remained in Vraja, leaving aside worshipable Dvaraka-dhama.

Original

Hindi

[409]

(Ghazal Tune - Rūpaka Tāla)

सूखकर काँटा हुआ तन था बिकल बेहाल मन। बाल बिखरे शुष्क थे मुरझा हुआ था विधु-वदन॥ मुख निकलती आह थी, थीं आँख आँसूसे भरी। बसन अस्तव्यस्त थे, थी दुख-लता पूरी हरी॥ सखी समझाने लगी, 'तुम हो रही हो क्यों विकल? भूल जाओ उसे अब क्यों रट रही प्रत्येक पल?' 'भूल जाना चाहती हूँ, भूल पर सकती नहीं। ज्यों हटाना चाहती मन, दौड़कर जाता वहीं॥ नहीं लेना चाहती मैं उस निठुरका नाम भी। जीभ पर रटती सदा, नहिं मानती मेरी कभी॥ रोकती हूँ कानको, पर वे न मेरी मानते। प्रियवचन मुरली-सुधा ही सिर्फ पीना जानते॥ बंद करती हूँ निगोड़ी नासिकाको मैं सदा। श्याम-अंग-सुगंधको, पर, नहीं तजती वह कदा॥ कब चरणरज सिर चढ़ाकर धन्य हूँगी मैं अमर। कब करूँगी नेत्र शीतल निर्निमिष मुख देखकर॥ कब लगाऊँगी अगर-मृगमद-चुआ-चन्दन शरीर। कब चढ़ाऊँगी सुमन सुरभित चरण, होकर अधीर॥ फट रहा है हृदय मेरा, जल रही ज्वाला अमित। कहाँ जाऊँ? क्या करूँ? पाऊँ कहाँ प्रियतम अजित?'॥ आ गये नटवर अचानक लिये मुरली मधुर कर। वितरते आनन्द, छायी मुसकराहट मृदु अधर॥ देखते ही मिट गये संताप तन-मनके सकल। सुख-सुधोदधि उमड़ आया, हो गया जीवन सफल॥

English translation

[409]

(Ghazal Tune - Rupaka Tala)

Her body had withered to a thorn, and Her mind was distraught and helpless. Her dry hair lay disheveled, and Her moon-face had faded. Sighs escaped Her mouth, and Her eyes were filled with tears. Her garments were disordered, while the vine of sorrow flourished in full. A companion tried to console Her: "Why are You becoming so distraught? Forget Him now. Why repeat His name every moment?" "I want to forget Him, but I cannot. Whenever I try to turn my mind away, it runs straight back to Him. I do not even wish to speak that cruel One's name, yet my tongue repeats it forever and never obeys me. I restrain my ears, but they refuse to listen to me. They know only how to drink the nectar of His loving words and flute. I forever close this wretched nose, yet it never abandons the fragrance of Syama's limbs. When shall I become eternally blessed by placing the dust of His feet upon my head? When shall I cool my eyes by gazing unblinkingly upon His face? When shall I apply aguru, musk, fragrant resin and sandalwood to His body? When, restless with longing, shall I offer fragrant flowers at His feet? My heart is splitting and an immeasurable flame burns within. Where shall I go? What shall I do? Where can I find my unconquered Beloved?" Suddenly Natavara arrived, holding His sweet flute in His hand. Bestowing bliss, He wore a gentle smile upon His lips. The instant She saw Him, every affliction of body and mind disappeared. An ocean of the nectar of happiness surged up, and Her life became fulfilled.

Original

Hindi

Continuation of [409]

ली तुरंत मधुर हृदयमें मिली खोयी निधि ललाम। सह न पायी तनिक-सा अवकाश, भूली निरख श्याम॥ हुई विस्मृति सकल जगकी, 'मैं' तथा 'मेरा' गये। एक लीलामय मधुर रस-रसिक रसनिधि रह गये॥

[410]

(Rāga Jaijaiwantī - Tāla Kaharavā)

समझ रही मैं लाभ चित्त-इन्द्रिय-निग्रहका सहित बिबेक। रोके भी रखती हूँ इनको, सदा-सर्वदा रखकर टेक॥ मर्त्य-भोग सब असत्‌, तुच्छ अति सभी नगण्य स्वर्गके भोग। अपुनर्भवमें भी आकर्षित हो न चित्त करता संयोग॥ पर प्रिय-गुणगण, मुरली-रव कर देते सभी अंग चंचल। श्रोत्र मानते नहीं, चित्त हो जाता विकल परम विह्वल॥ मन करता - यदि रोम-रोम हो जाता केवल श्रोत्र-स्वरूप। पीता वह अविरत प्रिय-गुण-गण मुरली-रव-रस मधुर अनूप॥ कभी देख पाती यदि प्रियको मनमें उठती एक तरंग। हो जाता यदि तुरत नयनमय मेरे तनका अँग-प्रत्यंग॥ फिर तो डूबी रहती मैं उस रूप अनन्त सिन्धुमें नित्य। उठ जाती मायाकी सारी मोहमयी यह हाट अनित्य॥ प्रियकी प्रिय इच्छासे मैं करती यदि उनसे वार्तालाप। मनमें आता बने तुरत, सारा तन मुखमय अपने-आप॥ करती रहूँ बात प्रियतमसे मधुर-मधुर मैं अनियत काल। दिव्य प्रेमरस रहूँ पिलाती-पीती, होती रहूँ निहाल॥ सखिसे यों कह, ध्यानमग्न हो, राधा मौन हुई तत्काल। प्रकट हो गये तभी अमित सौन्दर्य-सुधा-सागर नन्द-लाल॥

English translation

Continuation of [409]

She immediately drew Him into Her sweet heart and recovered the priceless treasure She had lost. Unable to bear even the slightest interval, She forgot everything on seeing Syama. The whole world passed from memory, and "I" and "mine" disappeared. Only the lila-filled, sweet rasika and treasury of rasa remained.

[410]

(Raga Jaijaiwanti - Tala Kaharava)

With discrimination, I understand the benefit of restraining the mind and senses. Taking this as my perpetual foundation, I continually hold them back. All mortal pleasures are unreal and petty, and every pleasure of heaven is insignificant. Even liberation from rebirth cannot attract my mind or bring it into attachment. Yet the Beloved's hosts of virtues and the sound of His flute make every limb restless. My ears refuse to obey, and my consciousness becomes utterly distracted and overwhelmed. The mind wishes that every pore of my body might become an ear, so that it could ceaselessly drink the incomparable, sweet rasa of His virtues and flute-song. If ever I behold the Beloved, a wave rises in my mind: if only every limb and sub-limb of my body could instantly become an eye! Then I would remain forever submerged in the infinite ocean of His form, and this entire impermanent, deluding marketplace of maya would vanish. If, by the Beloved's dear wish, I speak with Him, the thought arises that my entire body should at once become all mouth. Then I could speak sweetly with my Beloved for immeasurable time, forever drinking and giving Him the divine rasa of love, forever fulfilled. Having spoken thus to Her companion, Radha immediately became silent and absorbed in meditation. At that very moment Nanda's son, the boundless ocean of beauty's nectar, appeared.

Original

Hindi

[411]

(Rāga Gunakalī - Tīna Tāla)

मेरे इस प्रणको सुन लो, हे मेरे प्राण-प्राण! सर्वस्व! छोड़ूँगी अब मैं न परम निधि बहुत दिनोंपर मिला निजस्व॥ तुम-मैं एक हृदय हैं दोनों, एक प्राण हैं दोनों नित्य। जान रही मैं इसे - यही है हम दोनोंका तात्त्विक सत्य॥ पर मैं नहीं जानती, नहीं बता सकती क्यों हुआ वियोग? अति संतप्त जल रही थी, कर रही भयानक पीड़ा-भोग॥ यह भी सत्य, सदा देते रहते थे तुम दर्शन-आनन्द। खेल रहे लीलामय तुम छिपने-दिखनेका खेल अमन्द॥ अब तो बाहर भी मैं तुमको सहज पा गयी हूँ प्रिय! आज। भीतर-बाहर, पद-तलमें अब पड़ी रहूँगी तज सब लाज॥ खाने-पीने, सोने-उठनेमें मैं सदा रखूँगी साथ। कभी नहीं हटने दूँगी, मैं नहीं हटूँगी, मेरे नाथ!॥ मिटी सभी ममता अग-जगसे, हुई सभीमें समता प्राप्त। रहा एक बस, तुममें ही मेरा सम्बन्ध मधुर नित व्याप्त॥ नहीं कामना भोग-मोक्षकी किंचित् भय-लज्जा न विषाद। हुई मत्त पीकर मैं प्रियतम-प्रेम-सुधा-मद दिव्य प्रसाद॥ बोले प्रियतम - 'राधे! हम-तुम नित संयुक्त नित्य हैं एक। अमिलन-मिलन रस-सुधास्वादन कर रखते सुप्रेमकी टेक'॥

[412]

(Rāga Āsāvarī - Tīna Tāla)

सखी! मैं भई अति असहाय। त्रिभुवन-मोहन स्याम हमारे भए बावरे हाय! सहज चतुर-चूड़ामनि चिन्मय, सहज महामतिमान। सकल ज्ञान-आधार, ज्ञान-निधि, आप स्वयं भगवान॥

English translation

[411]

(Raga Gunakali - Tina Tala)

Hear this vow of mine, O life of my life, my all in all! Having recovered my own supreme treasure after so many days, I will never release it now. You and I are one heart, and both are eternally one life. I know this to be the essential truth of us both. Yet I do not know and cannot explain why separation occurred. I burned in terrible anguish and endured dreadful pain. It is also true that You continually granted me the bliss of Your vision. Filled with lila, You played the vigorous game of hiding and appearing. But today, Beloved, I have easily found You outwardly as well. Abandoning all shame, I shall now remain at Your feet within and without. While eating, drinking, sleeping and rising, I shall always keep You beside me. I will never let You move away, nor will I move away, my Lord! Every possessive attachment to the moving and unmoving world has vanished, and equality toward all has arisen. Only one relationship remains, my sweet and eternal relationship with You alone. I desire neither enjoyment nor liberation and possess not the slightest fear, shame or sorrow. I am intoxicated by drinking the divine grace of the nectar-wine of my Beloved's love. The Beloved said, "Radhe, You and I are eternally united and forever one. By tasting the nectar-rasa of non-meeting and meeting, We preserve the foundation of perfect love."

[412]

(Raga Asavari - Tina Tala)

Friend, I have become utterly helpless. Alas, our Syama, enchanter of the three worlds, has gone mad! He is naturally the conscious crown jewel of cleverness and naturally possessed of supreme intelligence, the foundation of all knowledge, the treasury of knowledge and Bhagavan Himself.

Original

Braj Bhasha and Hindi

Continuation of [412]

संभव भयौ असंभव, तिन कौं निश्चै भयौ विकार। भूले भले-बुरे के सगरे या तें सोच-बिचार॥ मो में सदा रूप-गुन-सुन्दरता कौ सहज अभाव। मो प्रति बढ़त रहत तिनके मन तदपि नित नयौ चाव॥ मो में बृथा प्रेम करि मोहन रहे दुखहि सुख जान। कैसे मिटे मोह-ब्याधी यह तिनकी विषम महान॥ नहिं कोऊ दैवज्ञ, बैद जो करे जथार्थ निदान। होय चिकित्सा, जासौं प्रियतम बने स्वस्थ धीमान॥ मेरे कारन सुख-वंचित जो अग-जग के सुख-मूल। कहा करूँ, कछु बस नहिं मेरौ, चुभत रहत हिय सूल॥ चतुर-भुजा नारायन कौं मैं पूजूँगी सबिधान। करुन पुकार सुनतहीं तिन के पिघरि जायेंगे प्रान॥ दै बरदान करेंगे मो कूँ कृपा-निधान निहाल। वरन करेंगे रस-सुखदायिनि सुंदरि कोउ नन्द-लाल॥ सुख साँचिलौ मिलैगौ तिन कौं, पाइ सरस रस-खान। सुखी होयगौ तब मन मेरौ, तिन कौं सुखिया जान॥ यौं निश्चै करि करन लगी वह जप-तप परमानंद। एक लालसा - पावें प्रियतम अनुपम सुख स्वच्छंद॥

[413]

(Rāga Jaṅgalā - Tāla Kaharavā)

मधुर-मधुर, सुन्दर-सुन्दर प्रियतमके मोह-नाश के काज। करन लगी राधा आराधन नारायन कौ सब बिधि साज॥ ब्रत-उपवास-नेम तन-धारे, एकहि रही लालसा जाग। त्याग करें मोहन, जो करते मोहबिबस मोमें अनुराग॥ अतुलनीय सुख लाभ करें वे, पाय जोग्य संगिनि कौ संग। तब मैं परम सुखी होऊँगी, नाच उठेंगे सगरे अंग॥ एक लगन सौं चली साधना प्रियतम-सुख-बांछा मन लीन। परमत्यागमय स्व-सुख-कल्पना-लेश-गन्ध-सम्बन्ध-विहीन॥

English translation

Continuation of [412]

The impossible has become possible; surely some disorder has afflicted Him. Because of it, He has forgotten every consideration of good and bad. I naturally and eternally lack beauty of form and every virtue, yet His mind's ever-new attraction toward me continually increases. Loving me in vain, Mohana regards sorrow itself as happiness. How can this terrible disease of His delusion be cured? There is no astrologer or physician who can diagnose it correctly and prescribe a treatment by which my wise Beloved might become well. Because of me, the source of happiness for the moving and unmoving world is deprived of happiness. What can I do? Nothing lies within my power, and this thorn continually pierces my heart. I shall worship four-armed Narayana with every prescribed rite. The moment He hears my piteous cry, His heart will melt. The treasury of compassion will be pleased and grant me a boon: Nanda's son will choose some beautiful companion who can give Him the happiness of rasa. On finding such a delightful treasury of rasa, He will receive true and abundant happiness. Then my mind will become happy, knowing Him to be happy. Resolving thus, She began supreme japa and austerity with one longing alone: that Her Beloved attain incomparable, unrestricted happiness.

[413]

(Raga Jangala - Tala Kaharava)

To destroy the delusion of Her sweet and beautiful Beloved, Radha began worshiping Narayana with every proper arrangement. She undertook vows, fasting and disciplines, with only one longing awake: that Mohana abandon the love He bears Her under delusion's power. May He gain incomparable happiness by obtaining the company of a worthy beloved. Then I shall be supremely happy, and every limb will dance. With one-pointed devotion Her practice continued, Her mind absorbed in the wish for Her Beloved's happiness. It consisted entirely of supreme renunciation, without the slightest trace, scent or relation to thoughts of Her own happiness.

Original

Braj Bhasha and Hindi

[414]

(Rāga Lalita - Tīna Tāla)

प्रानप्रिय मथुरा जाय बसे। भयौ मनोरथ सफल पुरानौ हिरदे के संताप खसे॥ जद्यपि ज्वाला जरी हिये बिच स्याम-बिरह की भारी। दियौ परम सुख तदपि स्याम-सुख-काम-जरनि कौं जारी॥ पाइ सुयोग्य संगिनी सुख सौं करत होइँगे लीला। बिसरि गये होंगे हरि मो कौं जो गुन-रहित असीला॥ नारायन की परम कृपा तें मन की आसा पूरी। राधा सुखी भई अब सब बिधि करि पिय-सुख-सुधि रूरी॥ काल अनंत जरौं बिरहानल, कह्यौ सखिन सौं राधा। प्रियतम सुखी रहें, नित नव सुख-लाभ करें बिनु बाधा॥

[415]

(Rāga Mālakauṃsa - Tīna Tāla)

औचक चौंकि उठे हरि बिलखत। 'हा राधा प्रानेस्वरि! इकलौ छाँड़ि मोहि भाजी कित॥ ललिता! अरी बिसाखा! धावौ, रंगमंजरी! धावौ। मेरी प्रानाधिका राधिका कौं झट लाय मिलावौ'॥ लंबे साँस लेहिं, प्रलपहिं, बिलपहिं, दृग आँसू ढारैं। रुकमिनि सहमि बहुत समुझावति, तदपि न होस सँभारैं॥ पटरानी सब जुरि आईं, लखि दसा, मनहिं भय मानी। कहा भयौ, पिय भए बावरे, कहा देव नै ठानी॥ रानी एक दौरि ले आई श्रीमति की छवि मनहर। देखत ही हँसि उठे स्याम, लीन्हीं लगाय आतुर उर॥

Book note: Pads 412 through 414 are parts of a single līlā.

English translation

[414]

(Raga Lalita - Tina Tala)

The Beloved of my life has gone to reside in Mathura. My ancient wish has been fulfilled, and the anguish of my heart has fallen away. Although the mighty flame of separation from Syama burns within my heart, the desire for Syama's happiness continues to blaze and has bestowed supreme joy. Having found a worthy companion, He must now be happily performing lilas. Hari must have forgotten me, who am without virtue or character. By Narayana's supreme grace, my heart's hope has been fulfilled. Radha is now happy in every way, having firmly established Her Beloved's happiness. "May I burn in separation's fire for endless time," Radha told Her companions. "May my Beloved remain happy and attain ever-new happiness without obstruction."

[415]

(Raga Malakaunsa - Tina Tala)

Suddenly Hari awoke with a start, lamenting: "Ah Radha, sovereign of My life! Where have You fled, leaving Me all alone? Lalita! Visakha, run! Ranga-manjari, run! Bring My Radhika, dearer than life, and unite Her with Me at once!" He drew long breaths, raved, lamented and poured tears from His eyes. Rukmini, frightened, tried earnestly to console Him, yet He could not recover awareness. All the chief queens assembled, and seeing His condition, they became afraid within. "What has happened? Our Beloved has gone mad. What has providence ordained?" One queen ran and brought a captivating image of Srimati. The moment Syama saw it, He laughed and eagerly pressed it to His heart.

Book note: Pads 412 through 414 are parts of a single lila.

Original

Braj Bhasha and Hindi

Continuation of [415]

'मेरे हिय सौं लगी रही तुम निसि-दिन राधा प्यारी। जीवन-मूरि! छाँड़ि मोहि, छिन भर रही न कबहूँ न्यारी'॥ देखि विचित्र दसा प्रियतम की, बिस्मित सब पटरानी। निज प्रेमहि धिक्कारन लागीं, भई उदय मन ग्लानी॥ कियौ चेत हरि नै, पोंछे पट नैन मृदुल-अरुनारे। पटरानी पद-पदुम परीं, सब विलखि रही मन मारे॥ कर-कमलनि हरि नै उठाइ निज, धीरज दे चुचकारी। मृदु हँसि कह्यौ - 'नैकु सकुचौ मति, छाड़ौ चिंता भारी॥ सपनौ देखि भयौ हौं आतुर, सुध-बुध बिसरी सारी। करौ हृदय बिस्वास, सदा हौं प्राननाथ, तुम प्यारी'॥ आस्वासन दे या बिधि रानिन कौं हरि नै समुझाई। राखी हृदय गोय राधा-रति, अनुपम, परम सुहाई॥

[416]

(Rāga Deśa - Tīna Tāla)

नव-निकुंजमें कृष्ण प्रेष्ठतम थके शरीर पधारे आज। श्रान्त कलेवर था, सुभालपर श्रम-कण-बिन्दु रहे थे भ्राज॥ राधा श्रमित देख प्रियतमको हुई दुखी, कर मधु मनुहार। सुला दिया कोमल कुसुमोंकी शय्यापर प्रियको, दे प्यार॥ करने लगी तुरत सुरभित पंखेसे उनको मधुर बयार। श्रम कम हुआ, स्वेद-कण सूखे, राधाको सुख हुआ अपार॥ करने लगी पाद-संवाहन मृदु कर-कमलोंसे अति स्नेह। श्रान्ति मिटी, मोहन-मुखपर बरसा मृदु-मधुर हास्यका मेह॥ राधाने चाहा - 'प्रियतम अब कर लें निद्राको स्वीकार। सो जायें कुछ काल, बढ़े जिससे शरीरमें स्फूर्ति-सँभार'॥

English translation

Continuation of [415]

"Dear Radha, You remain pressed to My heart night and day. Embodiment of My life, You never leave Me or remain apart for even a moment." Seeing their Beloved's extraordinary state, all the chief queens were astonished. They began condemning their own love, and remorse arose within their minds. Hari recovered awareness and wiped His soft, reddened eyes with His cloth. The chief queens fell at His lotus feet, all lamenting with crushed hearts. Hari raised them with His lotus hands, comforted them and restored their composure. Smiling gently, He said, "Do not feel the slightest hesitation; abandon this heavy worry. I saw a dream and became distraught, losing all awareness. Trust within your hearts: I am always your Lord of life, and you are dear to Me." Giving such reassurance, Hari consoled the queens. He kept His incomparable, supremely beautiful love for Radha concealed within His heart.

[416]

(Raga Desa - Tina Tala)

Today the most beloved Krishna arrived at the fresh bower with His body fatigued. His form was weary, and drops of perspiration shone upon His lovely brow. Seeing Her Beloved tired, Radha became distressed and entreated Him sweetly. With love, She laid Him upon a bed of soft flowers. She immediately began sending Him a gentle breeze with a fragrant fan. His fatigue diminished and the drops of perspiration dried, giving Radha immeasurable joy. With intense affection, She began massaging His feet with Her tender lotus hands. His exhaustion disappeared, and a rain of soft, sweet smiles fell across Mohana's face. Radha wished, "Let my Beloved now accept sleep. May He sleep for a while so that abundant vigor returns to His body."

Original

Hindi

Continuation of [416]

नेत्र निमीलित हुए श्यामके, सोये सुखकी नींद मुकुन्द। शायित प्रियको देख परम सुख, बढ़ा अमित राधा-आनन्द॥ होने लगे उदय तनमें आनन्द-चिह्न फिर विविध प्रकार। हुआ उदय जब स्तम्भ, पाद-संवाहन छूटा तब क्षण बार॥ प्रकट हुआ सेवाब्रत, तत्क्षण बोला श्रीराधासे आप। 'सेवानन्द-विभोर! किया कैसे सेवा तजनेका पाप?'॥ चौंकी, सजग हो गयी राधा, मनसे निकली करुण पुकार। बना विघ्न सेवाका सेवानन्द जान, देकर धिक्कार॥ तिरस्कार कर उसका बोली - 'मैं मन रख निज सुखकी चाह। आनन्द-मग्न हुई, सेवाकी मैंने की न तनिक परवाह॥ सचमुच मैंने किया आज यह घोर पाप, अतिशय अपराध। सेवा-त्याग रखी मन मैंने सेवानन्द-विघ्नकी साध॥ कौन स्वार्थसे सनी जगतमें मेरे-जैसी होगी अन्य। जो न कर सकी प्रियतम-सेवा रख सेवाब्रत-भाव अनन्य'॥

English translation

Continuation of [416]

Syama's eyes closed, and Mukunda slept a blissful sleep. Seeing Her Beloved asleep gave Radha supreme happiness, and Her joy increased without limit. Then signs of bliss of many kinds began to arise within Her body. When stunned immobility manifested, the massage of His feet ceased for a moment. Her vow of service appeared in person and immediately said to Sri Radha, "Overwhelmed by the bliss of service, how did You commit the sin of abandoning service?" Radha started and became alert, and a piteous cry arose from Her heart. Realizing that the bliss of service had become an obstacle to service, She condemned it. Rejecting it, She said, "I kept the desire for my own happiness within my mind. Absorbed in bliss, I paid not the slightest attention to service. Truly, today I have committed this terrible sin and exceedingly grave offense. Abandoning service, I cherished the obstacle called the bliss of service within my mind. Who in all the world could be as steeped in selfishness as I, who could not serve my Beloved while preserving an exclusive vow of service?"