Original
aṣṭādaśaḥ sargaḥ prādoṣika-vilāsāsvādano nāma
English translation
Eighteenth Sarga: Relishing the Early-Night Pastimes
Original
adhidharamadhipasyānandasindhoraghārer mukha rucikaṇamekaṁ gopurāgra sthitasya | svamanumukuramacchaṁ bimbitaṁ vīkṣya lokā vidhurayamudagād ityudyayurvarṇayantaḥ ||1||
English translation
Seeing reflected in the spotless mirror of the sky a single particle of the facial radiance of the enemy of Agha, who stood atop the palace of the lord of the mountain of bliss, the people began to proclaim, 'The moon has risen!' (1)
Original
tadavakalana jātāpatrapāṁ padminīnāṁ tatim atha balabhīsthāṁ vīkṣya vastrāvṛtāsyām | samakucadahaha svaiḥ padminītvābhimānaiḥ sarasi ca jalajālī tarhi mūḍheti śaṅke ||2||
English translation
Seeing the rows of lotuslike women upon the palace terraces cover their faces with cloth in shame at beholding that radiance, I suspect the foolish lotuses in the lake then contracted beneath the burden of their own pride in being lotuses. (2)
Original
muditavati cakora stoma ekatra śastair uditavati paratrāmaṅgalaiścakra saṅghe | dhṛtamudi kumudāntarmucyamāne'livṛnde malina nalina madhye badhyamāne ca tasmin ||3||
English translation
In one place the hosts of cakoras rejoiced at auspicious signs, while elsewhere the cakravāka couples rose amid omens of misfortune. The kumudas held joy within, swarms of bees were released, and bees were bound inside the sullied lotuses. (3)
Original
tamasi vipinamāpte sādane dīpa dūne viśati sadana rājīṁ vaipine puṣpagandhe | varatanu hṛdagāre dhair ya lajje praviśya dyati samudita darpe darpake sarpakelau ||4||
English translation
Darkness entered the forest, lamps entered the afflicted homes, and forest flower fragrance entered the rows of dwellings. Courage and modesty entered the heart-house of the beautiful girl, while proud Cupid arose and began his serpentine play there. (4)
Original
iti bata dina rātryorniścite nādhikāre vigalita kulajāti jjñāna dharme tadā yaḥ | vrajabhuvi balito'bhūt sa pradoṣo vyaraṁsīt kimu bhavati cirastha tāmasī kāpi sampat ||5||
English translation
Thus twilight, powerful upon the land of Vraja when neither day nor night held certain authority and all knowledge of family, caste, dharma, and propriety had dissolved, came to an end. Can any dark prosperity remain forever? (5)
Original
api gurupura madhye dṛk kabāṭāvaruddha sva tanu kanaka veśmābhyantara svānta talpe | priyatamamadhiveśyārīramadyā tadā tāṁ sukhayitum atha rādhāmāgatenduprabhoce ||6||
English translation
Though surrounded by Her elders' residence, Rādhā closed the doors of Her eyes, placed Her own body within the inner golden chamber, and installed Her beloved upon the bed of Her heart. As She delighted with Him there, the newly arrived moonlight spoke to Her. (6)
Original
vidhura rucirasi tvaṁ yaṁ vinā hanta rādhe vidhura rucirabhūt sa tvamṛte'nyastathāpi | bhavati hṛdaya hārī sa trilokyāstavaho bhavati hṛdayahārī bhūtatāṁ labdhamutkaḥ ||7||
English translation
'Rādhā, You are beautiful with moonlike radiance, yet without Him You are wretched. Without You, He too becomes wretched despite His beauty. Still, He steals the hearts of the three worlds, while longing has now taken embodied form and steals His heart.' (7)
Original
racaya sakhi tadasyodanta pīyūṣa vṛṣṭir iti rahasi viśākhā prārthyamānā tadā sā | yadavadadidamālīsaṁhate raṁhasārāt papurajara tṛṣastāḥ karṇapālī cakoryaḥ ||8||
English translation
In private Rādhā asked Viśākhā, 'Friend, arrange a rain of nectar through news of Him.' Viśākhā then spoke before the assembly of companions, and the cakora birds of their ears, possessed of undecaying thirst, swiftly drank her words. (8)
Original
giridhara baladevālaṅkṛtātma dvi pārśvo vraja dharaṇī vareṇya bhojanāyopaviṣṭaḥ | dhanapatiriva śobhāmāpa nandīśvarāntaḥ purasadasi nidhibhyāṁ padma śaṅkhābhidhābhyām ||9||
English translation
The lifter of the mountain sat down to dine with Balarāma adorning one side and Kṛṣṇa the other. Within the assembly hall of Nandīśvara, the noble lord of Vraja shone like Kubera between his two treasures named Padma and Śaṅkha. (9)
Original
prati rajani nimantryānīyamānaiḥ saputrair hari vadana cakoraiḥ sādarair āvṛto'sau | parita upaviśadbhiḥ prema bhūbhṛdbhiruccais tuhina giririvābhānmūrta ānandapuñjaḥ ||10||
English translation
Invited and brought each night with their sons, loving relatives who were cakoras for Hari's face respectfully surrounded him. As those lofty mountains of affection sat on every side, Nanda shone like the snow mountain, a mass of bliss embodied. (10)
Original
bahuvidha madhurānna vyanjanādīni tebhyo laghu laghu pariveśya dvistrirekaikaśaḥ sā | sakhi balaya nayitrī nirvṛtiṁ prāpa kāñcit svakara kalita pāka ślāghayā tanmukhebhyaḥ ||11||
English translation
Friend, the leader of the family quickly served them many kinds of sweet rice, vegetables, and other dishes, each item two or three times. She attained a special delight when their mouths praised the food she had cooked with her own hands. (11)
Original
tanaya janayatīdaṁ puṣṭimojaś ca bhuṅkṣve tyanupadam api taistaiḥ sneha viklinna cittaiḥ | api nija nija pātrāddīyamānaṁ tadāda praṇihita ruci kṛṣṇo dhenukāriś ca kāmam ||12||
English translation
'Son, this creates nourishment and strength. Eat!' At every step their hearts melted with affection and they offered Him food from their own plates. Kṛṣṇa and the enemy of Dhenuka accepted as much as they wished, concentrating upon its taste. (12)
Original
tvamayi kiyadaśānetyakṣibhaṅgyaiva mātrā sadasi pitṛ pitṛvyaiḥ śaśvadukto girāpi | sa sapadi yadabhuṅktāpūritenaiva tṛptir niśi niśi tadihaiṣāṁ sagdhirācāra mātram ||13||
English translation
Again and again His father and uncles asked with words and gestures of the eyes, 'How little have You eaten?' Whatever He then ate gave them fulfillment even before their plates were filled. Thus their nightly meal was merely a formality. (13)
Original
hari mukha makarandai dṛgbhirādīyamānaiḥ kalita navasapīti prītimadbandhuvṛndam | atha nija nija dāsyānyātta tāmbūla vīṭī prati nija bhavanāntaḥ saṁviveśa praviśya ||14||
English translation
The loving relatives celebrated an ever-fresh drinking festival with their eyes, taking the nectar of Hari's face. Then each accepted betel rolls from his own servant and entered his respective home. (14)
Original
adhi balabhivalakṣe sakṣāṇaṁ puṣpatalpe rahasi sa hasitāsyair āvṛtaḥ svair vayasyaiḥ | yadavadadavasāda prastutau te stuvāno madhurima garimāṇaṁ śruyatāṁ tac ca rādhe ||15||
English translation
For a moment Kṛṣṇa sat privately upon a flower bed on a bright terrace, surrounded by His smiling friends. When they began praising the weight of sweetness to relieve His despondency, He said, 'Rādhā, hear what they spoke.' (15)
Original
sarasamanugavīnasyāparāhne bhavadbhiḥ samamasama mahimno'pyañjasā gacchato yāḥ | mama dhṛtitatimadyannadya goṣṭhapradeśe kathaya subala tā māṁ mohayitryo rucaḥ kāḥ ||16||
English translation
'Subala, in the afternoon, while I followed the cows and walked with all of you through the settlement, what unequaled splendors devoured the whole of My composure today? Tell Me of those enchantresses.' (16)
Original
ahaha madhurimābdheḥ kiṁ sudhā mathyamānāt kimiti lalita vidyudvīcayo vastra pūtāḥ | kimu parimala nīvṛnmūrti saṁrājya lakṣmyaḥ kimatanu viśikhānāṁ rāśayaścampakānām ||17||
English translation
'Alas, were they graceful lightning waves filtered from nectar churned out of the ocean of sweetness? Were they the sovereign goddesses of an embodied realm of fragrance, or heaps of campaka flowers serving as the bodiless god's arrows? (17)
Original
tadupari ghusṛṇāktāṁ kiṁ sarojaṁ praphullaṁ śuci jaladhi janirvā kṣobhanaḥ kaścanenduḥ | maṇimaya madirābhyāṁ tasya cāṅke naṭadbhyāṁ mama dṛg upasarantyevāditā pucchaghātaiḥ ||18||
English translation
'Above them, was that a blossoming lotus anointed with saffron, or some moon born from the pure ocean to agitate it? The jeweled pair of intoxicated wagtails dancing in its lap approached My eyes and at once struck them with their tails. (18)
Original
kimidamahaha vastvityūḍha sambhrānti mūḍhe tadanubhava lavasyāpaṁśamārabdha kāme | mayi ghana jaladālyevāvṛtaṁ sadya eva vratati tatiṣu līnaṁ prābhavaṁ tanna leḍhum ||19||
English translation
'Bewildered by wonder and thinking, Alas, what is this object? I began to desire even the slightest taste of it. But it was immediately covered by a dense mass of cloudlike companions and vanished among the rows of vines, so I could not lick its power. (19)
Original
sapadi nayana yugmoddiṣṭa vartmā tadāgān mama hṛdaya baṭantanmārgaṇārthaṁ samarthaḥ | na punarayamidānīṁ yat parāvartate tad vanabhuvi kusumeṣo bandhamāpeti budhye ||20||
English translation
'Cupid then followed the path shown by My two eyes and entered the banyan tree of My heart, capable of searching for that vision. He has not returned even now. I understand that the flower-arrowed god has been bound upon the forest floor.' (20)
Original
aghahara bhavata yālokyate ślāghya-rūpā tadavadhi dhuta dhair yā sāpi rādhādhidhārā | vividha davathupātrī svāḥ sakhī rodayitrī viluṭhati galadakṣṇordhārayā dhauta gātrī ||21||
English translation
'Destroyer of Agha, from the moment that praiseworthy form beheld You, Rādhā, the supreme stream of beauty, lost Her composure. She has become the vessel of many fires, making Her friends weep as She rolls upon the ground, Her body washed by streams falling from Her eyes.' (21)
Original
ayamayamayate tvāṁ tanvi dhinvanmukundo rasanidhiratha sa kva kveti saṁlāpaśeṣe | prathamarajanijātaṁ dhvāntamālakṣayantī śamayati rujamasyā vrīḍayāthāvṛtāṅgyāḥ ||22||
English translation
'Slender girl, Mukunda, the reservoir of rasa, is coming to delight You. Here He comes!' When their conversation ended, She looked upon the darkness born at the beginning of night and soothed Her pain, covering Her body from shyness. (22)
Original
iti subalavacobhiḥ kṛṣṇanetrāmbujābhyāṁ praṇayiṇi pṛṣatā drāg ānupūrvā nipetuḥ | himakarakararājibhrāntito bhūktapūrvāṁ vavamaturiva muktāṁ mañjucañcucakorau ||23||
English translation
At Subala's words, drops of love fell successively from Kṛṣṇa's lotus eyes. The two charming cakora birds seemed to vomit up the pearls they had swallowed before, having mistaken them for rows of moonbeams. (23)
Original
paricaraṇaparāṁ māṁ tasthūṣīṁ tatra dṛṣṭvā nyadiśadayamamandotkaṇṭhayā kuṇṭhitāsyaḥ | upasurataru rādhā bhānuputryāstaṭe mām abhisaratu rasenetyāśu tāṁ brūhi gatvā ||24||
English translation
Seeing me standing there absorbed in service, His face checked by boundless longing, He instructed me: 'Go quickly and tell Rādhā to come with rasa to the wish-fulfilling tree beside the Yamunā.' (24)
Original
śrutamurajaninādaḥ svaṁ didṛkṣūnsasabhyān bahirupaviśato'gāt sāmprataṁ nāṭyaraṅgam | kṣaṇamathakṛtatattattṛṣṇāpūrtirvalabhyāṁ śayitum ayamupaiṣyatyambayā lālyamānaḥ ||25||
English translation
Hearing the mṛdaṅga, He has now gone to the theater where the members of the assembly who wished to see Him were seated outside. After satisfying their many desires for a moment, He will come to sleep upon the terrace while His mother fondles Him. (25)
Original
atulacaturimāṇaṁ taṁ janālakṣyamāṇaṁ gatamiva nijakāntaṁ viddhi sauryāstaṭāntam | tvamayi kiyadaśitvā svāngurūnvañcayitvā drutamabhisara rāgād ityuditvaiva sāgāt ||26||
English translation
Know that your incomparably clever beloved has gone unseen by the people to the bank of the Yamunā, as though to His own lover. Friend, eat just a little, deceive your elders, and swiftly go to Him from longing.' Having spoken, Tulasī departed. (26)
Original
sapadi jaṭilayā sā bhojanāyāhvayantyā savidhamanusṛtoce saṅkucasyatra cet tvam | priyam api nija bhaktaṁ tadgṛhītvā vrajeto ahasi saha sakhībhiḥ sādhvi sādhūpabhuṅkṣva ||27||
English translation
Jaṭilā at once came near and called Her to dine, saying, 'If you feel shy here, chaste girl, take your dear devotee and eat properly with your friends in a secluded place.' (27)
Original
smita madhura dṛg aḍhyaṁ lehayantī tadālīṁ vinayanaya mahimnā dhinvatī tāṁ ca rādhā | vadasi yadidamārye kurva ityevamuktvā śayanagṛhamagāttamannādi nītvā ||28||
English translation
Rādhā licked Her companion with eyes rich in a sweet smile, delighting her through the majesty of modest conduct. Saying, 'Noble lady, I shall do as you say,' She took the rice and other food to Her sleeping chamber. (28)
Original
priya mukha makarandāmoda dhāmauda nādau kṛta milanatayā tat svādyatāmāpa tāsām | sura sariti gataṁ cedyatra tatratyamambho jagadagham api bhindat vandyatāṁ yāti loke ||29||
English translation
Because it had come into contact with the abode of the fragrance of Her beloved's face, the rice became delicious to all of them. If even ordinary water enters the celestial Gaṅgā, wherever it may go it breaks the sins of the world and becomes worshipful among the people. (29)
Original
śṛṇu sakhi guravo'ntaḥ śerate sāmprataṁ te sadanamanugavāṁ so'pyasti dūre'bhimanyuḥ | smṛti mati dhṛti lajjāḥ śāyayitvā sva talpe tadabhisara rasena sva priyaṁ keli kuñje ||30||
English translation
'Friend, listen. Your elders are now asleep inside. Abhimanyu too is far away, in the settlement behind the cows. Lay memory, judgment, composure, and modesty upon your own bed, and go with rasa to meet your beloved in the pleasure grove.' (30)
Original
anupada balamāna prema sandarśitādhvā kusuma śara bhaṭenaivābhitaḥ pālyamānā | hṛdi punarupagūḍhotkaṇṭhayālyā calantī śrama lavam api rādhe nādhvano jjñāsyasi tvam ||31||
English translation
Love itself walked at every step and showed the path, while the soldier of flower arrows guarded Her on all sides. Moving with a companion whose heart again embraced Her longing, Rādhā did not notice even the slightest fatigue from the road. (31)
Original
yadi janatati netra śrotradaṁśādvibheṣi vraja dhavala nicolenāvṛti kṛtya gātram | mukhara jagadiva svaṁ nūpuraṁ cānapekṣya śrita vicakila mālyā tārahārā smitāsye ||32||
English translation
'If you fear the bites of people's eyes and ears, cover Your body with a white shawl and go. Smiling girl, disregard Your anklets, noisy as the whole world, and wear a garland of vicakila flowers and a necklace of pearls.' (32)
Original
tava caraṇa nakhendoścandrikaikāpi sarvaṁ jagadidamavadātaṁ sakhyalaṅkartum īṣṭe | vidhuravidhurayaṁ tat paunaruktyaṁ jagāme tyakṛta vidhiraśuddhaṁ kiṁ masī rekhayāmum ||33||
English translation
'Friend, even the single moonbeam from the moon of Your toenail can ornament this entire world with whiteness. The moon has therefore become a redundant, distressed repetition. Did the impure Creator draw upon him this black line of censure?' (33)
Original
iti nija sahacaryā dīpita smāra caryyā nirupama guṇadhuryā niryatī goṣṭhapuryāḥ | agaṇita guruvādhā kānanaṁ prāpa rādhā praṇaya saridivārādūḍhamādhurya dhārā ||34||
English translation
Thus Her companions kindled Her observances of Love. Bearing an incomparable burden of virtues and disregarding every obstacle from Her elders, Rādhā left the settlement and reached the forest like a river of affection carrying streams of sweetness toward its beloved ocean. (34)
Original
parijana nikurambair ātta kiñcidvilambair adhigata guruvārtaiḥ svasvasevārthamārttaiḥ | tvaritamanusaradbhirdākṣya cāturyavadbhir vipinabhuvi nijeśālambhi sā mugdhaveśā ||35||
English translation
Groups of attendants, delayed only slightly as they learned the elders' news and distressed to perform their respective services, swiftly followed Her with expert cleverness. Upon the forest floor they reached their innocent-looking mistress. (35)
Original
yadi punaravarodhe'nviṣyate sā virodhe gurubhirudita roṣaiḥ karhiciddṛṣṭa doṣaiḥ | vrajapati suta līlā parva nirvāha śīlā viracita tadupāyā syāt tadā yogamāyā ||36||
English translation
If angry elders noticed some fault and searched for Her within the guarded residence, Yogamāyā, whose nature is to bring every festival of the son of Vraja's lord to completion, devised the necessary remedy. (36)
Original
nikhilam api ninādaṁ vaṁśikā vādyam eva priyakam api purasthaṁ svapriyaṁ bhāvayantī | parimalam api sarvaṁ tat pratīkauttham eve tyamumabhimanute sma prāptam evādhvanīyam ||37||
English translation
She regarded every sound as music from His flute, every pleasing object before Her as Her beloved, and every fragrance as rising from some emblem of Him. In this way She considered Him already reached upon the road. (37)
Original
kalayasi lalite kiṁ kautukaṁ tvadbhujaṅgo bhujamadhita balānme veṣṭayankaṇṭhameṣaḥ | iti capalamudañcac cillicāpā cakampe varatanuravalokyaivāṁsagāṁ svīya veṇīm ||38||
English translation
'Lalitā, what marvel do you see? Your serpent has forcibly wrapped itself around My arm and neck!' The beautiful girl trembled as the restless bow of Her eyebrow rose, for She had merely seen Her own braid resting upon Her shoulder. (38)
Original
priyasakhi paramārthī mādhavaḥ syādudārāt tvam api bhavasi tasmai citta vittādi dattvā | kathamahamiha madhye vārayitrī dvayoḥ syāṁ smṛtibhava bahu dharmādharma vijjñāpi bhūtvā ||39||
English translation
'Dear friend, Mādhava may be the supreme petitioner, but You too have become generous toward Him, giving Your mind, wealth, and everything else. Since memory and tradition teach many duties and prohibitions, how can I stand between the two of You as an obstacle?' (39)
Original
bhuvi bhavati sa ekaḥ karṇa evātra dātā tvamamalamukhi karṇau dvau ca dattāvakarṣīḥ | balim api kimajaiṣīrna tribalyarpaṇaiṣiṇy atanu śata virājadvikrame'sminnaghārau ||40||
English translation
'Only Karṇa is famous on earth as a giver, yet, spotless-faced girl, You have given away both ears. Did You not also conquer Bali by offering Your three abdominal folds to this enemy of Agha, whose hundredfold strides of bodiless Love shine so brilliantly?' (40)
Original
nayana yugalametad-rūpa sāt kṛtya nāse api parimala sindhau prakṣipantyā tvayāsya | vyaraci sakhi vitīrṇā yā tayaivaiṣa veṇyā harir api nija bāhu bhūtayā tvāṁ sinoti ||41||
English translation
'Friend, You have made this pair of eyes wholly His form and cast Your two nostrils into the ocean of His fragrance. Through that very braid You gave Him, Hari in turn binds You with the wealth of His own arms.' (41)
Original
iti pathi hasitā sā tatrape tatra sakhyā prasabhamudayamānaistarṣa lakṣair ajasram | vigalitam api dhair yaṁ dhartum abhyasyamānā bakula vanamupāgānmanda mandaṁ calantī ||42||
English translation
Thus the companion made Her laugh repeatedly along the path, while hundreds of thousands of thirsts forcibly arose without cease. Practicing how to hold the composure that continually slipped away, She walked very slowly and reached the bakula grove. (42)
Original
kimidamahaha tasyāḥ śiñcitaṁ bhūṣaṇānāṁ bhramamagamamahaṁ vā cāṭakair eva rāvaiḥ | śrutipatha gatam evākṣobhayanmāṁ yadaitat tadajani phalito vā māmako bhāgyaśākhī ||43||
English translation
'Alas, is this the tinkling of Her ornaments? Or have I been deceived merely by the cries of cāṭaka birds? Yet because that sound has entered the path of My hearing and deeply agitated Me, perhaps the tree of My good fortune has finally borne fruit.' (43)
Original
iti taruṇa tamālāśliṣṭa pṛṣṭhaṁ mukundaṁ muhur api vimṛśantaṁ kācidādau vilokya | pramudita matirāśu vyājahārāmbujākṣīṁ kalaya sumukhi rādhe mādhavaṁ tasthivāṁsām ||44||
English translation
One companion first saw Mukunda standing with His back pressed against a young tamāla tree, repeatedly reflecting in this way. Filled with joy, she quickly told the lotus-eyed girl, 'Beautiful-faced Rādhā, look! Mādhava is standing there.' (44)
Original
ahamiha katiśo vā naivamālokayaṁ tan na mama ramaṇa eṣa syāditi svānta madhye | niracinuta kṛśāṅgī taṁ puro vīkṣya rādhā druta hṛdatanu ghūrṇākīrṇa dhīrapyadhīrā ||45||
English translation
Seeing Him before Her, slender Rādhā thought within Herself, 'How many times have I looked there? This cannot be My beloved.' Her heart raced, Her body reeled, and Her understanding scattered. Though normally composed, She became restless. (45)
Original
mama bhṛśam api mugdhāṁ yaddṛśaṁ tvaṁ viśākhe bhramayasi tadidaṁ te hāsyamāstāṁ vidūre | bhramayasi na ca yadvā mādhavo'yaṁ tamālaḥ sthira iti tava satyaivābhavadgīrvidagdhe ||46||
English translation
'Viśākhā, enough of this distant joke by which you make My thoroughly innocent gaze wander. Or perhaps you do not deceive Me: this is a tamāla tree, and Mādhava is the one who moves. Clever girl, your statement has indeed proved true.' (46)
Original
na hasitamayi kintu tvat samāśvāsanārthaṁ gaditamidamihānālokayantyā mayā tam | tvamati caturimābdhirmā bhramastatra rādhe bhavatu tadapi tuṣṭyai rocirasya kṣaṇaṁ te ||47||
English translation
'Friend, I did not speak to laugh at You. Not seeing Him, I said this only to reassure You. You are an ocean of extraordinary cleverness, Rādhā, so let there be no confusion. Still, look upon its beauty for a moment and be pleased.' (47)
Original
iti sarasija mukhyorvācamācamya sakhyo hariratha samudañcaddoḥ karopatta śākhāḥ | pihita maṇi vibhūṣaḥ kautukī tatra sākṣāt taruvara iva tasthau tyakta pītottarīyaḥ ||48||
English translation
Drinking the lotus-faced girls' words, Hari raised His arms and grasped branches in His hands. Concealing His jeweled ornaments and casting aside His yellow upper cloth, the playful Lord stood there visibly like an excellent tree. (48)
Original
suratarutala tastaṁ kṛṣṇamanviṣya dūrād iha bakula nikuñje yāvadevānayāmaḥ | nalinamukhi tamāla skandha vinyasta hastā dhṛti lavam api dhṛtvā tāvadatrāsva rādhe ||49||
English translation
'Lotus-faced Rādhā, let us search for Kṛṣṇa from afar beneath the wish-fulfilling trees and bring Him here to the bakula grove. Meanwhile, rest here for a moment, maintaining whatever little composure You can, with Your hand placed upon the trunk of this tamāla.' (49)
Original
iti sa lalitamālīvṛndamuktvā prayātaṁ varatanuravalokyāmanda kandarpa cintā | laghu laghu savidhe'syāgatya sā vismayābdhau nyapatadatanu harṣa kṣmādharaṁ cāruroha ||50||
English translation
After Lalitā spoke thus to the assembly of companions and departed, the beautiful girl watched them go, absorbed in powerful thoughts of Cupid. Slowly approaching the tree, She fell into an ocean of astonishment and climbed a mountain of immense joy. (50)
Original
kati na kati tamālālokitāḥ santyayaṁ tu vrajapati suta kāntīrhanta tā eva dhatte | madhurimabharam evaṁ sthāvareṣvapyapāram yadasṛjadatamekaṁ naumi dhātāram eva ||51||
English translation
'How many tamāla trees have I seen? Yet this one alone bears the very radiance of the son of Vraja's lord. I worship the one Creator who has produced such an immeasurable burden of sweetness even among unmoving beings.' (51)
Original
bhavatu nikaṭametya svekṣaṇe tarpayāmīty amita mṛdupagamyaivāśru pūrṇedaṁ ūce | nirupama ruci jāle tvaṁ stuve kiṁ tamāla tvamayi nahi nagaḥ śrī kṛṣṇa evāsi sākṣāt ||52||
English translation
'I shall go near and satisfy My eyes.' Approaching very gently, Her eyes filled with tears, She said, 'Tamāla, what can I say in praise of your incomparable web of beauty? Friend, you are no tree. You are Śrī Kṛṣṇa Himself before Me!' (52)
Original
tadati davathu śīrṇāṁ māmihāśliṣya bāḍhaṁ nija madhura marandaiḥ siñca bhūmirūhendra | sukha jaladhi taraṅgaiḥ sādhu tair eva tāvat kṣaṇamatanu dāvārta plāvayāmi sva cetaḥ ||53||
English translation
'King of trees, tightly embrace Me, for I am withered by unbearable burning, and sprinkle Me with Your sweet nectar. Then for a moment I shall properly flood My heart, distressed by the forest fire of bodiless Love, with waves from an ocean of happiness.' (53)
Original
iti sapadi nibhālyāpyasya gātrāṇi maugdhyān na ca paricinute sma prauḍha śuddhānurāga | parihitam api pītaṁ tasya vāso mṛgākṣī nija tanu ruci puñjaṁ bimbitaṁ manyate sma ||54||
English translation
Even after directly gazing upon His limbs, in Her innocence She did not recognize Him, so mature and pure was Her love. Though He wore yellow cloth, the doe-eyed girl thought it merely the reflected mass of radiance from Her own golden body. (54)
Original
sa cakitamavalokyaivābhitaḥ sā yadodyan nija bhuja latikābhyāṁ taṁ balādāliliṅga | smara mada ghana ghūrṇaḥ so'pi dorbhyāṁ pragāḍhaṁ prati parirabhate sma prema ratnākarastām ||55||
English translation
When, startled, She looked all around and then forcibly embraced Him with the vines of Her own arms, He too, reeling beneath the dense intoxication of Love, tightly embraced that ocean of prema in return. (55)
Original
tanuyugamatanuryat kīlitīkṛtya bāṇair ati ruciramamuṣṇāc citta ratnaṁ prayatnaiḥ | tadṛta iva tamālo mādhavo'bhūc ciraṁ sā pyajani kanakavallī taṁ balādveṣṭayantī ||56||
English translation
Bodiless Love pinned the two bodies together with his arrows and skillfully stole the jewel of each heart. Mādhava long remained like a tamāla without Her, while She became a golden vine forcibly entwining Him. (56)
Original
atha katham api kāntā pratyabhijjñāta kāntā dhṛta ratiraṇa raṅgāpyūḍha lajjā taraṅgā | svamatula saralatvaṁ tasya cāturyavat tvaṁ muhur api rasayantī sismiya kundadantī ||57||
English translation
Somehow the beloved girl finally recognized Her beloved. Though eager for the contest of love, waves of modesty then rose within Her. Tasting again and again Her own incomparable simplicity and His cleverness, the girl with kunda-white teeth smiled. (57)
Original
pauṣpaṁ tulyamupetya puṣpadhanuṣaḥ sāmrājya saṁsiddhaye yadyat prārabhata priya-dvayamidaṁ sākṣāt sarasvatyapi | ālīnāṁ nayanebhya eva ciram evādhītya cedvarṇaye yat kiñcinna samāpayet tadapi sā stambhāśru caisvarya bhāk ||58||
English translation
For the complete establishment of the flower-bowed god's sovereignty, whatever the beloved Couple began there upon the matching bed of flowers could not be fully described even by Sarasvatī. If she studied it for a long time solely from the companions' eyes and then narrated something of it, she would still never finish, for she too would become possessed by the powers of paralysis and tears. (58)
Original
iti śrī-kṛṣṇa-bhāvanāmṛte mahā-kāvye prādoṣika-vilāsāsvādano nāma aṣṭādaśaḥ sargaḥ ||18||
English translation
Thus ends the Eighteenth Sarga, entitled 'Relishing the Early-Night Pastimes,' in the great poem Śrī Kṛṣṇa-bhāvanāmṛta.