राम

विंशतितमः सर्गः

Twentieth Sarga: Relishing the Night Pastimes

Chapter 20 of 20Source coverage: logical units 1–57; verses 1–5557 paired passages

Original

viṁśatitamaḥ sargaḥ naktantana-līlāsvādano nāma

English translation

Twentieth Sarga: Relishing the Night Pastimes

Original

atha prabandhānanusṛtya citraṁ tauryatrika sādhu vidhāya kāntāḥ | vihṛtya kṛṣṇāvanayornayoḍha sva svāṅga veśā viviśurnikuñjam ||1||

English translation

Following the sequence of compositions, the beloved girls beautifully performed song, dance, and instrumental music. After Kṛṣṇa and the girls had sported, each resumed her own garments and appearance, which had been exchanged before, and entered the grove. (1)

Original

kharjura rambhā panasāmra jambū prabhṛtyanisvādu phalānivṛndā | āhṛtya tat taddyuti saurabhābhyām astāvayat tat tadagānadhīśo ||2||

English translation

Vṛndā gathered dates, plantains, jackfruit, mangoes, rose apples, and other fruits whose sweetness never diminished. Through each fruit's particular beauty and fragrance, the Lord of the mountain praised the tree from which it came. (2)

Original

sakhyaḥ samānaiṣurathābhirasyāḥ karpūra kelyāditayā prasiddhāḥ | pīyūṣa parvāmṛta keli sīdhu vilāsakānaṅga guṭīvaṭīstāḥ ||3||

English translation

The companions then brought the delicacies famous among those girls through the camphor pastime and other delights: balls of Love, rolls of bodiless desire, playful wine of nectar, and immortal confections fit for a festival of ambrosia. (3)

Original

āsvādya tat tat priyayā sahāsyaḥ sahāsyamāsye dyuti labdha lāsye | dāsyārpitāḥ svarṇa-suvarṇa parṇa vīṭīrdadhe kundarado mukundaḥ ||4||

English translation

Mukunda, whose teeth were white as kunda flowers, tasted each item with His beloved. As laughter danced upon His face, gaining radiance from their smiles, He accepted betel rolls wrapped in excellent golden leaves and offered by the maidservants. (4)

Original

dhātrārpito nīla nidhau vidhautaś candrau nu mādhurya rasena yo'sau | svāntardhṛtoḍu pracayo'nurāgais timyaṁstadīyananatāmagāt kim ||5||

English translation

Did the Creator wash two moons in the ocean of blue sweetness and place within them constellations held by affection? Growing moist with love, did they attain the form of the beloved Couple's faces? (5)

Original

dhair yaṁ tadāsyāstimirī babhūva trapā tu bheje nalinīva nītvam | smāroḥ vikāraḥ kumudāyito'bhūddṛg indukāntena dadhāra sāmyam ||6||

English translation

Then patience became darkness within Their faces, modesty became a lotus entering blue contraction, the transformations of Love became kumudas blossoming at night, and Her glance attained equality with a moonstone. (6)

Original

eṣāṁ tarūṇāmati sūkṣma patrac chidra cyutānmāruta vellitānām | lolekṣaṇe lokaya candrikāṇāṁ kaṇānjanānmānayato manojam ||7||

English translation

'Restless-eyed girl, behold the particles of moonlight falling through exceedingly fine holes in the leaves of these trees as the wind makes them tremble. They seem like people honoring Cupid. (7)

Original

vṛndāvanasyāpacitiṁ vidhitsuryā yāḥ svabhāsaḥ prajidhāya candraḥ | taḥ kiṁ palāśāvali cālanībhiḥ saṁśodhya ghṛnātyatyanilo'smadāptaḥ ||8||

English translation

'The moon sent his own rays to repay Vṛndāvana. Does our friendly wind strain them through sieves formed by rows of moving leaves and then respectfully collect only the purest light?' (8)

Original

tat kausumaṁ talpamanalpa kauśalaṁ kalpadru kuñje kṣaṇamāśritā vayam | bhajāma viśrāmamiti bruvandhṛta priyākaraḥ kelikalānidhirbabhau ||9||

English translation

'Let Us rest for a moment upon this flower bed, fashioned with boundless skill within the grove of wish-fulfilling trees.' Speaking thus and holding His beloved's hand, the reservoir of every art of play shone brilliantly. (9)

Original

sva bāhu sandānita kaṇṭhayā tayā saṁviśya paryaṅkavare harau sthite | tat pāda samvāhana śarma karmaṇāṁ tat kiṅkarīṇāṁ samapūri vāñchitām ||10||

English translation

When Hari reclined upon the excellent couch with Rādhā's arms bound around His neck, the desires of the maidservants were fulfilled through the blissful service of massaging Their feet. (10)

Original

ūrvoḥ svayo kanaka pīṭhayoḥ kramānnidhāya padāmburuhe nijeśayoḥ | dve dāsike tac chayanānta saṅgate dṛg bindubhiḥ pādyamivopajahratuḥ ||11||

English translation

Two maidservants seated at the end of the bed successively placed the lotus feet of their Lord and Lady upon the golden seats of their own thighs. With drops from their eyes, they seemed to offer water for washing those feet. (11)

Original

udbhinna romāṅkurapālireva prāparghyatāṁ kintu tayāpi śaṅkām | tanmārdavālocanayā dadhatyau pāṇyambujair ārcayatāmivaite ||12||

English translation

Rows of newly arisen shoots of horripilation became their offering of arghya. Yet even those maidservants grew apprehensive as they contemplated the tenderness of the feet, and with their lotus hands seemed only to worship rather than press Them. (12)

Original

gandhaṁ tu kastūryamṛta supaṅkair vaksaḥsthalasthair upakalpya sadyaḥ | niḥśvāsa dhūpair nakha ratnadīpair āloka mālyair dhinutaḥ sma nītyā ||13||

English translation

They at once prepared fragrance from the fine nectar-paste of musk upon their own breasts. In proper sequence they delighted the Couple with the incense of their sighs, the jeweled lamps of their nails, and garlands formed from their glances. (13)

Original

naivedyatāyāṁ karakāvurojau saṁsparśanenābhimatau vidhāya | prāṇa pradīpaiḥ smita candra miśraḥ nirmañchanaṁ premabharadvyadhattām ||14||

English translation

Making the breasts and hands accepted through touch into offerings of food, they performed a lamp ceremony in the fullness of love with the lamps of their life airs mingled with the moons of their smiles. (14)

Original

hiraṇya rambhopari varti pallaveṣv āsajya raktotpala korakottamāḥ | bhṛṅgāli jhaṅkāra bhṛto'naṭannaho tat pāda samvāhanadambhato'sakṛd ||15||

English translation

Upon tender leaves resting above golden plantain trunks, excellent red lotus buds filled with the humming of rows of bees seemed to dance again and again under the pretext of massaging Their feet. (15)

Original

tau vījayantyo valayāni jhaṅkṛti stutaiḥ prasūna vyajanaiḥ parā vabhūḥ | mūrtair yaśobhiḥ kavivṛnda varṇitaiḥ kiṁ svair adhinvannadhipau naṭīkṛtaiḥ ||16||

English translation

Other maidservants fanned Them with flower fans, while the ringing of their bracelets sang Their praise. Had Their own embodied glories, described by hosts of poets, become dancers and begun delighting the two sovereigns? (16)

Original

suvarṇa varṇāḥ kramukendu jātī labaṅga cūrnādyutitāṁśabhājaḥ | tāmbūla vīṭīrapare nyadhat tāṁ tadāsyayoḥ pārśvagate karābhyām ||17||

English translation

Others stood beside Their faces and placed betel rolls into Their mouths with both hands. The rolls were golden in color and bore portions of the radiance of areca nut, camphor, nutmeg, cloves, and powdered spices. (17)

Original

yau pūrṇa candrāvuditau niraṅkau tadaṁśu pīyūṣa rasābhiṣikte | sva pallavābhyāṁ kalike gṛhītvā gāṅgeya vallyau muhurījatuḥ kim ||18||

English translation

Did two golden vines repeatedly worship two spotless full moons, bathed in the nectar of their own rays, by taking flower buds within their tender shoots and waving them in ceremony? (18)

Original

kante diśaitāḥ śayanāya gantuṁ ghūrṇaddṛśaḥ saṁprati svinna gātrīḥ | śrāntih padosteḥ na śamaṁ yayau ced tadarthametāvaham eva dhāsye ||19||

English translation

'Beloved, send these girls away to sleep. Their eyes are rolling and their bodies are now covered with perspiration. If the fatigue in Your feet has still not subsided, I alone shall hold them for that purpose.' (19)

Original

ityukti mātreṇa samīhitasyaivā arthasya siddhiṁ kila tā viduṣyaḥ | saṁpūjya devāviva pūjayitryās tanmandirāl labdhavarā nirīyuḥ ||20||

English translation

Merely hearing His statement, the wise maidservants understood that the desired purpose had already been fulfilled. They worshiped the Divine Couple like deities, received the blessing they sought from the temple of the grove, and departed. (20)

Original

niṣṇāta evātanu tīrthasare romāñca pūrṇaḥ sphuritojjvalāṅgaḥ | smṛtyudbhavāśeṣa viśeṣa dharmānu ṣṭhāna dakṣo rabhasaṁ sa bheje ||21||

English translation

Already expert in bathing within the lake at Love's sacred ford, Hari thrilled with horripilation, every radiant limb trembling. Skilled in performing every distinctive rite arising from remembrance, He entered the observance with eagerness. (21)

Original

prārambha evāghabhidastadasyā ‘mṛtaṁ trirācamya ta eva yāsīt | śraddhā tayaivāśu vidhirbabhūvā ‘naṅgo'pi sāṅgo nirapāyamiṣṭa ||22||

English translation

At the very beginning, the destroyer of Agha sipped the nectar of Her face three times. Through that act alone, faith quickly arose, the rite became complete in every limb, and bodiless Love too became embodied as the flawless sacrifice. (22)

Original

nānopacārānkalayanmudāśā bandhaṁ vitanvannapasārya vighnān | sa śātakumbhātanu ratnakumbhe kṛtvā kara nyāsamupātta kāntau ||23||

English translation

Joyfully arranging many offerings, extending the bond of hope, and removing all obstacles, Love placed the charming Couple together and performed the placing of hands upon the golden, jeweled vessel of Her body. (23)

Original

somaṁ likhitvābhajadeva devaṁ kṛta dvijācchādana dāna mānaḥ | smitamyannivānanda dhurā taraṅgair aikyaṁ priyāṅgena sahātmano'gāt ||24||

English translation

Drawing the figure of Soma, He worshiped the deity and bestowed the honor of covering the twice-born. As though smiling beneath waves carrying a great burden of bliss, He attained union of His own body with the body of His beloved. (24)

Original

dīvyanti tā me katham evamālayaḥ premneti rādhā svagataṁ yadābravīt | tadā prakāśāngamitena tāvatas tadicchayāṁ ūr api tena remire ||25||

English translation

When Rādhā said within Herself, 'How can My companions sport this way through love?' He brought their forms into manifestation, and by Her own desire He delighted with Her through those very expansions. (25)

Original

yāstvetayoḥ keli vilokanaṁ vinā naivaśvasantyāsu gavākṣa sañcayam | śritāsu kācinnijagāda paśyatānayor daśā keyamabhūdihādbhutā ||26||

English translation

The companions could not even breathe without seeing Their pastimes, and so they gathered at the lattice windows. One of them said, 'Look at the astonishing condition that has arisen here between the two of Them!' (26)

Original

anyonya doḥ sandita vigrahau kṣaṇaṁ niṣpandatāmetya punaḥ sa vepathū | hā heti vaisvarya bharāsphuṭoditāv uṣṇāśrubhirhanta mitho'bhyasincatām ||27||

English translation

For a moment Their bodies remained bound by each other's arms and became motionless. Then trembling arose, and crying indistinctly, 'Alas! Alas!' beneath an overpowering flood of feeling, They bathed one another in hot tears. (27)

Original

parāha hā svasvakarāhatālikā vāśleṣa muktau śrita sammukha sthitī | ajasramasra śravaṇaiḥ parasparaṁ na vīkṣya dūnau kṛśimānamīyatuḥ ||28||

English translation

Another girl exclaimed, 'Alas!' Striking their own palms together, They released the embrace and stood face to face. Yet torrents of tears made Them unable to see one another, and tormented, They grew thin. (28)

Original

tat prema vaicittya bharāti vīcayaḥ pratyūhamānaṅgarase'tra tenire | dhinvanti dunvanti ca sampado na kiṁ drāgānurāgyo rasa vakrimormibhiḥ ||29||

English translation

The heavy waves of this prema-vaicittya, the experience of separation even in the beloved's presence, created an obstacle to the rasa of Love. Yet do not the riches of deep attachment both delight and torment immediately through their crooked waves of rasa? (29)

Original

kṣaṇādathānyā’vadadālayo'dhunā mā khidyatālokayatānayormudā | anyonyamāliṅgatayoḥ punardṛśāṁ tā eva dhārā dadhire'ti śītatām ||30||

English translation

After a moment another companion said, 'Friends, do not grieve now. Look upon Them with joy!' As They embraced each other again, those same streams from Their eyes became exceedingly cool. (30)

Original

kvāsīḥ priye mānini hā vihāya māṁ kiṁ paryyahāsīḥ priya nihnutī bhavam | saṁlāpamitthaṁ rasayantya etayor ālyo nibhālyollasitā smitāvabhuḥ ||31||

English translation

'Where were You, proud beloved, after abandoning Me?' 'Beloved, why did You ridicule Me by hiding?' Watching the Couple relish such conversation, the companions shone with smiles rising upon their faces. (31)

Original

ekāha tatra vaikayāpi pṛṣṭhā siddhāntayantī rasa vastu tattvam | hārddaṁ tayoḥ sarvamiyaṁ vidagdhā vedhaiva tadbhāva vibhāvitātmā ||32||

English translation

One companion said, 'Even if questioned by any girl here, this clever friend alone can establish the truth of rasa, for Her own self is illumined by Their moods and She knows everything within Their hearts.' (32)

Original

vaiśleṣaja dhyāna dhurādhirūḍhayoḥ sphūrtyānayorāśu mithaḥ pratītayoḥ | śleṣārthamutsārita bāhubhirmithaḥ sparśānubhūtyā virahaḥ śamaṁ yayau ||33||

English translation

Burdened by meditation born from separation, each appeared before the other in a sudden vision. They extended Their arms to embrace, and when They experienced actual touch, Their separation subsided. (33)

Original

paśyainayostat phalametadārād utkaṇṭhayā koṭi guṇī bhavantyā | punaś ca sambhoga dhurātidair ghyāt samṛddhimat tvaṁ rabhasādavāpa ||34||

English translation

'Behold the fruit of that separation: longing increased a millionfold, and renewed union swiftly attained abundance through the exceedingly prolonged burden of enjoyment.' (34)

Original

niḥsāritācchādanamātma vallabhau viyoga bhītyaiva tayetaretaram | ruddhvā bhujaiḥ svasvahṛdantaraṁ balāt praveśayatāviva rājataḥ priyau ||35||

English translation

The beloved Couple cast off Their coverings and, from fear of separation, forcibly restrained one another with Their arms. Each seemed intent upon making the other enter within the chamber of the heart. (35)

Original

dadhāsi mā yatra sadā tad etat viśāmi madhye hṛdayaṁ vihartum | ityevaṁ saṁlapya kimadya gāḍhāśleṣair imau tatra vidhau yatete ||36||

English translation

'I shall enter and sport within this heart where You always hold Me.' Speaking in this way, did They now strive to fulfill that purpose through Their tight embraces? (36)

Original

ātmā ca cetaś ca yadekametayor dvitvena tanvāstadalaṁ vilāsinoḥ | itītthamekīkurute'dya kiṁ javād anaṅga evaiṣa manīṣiṇāṁ varaḥ ||37||

English translation

Their self and consciousness are one, and only Their bodies appear as two. Is this same bodiless Love, foremost among the wise, now swiftly making the two playful lovers one? (37)

Original

ekaṁ jagatyatra bhavāmi tuṅgaṁ kumbhāvimau mām api yaj jigīṣū | tadvāmanīkurva itīva garvādvakṣo harerardayate kucau kim ||38||

English translation

'I alone stand lofty in this world, yet these two pitchers seek to conquer even Me. I shall make them small.' Out of such pride, do Her breasts press upon Hari's chest? (38)

Original

dṛṣṭvā smaraḥ śītakarāravindayoḥ sva mitrayoḥ śātravamabjayor api | parasparāśleṣa rasa grahair balāt svakāritair maitryamidaṁ sasarja kim ||39||

English translation

Seeing the enmity between his friend the moon and the lotuses, Cupid forcibly brought about this friendship by making them taste the rasa of mutual embraces. (39)

Original

atrojjvalāgādha sarasyudañcatoḥ kiṁ vā sukhāśleṣanamabjayoridam | kandarpa vātyā janitaṁ yadantare śītkāra bhṛṅgaṁ dhvanireṣa lakṣyate ||40||

English translation

Or is this the joyful embrace of two lotuses rising within this deep, brilliant lake of rasa? The sound heard between them, filled with sighs, is like the humming of bees stirred by a windstorm born from Cupid. (40)

Original

yau smāra sṛṣṭāvuditau vidhū sadā pūrṇau niraṅkāvanayoḥ parasparam | vibhāti yuddhaṁ kimidaṁ yaduccalaḥ pragalbhate bālatamaścayo'bhitaḥ ||41||

English translation

Are the two spotless full moons that arose forever within the creation of Love now battling one another? Around them an increasingly bold mass of youthful darkness surges upward. (41)

Original

kenārpitā candravadatra mañjule masī saroje'pyahaheti vihvalam | tadañjanaṁ bimbayugaṁ pragṛhya kiṁ svenānurāgena tadanvarañjayat ||42||

English translation

'Who placed black pigment here upon this charming moon face, and upon the lotus too? Alas!' Distraught, did He grasp the pair of bimba fruits and color them further with His own attachment? (42)

Original

ekatra bandhūka catuṣṭayaṁ kathaṁ maranda luṇṭākamiti niyuddhyate | itīva rājā madanaḥ siteṣubhiḥ kundair idaṁ vidhyati paśyatāṁ layaḥ ||43||

English translation

'How can four bandhūka flowers gather in one place and wrestle as though each would plunder the other's nectar?' As if asking this, King Cupid strikes the scene with white arrows formed from kunda flowers while the companions watch. (43)

Original

śambhū smaraḥ pallava navya pāśa dvayena baddhvā kimihārddha candraiḥ | śarair vibhedeti bhayena gaṅgā pṛṣat śatāthā patitā bhuvītaḥ ||44||

English translation

Did Cupid bind Śambhu with two fresh nooses of tender shoots and pierce him with crescent arrows? Frightened by this, hundreds of drops from the Gaṅgā fell from him to the earth. (44)

Original

vidyudghanārci kramiṣāṁ yadopari smarāddadhāna babale'valepataḥ | tadā tu jālāni sakhīdṛśāṁ balāj jālāvalīṁ harṣa jalaiḥ plutāṁ vyadhuḥ ||45||

English translation

When lightning and cloud, light and dark radiance, rose above one another in succession and Love proudly brought forth his strength, the nets of the companions' eyes became rows of lattices forcibly flooded by waters of joy. (45)

Original

bahistu yantra vyajananena dāsyas tau vījayāṁ cakrurajasramasraiḥ | plutekṣāṇāścukrudhuraprameya premṇe tadātvānavaloka dīnāḥ ||46||

English translation

Outside, the maidservants continuously fanned Them with mechanical fans, their own eyes flooded with tears. Unable to see the immeasurable love unfolding at that moment, they became distressed and angry with it. (46)

Original

praphulla nīlāmbuja sīdhu candraḥ kāmaṁ papāvityasahiṣṇu sadyaḥ | tatratyamindindirayoryugaṁ kiṁ balāt tadāyāmṛtamapyadhāsīt ||47||

English translation

The moon eagerly drank the wine of a blossoming blue lotus. Unable to tolerate this, did the pair of bees present there at once forcibly drink even the nectar belonging to those two? (47)

Original

abhrāntarudyac cala sūryamaṇḍale nanarta muktāvalirātta sammadā | haṁsāvadhūtāḥ kanakāvalīṁ śritā vādyaṁ vicitraṁ rabhasādavīvadam ||48||

English translation

Within a cloud a rising, restless sun disc appeared, and a pearl necklace danced in great delight. Two swans, tossed aside, took shelter of a golden row and vigorously played wondrous music. (48)

Original

tatrāgata śrī madhusūdanodyad gānaṁ śruti preṣṭhamabhūdapūrvam | yenaiva sabhyā rasikāṅgavallī drautyaṁ dadhe sveda miṣāt savepam ||49||

English translation

Then Śrī Madhusūdana produced an unprecedented song dear to the ears. Through it, the vine-like limbs of the connoisseurs in the assembly melted, trembling and taking the guise of perspiration. (49)

Original

bālāstu kauṭilyabhṛto'ti laulyād itastataḥ saṁsaraṇa bhajantaḥ | śruti prasaktā pratikarmabhātās tasthurmadādaindava maṇḍalāntaḥ ||50||

English translation

The young strands of hair, bearing crookedness and moving restlessly here and there from excessive eagerness, attached themselves to the ears and appeared in each act. Intoxicated, they stood within the lunar disc of the face. (50)

Original

avāryamānāmṛta pāna dṛptayo vikhaṇḍita sthāsaka navya varmaṇoḥ | prayukta cañcadbhuja nāga pāśayo yūnorjigīṣā samavarddhatarddhibhiḥ ||51||

English translation

Proud from drinking nectar without restraint, Their fresh armor of bodices shattered, and They employed the moving serpent-nooses of Their arms. Through every increase of fortune, the young Couple's desire to conquer one another continually grew. (51)

Original

tayormithaḥpuṣpaśarāji cāturī dhūrīṇatāvedanayā vivādinoḥ | śrāntiṁ svayaṁ kāpi nimantrya tatkṣaṇān nidrāmupānīya samādadhe kalim ||52||

English translation

As They disputed, each claiming foremost skill in the battle of flower arrows, a certain companion invited fatigue itself to appear. That very moment she brought sleep and settled the quarrel. (52)

Original

sanātanaṁ -rūpamudīyuṣoḥ kṣitau hṛdā dadhāno vrajakānaneśayoḥ | tatkelikalpāgamasaṅgatīlitāḥ sadālivīthīranurāgiṇīrbhaje ||53||

English translation

I worship Sanātana and Rūpa, who have arisen upon the earth bearing within their hearts the Lord and Lady of Vraja's forest, and the rows of loving companions who forever delight in harmony with the sacred revelation of Their wish-fulfilling pastimes. (53)

Original

śrīkṛṣṇacaitanyaghanaṁ prapadye sapadyapadhvastatamaḥ prapañcam | pañceṣukoṭyarbudakāntidhārā paramparāpyāyitasarvaviśvam ||54||

English translation

I take refuge in the dense cloud of Śrī Kṛṣṇa Caitanya, who at once destroys the entire expanse of darkness and nourishes the whole universe through successive streams of radiance from countless billions of Cupids. (54)

Original

so'yaṁ śrī-lokanāthaḥ sphuratu puru-kṛpā-raśmibhiḥ svaiḥ samudyann uddhṛtyoddhṛtya yo naḥ pracuratama-tamaḥ-kūpato dīpitābhiḥ | dṛgbhiḥ sva-prema-vīthyā diśam adiśam aho yāṁ śritā divya-līlā ratnāḍhyāṁ vindamānā vayam api nibhṛtaṁ śrīla-govardhanaṁ smaḥ ||55||

English translation

May this Śrī Lokanātha arise and shine through his abundant rays of mercy. With his illumined glances he repeatedly lifted us from an exceedingly deep well of darkness and showed every direction of the path of his own love. Taking shelter of that path, rich with the jewels of divine pastimes, we too have privately attained Śrī Govardhana. (55)

Original

iti śrī-kṛṣṇa-bhāvanāmṛte mahā-kāvye naktantana-līlāsvādano nāma viṁśatitamaḥ sargaḥ ||20||

sampūrṇaṁ śrī-kṛṣṇa-bhāvanāmṛtaṁ kāvyam iti |

English translation

Thus ends the Twentieth Sarga, entitled 'Relishing the Night Pastimes,' in the great poem Śrī Kṛṣṇa-bhāvanāmṛta. The poem Śrī Kṛṣṇa-bhāvanāmṛta is complete.