राम

षोडशः सर्गः

Sixteenth Sarga: Relishing the Afternoon Pastimes

Chapter 16 of 20Source coverage: logical units 1–42; verses 1–4042 paired passages

Original

ṣoḍaśaḥ sargaḥ āparāhnika-līlāsvādano nāma

English translation

Sixteenth Sarga: Relishing the Afternoon Pastimes

Original

atha premṇaḥ sthemanyapi samajani sthair yarahitā priyā preyasyakṣṇoramalakamala-dvandvamahasoḥ | taṭāt svasyāvāsāt pravasati vidūre davathavo balādākramyāsyā hṛdayanagarīṁ bhettum aviśan ||1||

English translation

Though Her love possessed the greatest constancy, Her beloved's departure made the spotless twin lotuses of Her eyes lose all steadiness. When He journeyed far from the bank of His own dwelling place, the fires of separation forcibly invaded the city of Her heart and began to break it apart. (1)

Original

sakhīsaṅghāśvāsauṣadham api nirojo vidadhatīṁ dadhānā sva prāṇapriya virahajāṁ saṁjvararujam | kṣaṇārdhaṁ kalpānāṁ śatamamanuteyaṁ gurugṛhaṁ nirambhaskaṁ kūpaṁ hriyamaśanijaṁ jālapaṭalam ||2||

English translation

The medicine of Her companions' assurances brought Her no strength as She suffered the fever born from separation from the beloved of Her life. She considered half a moment to be a hundred ages, Her elders' home a waterless well, modesty a thunderbolt, and its lattice veil a net. (2)

Original

tadālīnāṁ pālyā samucitasaparyākuladhiyāṁ dravaiḥ paunaḥpuṇyānmalayajabhavair lipta vapuṣaḥ | stṛtāyāścābhīkṣṇaṁ visakisalayaiḥ saindhavarasaiḥ samīpe'syāḥ prāyāt praṇayavikalā candanakalā ||3||

English translation

Her companions, anxious to render fitting service to the girl under their care, repeatedly anointed Her body with liquid sandalwood paste and continually spread lotus-stem leaves moistened with salty water beneath Her. Then Candrakalā, distraught with affection, approached Her. (3)

Original

kuto vṛndāranyāt kathamidamagā goṣṭhamahiṣī nideśāt kasmāt sa tvaritamaśanīyopahṛtaye | sutasyāsyāḥ kiṁ samprati sa kurute kandukatati vyatikṣepagrāhottaravividhakhelāṁ savayasā ||4||

English translation

'Where have you come from?' 'From Vṛndāvana.' 'Why did you go there?' 'On the queen of Vraja's order, to bring food quickly for her son.' 'What is He doing now?' 'He is playing many games with His friends, tossing rows of balls, catching them, and throwing them back.' (4)

Original

are kiṁ śrīdāmanvadasi mama dorargalavalat taṭīloṭhīghaṭṭapraghaṭananipiṣṭākhilatano | viramyājernāmno'pyapasara madāḍambaralava sphuṭatkarṇo'bhyarṇādyadi sapadi śaṁ vāñchasi bhṛśam ||5||

English translation

'Śrīdāma, what are you saying, fellow? All your limbs have been crushed by the collision with the ball that rolled along the barrier of My arms. Give up even the name of battle and withdraw from nearby at once if you earnestly desire your own welfare and if even a trace of proud display remains audible in your ears.' (5)

Original

jayaśrīḥ śrīdāmni prathitamahasāṁ dhāmni sahasāṁ vyarājīdrājiṣyatyavakalaya rājatyapi sadā | tavaivaṁsaḥ sākṣī bhavati tadapi tvaṁ bhajasi kiṁ mukhāṭopī kopī svamahimavilopī capalatām ||6||

English translation

'The goddess of victory has suddenly shone upon Śrīdāma, the abode of celebrated glory and courage. Look, she shines there now and always. Your own shoulder is the witness. Why then, with your face swollen in anger, do you act restlessly and erase your own greatness?' (6)

Original

bakīṁ mantrair viprā nidhanamanayanyaḥ punaraghas tadantarastvaṁ sarve vayam api na kiṁ hanta yayima | bakaḥ kair vā gaṇyo girir api tadeṣṭaḥ svayamaho viyatyasthādastaujasi bhavati garvaḥ kathamabhūt ||7||

English translation

'The brāhmaṇas killed Pūtanā with mantras, and You were merely inside Agha when he died. Alas, did we not all enter him as well? Who even counts Baka? And the mountain stood in the sky of its own accord. With Your power thus gone, how has such pride arisen in You?' (7)

Original

sa itthaṁ tatprāṇārbudaniyutanirmañchyakiraṇo raṇotsāhaṁ sāhaṅkṛtibhaṇitapīyūṣapṛṣataiḥ | samaṁ mitrair dvitrair upasaridamandaṁ vipulayan kṣaṇaṁ ninye mūrtapraṇayarasa eva praṇayibhiḥ ||8||

English translation

Thus Kṛṣṇa, whose radiance is worshiped by tens of millions of His beloved's lives, expanded the enthusiasm of battle beside the river with two or three friends through nectar drops of proud speech. Embodied loving rasa itself, He passed a moment among those who loved Him. (8)

Original

iti preṣṭhodantāmṛtasariti tatprāṇaśapharī rarakṣeyaṁ kṣiptvā prathamamupakaṇṭhe viluṭhatīḥ | sutasnehaklinnavrajapatigṛhiṇyā abhimate pravṛttāṁ cakre tāmatha dhṛtamudaṁ modakavidhau ||9||

English translation

First Candrakalā protected the fish of Rādhā's life, which had been cast upon the shore and was writhing there, by placing it in the river of nectar formed by news of Her beloved. Then, in accordance with the wish of the queen of Vraja whose heart was moist with affection for her son, she joyfully engaged Rādhā in making sweetmeats. (9)

Original

tataḥ snātā carcāṁśukatilakalīlāmbujamakaryy alaktasragveṇīpratisaravataṁsāñjanavatī | nasi śrīmanmuktā cibukadhṛtabinduḥ kusumayuk kvacā tāmbūlasyā ṣaḍadhikadaśākalpamadhurā ||10||

English translation

After bathing, Rādhā adorned Herself with cosmetic markings, fine garments, tilaka, a playful lotus and makara design, lac, garlands, a braid, wrist cords, flower earrings, and collyrium. A splendid pearl graced Her nose, a dot Her chin, and flowers Her hair. With betel, these sixteen adornments made Her sweetness complete. (10)

Original

śiroratnagraiveyakapadakakeyūrarasanā śalākātāṭaṅkojjvalavalayahārorjitaruciḥ | raṇanmañjīraśrīḥ karapadadalormicchavimatī vireje śrīrādhā dvyadhikadaśaratnābharaṇinī ||11||

English translation

Śrī Rādhā shone with twelve jeweled ornaments: a crest jewel, necklace, locket, armlets, girdle, hairpin, earrings, brilliant bracelets, a splendid necklace, ringing anklets, and rings whose rays played upon the petals of Her hands and feet. (11)

Original

ayaṁ yāmo yāmo bhavati divasāntaḥ kathamimaṁ nayāmo yo'śāmyannahi yugasahasrair api gataiḥ | vidhātrā kiṁ sṛṣṭo mama hṛdayakulmāṣadalana pravṛttenaivāsau kaṭhinataraloṭhaḥ śaṭhadhiyā ||12||

English translation

'This watch is becoming the end of the day. How shall I pass it, when even thousands of ages could not bring it to rest? Did the deceitful Creator fashion it as an extremely hard and restless stone solely to crush the pulse of My heart?' (12)

Original

iti klidyannetrāṁ vidhuravadanāṁ maṅkṣu lalitā samārohya kṣaumaṁ nyagadadagadaṅkāracaritā | tvamuttīrṇa rādhe kaṭutaramabhūḥ khedajaladhiṁ diśaṁ paśya prācīṁ viśati sakhi godhūliradhunā ||13||

English translation

Seeing Her eyes grow wet and Her face pale, Lalitā quickly lifted Her onto a raised seat and spoke in a voice choked with emotion: 'Rādhā, You have crossed the exceedingly bitter ocean of distress. Friend, look eastward. The dust raised by the cows now enters that quarter.' (13)

Original

na godhūlirbhadre anubhava bhavatīdaṁ vidhurajo dṛśaṁ tṛptāṁ dūrādviśati kimavādīḥ sakhi diśam | yadetat kaṇṭhānme śamitadavathuprāṇapatagān hṛdāninye manye tadayi mṛtasañjīvanamidam ||14||

English translation

'Noble girl, that is not cow dust. Experience it: it is the moon's radiance entering My unsatisfied eyes from afar. Friend, why did you call it a direction? Whatever has entered My heart, soothed the burning in My throat, and restored the birds of My life, surely this is the herb that revives the dead.' (14)

Original

madarthaṁ tvatpreyovadananalinasvedakaṇikā haranśaityāmodī vipulakaruṇaḥ prācyapavanaḥ | aho bhāgyaṁ spṛṣṭvā sapadi lalite jīvayati māṁ jagatprāṇo nāmnā bhavati guṇato'pyeṣa nitarām ||15||

English translation

'Lalitā, the compassionate eastern breeze is cool and fragrant, for it has removed drops of perspiration from the lotus face of your beloved for My sake. Ah, what good fortune! Having touched Him, it instantly restores Me to life. It is called the life of the world, and in its qualities too it fully deserves that name.' (15)

Original

smaranmāṁ dīnāṁ sa vrajatilakasūnuḥ kimadhunā purogāḥ kṛtvā gā drutataramupaiti praṇayavān | kathaṁ vāsya drautyaṁ bhavatu samadokṣālasagateḥ kathaṁ vā sphāratvaṁ tyajatu sa davīyānvanapathaḥ ||16||

English translation

'Remembering Me in My misery, is the affectionate son who is the ornament of Vraja now hurrying toward us with the cows before Him? But how can He move swiftly when the proud bulls walk so slowly, and how can the long forest road abandon its vast extent?' (16)

Original

mukhābjaṁ bibhrāṇo vimalatilakaṁ velladalakaṁ raṇadbhṛṅgastomastutatulasīkāsrakparimalaḥ | śritapreṅkhatpiñchāruṇadaranatoṣṇīṣasuṣamo dhuvanbādhāṁ rādhe tvaritamadhunaivaiṣyati sa te ||17||

English translation

'Rādhā, He will come to You quickly even now, bearing a lotus face adorned with spotless tilaka and dancing locks. The fragrance of His tulasī garland, praised by swarms of humming bees, surrounds Him, and the beauty of His turban, slightly lowered by its bobbing peacock feather, dispels every affliction.' (17)

Original

hihī piṅge dhūmre dhavali śabali śyeni hariṇīty aho tattadvarṇaprathitamaṇimālājapaparaḥ | asaṅkhyā apyevaṁ sapadi gaṇayannāhvayati gāḥ sa kāntastvannetrajvarabharamupaiṣyanśamayitum ||18||

English translation

'Piṅgā! Dhūmrā! Dhavalī! Śabalī! Śyenī! Hariṇī!' Absorbed in chanting this jeweled garland of names renowned for their many colors, your beloved rapidly counts and calls even the countless cows as He approaches to soothe the heavy fever of your eyes. (18)

Original

ito vaṁśīdhvānāt kalaya sakhi rādhe kalakalaṁ vraje rāmārājeruditavitanornirjagamiṣoḥ | tadagre svārāme kusumamiṣato yāmo jaratīṁ pratāryetyutkaṇṭhā culukitadhṛtiḥ sā drutamagāt ||19||

English translation

'Rādhā, friend, hear the tumult caused here by the flute. It arises from the spreading host of Vraja's women who are eager to come outside. Go before them to your own garden. Under the pretext of gathering flowers, deceive the old woman and leave.' Her longing had swallowed her composure, and she hurried away. (19)

Original

tvayā dattenālaṁ śravaṇamanu puṣpeṇa yadiha svayaṁ dūrādvaṁśīdhvanirasavataṁso'lagadayam | patāmi tvatpāde sakhi bakulamāle jahihi mām ito gatvā kṛṣṇāmbudaghanarasaiḥ syāṁ śiśiratā ||20||

English translation

'The flower you placed upon My ear is more than enough, for from afar it has become an ornament filled with the rasa of the flute's sound. Friend Bakulamālā, I fall at your feet. Let Me go! After leaving here, I shall be cooled by the dense streams of rasa from the cloud named Kṛṣṇa.' (20)

Original

priyasnigdhaśyāmāñjanarasa ito'gre vipinataḥ sametyetaṁ dhāsye nijanayanayoḥ saṁjvaraharam | kimānaiṣīrbhaṣma tvamidamahahānajmi na dṛśā vaneneti śyāmā tvaritamuparādhaṁ vanamagāt ||21||

English translation

'From the forest before Me I shall obtain the soothing dark collyrium of My beloved and place it upon My eyes to dispel their fever. Alas, why have you brought this ash? I will not anoint My sight with it!' With these words Śyāmā hurried toward the forest as though offended. (21)

Original

vilambaṁ no bhadre kuru jahihi candrāvali rujaṁ na dhanye māntharyaṁ kalaya kamale yāva sadanāt | kathaṁ pāli klāmyasyupasara hareraṅgasuṣamām ṛte jīvetyālyo vrajamṛgadṛśāṁ sambhramamadhuḥ ||22||

English translation

'Noble girl, do not delay. Abandon Candrāvalī's distress. Blessed one, do not move slowly. Kamalā, leave the house at once. Pālī, why do you languish? Approach the beauty of Hari's limbs, for without it you cannot live!' Thus the companions became the intoxicating urgency of Vraja's doe-eyed girls. (22)

Original

ito hambāhambādhvanibhirupagoṣṭhaṁ nijasutān āhvayanti dhāvantirakhilasurabhīrvīkṣya sahasā | balaḥ śrīdāmādyaiḥ saha sahacaraiḥ satvaragatir viṣādābdherambāḥ prathamamudahārṣīt puri viśan ||23||

English translation

Seeing all the cows run toward the settlement, calling 'Hambā! Hambā!' to their calves, Balarāma entered the village with Śrīdāma and the other quickly moving companions and first drew the mothers out of their ocean of sorrow. (23)

Original

itaḥ preṅkhatprāntapramadamadabhārālasadṛśā kṛśāṅgīrānaṅgīṣvatirabhasaghūrṇāsu vikiran | caladdāmārāmānupamasumanaḥkandukapari grahodvepakṣepapracitanavalāvaṇyajaladhiḥ ||24||

English translation

Kṛṣṇa cast restless glances upon the slender girls, whose eyes drooped beneath a swinging burden of joyful intoxication and reeled in the great agitation of bodiless Love. His moving garland became an incomparable flower ball, and as He caught, tossed, and threw it, an ever-fresh ocean of beauty accumulated around Him. (24)

Original

rucādhvānaṁ nīlotpalavanamayīkṛtya dṛgali vrajānāṁ kāntālermadhurarasasatraṁ viracayan | vrajanmandaṁ mandaṁ mukhararasanānūpuramalaṁ cakāra śrīkṛṣṇaḥ priyasakhavṛto gokulabhuvam ||25||

English translation

With His radiance He transformed the road into a forest of blue lotuses, and with the bees of His eyes He arranged a sacrifice of sweet rasa for the assembly of His beloveds in Vraja. Surrounded by dear friends, Śrī Kṛṣṇa walked very slowly, while the bells upon His eloquent waist and anklets rang, and sanctified the land of Gokula. (25)

Original

alaṁ hrīdambhena prakaṭaya caladbhṛṅgavikasad dṛgabjaṁ devo'gre paśupatirasāveti varadaḥ | anenaitatpūjāṁ vitanu vitanudrohapaṭala praśāntyai viddhīmaṁ kṣaṇamuśati rādhe'tiśubhadam ||26||

English translation

'Enough of this pretense of modesty. Openly reveal the lotus of your eye, blooming with moving bees. The Lord stands before you: this is Paśupati, bestower of boons. Worship Him to pacify the multitude of bodily afflictions. Rādhā, know this moment to be exceedingly auspicious.' (26)

Original

tvam evāmuṁ śyāme tvaritamupadhāva prakaṭita dyutiṁ hṛdyāmbhojastavakamupanīyārhaṇakṛte | muhūrte'sminkāmaṁ sumukhi yadi sampādayati te maheśo'yaṁ majjāmyamṛtajaladhau tat svayamaham ||27||

English translation

'Śyāmā, quickly approach this radiant Lord yourself and offer the bouquet of your heart's lotuses in worship. Beautiful-faced girl, if at this moment this Maheśa fulfills your desire, I myself shall plunge into an ocean of nectar.' (27)

Original

mṛṣā mā tvaṁ vādīḥ kalaya lalite vallipaṭalīḥ samutphullāstyaktvā madhukarayuvā ghūrṇati kutaḥ | sakhi śyāme satyaṁ nyapatadatulāmodasarito bhramau yanmālatyāstadayamita īṣṭe na calitum ||28||

English translation

'Lalitā, do not speak falsely. Look at the masses of vines! Why has the young bee abandoned those fully blossomed flowers and begun to reel?' 'Friend Śyāmā, it is true. Overwhelmed by the incomparable river of fragrance that fell from the mālatī, he cannot move from this spot.' (28)

Original

yadetthaṁ saṁlāpaḥ praṇayasarasīdhoraṇiriva śrutī kṛṣṇasyārādaśiśirayadānandapṛṣataiḥ | tadā śrīrādhāsyaṁ madiradhṛtalāsyaṁ daradṛśor avāpyāgraṁ tasya drutamadhilataṁ nihnutimagāt ||29||

English translation

This conversation, like a stream of the wine of loving rasa, entered Kṛṣṇa's ears nearby and cooled Him with drops of joy. At that moment Śrī Rādhā's face, where intoxication held its dance, reached the edge of His slightly opened eyes and then swiftly hid behind a vine. (29)

Original

pipāsārtau hā me dṛganaghacakorāviha sudhām upetyamālakṣyonnatavivṛtacañcū abhavatām | are dhātardhik tvāṁ valadagha yadābhyāṁ sapadi tāṁ pradāyaivāhāṣīriti hṛdi tadoce giridharaḥ ||30||

English translation

Within His heart the lifter of the mountain said, 'Alas, the flawless cakora birds of My eyes, tormented by thirst, raised their open beaks when they saw that nectar approaching. O Creator, shame on you! Why did you grant it to them and then, through crookedness, suddenly take it away?' (30)

Original

vimuñca tvaṁ lajje kṣaṇam api dṛśaḥ koṇam api me yathā te naivāsyaṁ sakṛdapi vilihyāmagharipoḥ | prasīdānandābhra tvam api nahi rundhī mama tano namaste māṁ mā kampaya caraṇayoste'smi patitā ||31||

English translation

'Modesty, release Me for just a moment, or at least release the corner of My eye, so that I may lick the enemy of Agha's face even once. Cloud of bliss, be gracious! Do not obstruct My body. I bow to you. Do not make Me tremble. I have fallen at your feet.' (31)

Original

iti premṇā procya svagatamatidhāṛṣṭyaṁ punaridaṁ kathaṁ kuryāmitthaṁ vyamṛśadapi yāvadvaratanuḥ | vikṛṣyālyastāvat paṭimabharato vallikuharād upānīya preṣṭhānanacakitadṛṣṭiṁ vyadhurimām ||32||

English translation

Having lovingly spoken this within Herself, the beautiful girl wondered, 'How can I again behave with such boldness?' While She was still reflecting, Her companions drew Her by force from the hollow of the vines, brought Her before Her beloved, and made Her gaze at His face in astonishment. (32)

Original

apāṅgābhyāṁ yūnornabhasi yamunā dhātṛtanayā rasair ekībhūtā surasaridutā citramudagāt | nimagnau yatraitadhṛdaya kariṇau drāg ubhayataḥ pravāhāyāmāstāṁ vikacakamalālīkṣaṇa tatau ||33||

English translation

In the sky between the young Couple's sidelong glances, the Yamunā and the daughter of Brahmā arose in wonder, united as one through rasa. The elephants of Their hearts plunged into that long, double current, whose blossoming lotus rows were the expanses of Their eyes. (33)

Original

tato niṣpandāṅgaṁ rasikamithunaṁ tatpriyasuhṛd gaṇo vartmaprāntāditarajanaśaṅkākulamanāḥ | vikṛṣyārāt tattatpurasaraṇimānīya rabhasāt prabuddhaḥ pratyāśāsitahṛdamakarṣīt paṭimabhiḥ ||34||

English translation

The connoisseur Couple stood motionless. Their dear friends, anxious that other people might appear along the roadside, pulled Them apart, swiftly led each along the proper path, awakened Them, reassured the crocodiles of Their hearts, and drew Them onward with skill. (34)

Original

jananyā vātsalyaṁ tanumadiva pitroḥ kimasavo vahiṣṭhāḥ śrīkṛṣṇaḥ svasadanamiyāyeti viduṣī | viśākhā prāhaiṣīt sapadi tulasīmañjarimatha vrajeśvaryai dātuṁ tadabhimatapīyūṣabaṭikāḥ ||35||

English translation

'Parental affection is like a living body, and a child is surely the parents' very life. The queen of Vraja knows that Śrī Kṛṣṇa has now returned home.' Saying this, Viśākhā at once sent Tulasī-mañjarī to give the queen the nectar sweets she desired. (35)

Original

balāt pāṇiṁ nīvyāmahaha mama dhitsatyayamayaṁ viśākhe tvaṁ vīthyāṁ kalayasi kimetat kutukinī | yaduccaiḥ krośantīm api na hi jahātyeṣa bata māṁ satīnāṁ mūrdhanyāṁ tadiha kathayāryāṁ drutamitaḥ ||36||

English translation

'Viśākhā, this fellow is trying to thrust His hand forcibly into the knot of My lower garment! Curious girl, why do you watch such a thing in the public road? Alas, even though I cry loudly, He will not release Me. Hurry from here and tell the noble lady who is the crown of chaste women!' (36)

Original

pralapyaivaṁ rādhā daravikasitākṣī samudita klamā prāsvinnāṅgī vitatadavathurvepathumatī | tanūṁ vīkṣya svīyāṁ kusumaśayananyastasuṣamāṁ vilakṣālīrāha smaraparibhavādgadgadagirā ||37||

English translation

Murmuring in this way, Rādhā half opened Her eyes. Exhaustion had arisen, perspiration covered Her limbs, and intense heat and trembling spread through Her. Seeing Her own lovely body laid upon a flower bed, She spoke to Her embarrassed friends in a voice choked by Love's conquest. (37)

Original

kva me preyānvīthyāṁ cakara kimahaṁ niṣkuṭabhavaṁ kimetadveśmāho sakhi gurupurasthaṁ bhavati kim | iyaṁ sandhyā prātaḥ kimajani kimaho svidabhavan niśīthaḥ kiṁ nidrāmyahaha kimu jāgarmi vada tat ||38||

English translation

'Where is My beloved? What did He do to Me on the road? How did I come into this garden? What is this house? Friend, is it the dwelling before My elders? Is this evening or morning? Or has midnight arrived? Am I sleeping? Alas, am I awake? Tell Me!' (38)

Original

tvamārāmāddhāmāmbujamukhi samāyāḥ priyatamo rahaḥkuñje sa tvāmaramayadathāgāt svabhavanam | cirāt khedaṁ pitrorbhṛśamupaśamayyaiṣyati punar vidhuḥ sa tvannetrotpalayugavikāśārthamadhunā ||39||

English translation

'Lotus-faced girl, You came from the garden to the house. Your beloved delighted You in a secluded grove and then went to His own residence. After a long while that moon will return to relieve His parents' deep distress and to make the twin blue lotuses of Your eyes blossom once more.' (39)

Original

yat prāg āsīdvrajapurasarojīvanādvicyutaṁ drāg ugraistāpair viraharaviṇotpāditāntarvidāram | kṛṣṇāmbhodhe milati rabhasādetadānandadhārā sāraiḥ pūrṇaṁ tvaritamabhavat phullapaṅkeruhāsām ||40||

English translation

The lake of the women of Vraja had first lost the life-giving water of Śrī Kṛṣṇa and was swiftly torn within by the fierce heat of the sun of separation. When the cloud of Kṛṣṇa returned, it quickly filled with streams of blissful rain, and all its lotuses blossomed. (40)

Original

iti śrī-kṛṣṇa-bhāvanāmṛte mahā-kāvye āparāhnika-līlāsvādano nāma ṣoḍaśaḥ sargaḥ ||16||

English translation

Thus ends the Sixteenth Sarga, entitled 'Relishing the Afternoon Pastimes,' in the great poem Śrī Kṛṣṇa-bhāvanāmṛta.