राम

एकादशः सर्गः

Eleventh Sarga: Relishing the Bliss of Swinging

Chapter 11 of 20Source coverage: logical units 1–54; verses 1–5254 paired passages

Original

ekādaśaḥ sargaḥ hindolāndolana-sukhāsvādano nāma

English translation

Eleventh Sarga, entitled 'Relishing the Bliss of Swinging.'

Original

niryan kuñjād āli-pālī-parītaḥ kṛṣṇaḥ kāntāpāṅga-bhṛṅgī-vilīḍhaḥ | pañceṣūṇāṁ sañcayaṁ prāñcayan kiṁ pādāgraika-tviṭ-kaṇaṁ svaṁ vireje ||1||

English translation

Kṛṣṇa emerged from the bower surrounded by rows of sakhīs and licked by the bee of His beloved's sidelong glance. Did He shine while extending the complete collection of Cupid's five arrows through just one particle of light from the tip of His foot? (1)

Original

vīkṣyākasmāt preyasaḥ savya-doṣṇā rādhā skandhaṁ sanditaṁ svaṁ cakampe | mādhuryābdher uttaraṅgeṇa kenāpy abhyamṛṣṭā kanakāmbhojinīva ||2||

English translation

When Rādhā unexpectedly saw Her beloved's left arm resting upon Her shoulder, She trembled like a golden lotus touched by some great rising wave from the ocean of sweetness. (2)

Original

pārśva-dvandve dīyamāne sakhībhyāṁ rādhā-kṛṣṇau cāru-tāmbūla-vīṭyau | nītvā savyāsavya-pāṇy-aṅgulībhir vaktra-dvandve'nyonyam evādadhāte ||3||

English translation

Two sakhīs offered beautiful betel rolls to Rādhā and Kṛṣṇa from either side. Taking them between the fingers of Their left and right hands, the Divine Couple placed the rolls directly into each other's mouths. (3)

Original

vāmā preyo-vāma-pāṇiṁ nirāsyad vakṣojaṁ svaṁ spraṣṭu-kāmaṁ kareṇa | citraṁ manye'rundha lāvaṇya-vāpī- padmaṁ cakrāsvādi-raktotpalena ||4||

English translation

The contrary heroine pushed away Her beloved's left hand when it sought to touch Her breast. I think a red lotus thereby blocked the lotus in the lake of beauty that the discus-loving hand desired to taste. (4)

Original

śākhi-vrātair āvṛte'py antar antaḥ sūrya-dyoti prasphuraty ākulātmā | sadyaḥ-svedi śrī-mukhaṁ sva-priyāyās tiryaṅ-mauli-cchāyayācchādayat saḥ ||5||

English translation

Though surrounded on every side by hosts of trees, Rādhā's agitated face immediately perspired when sunlight flashed within. Kṛṣṇa inclined His crown and covered Her glorious face with its shade. (5)

Original

bhūmau vidyudvāridoparyabhātāmindū tat tadvarṇabhājau dine'pi | bhavyālīnāṁ yau dṛg indīvarāṇi protphullānyavākṛṣatāṁ sadaiva ||6||

English translation

Upon the earth the pair shone like lightning above a rain cloud, or like two moons bearing Their respective golden and dark colors even by day. They continually made the blue lotuses of the noble sakhīs' eyes blossom and drew those eyes downward. (6)

Original

kokāḥ śokaṁ kekino harṣa nāṭyaṁ haṁsās trāsaṁ puṁścakorāḥ pramodam | tābhyāmāpustena kiṁ vaktum īśe tad vaiṣamyaṁ sraṣṭari brahmaṇīva ||7||

English translation

From the pair the cakravāka birds received sorrow, the peacocks joyful dance, the swans alarm, and the male cakoras delight. How can I describe the disparity, which resembled the diversity within Brahman as Creator? (7)

Original

mandaṁ mandaṁ vṛndayoddiṣṭa miṣṭaṁ vartmāśritya svaśriyā rajyamānam | yāntau narmodantaraṅgair aranyaṁ varṣa harṣābhikhyamāptāvabhātām ||8||

English translation

Proceeding very gently along the delightful path indicated by Vṛndā and colored by Their own beauty, They traveled through the forest amid waves of playful conversation and reached the woodland called Harṣa-varṣa, the Rain of Joy. (8)

Original

vidyunmeghau tatra khe vartamānāv etau dṛṣṭvā bhrājamāṇau dharanyām | sparddhāyāṁ sambhāvanāmapātuh kiṁ kvaikā saṅkhyā kvāmitaṁ vā parārddham ||9||

English translation

Seeing this radiant cloud and lightning moving upon the earth, the cloud and lightning already dwelling in the sky perhaps abandoned all hope of competition. How could one finite pair compete with an immeasurable multitude of qualities? (9)

Original

noparyyāvāmetayoḥ sthatum arhau yāvo vā kva vyoma sarvaṁ niruddham | etadbhāsaiveti kampair abhūtāṁ sadyaḥpāṇḍūbhūya cikrindiṣu tau ||10||

English translation

'We are unworthy to remain above this pair. Where else can we go when Their radiance fills the entire sky?' Trembling and suddenly turning pale, the celestial cloud and lightning seemed ready to cry. (10)

Original

kiṁ vā hemodyoti nīlaśma divya cchatrībhāvaṁ prāpya gharmāpanutyai | vaivarṇyāsre ūhatu gadgadodyan mandra dhvānenāstuvātāṁ mudemau ||11||

English translation

Or perhaps the golden lightning became a divine parasol above the blue sapphire cloud to relieve His heat. Bearing tears born from altered color, the pair praised Rādhā and Kṛṣṇa for Their delight with a deep sound arising through choked voices. (11)

Original

ūrdhvorddhoru śyāma śākhā sahasrai prītaiḥ puṣpaiḥ syandamānair marandaiḥ | śampāmbhoda śrī jayinyāṁ viśantau nīpāṭavyāṁ rejatustau lasantau ||12||

English translation

The Divine Pair entered the kadamba forest, whose hundreds of high-rising dark branches dripped honey from joyful flowers. As They sported within, Their splendor conquered that of lightning and a rain cloud. (12)

Original

madhye tasyā yā maṇikuṭṭimālyo drāghīyasyaḥ kṛṣṇamudvaprabhūtāḥ | tā vindante'harniśaṁ sīdhuvṛṣṭiṁ jāgratyā satyāli pālyaiva pālyāḥ ||13||

English translation

In the midst of that forest stood long rows of jeweled courtyards, raised high by Kṛṣṇa's power. Alert maidservants constantly guarded them, and they received showers of nectar day and night. (13)

Original

tat prāntottha stambhavat dvidvi vṛkṣodañcac chākhānyonya saṁśleṣa bhaṅgyā | gopānasyevāñchitā bhānti puṣpa prālambāḍhya mārakatyo balabhyaḥ ||14||

English translation

On their borders, pairs of pillarlike trees raised branches that embraced one another like rafters. Their emerald balconies, richly hung with flowers, appeared to fulfill every desire. (14)

Original

tat tac chākhālambita dvidvi śoṇa śrīmanmuktāmukta rajjupraṇaddhāḥ hindolālyo dvidvi sauvarṇapaṭṭī bhātā bātāndolitāḥ santi nityam ||15||

English translation

From each pair of branches hung rows of swings tied with pairs of lovely red ropes strung with pearls. Each bore two golden seats and swayed continually in the breeze. (15)

Original

puṣpaiḥ sūkṣmaślakṣna celāntarasthai vṛntonmuktaiḥ kiṅkarībhiḥ kalābhiḥ | ācchannāstāḥ saurabhaiḥ saukumāryais tāvākraṣṭuṁ sādhuśaktiṁ tadādhuḥ ||16||

English translation

Skillful maidservants covered the swings with flowers freed from their stems and placed within layers of fine, smooth cloth. Through fragrance and softness, the swings acquired the power to draw Rādhā and Kṛṣṇa near. (16)

Original

madhye tāsāṁ kāñcidañcat patākāṁ vīkṣyāruhya śyāma dhāmā vireje | śobhādevyā sevyamānamivaitāṁ manye mūrtānanda evādhyatiṣṭhat ||17||

English translation

Seeing one swing in the center adorned with a splendid banner, dark-radiant Kṛṣṇa climbed upon it and shone. As it was served by the goddess of beauty, I think embodied bliss itself had taken the seat. (17)

Original

karṣankāntāṁ harṣa varṣāsu samyak timyanhastālambamālambamānām | uddāpyaitāṁ svāgrato jāgrataḥ kiṁ premṇo vāpīmāpipat svābhimukhyam ||18||

English translation

He properly drew His beloved into the Rain of Joy while She became drenched in delight and repeatedly grasped His hand for support. Raising Her directly before Him, did He make Her enter the reservoir of love that remained awake in His presence? (18)

Original

puṣpāvalyārātrikeṇāsya padma -dvandvaṁ nīrājyālisaṅgha sagānam | hāroṣṇīṣādyāpayansusthitatvaṁ srak tāmbūla sthāsakaiḥ paryacārīt ||19||

English translation

A group of singing sakhīs worshiped Their two lotus feet with an ārati of flower rows, adjusted Their necklaces, crowns, and other ornaments, and served Them with garlands, betel, cosmetic designs, and more. (19)

Original

kāñcyāmukta prāñci śāṭyancalānte kiñcit paurvāparyato'ṅghrī vilaṅghya | kubjībhūyādāya dolāṁ kṣipantyā vanvasthātāṁ dve diśau prāṇasakhyau ||20||

English translation

Two intimate life-companions took positions in the two directions. Bending down, they grasped and pushed the swing after stepping over the feet of the Divine Pair, one holding the forward-falling end of a loosened sash and the other attending from behind. (20)

Original

anye dhanye tiṣṭhataḥ smekṣamāṇe dhṛtvā pāṇyauḥ puṇya tāmbūla vīṭyau | yūnorāsyāmbhojayorarpayantyau vegopānte meṁkṣu labdhāvakāśe ||21||

English translation

Two other blessed sakhīs stood at the sides, smiling as they watched. Holding auspicious betel rolls in their hands, they offered them to the lotus mouths of the youthful pair whenever the swing slowed at the ends and gave them an opening. (21)

Original

ālo mānyāḥ premavanyā ivānyāḥ parvaśrīlāḥ sarvataḥ sādhu śīlāḥ | hastodastaiḥ śastarāgaiḥ parāgaiś cakrurvṛṣṭiṁ dṛṣṭimāpayya hṛṣṭim ||22||

English translation

Other honorable companions, rich in love, splendid on festival days, and virtuous in every way, raised their hands and showered beautiful colored powders. The sight filled their eyes with delight. (22)

Original

devyastviṣṭaṁ mānayantyaḥ svadiṣṭaṁ tau paśyantyaḥ syantya evākhilādhim | jāta stambhā apyasambhāvitāśā divyātenuḥ puṣpavarṣa satarṣam ||23||

English translation

The goddesses honored Their cherished Lord and Lady and, beholding Them, released every affliction. Though paralyzed with wonder and unable even to imagine such hope, they thirstily poured a celestial shower of flowers. (23)

Original

tat saṅginyo vipruṣo vṛṣyamāṇā hṛṣyan meghaistanmarandatvamāpu | rāmārāje raṅgasaṅgāt tadīyair muktā vṛndair anvavindanta maitrīm ||24||

English translation

The drops accompanying those flowers were rained upon by delighted clouds and assumed the nature of honey. In the kingdom of the beautiful heroine they gained friendship with the clusters of pearls belonging to the youthful pair through participation in Their play. (24)

Original

jṛmbhodañcat saurabhavrātamādyad bhṛṅga śreṇi stotra bhājā mukhena | gītair nītair mādhurīṁ sādhurīti dyāmācchādya dyotane smālipāli ||25||

English translation

The sakhīs sang beautifully patterned melodies while their mouths shared the praise offered by rows of bees intoxicated by hosts of expanding fragrances. Covering the heavens with song, the companions shone. (25)

Original

nṛtyaṁ bhejurhāratāṭaṅkamālyāny atodyatvaṁ kiṅkiṇīnūpurādyāḥ | vaktre smitvā sabhyatāmādadāte yūnordolānandacandre vivṛddhe ||26||

English translation

Necklaces, earrings, and garlands began to dance, while girdles, anklets, and other ornaments became musical instruments. Smiles upon the Divine Couple's faces assumed the role of cultivated spectators as the moon of Their swinging joy waxed. (26)

Original

anyonyāṅgaprocchalatkāntisindhor vīcīvrātāmandahindolikāsu | prāptāndolānyonyanetrāravinda śrīsandohair āḍhyatāmāpurālyaḥ ||27||

English translation

Hosts of waves from the ocean of radiance surging from each beloved's limbs set the rows of swings in powerful motion. Rocked by the splendid masses of Their mutually meeting lotus eyes, the sakhīs attained great wealth. (27)

Original

itthaṁ cetastvetayordolayanyat kāmo vāmo'ntarāyaṁ na cakre | līlāśaktereva tatra prabhāvaḥ ko'pyojasvī heturity āhurāryāḥ ||28||

English translation

Although Cupid thus swung the hearts of the pair, the contrary god created no obstacle. The wise say that some extraordinarily powerful cause was at work there: the influence of the līlā-śakti alone. (28)

Original

dolarajjvālambaśākhe svalaulyād etau cañcatpañcaśākhāgrābhiḥ | puṣpāḍhyābhiḥ pallavālibhiriṣṭaiḥ sevete smāmodanair vījanaiḥ kim ||29||

English translation

Moved by their own eagerness, the branches supporting the swing ropes served the pair with beloved clusters of flower-laden twigs. Did their five trembling tips act as fragrant fans? (29)

Original

tattatpatrābhyantarānantaśilpa protandhartuṁ cañcalānmālyakhaṇḍān | yatnair bhṛṅgā nāśakanyadbhramantas tatrāguñjankevalaṁ sāpi śobhā ||30||

English translation

Bees tried to hold the many artfully fashioned fragments of garlands swinging between the leaves, but as they wandered they could not succeed. They merely buzzed there, and even that became part of the beauty. (30)

Original

dolāvegādhikyakāmau svapadbhyāṁ ākramyaitāṁ svāvanatyunnatibhyām | svaṁ svaṁ sarvāḥ kauśalaṁ darśayantau premānandaṁ tundilaṁ cakratustau ||31||

English translation

Desiring greater speed, Rādhā and Kṛṣṇa pressed the swing with Their feet and alternately lowered and raised it. Each displayed every skill, and together They made the bliss of love grow full and abundant. (31)

Original

hindolāyā raṁhasi vindamāne paryāyeṇa dve diśau sto yadantau | prāpyordhvādhaḥsthāyino khelatoḥ sā yūnoḥ kāntiḥ kautukaṁ kāpi tene ||32||

English translation

As the rushing swing reached the two directions in turn, the youthful players alternately occupied the upper and lower positions. Their radiance then created an indescribable wonder. (32)

Original

rādhāhāraḥ saṁspṛśankṛṣṇavakṣaś cakre nṛtyānyekato diśyudāram | anyatrāsyāḥ kañcukīṁ śliṣyati sma srak tasyāpītyāyayurmodamālyaḥ ||33||

English translation

Rādhā's necklace touched Kṛṣṇa's chest and performed a magnificent dance in one direction, while in the other His garland embraced Her bodice. The sakhīs became joyful at the sight. (33)

Original

anyonyāṅgādarśadṛṣṭasvabhāsor anyonyānālokajakāntibhājoḥ | tarhyanyonyaśvāsabhūmābhimarśād anyonyaṁ saṁspṛśya tau hṛṣyataḥ sma ||34||

English translation

Each saw the brilliance of His or Her own body reflected in the other's limbs and received beauty born from beholding the other. Then, touched by the fullness of one another's breath, They touched each other and rejoiced. (34)

Original

itthaṁ līlāvāridhiḥ kautukitvād atyudrekaṁ raṁhaso nirmimāṇaḥ | pṛṣṭhāmṛṣṭottuṅgaparyantaśākhā patrālīkāṁ tāṁ cakāreva bhītām ||35||

English translation

Thus the ocean of play, in sportive delight, created an extraordinary excess of speed. The swing brushed the high branches behind it and made their rows of leaves appear frightened. (35)

Original

maivaṁ maivaṁ mādhikaṁ hanta dolety uktiṁ tasyāṁ tatsakhīnāṁ ca śṛṇvan | smitvā smitvā vardhayanneva dolā jaṅghālatvaṁ mādhavo bhrājate sma ||36||

English translation

Hearing Rādhā and Her sakhīs cry, 'Not like this, not like this! Alas, do not make the swing go faster!' Mādhava repeatedly smiled and increased the powerful movement of the swing, shining all the while. (36)

Original

bandhādveṇī vicyutā nāvaguṇṭhas tasthau mūrdhni vyastatā bhūṣaṇānām | pādau śāṭī nāpyadhād ityamuṣyā vaiyagrye hā jahāsīti sma kṛṣṇaḥ ||37||

English translation

Her braid came loose, Her veil no longer remained upon Her head, Her ornaments became disordered, and Her sari did not even cover Her feet. Seeing Her agitation, Kṛṣṇa laughed. (37)

Original

itthaṁ svākṣṇostṛpyato raṁhasā tāṁ vitrastākṣīmāsanānbhraṁśayitvā | svīyaṁ kaṇṭhaṁ grāhayamāsa madhye dolākhaṭṭaṁ tāṁ ca jagrāha dorbhyām ||38||

English translation

Thus, as His eyes remained unsatisfied by the rushing play, He made Rādhā, whose eyes widened in fear, slip from the seat. In the middle of the swing He made Her grasp His neck and caught Her in His arms. (38)

Original

ekībhūte campakendīvarābhe mūrtī yūnorudgirantyāvabhātām | sammardotthaṁ saurabhaṁ vyāśnuvānaṁ pāre svargaṁ hanta padmādināsā ||39||

English translation

The youthful forms, golden as campaka and dark as blue lotus, became one and seemed to emit the fragrance born from Their close pressure. Alas, that perfume spread beyond even the noses of Padmā and the other goddesses in heaven. (39)

Original

sāmyag vegā sā samantāddhṛtābhūd dolāpyārādāgatābhiḥ sakhībhiḥ | rādhā drāg evāvaruhyātha tasyās tābhistat tat saṁlapantī lalāsa ||40||

English translation

Sakhīs approaching from every side brought the swing to an even halt. Rādhā quickly descended, then shone as She exchanged many different words with them about what had occurred. (40)

Original

mukhyāsvaṣṭāsvādya bhūtāmathālīṁ ārohyāsyāṁ tāṁ sa kṛṣṇāṁ svayaṁ sā | premṇā gāyaddolayantī sa cāpi preyāndole pūrvavat tāmajaisīt ||41||

English translation

Rādhā then seated each of the eight principal sakhīs upon the swing with Kṛṣṇa. Singing with love as She swung them, She watched Him conquer each beloved upon the swing just as before. (41)

Original

evaṁ preṣṭhāstā viśākhādikālī sāndraṁ dolāndolamāpayya tasyāḥ | hindolātaḥ so'vatīryyeva sarvā svekaikasyāmanyahindolikāsu ||42||

English translation

In this way the dearest companions beginning with Viśākhā received deep swinging delight from Him. Kṛṣṇa then descended from that swing and placed all the other girls upon their own separate swings. (42)

Original

tāsāṁ dve dve sundarīṇāṁ svadorbhyāṁ tatrāgṛhyārohya mahyāḥ prasahya | bhrāmyanneko dolayat tāḥ samastāḥ premāmbhodestasya kiṁ vāstyakṛtyam ||43||

English translation

With His own two arms He seized pairs of beautiful girls, forcibly mounted them upon their swings, and, though one, moved among them and swung them all. What task is impossible for that ocean of love? (43)

Original

tāḥ sarvāstu svasvahindolikāntas taṁ cāpaśyansvasvavaktraṁ dhayantam | naitac citraṁ gokulādhīśasūnor icchāśakterkiṁ punaḥ syādaśakyam ||44||

English translation

Every girl within her own swing saw Him drinking the beauty of her own face. This is no wonder in the son of Gokula's lord. What could be impossible for His power of desire? (44)

Original

ekaṁ tatraivāsti hindolanābjaṁ vṛndoddiṣṭaṁpreyasībhirmukundaḥ | āruhyaitat karṇikāsthopabarhālambī doṣāśliṣṭārādho rarāja ||45||

English translation

There stood a single lotus-shaped swing designated by Vṛndā for Mukunda and His beloveds. He mounted it, reclined upon the cushion at the central whorl, embraced Rādhā with His two arms, and shone. (45)

Original

aṣṭābālyo'pyaṣṭa patrāntarasthās tattadbāhye ṣoḍaśālyo vibhāntyaḥ | vṛndānīta svādukharjurajambū drākṣāḥ prāśnankāntabhuktāvaśiṣṭāḥ ||46||

English translation

The eight young chief sakhīs occupied the interiors of the eight petals, while sixteen more brilliant companions sat upon the outer petals. They ate sweet dates, rose apples, grapes, and other fruits brought by Vṛndā, taking the remnants of what the beloved pair had tasted. (46)

Original

pīyūṣāntargarvasarvaṅkaṣasya prāg evābhūt pānakādeḥ prapāṇam | ante hemadyotitāmbūlavīṭi vṛndānyonyaprītidānābhiyogaḥ ||47||

English translation

First came the drinking of beverages that wholly devoured all pride within nectar itself. At the end, golden-radiant betel rolls were distributed among the circle in an exchange of mutual affection. (47)

Original

nāndī vṛnde vindataḥ sma pramodaṁ nodaṁ pāṇyodolanābje dadatyau | dāsyo'pyāsyollāsamāpadya sadyo nānā gānārambhaśambhā babhūvuḥ ||48||

English translation

Nandīmukhī and Vṛndā attained delight as they moved the lotus swing with their hands. The maidservants immediately received the joy shining from the faces of the assembly and auspiciously began many songs. (48)

Original

dolāndolanakrīḍayā tāḥ samastāḥ jitvā prāptāśleṣacumbādiratnaḥ | sārdhaṁ kāntamaṇḍalenāvaruhya prāgāt preyānkānanāt kānanāya ||49||

English translation

Defeating all the sakhīs in the game of swinging and receiving embraces, kisses, and other jewels as His prize, their beloved descended with the circle of beautiful girls and went from that forest to another grove. (49)

Original

rādhāsyotthā mudritā yā smitaśrīs tasyāstatra smārakāneva dṛṣṭvā | yūthyālīnāṁ korakānsa vyacaiṣīt hṛdyādhātuṁ tānsrajaḥ saṁracayya ||50||

English translation

Seeing the buds among the clusters of flowers as memorials of the smiling beauty that had arisen from Rādhā's face, Kṛṣṇa gathered them and fashioned garlands to place upon His heart. (50)

Original

khe'gānmeghaḥ kṛṣṇagātracchavitvaṁ vidyut tāsāmaṅgabhāsātatitvam | bhūme rūḍhair indragopaiḥ samūḍhaiḥ pādālaktābhyaktatā vyaktamāsīt ||51||

English translation

A cloud rose in the sky with the complexion of Kṛṣṇa's limbs, while lightning spread the radiance of the young women's bodies. The earth visibly became anointed with the red lac of their feet through masses of red indragopa insects rising from the ground. (51)

Original

kṛṣṇābhreṇātula-ghana-rasaiḥ sarvato vṛṣyamānair utphullāḥ kila sumanasaḥ sarvavatyo latāś ca | tat sasyālyo'py asama-suṣamāḥ śaṁ cirāyānvabhūvan varṣāharṣaṁ vanam api yato harṣa-varṣāsv amāṅkṣīt ||52||

English translation

The dark Kṛṣṇa cloud showered incomparable, dense streams of rasa everywhere. Every flower and every vine blossomed, and the unequaled beauty of the rows of crops experienced lasting welfare. The forest too became immersed in the joyful rains that produced the delight of the Rainy Season. (52)

Original

iti śrī-kṛṣṇa-bhāvanāmṛte mahā-kāvye hindolāndolana-sukhāsvādano nāma ekādaśaḥ sargaḥ ||11||

English translation

Thus ends the Eleventh Sarga, entitled 'Relishing the Bliss of Swinging,' in the great poem Śrī Kṛṣṇa-bhāvanāmṛta.