राम

अष्टमः सर्गः

Eighth Sarga: Relishing the Forenoon Pastimes

Chapter 8 of 20Source coverage: logical units 1–73; verses 1–7173 paired passages

Original

aṣṭamaḥ sargaḥ saṅgava-līlāsvādano nāma

English translation

Eighth Sarga, entitled 'Relishing the Forenoon Pastimes.'

Original

ramanīyaka-nidhau vidhau vanaṁ hā praviṣṭavati saṁkalayya gāḥ | goṣṭha-kair avagatātivedanā yā na sā bhavati gocaro giraḥ ||1||

English translation

When the treasure of all beauty entered the forest after gathering the cows, alas, the cowherd women experienced an agony so profound that speech can never reach it. (1)

Original

naiva cārayitum īśate sma gās taṁ vinā nija-nija-vrajābalāḥ | svāpayantya iva tā vicittatāṁ svāṁ sakhīm iva cirāya śiśriyuḥ ||2||

English translation

Without Him the young women of Vraja were unable even to tend their own cows. As if putting those cows to sleep, they themselves long remained sheltered in a strange condition that had become their intimate companion. (2)

Original

saiva kāpy akhila-gopa-subhruvām ekikaiva vipad-ālitām yato [?] | saṁjvaraṁ śamayituṁ gṛhe gṛhe vyānaśe sapadi yoginīva tāḥ ||3||

English translation

That one extraordinary calamity came separately upon all the beautiful-browed cowherd women. Like a yoginī, it instantly spread from house to house, as though to quiet their fever. (3)

Original

śliṣyasi priya-sakhīm amaṅgale kiṁ tvam ity asakṛd āli-tarjanāt | kiṁ bhiyeva paritatyaje tayā mūrcchayāśu vṛṣabhānu-nandinī ||4||

English translation

Her sakhīs repeatedly rebuked the swoon: 'Inauspicious one, why do you embrace our dear friend?' As though frightened by their scolding, the fainting spell swiftly abandoned Vṛṣabhānu's daughter. (4)

Original

cetanā hi guru-kaṣṭa-ketanā- bhyantaraṁ yad api tām avīviśat | ālayas tad api tāṁ dviṣanti na prema-vastu vada kair nirucyatām ||5||

English translation

Consciousness entered Her again, though it is the dwelling place of grievous pain. Yet Her companions did not hate even that. Tell us, then, by whom can the substance called love be defined? (5)

Original

preṣitā lalitayā tad-ālayaḥ peśalā janatayāpy alakṣitāḥ | bhūbhṛd-antikam upetya saurabhaṁ bhejur unnata-mudo vana-srajaḥ ||6||

English translation

Graceful messengers sent by Lalitā left Rādhā's residence unseen by the people. Reaching the mountain's vicinity, they attained elevated joy from the fragrance of the forest garland. (6)

Original

śādvale’tiśiśire saras-taṭe gāḥ praveśya sakhibhir vihṛtya saḥ | prāsya cānnam api tair dhaniṣṭhayā nītam āpa sa-baṭū raho hariḥ ||7||

English translation

Hari led the cows onto exceedingly cool grass beside a lake, played there with His friends, and ate the food Dhaniṣṭhā had brought. Then, accompanied by the young brāhmaṇa, He reached a secluded place. (7)

Original

tatra vīkṣya muditāsu tāsu taṁ prāha kācana khanir guṇa-śriyām | rūpa-mañjarir apāra-saubhagā pṛṣṭa-yauvata-maṇi-pravṛttikam ||8||

English translation

Seeing Him there, the delighted maidservants rejoiced. One of them, Rūpa Mañjarī, a mine of glorious virtues and limitless good fortune, was asked for news of the jewel among young women. (8)

Original

nāgarendra bhavatā yadā padā- liṅgitā vipina-bhūr dadhe śriyam | spardhayeva tava goṣṭha-bhūs tayā- liṅgyata sva-suṣamāṁ dadānayā ||9||

English translation

'Prince of lovers, when the forest ground was embraced by Your feet, it attained great beauty. As if competing with the forest, the ground of Your cowherd settlement embraced You and offered You its own beauty. (9)

Original

tvaṁ hare hari-maṇi-mayīṁ vyadhāḥ kṣmām imāṁ nija-savarṇatārpaṇaiḥ | sāpy adhāsyata vivarṇatāṁ na cet tāṁ ca kāñcana-mayīṁ vyadhāsyata ||10||

English translation

'Hari, by imparting Your own dark color You made this earth resemble sapphire. Had it not assumed a pale hue in return, it would have made You golden as well. (10)

Original

go-rajaś-churitam āsyam īkṣayaṁs tvaṁ vanaukasa imān arodayaḥ | hanta go-rajasi ceṣṭamānayā svālayaḥ kila tayāpi roditāḥ ||11||

English translation

'When the forest dwellers saw Your face covered with cow dust, You made them weep. Alas, the women in Your own home also rolled in that same cow dust and wept. (11)

Original

kintv anītir iyam īkṣaṇāmbuje santatāmbu-janake tayā kṛte | te tu pautram ucitaṁ pracakratuḥ kardamo’mbuja-bhavodbhavo yataḥ ||12||

English translation

'Yet the dust acted unjustly toward their lotus eyes by making them continually produce water. Those two together then made a fitting grandson, for mud is born from water and dust, and the lotus-born Brahmā arises from mud. (12)

Original

mālya-keśa-vasanādayaḥ samuc- chṛṅkhalatvam atisādhavo’py adhuḥ | bhūbhujā virahite’pi nīvṛti syāt kva kasyacana vā niyamyatā ||13||

English translation

'Garlands, hair, garments, and all the rest, though ordinarily well behaved, became utterly unruly. When the king is absent from his realm, where and for whom can restraint remain? (13)

Original

yat tavāṅghri-vanajā-dvayaṁ vanotsaṅga eva viharat pramodate | tatra viśvasiti sā na niḥśvasity uṣṇam eva bahudhāpi bodhitā ||14||

English translation

'Because Your two lotus feet sport joyfully in the forest's lap, She trusts that place and no longer sighs hotly, though we have warned Her many times. (14)

Original

naiva tatra kaṭu-śarkarāṅkurety ardha-vāg api sakhī mukhodgatā | śrota sīma-patitaiva tāṁ pari- krośayanty atha javād amūrcchayat ||15||

English translation

'A companion had uttered only half the sentence, “But there are sharp stones and thorns there...” The words had scarcely reached the boundary of Her hearing when, crying out, they made Her faint at once. (15)

Original

hanta te priyatamaḥ samāgato vīkṣyatām iti sakhī-mṛṣoktibhiḥ | tvad-vana-srag atisaurabhaiś ca sā prāpya bodham atisaṁbhramaṁ dadhau ||16||

English translation

'Her sakhīs falsely said, “Alas, Your dearest beloved has arrived. Look!” By their words and the powerful fragrance of Your forest garland, She regained awareness and became intensely agitated. (16)

Original

āli netra-madiraika-nartakaḥ sa kva te sakhi gṛhe’sti nihnutaḥ | kiṁ pratārayasi naiva sākṣi yad vakti taṁ kila tad-aṅga-saurabham ||17||

English translation

'She said, “Friend, where is that sole dancer intoxicated by the wine of my eyes? Is he hidden here in your house? Why do you deceive me? The fragrance of his limbs bears witness that he is here.” (17)

Original

ity alambhi sukham etayā manāk tan na soḍhum aśakan manobhavaḥ | ekadaiva śara-pañcakasya yal lakṣatām anayad eva tāṁ balāt ||18||

English translation

'She obtained a little happiness in this way, but Cupid could not tolerate it. At once he forcibly made Her the target of all five of his arrows. (18)

Original

khidyati sma patati sma vepate smāśrubhiḥ svam abhiṣiñcato gṛham | sā praviśya na bhavan mukhendunā prāpa śītalayituṁ sva-locane ||19||

English translation

'She became distressed, fell, trembled, and bathed Her own residence with tears. Though She entered the house, She could not cool Her eyes with the moon of Your face. (19)

Original

hā sakhī-jana-vaco’nṛtaṁ manas tvaṁ mudāmṛta-samaṁ vṛthā kṛthāḥ | saṁjvaro dvi-guṇito yato dyati tvām itīyam apatat punaḥ kṣitau ||20||

English translation

'“Alas, mind, you have uselessly treated my sakhīs' false words as though they were the nectar of joy. Because the fever now burns you twice as fiercely...” Saying this, She again fell to the ground. (20)

Original

tvāṁ dhig astu rahitaṁ sva-bandhunā jīvitety alaghu-garhayapy aho | no manāg api tad āpa lāghavaṁ pratyutātiguru-bhāratām agāt ||21||

English translation

'“Shame upon you, life, for remaining without your own beloved!” Though She severely reproached Her life in this way, alas, it did not become even slightly lighter. Instead it grew unbearably heavy. (21)

Original

hanta kānta-virahe’pi kiṁ mahat saukumāryam udiyāya subhruvaḥ | aṅgakāni yad asu prabhañjana- spandanaṁ ca na hi soḍhum īśate ||22||

English translation

'Alas, even in separation from Her beloved, what extraordinary delicacy arose in that beautiful-browed girl! Her limbs could not endure even the slight movement of the wind of life within them. (22)

Original

ity avetya madhusūdanaḥ priyo- dantam antar-udghūrṇatāturaḥ | bāṣpa-pūrṇa-nayane niruddha-vāg akṣipat priya-sakhāsya-maṇḍale ||23||

English translation

When Madhusūdana learned this news of His beloved, He reeled inwardly in anguish. His eyes filled with tears and His voice became obstructed as He cast His gaze over the faces of His dear friends. (23)

Original

tām uvāca baṭur ānaya drutaṁ rādhikāṁ kanaka-padminīṁ vanam | anyathā kim avanaṁ bhaved gatiḥ saiva hanta madhusūdanasya yat ||24||

English translation

The young brāhmaṇa told the messenger, 'Quickly bring Rādhikā, the golden lotus, to the forest. Otherwise, alas, what refuge could protect Madhusūdana? She alone is His shelter.' (24)

Original

mādhavo’tha nija-mālyam arpayaṁs tāṁ vyajijñapad idaṁ ca kiñcana | preyasī-hṛdi gatāstu campaka- sraṅ mamādya sakhi seyam udgatā ||25||

English translation

Mādhava then entrusted His own garland to her and made this request: 'Friend, may this campaka garland, which today has arisen from me, reach the heart of my beloved.' (25)

Original

vṛttam ākhyad akhilaṁ sametya sā rādhikām atha tayā vara-srajaḥ | śleṣeṇāpta-ramaṇāṅga-saurabhaiḥ svīya-jīvitam akāri jīvitam ||26||

English translation

The messenger returned and related everything to Rādhikā. By embracing the excellent garland and receiving the fragrance of Her lover's limbs, She made Her own life live again. (26)

Original

preyasi sva-virahogra-vṛścika- vrāta-daṁśa-vidhure śrute punaḥ | tad-viṣa-jvalana-jarjaraṁ tadai- vānvabhāvi nija-marma-śarma-bhit ||27||

English translation

When Kṛṣṇa heard that His beloved was tormented by the bites of a swarm of fierce scorpions in the form of separation from Him, He immediately felt their burning poison shatter the happiness at His own vital core. (27)

Original

sūrya-pūjana-miṣena vañcanaṁ vāñchati priya-sakhī-gaṇe guroḥ | saiva garga-tanayā-girācirād etya tatra jaṭilādideśa tāḥ ||28||

English translation

The circle of dear sakhīs desired to deceive the elder through the pretext of worshiping the sun. Before long, on the word of Garga's daughter, Jaṭilā came there and instructed them. (28)

Original

arcanāya vipine sahasra-gor arbudāyuta-gavāpti-hetave | yāta śātam idam adya tanyatāṁ bhāsvatā nayana-daivatena vaḥ ||29||

English translation

'Go into the forest to worship, so that you may gain ten million cows. Perform this rite today, granted to you by the radiant sun, the deity of your eyes.' (29)

Original

sānukūla-vidhinādhi-nāśinā sādhitābhimata-siddhir ālibhiḥ | preṣṭha-rocitam anekadhocitā dravya-jātam acirāt samagrahīt ||30||

English translation

By a favorable providence that destroyed every obstacle, the sakhīs attained the fulfillment they desired. They quickly gathered every kind of article, arranging it in many ways pleasing to their beloved. (30)

Original

modakāny amṛta-garva-santater modakāny akṛta rādhikā svayam | vallabhāni ramaṇasya no bhaved yal-labhā nidhipati-prabhor api ||31||

English translation

Rādhikā personally prepared modakas that destroyed the entire succession of nectar's pride. They were so dear to Her lover that even the lord of treasures could never obtain them. (31)

Original

dhūpa-dīpa-vara-vastra-bhūṣanādy- aṁśumāli-yajane’sty apekṣitam | tat-samāhṛti-nibandhanas tayā yaḥ kṛtaḥ katipaya-kṣaṇāśrayaḥ ||32||

English translation

Incense, lamps, fine garments, ornaments, and other articles were required for worship of the radiant sun. Gathering them caused a delay of only a few moments. (32)

Original

taṁ vilambam avalambanojjhitaḥ soḍhum utkalikayā’titīvrayā | keśavo na culukī-kṛtātula-sthairya- dhairya-jaladhis tadāśakāt ||33||

English translation

Yet Keśava, left without support by the intensity of His longing, could not endure even that delay, although His incomparable ocean of steadiness and patience had once contained the world in a palmful. (33)

Original

prāhinon muralikāṁ sva-dūtikām acyutaḥ śruti-yuge vidhṛtya yā | preyasīṁ nija-kalena lambhayet kaṇṭham asya kanaka-srajaṁ yathā ||34||

English translation

Acyuta sent His flute as His messenger. Holding it to His two ears, He played His own melody so that it might draw His beloved to His throat like a golden garland. (34)

Original

saiva sambhrama-taraṅgiṇī mahā- vartam anv akirad eva tāṁ sadā | devatāṁ kim u javād avīviśāt kāñcanopanudatīṁ bhiyo hriyaḥ ||35||

English translation

That great river of sound, swelling with waves of agitation, cast Rādhā into its deep whirlpool. Did its deity swiftly enter Her and drive away the golden girl's fear and shame? (35)

Original

kutra vā sma patato’ṅghri-paṅkaje pāṇi-pallava-yugaṁ kim ādade | kiñcanāpi na viveda sā yataḥ snāpitāśru-salilair akampata ||36||

English translation

She did not know where Her lotus feet were falling or what Her two tender hands had taken up. Bathed in the water of Her tears, She trembled without understanding anything at all. (36)

Original

kānanābhisāraṇocitāṁśuka- kalpa-veśa-paridhāpanonmukhīḥ | sā sakhīr api vilamba-śaṅkayā- kṣipya veṣam akṛta svayaṁ tanoḥ ||37||

English translation

Rādhā's sakhīs were ready to dress Her in garments suitable for a forest tryst. Fearing delay, She dismissed them and adorned Her own body Herself. (37)

Original

gostanākhya-maṇi-hāra-veṣṭanair drāṅ nitambam akarod alaṅkṛtam | kaṇṭham anv adhita kiṅkiṇīṁ srajaṁ mūrdhni veṇi-śikhare lalāṭikām ||38||

English translation

She swiftly adorned Her hips with a jeweled belt known as gostana, placed a tinkling necklace around Her throat, and set ornaments upon Her braid, topknot, and forehead. (38)

Original

locane mṛgamada-dravāñjita- bhālam añjana-viśeṣakārcitām | hanta yāvaka-rasena nirmame sthāsakaṁ tanum anūditāmbarā ||39||

English translation

She anointed Her eyes with liquid musk, decorated Her forehead with a special mark of collyrium, and, alas, fashioned patterns upon Her body with red lac while Her garment echoed the same hue. (39)

Original

nīla-mañjula-nicola-saṁvṛta- mādhurīva niragāt purād bahiḥ | kaumudīva ghanatāṁ gatā kṣitau kiṁ ghanena nihitātmano’ntare ||40||

English translation

She emerged from the town like sweetness itself concealed beneath a charming blue bodice, or like moonlight that had become dense upon the earth because a cloud had hidden it within itself. (40)

Original

ālībhiḥ saha puropakānana- prānta-vartma-nihitāṅghri-pallavā | hrī-kṣapā-kṣaya-vaśād avaguṇṭhanon- muktam āsya-kamalaṁ dadhe sphuṭam ||41||

English translation

With Her companions She placed Her tender feet upon the path at the edge of the grove outside the town. As the night of shame came to an end, Her unveiled lotus face shone openly. (41)

Original

gīr-vinodam api veṇur īhate sāmprataṁ sakala-śāstra-vit svayam | mūkatāṁ paṭutarāpi yat pika- śreṇir eti tad iyaṁ susabhyatā ||42||

English translation

The flute, itself learned in every scripture, now desired to enjoy verbal wit. Though highly eloquent, the rows of cuckoos fell silent, and this was their perfect courtesy. (42)

Original

veṇunāhvayati gā harau tṛṇod- bhedato druma-maranda-vṛṣṭitaḥ | bhūr api pravara-romaharṣa-bhāk svedinī ca sahasā rasād abhūt ||43||

English translation

When Hari called the cows with His flute, the earth sprouted grass and the trees showered honey. Filled with rasa, the earth suddenly displayed supreme horripilation and perspiration. (43)

Original

kīra-keki-pika-saṁhater api stambham āpa rabhasāt sarasvatī | āpa āpur api nimnagāśritā yaj jaḍatva-mihakā vicitratā ||44||

English translation

The speech of parrots, peacocks, and cuckoos at once became paralyzed. Even the waters taking shelter in rivers became motionless. What wonder was unfolding here? (44)

Original

unmiṣad-ghana-mud-aśru-dhāriṇī dyaur api svam atisaubhagāspadam | sādhv amaṁsta hima-manda-mārutair vījayaty api dig-ālir īlitā ||45||

English translation

The sky bore streams of tears from newly swelling clouds of joy and considered itself the abode of the highest good fortune. The delighted directions praised it while fanning it with cool, gentle breezes. (45)

Original

śabda eṣa na hi kaṇṭha-vṛttikaḥ sva-prayoktur api yo vinecchayā | svārtha-mātra-para eva sambhramaṁ gā nayed atitarāṁ yato’khilāḥ ||46||

English translation

This sound did not depend upon the action of a throat. Even without the wish of its player, it remained intent upon its own purpose and led every cow into profound agitation. (46)

Original

yā tv abhūd abhidhayā prati svam apy udgata-śrutir avāpta sammadā | hanta hamba iti sāpa-bhāṣayai- vottaraṁ pratidadau gavāṁ tatiḥ ||47||

English translation

Each cow heard the call of her own name, raised her ears, and became delighted. Alas, the entire herd answered in its own language with the cry 'Hamba!' (47)

Original

veṇunā svara-gaṇāḥ kṛtāḥ saha grāma-jātibhir anena mūrcchitāḥ | mūrcchitā yad abhavan svar-aṅganā enam atra tad upālabheta kaḥ ||48||

English translation

The flute produced hosts of notes and joined them with modes and melodic types to create enchanting modulations. Since the celestial women fainted upon hearing it, who could blame the flute here? (48)

Original

parvato’pala-varā api dravaṁ parvato’tiśayataḥ prapedire | sarvato’py adhika-kakkhaṭāḥ kathaṁ sarvato’pi dadhire’dhikāṁ ratim ||49||

English translation

Mountains and even the finest stones upon them melted to an extraordinary degree. How did those harder than all other things come to bear more love than everyone else? (49)

Original

svaṁ svam āspadam upāśritā yataḥ saṁprataṁ khaga-mṛgāḥ pipāsavaḥ | prāpya vāri pari sāri hāri te sambhramāt papur apūrva-kautukāḥ ||50||

English translation

Thirsty birds and deer remained in their respective places. When the beautiful water came flowing all around them, they drank it in agitation, experiencing an unprecedented wonder. (50)

Original

kṛṣṇasāra iti nāma-sārthakaṁ svaṁ dadhāv ayam aho dayodadhiḥ | dveṣṭi no giridharānurāginīḥ pratyutaiti sukhayan nijāṅganāḥ ||51||

English translation

Ah, this ocean of compassion made his name 'black deer' truly meaningful. He did not hate the does attached to Giridhara; instead, he approached and delighted his own females. (51)

Original

tās tu taṁ sakhi vidhāya pṛṣṭhataḥ kṛṣṇa saṁjigamiṣātitṛṣṇayā | yāntya eva jaḍatāṁ śritāḥ śrute veṇu-nāda iha citritā babhuḥ ||52||

English translation

Friend, the does placed their stag behind them and moved forward in intense thirst to reach Kṛṣṇa. Yet when the flute sound entered their ears, they became motionless and appeared like painted figures. (52)

Original

pāna-kāla udite dhvanau jale cāśma-dharmiṇi sitārddha-cañcavaḥ | ālavāla-gata-pakṣiṇaḥ samūt- kīryamāṇa-garuto vicukṣubhuḥ ||53||

English translation

At the moment of drinking, the waterfowl heard the sound. The water assumed the nature of stone, their pale half-submerged beaks became fixed, and they trembled as their wings rose and scattered spray. (53)

Original

ittham eva muralī-svanāmṛtaṁ varṇanena surabhīkṛtaṁ muhuḥ | karṇa-cāru-caṣakāntar-āhitaṁ tā mitho’pi pariveṣitaṁ papuḥ ||54||

English translation

Again and again the sakhīs made the nectar of the flute sound fragrant through their descriptions, placed it within the charming cups of their ears, served it to one another, and drank. (54)

Original

stambha-kampa-pulakādayo gatāv antarāya-nivahān na kiṁ vyadhuḥ | kintu śīghram anurāga eva tāḥ prāpayan mada-raṇākhya-vāṭikām ||55||

English translation

Did paralysis, trembling, horripilation, and the other transformations not create hosts of obstacles along their path? Yet love itself swiftly brought them to the garden known as Cupid's battlefield. (55)

Original

tatra sūrya-sadane praviśya tās taṁ praṇamya nutibhiḥ prasāditam | prārthayantu hṛdayaika-vallabhaṁ deva darśaya dayodadhe drutam ||56||

English translation

Entering the sun temple, they bowed to the deity and satisfied him with praises. Then they prayed, 'Ocean of mercy, quickly reveal the one beloved of our hearts.' (56)

Original

pūjanopakaraṇasya rakṣaṇe tasya tad-vipina-devatāṁ tadā | sā nirupya calitālibhiḥ sukhaṁ svaṁ saraḥ-sarasa-ramya-kānanam ||57||

English translation

Rādhā appointed the local forest goddess to guard the articles for worship. Then She departed happily with Her companions for the beautiful grove beside Her own delightful lake. (57)

Original

vyātatāna vṛṣabhānujā-rucir bhūbhṛd-antika-bhuvaḥ pariṣkriyām | śrī-hares tad-atidūra-vartino’py ullalāsa sahasā hṛd-ambujam ||58||

English translation

The radiance of Vṛṣabhānu's daughter spread adornment across the ground near the mountain. Though Śrī Hari was very far away, the lotus of His heart suddenly blossomed. (58)

Original

bhrājate priyatamālibhir vṛtā padminī sva-sarasī-vane’dhunā | ity abodhi madhusūdanas tadai- vātra hetv-anupapatti-liṅgataḥ ||59||

English translation

'The lotus maiden now shines in the grove beside Her own lake, surrounded by Her dearest companions.' Madhusūdana understood this at once from a sign that admitted no other explanation. (59)

Original

tad-diśo’tha pavanas tad-aṅgajā- modam etam anubhāvayann abhāt | so’pi cainam acirāt tad-aṅgajā- moda-lālasam acukṣubhad balāt ||60||

English translation

The wind from that direction appeared carrying the fragrance born from Her limbs. Before long it forcibly agitated Him with eager longing for that bodily perfume. (60)

Original

veṇu-vādana-vidher viramya naivaiṣṭa roddhum anavasthitaṁ manaḥ | mālatī madhura-saurabhākula- syālinaḥ kva nu dhṛtis tayā vinā ||61||

English translation

He stopped playing the flute but could not restrain His restless mind. Where can a bee overwhelmed by the sweet fragrance of mālatī find steadiness without that flower? (61)

Original

taṁ tadaiva madhumaṅgalo’bravīt tan-mano-gata-vid eva devavat | kiñcid asti mama piñcha-bhūṣaṇa svīya-kṛtyam iti yāmi tat-kṛte ||62||

English translation

Madhumaṅgala, knowing what was in His mind as though he were divine, immediately said, 'Peacock-crested friend, I have a personal task to perform, so I am going to attend to it. (62)

Original

sūrya-tīrtham anu garga eṣyati snātum adya muni-varga-vanditaḥ | jyotiṣāṁ gati-vidhau bubhutsite saṁśayaṁ mama sa eva bhetsyati ||63||

English translation

'Today Garga, revered by hosts of sages, will come to bathe at Sūrya-tīrtha. I have a doubt concerning the courses of the luminaries, and he alone can resolve it.' (63)

Original

prāha keśi-damano mano mamāpy uccacāla tad-avekṣaṇotsukam | kiṁ tv avemi bahu-mitra-saṅgitā- prābhava-prathanayā nayātyayam ||64||

English translation

The subduer of Keśī replied, 'My mind too has become restless and eager to see him. Yet I know that the presence of so many friends will prevent us by exposing our purpose.' (64)

Original

ced iyaṁ bhavati nītir atra te kā kṣatis tvam aham ity ubhāv ivaḥ | svas-taḍāga-vara-madhyam īhate gantum eṣa taraṇiś ca satvaraḥ ||65||

English translation

'If this is your policy, what loss is there? You and I are as one. The sun himself is now hurrying toward the middle of his excellent lake.' (65)

Original

śerate sma dhavalā imāḥ sakhe nīpa-ṣaṇḍam anu meduraṁ puraḥ | sāmprataṁ śiśayiṣūn sakhīn imān mā kadarthaya mudhaiva khelayan ||66||

English translation

'Friend, these white cows are lying ahead beside the dense grove of kadamba trees. Do not needlessly disturb these companions who now wish to sleep by drawing them into play.' (66)

Original

ity akuṇṭha-baṭu-pāṭavādṛtais taiḥ prayātam iti datta-sammatī | jagmatuḥ pramadalād vanād drutaṁ tau mudā pramadayāśritaṁ saraḥ ||67||

English translation

The boys honored the unobstructed cleverness of the young brāhmaṇa and gave their consent for the pair to depart. Kṛṣṇa and Madhumaṅgala swiftly left the forest and joyfully went to the lake sheltered by the young women. (67)

Original

kvāgamāva purataḥ sakhe na govardhanaḥ khalu nago’yam īkṣyate | bhūr iyaṁ ca nahi goṣṭha-vartinī śātakumbha-mayatā yad etayoḥ ||68||

English translation

'Friend, where have we come? That mountain before us surely cannot be Govardhana, nor can this ground belong to the cowherd settlement, for both appear to be made of gold. (68)

Original

merur eva kim ilavṛtāvṛtaḥ spaṣṭam āvirabhavat vraje’ṁśataḥ | kintu kānti-laharī-vigāhinaṁ māṁ śaraiḥ kim iti vidhyati smaraḥ ||69||

English translation

'Has Mount Meru, surrounded by Ilāvṛta, visibly manifested a portion of itself here in Vraja? But why does Cupid strike me with arrows while I am immersed in these waves of radiance?' (69)

Original

iti nigadati kṛṣṇe rādhikāloka-tṛṣṇā- madhurima-bhara-pūrṇā sāpi tatrāpa ghūrṇāḥ | tad-apaghana-ghanānāṁ cāru-rājad-vanānāṁ kalita-vipula-tarṣaiḥ kānti-pīyūṣa-varṣaiḥ ||70||

English translation

As Kṛṣṇa spoke, Rādhikā too reeled there, filled with the heavy sweetness of thirst to behold Him. Her abundant showers of nectarean radiance awakened immense longing in the beautiful dark clouds and splendid forest around Him. (70)

Original

vidyuc campaka-valliketi jaladas tāpiñcha-śākhīty atad bhānāni vyatidarśinor yad abhavan dūrasthayoḥ prāk tayoḥ | so’yaṁ me ramaṇaḥ kim atra ramaṇī saiveyam ity ātmakaṁ tad bhānaṁ ca tad āpatuḥ punar aho tair eva tādātmyataḥ ||71||

English translation

From afar, each mistook the other: 'Is that lightning, or a campaka vine? Is that a cloud, or a dark tamāla branch?' As they drew near, those false impressions vanished and both recognized, 'This is my beloved' and 'This is indeed that beautiful girl.' Then, wonderfully, through complete absorption in one another, those very impressions returned in a deeper form. (71)

Original

iti śrī-kṛṣṇa-bhāvanāmṛte mahā-kāvye saṅgava-līlāsvādano nāma aṣṭamaḥ sargaḥ ||8||

English translation

Thus ends the Eighth Sarga, entitled 'Relishing the Forenoon Pastimes,' in the great poem Śrī Kṛṣṇa-bhāvanāmṛta.