राम

पञ्चदशः सर्गः

Fifteenth Sarga: Midday Pastimes

Chapter 15 of 23Source scan pages 182–197147 paired passages

Original

pañcadaśaḥ sargaḥ

kaṅkelli-pallavaka-tallaja-karṇa-pūraḥ kaṅkelli-valli-navaka-stavakāñci-pāṇiḥ | tatrāgato’tha sa hariḥ praviveśa tūrṇaṁ vṛndā-dṛśodita-nikuñja-sarojam utkaḥ ||1||

English translation

Fifteenth Sarga

Hari arrived wearing excellent aśoka shoots upon His ears and holding fresh clusters from an aśoka vine in His hand. Eagerly He entered the lotuslike secret bower indicated by Vṛndā's glance. (1)

Original

rādhā-suradhanīṁ prāpte kṛṣṇa-matta-mataṅgaje | uḍḍīyāpasasārālī marālī-pālir añjasā ||2||

English translation

When the intoxicated elephant Kṛṣṇa entered the celestial river of Rādhā's presence, the row of swanlike sakhīs immediately flew away. (2)

Original

pibann asau locana-puṣkareṇa lāvaṇya-rūpāmṛtam ambujākṣyāḥ | vyadālayat kañcuka-śaibalaṁ śrī- kareṇa nīvīṁ nalinīṁ ca lolaḥ ||3||

English translation

With the lotus of His eyes He drank the nectar of the lotus-eyed girl's beauty and form. Restless, He used His splendid hand to part the moss of Her bodice and the lotus growth of Her waist-knot. (3)

Original

kāntāpi tandrā-vinimīlitākṣī svapne dadarśa priyam antikāptam | nīvī-kucākarṣaṇa-yatnavantaṁ taṁ vārayantī pralalāpa vāmyāt ||4||

English translation

Her eyes closed in drowsiness, the beloved dreamed that Her lover had come beside Her and was trying to pull at Her waist-knot and breasts. Resisting Him in contrariness, She babbled. (4)

Original

ma-ma-ma-mā pi-pi-pi-spṛśa māṁ hare ki-ki-ki-kiṁ vi-vidhātum ihecchasi | śa-śayituṁ da-da-dehi mama kṣaṇaṁ ka-kalitākṣi-yugmāsmi ghu-ghūrṇayā ||5||

English translation

'D-d-don't t-t-touch Me, Hari! Wh-wh-what do You wish to d-do here? L-l-let Me sleep for a m-m-moment. My p-p-pair of eyes is overcome by d-d-drowsiness.' (5)

Original

smita-rudita-vimiśraṁ gadgadāspṛṣṭa-varṇaṁ ramaṇam anu tadeti vyāharantī karābhyām | priya-karam atilolaṁ vārayantī prabuddhā priyam atha tam apaśyat svaṁ ca tādṛk kriyaṁ sā ||6||

English translation

Her words following Her lover mingled smiles with weeping, their syllables touched by a choked voice. Trying with both hands to restrain Her beloved's exceedingly restless hand, She awoke and beheld both Him and Her own actions exactly as in the dream. (6)

Original

mīlitonmīlitākṣī sā smara-mādhvīka-māditā | svapna-jāgarayor āsīt sama-vāk-ceṣṭitādikā ||7||

English translation

Her eyes opening and closing, Rādhā was intoxicated by the flower wine of Love. Her speech, gestures, and other responses remained the same in dreaming and waking. (7)

Original

viṣameṣu-raṇād vāmya-hrībhyāṁ tāṁ vimukhīm api | balād ākramya nirjetum ārabdhe’tyunmade’cyute ||8||

English translation

Contrariness and modesty made Her turn away from the battle of Love's uneven arrows, but the greatly impassioned Acyuta forcibly advanced and began trying to conquer Her. (8)

Original

kāñcīṁ vīkṣyākramān mūkāṁ bhayād iva nabho-gatam | mañjīra-yugalaṁ tasyāḥ phutkarotīva nisvanat ||9||

(yugmakam)

English translation

Seeing the assault, Her waist-belt fell silent as though it had fled into the sky from fear, while Her pair of anklets rang out as though hissing in protest. (8-9)

Original

grīvā-grahaṇato vyagraḥ kaṇṭhaḥ kuṇṭho’pi subhruvaḥ vicitraiḥ kūjitaiś cakre sakāku prārthanaṁ harau ||10||

English translation

When Hari grasped the lovely-browed girl's neck, Her throat became constricted and agitated. Through varied, broken cries it pleaded piteously with Him. (10)

Original

pṛthula-bhuja-gadābhyāṁ vāmya-durgaṁ vibhidyā- dhara-nakha-daśanoraḥ-pāṇi-dor-ānanodyaiḥ | drutam atha sanijais taiḥ preṣṭha-sāmanta-vīraiḥ sutanu-tanu-purīṁ tāṁ luṇṭhayāmāsa kṛṣṇaḥ ||11||

English translation

With the maces of His broad arms Kṛṣṇa breached the fortress of Her contrariness. Then, with His own beloved feudal warriors led by His lips, nails, teeth, chest, hands, arms, and face, He swiftly plundered the city of the slender girl's body. (11)

Original

nikhāta-gūḍha-ratnajñair utkhātāt khanakair nakhaiḥ | tāruṇya-ratnaṁ jagṛhe pāṇibhyāṁ stana-kumbhataḥ ||12||

English translation

His digging nails knew where the hidden jewel was buried and excavated it; His hands then seized the jewel of youth from the jars of Her breasts. (12)

Original

adharād daśanaiḥ khātād vadanenādharāmṛtam | bāhubhyāṁ pīḍitād aṅgāt sparśa-ratnaṁ tu vakṣasā ||13||

English translation

From Her lip, excavated by His teeth, His mouth took the nectar of Her lips. From Her body, pressed by His arms, His chest obtained the jewel of touch. (13)

Original

karābhyāṁ kuntala-grāhaṁ tat-tat-sthāneṣu gūhitam | cumbakākhyaṁ varaṁ ratnam adharenāgha-vairiṇaḥ ||14||

(sandānitakam)

English translation

His hands grasped Her hair, while the lip of Agha's enemy discovered in each concealed place the excellent jewel called a kiss. (11-14)

Original

trapā-daṁśe chinne’mṛta-ukhadhane tair vimūṣite camūnāthaṁ dhārṣṭyaṁ nakha-daśana-sāmanta-sahitam | puraḥ kṛtvā vyaktī-kṛta-nija-mahā-pauruṣam asau mahāmārārambhaṁ vyadadhad atha kāntāpy asahanā ||15||

English translation

When the bite of modesty had been cut away and the treasury of nectar plundered by those warriors, the beloved could tolerate no more. Placing boldness, commander of Her army, at the front with the feudal lords of Her nails and teeth, She displayed Her own great prowess and launched a mighty counterbattle. (15)

Original

ākramya kāntaṁ nija-pauruṣaṁ tat pradarśayantyāṁ hari-vallabhāyām | kāñcī-dhvanir dundubhi-śabda uccaiḥ śītkāra asīd vara-siṁha-nādaḥ ||16||

English translation

As Hari's beloved mounted Her lover and displayed Her prowess, the sound of Her waist-belt became a loud kettledrum and Her cries became an excellent lion's roar. (16)

Original

taṁ kāntayākrāntam avekṣya cañcalaṁ kāntāvataṁsodbhaṭa-nartaka-dvayam | matvātha kenāpy ajitaṁ jitaṁ mudā muktāvalī lāsikayā nanarta tat ||17||

English translation

Seeing Him mounted by His beloved, Her restless pearl necklace mistook the two prominent ornaments upon Her breasts for triumphant dancers. Joyfully thinking that unconquered Kṛṣṇa had at last been conquered, the necklace itself danced gracefully. (17)

Original

hṛd-adhara-gata-ratnaṁ yad yad āhṛtya tasyā nibhṛtam agha-bhidā sve gopitaṁ ratna-vṛnde | rada-nakha-khanakais tat sarvam asyā gṛhītaṁ hṛtam iha paravittaṁ svārtha-nāśīti satyam ||18||

English translation

Whatever jewels Agha's destroyer had secretly taken from Her heart and lips and hidden among His own treasures were now all recovered by the miners of Her teeth and nails. It is true that wealth stolen from another ultimately destroys one's own interest. (18)

Original

mukha-kamala-ratha-sthau subhruvau netra-vīrau vadana-nalina-koṣāt śrī-harer bhā-marandam | nayana-madhukarābhyāṁ rakṣitāl luṇṭhato yau drutam apasṛtavantau tau tayoḥ sammukha-sthe ||19||

English translation

Her two heroic eyes rode upon the chariot of Her lotus face and plundered the honey of Śrī Hari's radiance from the cup of His face-lotus, though it was guarded by His eye-bees. When those two opposing warriors confronted them, Her eye-warriors swiftly retreated. (19)

Original

śrī-kṛṣṇa-netra-dvaya-vīra-varya- pradarśanād eva bhayād ivāsyāḥ | agresare netra-bhaṭe’payāte sarvāṅga-sainye’pi babhūva bhaṅgaḥ ||20||

English translation

At the mere appearance of Śrī Kṛṣṇa's two peerless eye-warriors, Her vanguard soldiers, the eyes, fled as if from fear. Her entire army of limbs then collapsed in defeat. (20)

Original

tadāsyāḥ śrī-bhālaṁ śrama-salila-lolālaka-vṛtaṁ nitambo niṣpandaḥ stana-yugalam ucchvāsa-capalam | bhuja-dvandvaṁ mandaṁ nayana-yugam āmīlitam abhūt parābhūtetīyaṁ samiti dayitānandam atanot ||21||

English translation

Her beautiful forehead was then surrounded by restless curls and the water of perspiration; Her hips became still, Her breasts moved rapidly with Her breath, Her two arms grew languid, and Her eyes half closed. Her defeat in that battle expanded Her beloved's delight. (21)

Original

smara-nṛpati-nidiṣṭā kṛṣṇam ākramya rādhā nijam atiśaya-yatnāt pauruṣaṁ darśayantī | svayam abhavad akasmād yac chramād viślathāṅgī tad iha na hi vicitraṁ yābalā sābalaiva ||22||

English translation

Commanded by King Love, Rādhā mounted Kṛṣṇa and exerted Herself greatly to display Her own prowess, yet suddenly Her limbs became slack with fatigue. This is not astonishing: she who is called a weak woman remains, after all, a woman. (22)

Original

śrama-jala-kaṇa-digdha-niṣpanda-mūrtir galita-vasana-bhūṣākalpa-talpa-prajalpā | priya-hṛdi patitāṅgī rādhikā mīlitākṣī sthira-taḍid iva nayvāmbhodhare sā rarāja ||23||

English translation

Rādhikā's motionless form was covered with drops of perspiration; Her loosened garments and ornaments lay scattered upon the bed, and Her murmuring faded. Her eyes closed, Her body fell upon Her beloved's chest, and She shone there like steady lightning upon a fresh raincloud. (23)

Original

asyāḥ śvāsoccalat-tundaṁ muhuḥ kṛṣṇodaraṁ spṛśat | kim ānanda-jaḍaṁ tasyāḥ sevāyai cetayaty amum ||24||

English translation

Her abdomen, rising with each breath, repeatedly touched Kṛṣṇa's abdomen. Was it perhaps awakening Him from the stunned state of bliss so that He might serve Her? (24)

Original

dīvyat-tadātvodita-mādhurīṇāṁ sparśekṣaṇecchā dayitāṅgakānām | samāgatālīva harer mṛgākṣyā glānis tadaikā tanu-sevikāsīt ||25||

English translation

At that moment the doe-eyed girl's fatigue became Hari's sole bodily attendant, as though it were a sakhī who had arrived to fulfill His desire to touch and behold the newly manifested sweetness of His beloved's shining limbs. (25)

Original

tābhyāṁ tu sandhau vihite tadā tayoḥ premṇā priyāyāḥ svakarāmbujanmanā | utthāya cakre śrama-toya-mārjanaṁ kaiśyālakāly-ambara-saṁvṛtiṁ ca saḥ ||26||

English translation

When peace had been made between them, Kṛṣṇa arose in love and used His own lotus hands to wipe away His beloved's perspiration, arrange Her hair and curls, and cover Her with Her garment. (26)

Original

samprārthito vapur alaṅkṛtaye tayā tāṁ naicchat sa tāṁ vihasituṁ purataḥ sakhīnām | āmreḍitaḥ punar imāṁ vidadhan niṣiddhas tat-sparśa-sammadaja-vibhramayānayoce ||27||

English translation

She asked Him to adorn Her body, but He did not wish to do so lest the sakhīs laugh at Her afterward. When She repeatedly insisted, He began the service, but, bewildered by the delight of touching Her, He was stopped and She spoke. (27)

Original

mayā kiṁ bhūṣāyai tvam asi ramaṇa prārthita iha tyaja vyarthāṁ śrāntiṁ virama nahi bhūṣā mama mude | na cāhaṁ śaktālaṅkaraṇa-caya-bhārasya vahane dunoty udghūrṇā māṁ kṣaṇam avasaraṁ dehi śayitum ||28||

English translation

'My lover, why did I ask You to adorn Me here? Abandon this useless exertion and stop, for ornaments give Me no pleasure now. I am not able to bear the weight of so many decorations. Dizziness torments Me; allow Me to lie down for a moment.' (28)

Original

iti gadita-marandaṁ preyasī-vaktra-padmāt smita-rudita-suramyān mīlitākṣāt satṛṣṇaḥ | harir atha sa nipīyāspaṣṭa-varṇāt tadāsīd udita-madana-mattaḥ sasmito vismitaś ca ||29||

(yugmakam)

English translation

Hari eagerly drank this nectar of speech from His beloved's face-lotus, whose eyes were closed, whose syllables were indistinct, and whose expression beautifully mingled smiles and tears. As Love arose within Him, He became intoxicated, smiling and astonished. (27-29)

Original

tāvat tayoḥ sevana-mātra-saukhyāḥ pratīkṣamāṇāḥ samayaṁ vahiṣṭhāḥ | sevopacārānvita-pāṇi-kañjāḥ kuñjālayaṁ tā viviśuḥ priyālyaḥ ||30||

English translation

Meanwhile the dear sakhīs, whose sole happiness was serving the Couple, waited outside for the proper moment. Their lotus hands bearing articles of service, they then entered the bower. (30)

Original

tāmbūla-śītala-jalāmala-gandha-mālyaiḥ pādāmbujādi-mṛdu-mardana-bījanādyaiḥ | tābhir niṣevita-padau praṇayonmadābhir āmodam āpatur alaṁ vigata-śramau ||31||

English translation

The sakhīs, intoxicated with love, served the Couple's feet and limbs with betel, cool water, pure fragrances, garlands, gentle massage, fanning, and other offerings. Their fatigue dispelled, Rādhā and Kṛṣṇa experienced the highest delight. (31)

Original

sākūta-sa-smita-dṛśā priyam īrayantī kāntābravīt priya na śarma labhe vinā yāḥ | kuñjeṣu kuñja-vadanā mada-vihvalāṅgyaḥ sakhyaḥ svapanti ramaṇānaya tāḥ prabodhya ||32||

English translation

Addressing Her beloved with a meaningful, smiling glance, Rādhā said, 'My lover, I find no happiness without those lovely-faced sakhīs whose bodies, overcome by passion, now sleep in their bowers. Awaken them and bring them here to play.' (32)

Original

tad anicchan narmaṇāsau priyayā muhur arthitaḥ | niryayau tā ramayituṁ mattebha iva padminīḥ ||33||

English translation

Though Kṛṣṇa was unwilling, His playful beloved repeatedly entreated Him. He therefore went out to delight those sakhīs, like an intoxicated elephant entering a cluster of lotus ponds. (33)

Original

kṛṣṇaś cakre manasi lalitāṁ yāmi kiṁ vā viśākhām ādau citrām iti sa nikhilā bhāvayaṁs tāḥ priyālīḥ | gacchan harṣād yugapad akhile prāviśat kuñja-vṛnde ātmānaṁ te nija-viracite jīva-dehe yathaikaḥ ||34||

English translation

Kṛṣṇa thought, 'Shall I go first to Lalitā, Viśākhā, or Citrā?' As He contemplated all His dear sakhīs and proceeded joyfully, He entered every group of bowers simultaneously, just as the one Self enters the many living bodies it has fashioned. (34)

Original

tāsāṁ kuñjeṣu sarvāsāṁ tena līlā manoharā | svapna-jāgarayor āsīd yūtheśāyā yathā purā ||35||

English translation

In the bowers of all those sakhīs, Kṛṣṇa enacted the same captivating play, in dream and in waking, that He had previously enjoyed with their group-mistress. (35)

Original

ālī-mallī-matallīs tā dor-yuddhe tat-kṛte mithaḥ | jigāya yugapat sarvāḥ śrī-kṛṣṇo malla-tallajaḥ ||36||

English translation

In the arm-wrestling contests they arranged with Him, Śrī Kṛṣṇa, the foremost of wrestlers, simultaneously defeated all those foremost sakhīs, lovely as jasmine vines. (36)

Original

tāvac chrī-rādhikā kuñje sevitālī-janaiḥ kṣaṇam | viśramya taiḥ samāyātā sva-saras-tīrtha-kuṭṭimam ||37||

English translation

Meanwhile, after resting briefly in the bower while Her sakhīs served Her, Śrī Rādhikā came with them to the jeweled terrace beside Her own lake. (37)

Original

svādhīna-kānta-kara-kārita-bhūri-bhūṣā- saṁchāditāṅga-rati-lakṣaṇa-sañcayāpi | prauḍha-smarāhava-vimardana-sūcakāṅgī bhūyo'bhimārjita-samāpta-makha-sthalīva ||38||

English translation

Though the many signs of lovemaking upon Rādhā's limbs had been concealed beneath the profusion of ornaments placed there by the hand of Her submissive lover, Her body still revealed the bruising of that intense battle of love. She resembled a sacrificial ground swept clean once again after the rite had ended. (38)

Original

svālīṁ prati praṇaya-roṣa-vibhaṅgura-bhrūr lajjā-vinamra-vadanā skhalitāṅghri-pātā | āyāsa-viślatha-bhujārdha-nimīlitākṣī sāli-tatis tata ito militābhyupetya ||39||

(yugmakam)

English translation

Her brows curved with affectionate anger toward Her sakhīs, Her face lowered in shyness, and Her steps unsteady. Her arms hung slack with fatigue and Her eyes were half closed as She approached, accompanied on every side by rows of sakhīs. (38-39)

Original

kṛṣṇo'pi nirgatya nikuñja-vṛndān milann athaiko madhumaṅgalādyaiḥ | smerānanāṁ vīkṣya hasan sa kāntāṁ tad-antikaṁ taiḥ sahitaḥ samāyāt ||40||

English translation

Kṛṣṇa also emerged from all the bowers, became one again, and joined Madhumaṅgala and His other companions. Seeing His beloved's smiling face, He laughed and approached Her together with them. (40)

Original

narma-dyūtaṁ dayita-sabhikaṁ dhūrtayā kundavallyā tāsāṁ lajjā-vitaraṇa-paṇaṁ bhoga-cihnāvitānaiḥ | vṛndādīnāṁ sadasi balavad vallavīnāṁ tad āsīd yasmin sarvāḥ sapadi vijitā hrepitās tās tayāsan ||41||

English translation

The cunning Kundavallī then arranged a sportive game before Vṛndā and the others, with the beloved as referee and the cowherd girls' modesty at stake through the disclosure of their marks of enjoyment. In that contest she immediately defeated and thoroughly embarrassed them all. (41)

Original

madhu-ripu-rati-līlāgādha-pīyūṣa-sindhuḥ satata-duravagāhaḥ prema-tīrthāvagāhaiḥ | praṇayi-virala-lokaiḥ svādyate'sau yad anyaiḥ kavibhir api taṭasthaiḥ spṛśyate bhāgyam etat ||42||

English translation

The unfathomable ocean of nectar formed by Madhusūdana's loving play remains difficult to enter even for those who bathe repeatedly at the sacred ford of prema. A rare few lovers taste that ocean; other poets can only stand upon its shore and touch it. Such is their good fortune. (42)

Original

atha vividha-vilāsa-śrāntitaḥ klānti-pūrṇā avasara-nija-sevābhijñayopetya tūrṇam | jalam anu jala-līlā-vāñchayālyā tadāntar hari-hari-dayitālyaś cālyamānā babhūvuḥ ||43||

English translation

Hari and His beloveds were exhausted by their many pastimes. A sakhī who knew the proper moment for her service quickly approached, and, desiring to arrange their play in the water, guided Hari, His beloved, and the other sakhīs toward the lake. (43)

Original

grīva-saṁyamita-keli-vimukta-keśāḥ saṁvastritābhinava-śukla-sucīna-celāḥ | sevā-parāli-nicayair avatāritāti- bhārāṅga-bhūṣaṇa-cayāḥ sudṛśo babhus tāḥ ||44||

English translation

The beautiful girls tied at their necks the hair loosened during play and dressed themselves in fresh, fine white Chinese silk. The attendant sakhīs removed the excessively heavy ornaments from their limbs, and they shone splendidly. (44)

Original

udyat-sudhāṁśu-śata-puṣkara-nindi-kāntiḥ prodyad-vibhākara-vikasvara-puṣkarākṣaḥ | kandarpa-saumanasa-puṣkara-jit-kaṭākṣaḥ śrānti-praśānti-kara-puṣkara-keli-lolaḥ ||45||

English translation

Kṛṣṇa's radiance put a hundred rising moon-lotuses to shame; His lotus eyes blossomed like lotuses beneath the rising sun; and His sidelong glances conquered the flower-arrows of Kandarpa. He longed for lotus-lake play that would dispel all fatigue. (45)

Original

saṁveṣṭitaḥ sakala-puṣkariṇībhir ābhiḥ kṛṣṇaḥ priyā-dayita-puṣkariṇīṁ jagāhe | śrāntaḥ śramākulita-puṣkariṇī-ghaṭābhiḥ svairī vanecara-madotkaṭa-puṣkarīva ||46||

(yugmakam)

English translation

Surrounded by all those lake-like young women, weary Kṛṣṇa entered the lake cherished by His beloved, like a freely roaming, rut-maddened forest elephant entering a pond encircled by a herd of exhausted female elephants. (45-46)

Original

netrotpalāsya-kamalālaka-lola-bhṛṅgā vakṣoja-koka-yugalā tanu-dor-mṛṇālā | kṛṣṇākṣi-matta-gajayor jala-keli-tuṣṭyai gopī-tatiḥ prathamataḥ sarasī tadāsīt ||47||

English translation

The assembly of gopīs first became a lake for the delight of the two intoxicated elephants of Kṛṣṇa's eyes: their eyes were blue lotuses, their faces golden lotuses, their restless curls bees, their breasts pairs of cakravāka birds, and their slender arms lotus stems. (47)

Original

bhīru-svabhāvād ajalāvagāhāḥ kāścit taṭasthāḥ salilair niṣicya | balād gṛhītvā vasane'payāntīr ninyur hasantyaḥ salilāntar anyāḥ ||48||

English translation

Some timid girls would not enter the water and remained upon the bank. The others splashed them and, as they tried to flee, laughingly seized their garments and forcibly drew them into the lake. (48)

Original

kāścit sva-jānudvayase sthitā jale bhītyoru-daghne priya-sekato parāḥ | sva-nābhi-mātre salile sthito hariḥ sarvā nyasiñcad vihasan balāj jalaiḥ ||49||

English translation

Some stood in water up to their knees, while others, fearing their beloved's splashing, went in up to their thighs. Standing in water that reached His navel, Hari laughed and forcibly drenched them all. (49)

Original

klinnāti-sūkṣma-vasanāntar udīrṇa-tat-tad- aṅgāli-sauṣṭhava-sarit-suṣamāpsu tāsām | magnaṁ harer lasati netra-madebha-yugmaṁ tasyāpi tāsu dayitādṛg-ibhī-ghaṭāpi ||50||

English translation

Their soaked, exceedingly fine garments revealed the graceful beauty of their limbs like splendid rivers. The pair of intoxicated elephants of Hari's eyes appeared submerged in those waters of beauty, while the herds of elephant-like glances belonging to His beloveds were likewise submerged in Him. (50)

Original

udvāmyād anavatitīrṣavo'pi sarvāḥ śītārtā iva rudita-smitārdra-vaktrāḥ | ākṛṣṭā yugapad anena nābhi-daghne toye'mūr amum abhitaḥ sthitā virejuḥ ||51||

English translation

Though they did not wish to descend into the water, He pulled them all at once into its navel-deep expanse. Their faces moist with mingled tears and smiles, as if tormented by cold, they shone as they stood surrounding Him. (51)

Original

rājīva-raktotpala-puṇḍarīka- kahlāra-nīlotpala-kairavāṇām | sravan-marandaiś ca patat-parāgaiḥ saurabhya-bhājy-ambhasi tā vijahruḥ ||52||

English translation

They sported in water richly fragrant with the dripping nectar and falling pollen of blue lotuses, red lotuses, white lotuses, kahlāras, nīlotpalas, and night-blooming lilies. (52)

Original

nāndī-vṛndā-dhaniṣṭhādyāḥ sthitās tīrthaika-kuṭṭime | jaya-śabdaiḥ puṣpa-varṣai rādhādīnāṁ jayepsavaḥ ||53||

English translation

Nandīmukhī, Vṛndā, Dhaniṣṭhā, and the others stood upon one bathing terrace. Desiring victory for Rādhā and Her companions, they shouted acclamations and showered flowers. (53)

Original

baṭuḥ subala-kaundībhyāṁ sthitas tīrthānya-kuṭṭime | kṛṣṇasya vijayaṁ vāñchan puṣpa-varṣādikaṁ vyadhāt ||54||

English translation

Madhumaṅgala stood with Subala and Kundavallī upon the opposite bathing terrace. Desiring Kṛṣṇa's victory, he showered flowers and performed other acts of encouragement. (54)

Original

vyātyukṣī-pradhanaṁ tadā samabhavat tābhiḥ samaṁ śrī-harer yatrāsāṁ mṛdu-secanaiḥ sa vidadhe protsāha-vṛddhiṁ kṣaṇam | siñcantyaḥ parito nirantara-jalāsārair amuṁ tā vyadhur bhītyādho-vadanaṁ karāṅguli-dalai ruddhākṣi-nāsā-śrutim ||55||

English translation

A great splashing battle then arose between Śrī Hari and the girls. For a time their gentle sprays only increased His enthusiasm, but then they drenched Him from every side with unbroken torrents. Feigning fear, He lowered His face and used His petal-like fingers to close His eyes, nose, and ears. (55)

Original

urīcakāreva sahasra-netratāṁ tāsāṁ sa saundarya-vilokane hariḥ | sahasra-pādatvam athāntike gatau sahasra-bāhutvam ihopagūhane ||56||

English translation

To behold the beauty of all those girls, Hari seemed to assume a thousand eyes; to approach them, a thousand feet; and to embrace them, a thousand arms. (56)

Original

eṇīdṛśām udara-daghna-jale sthitānāṁ seke'mbubhir vadana-padma-vikāśane ca | vakṣoja-koka-mithunāvali-lālane'pi kṛṣṇaḥ sahasra-karatām urarīcakāra ||57||

English translation

As the doe-eyed girls stood in waist-deep water, Kṛṣṇa accepted a thousand hands with which to splash them, make their face-lotuses blossom, and caress the rows of cakravāka pairs upon their breasts. (57)

Original

sahasra-pāt sahasrākṣaḥ sahasra-bāhur īśvaraḥ | iti śruty-artham apaṭhat kṛṣṇaṁ vīkṣya mudā baṭuḥ ||58||

English translation

Seeing Kṛṣṇa, Madhumaṅgala joyfully recited the meaning of the revealed scripture: 'The Lord has a thousand feet, a thousand eyes, and a thousand arms.' (58)

Original

sarvataḥ pāṇi-pādaṁ tat sarvato'kṣi-śiro-mukham | hasantīti smṛtiṁ nāndīmukhī tīra-sthitāpaṭhat ||59||

English translation

Standing upon the shore, Nandīmukhī laughed and recited the words of the Smṛti: 'That Supreme Reality has hands and feet everywhere, and eyes, heads, and faces everywhere.' (59)

Original

udvarṣantī diśi diśi tiryak pātān toyāsārān vraja-ramaṇī-vallīnām | vyālolānām avirata-seke kelau kārṣṇī mūrtir jaladhara-mālā sāsīt ||60||

English translation

As the vine-like women of Vraja swayed in their ceaseless water play, Kṛṣṇa's dark form became like a bank of rainclouds pouring slanting torrents upon them in every direction. (60)

Original

pāda-prānte'tyaruṇatayā kiṁ tāsāṁ yāvaiś cetthaṁ cira-jala-vāsair yatnāt | kṛtvā varṇa-dvaya-hatim āsām uccair mattaivāsīj jaladhara-mālāpy eṣā ||61||

English translation

Was it because the lac at the tips of their feet was so intensely red? By keeping the girls long in the water and laboring to efface their two colors, this bank of rainclouds seemed to become still more intoxicated. (61)

Original

priyakara-militāmbu-sparśa-hṛṣṭāpi paryak satata-nipatad-ambho-dhārayodvigna-cittā | śithilita-bhuja-vallī-śasta-keśāmbara-srag- jala-yudhi vimukhī sā sundarī-pālir āsīt ||62||

English translation

Although delighted by the touch of water cast from their beloved's hands, the assembly of beauties became distressed by the continuous torrents falling from every side. Their vine-like arms slackened, and their hair, garments, and garlands fell into disarray, so they turned away from the water battle. (62)

Original

jale balād atyamale'balānāṁ niruddhya kāntena hṛtāmbarāṇām | dalāli-dānena taraṅga-hastair vyadhāyi sakhyaṁ drutam abjinībhiḥ ||63||

English translation

Their beloved forcibly detained the helpless girls in the exceedingly clear water and stole their garments. The lotus plants quickly befriended them, offering clusters of petals with their wave-like hands. (63)

Original

iha rādhikā pratipadaṁ parābhavair mukha-varṇa-yugma-virahāt sakhī-tateḥ | dayitaṁ vijetum api mañju-bhāṣiṇī jala-secane muhur athoddhatābhavat ||64||

English translation

As Her sakhīs suffered defeat at every step and both colors vanished from their faces, sweet-speaking Rādhikā repeatedly grew bold in splashing water, determined to conquer Her beloved. (64)

Original

nivārita-sakhī-pālyor mithaḥ saṁspardhinos tayoḥ | īśayor dvandva-yuddhaṁ cābhavad ādau jalājali ||65||

English translation

The two rival leaders held back their companies of sakhīs and began a single combat, first fighting with handfuls of water. (65)

Original

sakhī-pālyāvṛtau satyāṁ karākari bhujābhuji | nakhānakhi ca tat-paścān mukhāmukhi radāradi ||66||

English translation

While their companies of sakhīs surrounded them, the struggle became hand against hand, arm against arm, nail against nail, then face against face and tooth against tooth. (66)

Original

anyonya-saṅga-saṁharṣāt kṛṣṇam ānanda-mantharam | rādhāṁ bhāvodgamair lolāṁ vīkṣyāmuṁ lalitābravīt ||67||

English translation

Seeing Kṛṣṇa languid with bliss from their mutual contact, and Rādhā restless as waves of emotion arose within Her, Lalitā addressed Her. (67)

Original

cūḍā paścād apasṛtavatī kaustubho bimba-dambhād gaṇḍe te'sau śaraṇam abhajat kuṇḍale kampa-lole | līnaṁ cāsīt tilakam alike chinna-bhinnāsya mālā tasmād yuddhād virama sakhi mā kātaraṁ pīḍayāmum ||68||

English translation

'Friend, His crest has retreated behind Him. On the pretext of casting its reflection, the Kaustubha has sought refuge upon His cheek. His earrings tremble wildly, His forehead-mark has disappeared, and His garland is torn to pieces. Therefore stop this battle. Do not torment this frightened man.' (68)

Original

vyātyukṣyāṁ salile yadvan muhur jaya-parājayau | teṣāṁ jātau vyāvahāsyāṁ tīre tau suhṛdāṁ tathā ||69||

English translation

As victory and defeat repeatedly alternated in the water battle, Rādhā and Kṛṣṇa laughed at one another, and their friends upon the banks laughed in the same way. (69)

Original

ākṛṣya rādhāṁ sa balān mukundaḥ sva-kaṇṭha-daghne'mbhasi tāṁ nināya | magnām ivaināṁ punar uddadhāra taraṅga-lolāṁ nalinīm ivebhaḥ ||70||

English translation

Mukunda forcibly drew Rādhā into water that reached His neck. He submerged Her and lifted Her again like an elephant raising a wave-tossed lotus. (70)

Original

tat-kaṇṭha-deśārpita-dor-mṛṇālā keśāli-śaivāli-vṛtānanābjī | kṛṣṇebha-hastotkalitātilolā rādhābjinīvāmbhasi santatāra ||71||

English translation

With the lotus stems of Her arms placed around His neck and Her face-lotus encircled by the moss of Her bee-black hair, Rādhā floated upon the water like a lotus plant, swaying as the trunk of the Kṛṣṇa-elephant lifted Her. (71)

Original

tāvat praphulla-kanakābja-vane pramodāl līnāsu tāsu gala-daghna-jale sakhīṣu | kāntā jagāda dayitaṁ priya me vayasyā yātā drutaṁ kva nu gaveṣaya tūrṇam etāḥ ||72||

English translation

Meanwhile, the sakhīs joyfully hid among a grove of blossoming golden lotuses in neck-deep water. Rādhā said to Her lover, 'Beloved, where have My friends suddenly gone? Search for them at once.' (72)

Original

nidhāya tāṁ tad-gala-mātra-puṣkare śrī-puṣkarākṣe praviśaty athālikāḥ | anveṣṭum asmin sphuṭa-puṣkarāṭavīṁ rādhāsa līnā vara-puṣkarānanā ||73||

English translation

Leaving Rādhā in water that reached Her neck, lotus-eyed Kṛṣṇa entered the forest of fully opened lotuses to search for the sakhīs. Then lotus-faced Rādhā also disappeared among them. (73)

Original

nātyutthitāni jalataḥ kanakāmbujāni phullāsitotpala-yugātivirājitāni | dṛṣṭvā taraṅga-cala-śaivala-saṁyutāni tat-pāna-cañcala-matir madhusūdano'bhūt ||74||

English translation

Madhusūdana saw golden lotuses that rose only slightly above the water, each splendidly adorned with a pair of blossoming blue lotuses and surrounded by moss stirred by the waves. His mind became restless with desire to drink their nectar. (74)

Original

mukheṣu tāsāṁ kanakāravinda- vṛndāyamāneṣu maranda-pānam | cakre hariḥ pratyaravindam añcan tṛṣārta-rolamba-kadambakaṁ vā ||75||

English translation

Hari went from one golden-lotus face to another and drank its nectar, like a swarm of thirsty bees visiting every lotus. (75)

Original

drutam upanayatāsyaṁ sva-sva-vaktrāntike svaṁ kṣaṇam iha dayitena dvandva-yuddhaṁ samṛddham | nibhṛta-militayā śrī-rādhayāpy anvitānāṁ yugapad abhavad āsām ānanābjānanābji ||76||

English translation

Each girl swiftly brought her face close to her beloved's, and for a moment a splendid face-to-face duel arose simultaneously between Kṛṣṇa's face-lotus and all of theirs. Śrī Rādhā, who had secretly joined them, took part as well. (76)

Original

gopī-stanāsphālana-jais taraṅgakair lolāmbujāny ullala-ṣaṭpadāny alam | āsāṁ mukhānīva dadarśa cumbane vaimatya-lolāni calekṣaṇāni saḥ ||77||

English translation

The waves produced by the striking of the gopīs' breasts made the lotuses sway and the bees leap about. As He kissed the girls, Kṛṣṇa saw in those lotuses an image of their faces, whose restless eyes moved in playful opposition. (77)

Original

āsāṁ priyeṇa valayāvali-pārśva-yugme premṇā mṛṇāla-kṛta-kaṅkaṇa-sanniveśaḥ | nānā-vilāsa-vitati-śramajāṅga-kārśyāt pātonumukhān sa valayān parito rurodha ||78||

English translation

The girls' limbs had grown slender from the fatigue of their many pastimes, and their bangles were about to slip from their wrists. Their beloved lovingly placed bracelets made of lotus stems beside the rows of bangles, securing them on both sides so they could not fall. (78)

Original

kusuma-visa-marālāmbhoja-cakrotpalāni smita-bhuja-gati-vaktroroja-netrair vijitya | niviḍa-kuca-nitambāsphālanaiḥ kampayitvā jalam api sarasī sā kṣobhitāsīd vadhūbhiḥ ||79||

English translation

With their smiles, arms, gait, faces, breasts, and eyes, the young women conquered the flowers, lotus fibers, swans, lotuses, cakravākas, and blue lotuses. By the forceful striking of their full breasts and hips, they made the lake's water tremble and churn. (79)

Original

līlākṣubhyat-salilotthais taraṅgair vātormīṇāṁ militāḥ purastāt | saṅghaṭṭo'bhūn mithunaṁ yatra vīṇāṁ sthātuṁ gantuṁ kṣamam āsīn na lolam ||80||

English translation

Waves raised by their playful agitation of the water met the wind-driven waves before them, producing such collisions that none of the restless couples could either remain standing or move forward. (80)

Original

tāsāṁ mukhāmṛta-rucām udaye'pi nāpur viśleṣa-duḥkham iha koka-yugāni kintu | tat-sannidhau pravilasat-stana-koka-yugmāny ālokya viśvasitadhīny atimodam āpuḥ ||81||

English translation

Even when the nectar-radiance of the girls' faces arose like the moon, the pairs of cakravāka birds felt no pain of separation. Seeing the breast-cakravāka pairs shining nearby, their minds became reassured and they rejoiced exceedingly. (81)

Original

rādhā-mukhendor udayāt sarovare phulleṣu nīlotpala-kairaveṣv api | niśy ahni yadvan madhu-pānajaṁ sukhaṁ tat tad dvirephāḥ sama-kālam āpuḥ ||82||

English translation

When the moon of Rādhā's face arose, both the blue lotuses and the night-blooming lilies opened upon the lake. Their bees thus enjoyed at the same moment the honey-drinking happiness that ordinarily belongs separately to night and day. (82)

Original

indindirāṇāṁ yugapad vilāsaṁ kumudvatīṣv apy aravindinīṣu | sakhī-caye paśyati so'ticitraṁ nīlābja-ṣaṇḍe harir āsa līnaḥ ||83||

English translation

While the sakhīs watched the wondrous simultaneous play of bees among both night lilies and day lotuses, Hari concealed Himself within a cluster of blue lotuses. (83)

Original

anveṣaṇāyāsyā gatās tadālyo nīlāmbujāny asya mukhāni matvā | ānanda-mattāḥ paricumbya hrīṇāḥ parasparālokanato babhūvuḥ ||84||

English translation

The sakhīs went in search of Him, but mistook the blue lotuses for His faces and kissed them, intoxicated with joy. When they looked at one another and realized their mistake, they became bashful. (84)

Original

rādhāṁ tu daivāt priya-vaktra-pārśvam āsādayantīṁ pravilokya citrā | sakhīḥ samābhāṣata paśyatālyaḥ puro'bja-ṣaṇḍe mahad adbhutaṁ naḥ ||85||

English translation

Then Citrā happened to see Rādhā approaching the side of Her beloved's face. She called to the sakhīs, 'Friends, look at the great wonder before us in this cluster of lotuses!' (85)

Original

pralamba-śaivāla-kadamba-saṁvṛtaṁ madhye naṭat-khañjana-yugmam adbhutam | lolāli-mālaṁ cala-hema-paṅkajaṁ tathāvidhaṁ cañcati nīla-paṅkajam ||86||

English translation

'A moving golden lotus, covered by a mass of long moss, holds a wondrous pair of dancing wagtails at its center and is encircled by a restless swarm of bees. Beside it, an equally remarkable blue lotus moves about.' (86)

Original

lasad-atanu-taraṅgaiś cālyamānaṁ purastāt kanaka-kamalam etan nīla-padme lalāga | viralitam api tasmāt preritaṁ tais tad asmin muhur aticalam āsīt saṁyutaṁ cāyutaṁ ca ||87||

English translation

'Driven forward by strong, shining waves, the golden lotus touched the blue lotus. Though it separated again, the waves repeatedly impelled it back, so that in great restlessness the two were joined and parted again and again.' (87)

Original

kvacid iha jala-madhyād utthitau cakravākau tata uditam akasmād āvṛṇot padma-yugmam | tad api samuditaṁ śrī-hallaka-dvandvam asmād iti tad atiśayoktyā lebhire modam ālyaḥ ||88||

English translation

'At times two cakravākas rise from the water and suddenly cover the pair of lotuses that has appeared; then from those cakravākas a beautiful pair of white lilies arises.' The sakhīs delighted in this playful exaggeration. (88)

Original

tām ādāyāgate kṛṣṇe tāsāṁ madhye'tha tan-mukham | babhau hemābja-maṇḍalyā veṣṭitaṁ nīla-padmavat ||89||

English translation

Kṛṣṇa brought Rādhā back among the sakhīs. His face then shone like a blue lotus encircled by a garland of golden lotuses. (89)

Original

jala-maṇḍuka-vādyāni kṛṣṇas tābhir avādayat | paṭaha-dhvanivat kvāpi dundubhi-dhvanivat kvacit ||90||

English translation

Together with the girls, Kṛṣṇa played water-frog instruments, making them sound in one place like paṭaha drums and elsewhere like kettledrums. (90)

Original

hari-hari-dayitānāṁ gātra-saurabhya-śaityais adhika-surabhi-śītaṁ toṣam āsīt sarasyāḥ | asita-sita-piśaṅgaiḥ karburaṁ cāṅga-rāgair bhavati hi guṇi-saṅgān nirmalānāṁ guṇāptiḥ ||91||

English translation

The lake became still more fragrant and cool from the fragrance and coolness of Hari's body and the bodies of His beloveds, and its water grew variegated with their black, white, and golden cosmetics. Indeed, the pure acquire virtues through association with those who possess them. (91)

Original

prodbhinna-padmīva sa padminī-gaṇaiḥ saṁsicyamānaḥ kara-puṣkareṇa tān | siñcan hariḥ prasphuṭa-padminī-vanād uttīrya toyād atha tīrtham āgamat ||92||

English translation

Hari appeared like a blossoming lotus lake as the lotus-like girls sprinkled Him with their lotus hands and He sprinkled them in return. Emerging from that forest of fully opened lotuses, He left the water and came to the bathing terrace. (92)

Original

sevālībhiḥ kṛṣṇa-kṛṣṇa-priyās tās tailair gandhodvartanaiḥ sevitāṅgāḥ | premṇānyonyaṁ snāpayitvā praharṣāt snātvottasthur nīratas tīrtha-tīre ||93||

English translation

The attendant sakhīs served Kṛṣṇa and His beloveds by massaging their bodies with oils and fragrant unguents. Rādhā, Kṛṣṇa, and the girls joyfully bathed one another in love, completed their own baths, and rose from the water upon the shore. (93)

Original

gaurāṅgīṇām aṅga-lagnāmbarāntā- dvārāṁ dhārā niṣpatantyo virejuḥ | yadvat sauvarṇācala-kṣudra-śṛṅga- śreṇī-lagnācchāradāmbhoda-vṛndāt ||94||

English translation

Streams of water poured from the edges of the garments clinging to the fair-limbed girls. They resembled streams falling from masses of autumn clouds caught upon rows of small peaks of a golden mountain. (94)

Original

visrasta-kuntala-tateḥ śikharād galantas tāsāṁ guṇa-grathita-mauktika-pālit-tulyāḥ | antar-hṛdīśitur alaṁ jala-bindavo'mī ekāvalī-nicayatām upalabhya rejuḥ ||95||

English translation

Drops of water fell from the tips of their loosened locks like rows of pearls threaded upon cords. Forming many single-strand pearl necklaces, those drops shone brilliantly and delighted the Lord within their hearts. (95)

Original

svapne'pi durlabha-viloka-lavasya tasya dṛṣṭāpta-vighna-rahiteṣṭa-susaṅgam asya | citraṁ cirān madhurmāmṛtam āpibantyas tṛṣṇābhivṛddhim agaman dviguṇāṁ mṛgākṣyāḥ ||96||

English translation

Even a momentary glimpse of Kṛṣṇa was difficult for the doe-eyed girls to obtain in dreams, but now they saw Him and enjoyed the desired union without impediment. Yet, wondrously, as they drank the nectar of His sweetness for so long, their thirst merely doubled. (96)

Original

tāsām asambhāvita-darśanānāṁ diṣṭyāpta-ratyādika-śarmaṇo'pi | klinnāmbarāntaḥ-samudīrṇa-tat-tad- aṅgāli-sandarśanajā mudo yāḥ ||97||

English translation

The girls had never expected to behold Him, yet by good fortune they obtained the happiness of love and all that followed from it. The sight of each other's limbs revealed beneath their soaked garments awakened immense joy. (97)

Original

dāmāni mātrā nihitāni yasyāṁ bālye'py anantāny agaman samantāt | vitasti-mātratvam agha-dviṣo'syāṁ tanau mamus tā nahi citram etat ||98||

(yugmakam)

English translation

All those joys found room within the body of Aghadviṣ. This was no wonder, for in His childhood even the countless ropes placed around that body by His mother remained a full span too short. (97-98)

Original

ālī-cayena parimārjita-deha-keśaś cīnāṁśukaiḥ parihitodgamanīya-celaḥ | kṛṣṇaś ca kṛṣṇa-ramaṇī-nicayaḥ sasabhyaḥ śrī-padma-mandiram ito drutam āruroha ||99||

English translation

The sakhīs dried their bodies and hair and dressed them in fresh outer garments of Chinese silk. Kṛṣṇa, His assembly of dark-haired beloveds, and His companions then swiftly ascended the beautiful lotus pavilion. (99)

Original

analpair ākalpaiḥ kusuma-racitair bhūṣaṇa-cayair niviṣṭaṁ taṁ yāmye kamala-gṛha-sat-kuṭṭima-vare | nija-prāṇa-preṣṭhaṁ praṇaya-paripāṭī-ghaṭanayā svayaṁ śrī-rādhālī-nicaya-sahitā maṇḍayati sā ||100||

English translation

Kṛṣṇa sat upon the excellent southern terrace of the lotus pavilion. Śrī Rādhā, accompanied by Her assembly of sakhīs, personally adorned the beloved of Her life with numerous arrangements and many ornaments fashioned from flowers, following the graceful order inspired by Her love. (100)

Original

dhūpair āguravair viśuṣka-surabhīn śrī-kaṅkatī-śodhitān mallī-garbhaka-veṣṭitān sva-dayitasyodyamya baddhvā kacān | jātī-raṅgaṇa-yūthikā-bakula-sad-gāṅgeya-yūthī-kṛtair gucchotpallava-ketakī-dala-lasac-cāmpeya-barhānvitaiḥ ||101||

English translation

Rādhā lifted and bound Her beloved's hair after it had been dried and perfumed with aguru incense, combed with a beautiful comb, and encircled with jasmine buds. She ornamented it with clusters of jāti, raṅgaṇa, yūthikā, bakula, golden campaka, and yūthī flowers, together with fresh shoots, ketakī leaves, shining campaka blossoms, and peacock feathers. (101)

Original

guñjā-mauktika-mālya-yugma-vilasat-pārśva-dvayair mālyakair ūrdhvordhva-krama-veṣṭitāṁ stavaka-yuk-piñchair lasat-śekharām | mūle sthūlatāṁ susūkṣma-śikharāṁ kṛṣṭāli-vṛndāṁ vyadhāt cūḍāṁ cāmara-ḍāmarīm alikagāṁ rādhā jagan-mohinīm ||102||

(yugmakam)

English translation

She wound garlands successively upward, while paired necklaces of guñjā berries and pearls shone on either side, and formed a radiant crest of flower clusters and feathers. Thick at its base, exceedingly fine at its tip, and attractive as a swarm of bees, Rādhā fashioned upon His forehead a world-enchanting topknot as magnificent as a royal yak-tail fan. (101-102)

Original

yasyāṁ lagnā na dṛg-ali-ghaṭā nirjihīte'ṅganānāṁ yā saṁlagnā hṛdaya-kamale jātu naitaj jahāti | yasyāś chāyā bhramayati sakṛd-vīkṣyamāṇāpi kṛṣṇaṁ kārṣṇī cūḍā vilasati jagat sā pibantī sva-dhāmnā ||103||

English translation

Once the swarms of the young women's bee-like eyes fastened upon that topknot, they could not withdraw; once its image entered their heart-lotuses, it never departed. Even a single glimpse of its shadow bewildered Kṛṣṇa Himself. His dark crest shone, seeming to drink the whole world with its radiance. (103)

Original

yat kauṅkumaṁ lalitayā tilakaṁ lalāṭe sṛṣṭaṁ hareḥ śaśi-nibhaṁ mada-bindu-madhyam | śrī-khaṇḍa-bindu-nicitaṁ bahir etad āsāṁ hṛt-khaṇḍane madana-hāṭaka-cakram āsīt ||104||

English translation

Lalitā made a moonlike vermilion tilaka upon Hari's forehead, placing a glistening central drop within it and surrounding it with dots of fine sandalwood paste. To cleave the girls' hearts, that tilaka became Love's golden discus. (104)

Original

bhakti-cchedair anvitāṁ yāṁ sucarcāṁ citrā cakre kauṅkumīṁ tat tanau sā | lāvaṇyormi-cañcalāsmārayat tāṁ dīvyad-gopī-kṛṣṇa-yugmāṇi rāse ||105||

English translation

Citrā painted an exquisite vermilion design with many ornamental divisions upon Kṛṣṇa's body. Undulating with waves of beauty, it recalled the shining pairs of Kṛṣṇa and the gopīs in the rāsa dance. (105)

Original

citrātha citram akaron nija-mitra-gātre maitrī-pavitra-caritāmbuda-jaitra-kāntau | yat tat sakhī-nayana-khañjana-bandhanāya kandarpa-śākunika-vistṛta-jālam āsīt ||106||

English translation

Citrā then made a wondrous picture upon the radiant cloud-dark body of her friend. It became a net spread by the fowler Kandarpa to capture the wagtail birds of the sakhīs' eyes. (106)

Original

nānā-varṇa-sugandha-puṣpa-mukulaiḥ puṣpaiḥ kṛtaiḥ pallavaiḥ kḷptaiḥ kuṇḍala-hāra-kaṅkaṇa-lasan-mañjīra-kāñcy-aṅgadaiḥ | tābhir yābharaṇair mudā priya-tanau śrī-veśa-bhaṅgī-kṛtā saivāsāṁ nayanaiṇa-bandhana-vidhau kāmasya pāśāyate ||107||

English translation

The girls joyfully adorned their beloved with earrings, necklaces, bracelets, shining anklets, a sash, and armlets fashioned from fragrant buds, flowers, and fresh leaves of many colors. The beauty of that elegant attire became Kāma's snare for capturing the doe-like eyes of all the young women. (107)

Original

pauṣpaiś cābharaṇais tatra rādhā kāṇḍa-paṭāvṛtā | ālībhir bhūṣitālyaś ca sevikā-nicayaiḥ kramāt ||108||

English translation

Behind a reed screen, Rādhā was adorned there with flower ornaments by Her sakhīs, and the sakhīs in turn were adorned by their groups of attendants. (108)

Original

tato'sau vṛndayānītas tāś ca tat saumya-kuṭṭimam | dadṛśus tatra bhakṣyāṇi phala-mukhyāny anekaśaḥ ||109||

English translation

Vṛndā then led Kṛṣṇa and the girls to a pleasant terrace, where they saw many kinds of food, chiefly fruits. (109)

Original

palāśa-śāla-patrāṇāṁ rambhā-balkala-patrayoḥ | kuṇḍī-sthālyādi-pātreṣu sambhṛtāni pṛthak pṛthak ||110||

(yugmakam)

English translation

The foods had been arranged separately upon palāśa and śāla leaves, banana bark and banana leaves, and in pots, bowls, and other vessels. (109-110)

Original

bhoktuṁ tāny upaviṣṭo'sau śubhra-puṣpāṁśukāsane | savye śrī-subalas tasya dakṣiṇe madhumaṅgalaḥ ||111||

English translation

Kṛṣṇa sat down to eat upon a seat covered with white flowers. Śrī Subala sat on His left and Madhumaṅgala on His right. (111)

Original

upaviṣṭā puro rādhā tāni sālī vaneśayā | ānīyānīya dattāni tebhyaḥ pariviveśa sā ||112||

English translation

Rādhā sat before them and, together with Her sakhīs, served the foods that Vṛndā repeatedly brought and placed in Her hands. (112)

Original

śveta-rakta-harit-pīta-varṇāni jāti-bhedataḥ | asasya-ślatha-sasyeṣad-dṛḍha-sasyāny anekaśaḥ ||113||

English translation

First there were many coconuts of different varieties and colors: white, red, green, and yellow, some without formed flesh, some with soft flesh, and others whose flesh was slightly firm. (113)

Original

sukṛtta-balkalatayā śaṅkha-varṇākṛtīni ca | nārikela-phalāny ādau tebhyaḥ pariviveśa sā ||114||

(yugmakam)

English translation

Their husks had been skillfully cut so that they resembled conches in color and form. Rādhā served these coconuts to them first. (113-114)

Original

teṣāṁ taiḥ pīta-toyānāṁ bhittvā niṣkāśitāny amī | sasyāny ālī-yujā dattāny āduḥ svādūni rādhayā ||115||

English translation

After they drank the coconut water, the fruits were split open and their sweet flesh removed. Rādhā and Her sakhīs gave it to them, and they ate it. (115)

Original

jāti-varṇākṛti-svādu-pāka-saṁskāra-bhedataḥ | nānā-vidhāni cāmrāṇi dadau tebhyaḥ krameṇa sā ||116||

English translation

Rādhā then served them many kinds of mangoes in succession, distinguished by variety, color, shape, flavor, ripeness, and method of preparation. (116)

Original

dara-pakvāni śakalī-kṛtāny āmrāṇi kānicit | nikṛtta-valkalāṣṭāni carvyāṇy āsvādayanty amī ||117||

English translation

They relished some slightly ripe mangoes that had been peeled and cut into chewable slices. (117)

Original

sa-valkala-nikṛttāni kiñcid-ghana-rasāni ca | oṣṭhāvalopya-lehyāni pakvāny ādan parāṇi te ||118||

English translation

They ate other ripe mangoes cut with the skin remaining, whose somewhat thick juice was bitten free with the lips and licked. (118)

Original

paktrimāṇi rasaiḥ pūrṇāny ācchinnāsyāni kānicit | sāṁśāni madhurāṇy ete cuṣyanto mudam āyayuḥ ||119||

English translation

They joyfully sucked other fully ripened, sweet, fibrous mangoes, filled with juice and opened at one end. (119)

Original

te kaṇṭaki-phalān niṣkāśitān koṣān niraṣṭikān | sauvarṇotpala-cāmpeya-korakābhān akhādiṣuḥ ||120||

English translation

They ate the seedless bulbs removed from thorny jackfruits, which resembled golden lotuses and campaka buds. (120)

Original

pīlūni bahu-bhedāni drākṣā-kharjurakāṇi ca | tāla-śrīphala-jambūni lavalī-lakicāni ca ||121||

English translation

There were many varieties of pīlū fruit, grapes, dates, palm fruits, śrīphalas, rose apples, lavalīs, and lakucas. (121)

Original

kadalī-vadarīṇāṁ ca nānā-bhedān phaloccayān | śṛṅgāṭa-tāla-bījāni kṣīrikā-tūtakāni ca ||122||

English translation

There were heaps of many kinds of bananas and jujubes, together with water chestnuts, palmyra kernels, kṣīrikā fruits, and mulberries. (122)

Original

añjīrāṇy amṛtāṅkāni nāsa-pātī-phalāni ca | nāraṅga-kāmaraṅgāṇi vikaṅkata-phalāni ca ||123||

English translation

There were figs, amṛtāṅkas, nāsa-pātī fruits, oranges, star fruits, and vikaṅkata fruits. (123)

Original

suṣeṇa-mātulāṅgāni kapitthaka-phalāni ca | nānā-bhedāni bījāni niṣkulākṛta-dāḍimāt ||124||

English translation

There were suṣeṇa fruits, citrons, wood apples, and many varieties of pomegranate seeds removed from their rinds. (124)

Original

māyāmbūni sukhāśāni karkaṭī-kharburāṇi ca | guḍālu-keśa-rājādi-mūlāni mūlakāni ca ||125||

English translation

There were māyāmbus, sukhāśas, cucumbers, muskmelons, sweet potatoes, keśarāja and other roots, and radishes. (125)

Original

śālūkārdra-padma-bīja-sasyāni ca visāni ca | piyāla-pista-baddāma-bīja-sasyāny anekaśaḥ ||126||

English translation

There were lotus tubers, fresh lotus seeds and their kernels, lotus stalks, and abundant kernels of piyāla nuts, pistachios, and almonds. (126)

Original

sitābhiḥ kṣīra-sāraiś ca kṛtān śrī-rādhayālaye | nāraṅga-rucakāmrādi-phalākāra-vikārakān ||127||

English translation

In Śrī Rādhā's home, sugar and thickened milk had been fashioned into confections shaped like oranges, rucakas, mangoes, and other fruits. (127)

Original

phala-puṣpa-yutān vṛkṣān śarkarā-pāka-nirmitān | bilva-dāḍima-śīryāmra-nāraṅga-rucakādikān ||128||

English translation

There were also trees made from cooked sugar and laden with fruit and flowers, including bilvas, pomegranates, śīryāmras, oranges, rucakas, and many others. (128)

Original

kṛṣṇa-pañcendriyāhlādi-guṇān gehe tayā kṛtān | laḍḍukāni candrakānti-gaṅgājala-mukhāni ca ||129||

English translation

Rādhā had prepared at home many foods whose qualities delighted all five of Kṛṣṇa's senses, including laḍḍus called Candrakānti, Gaṅgājala, and others. (129)

Original

śarkarendu-lavaṅgailā-maricādibhir anvitāḥ | sthūla-santānikāḥ piṣṭā-kṛtāni laḍḍukāni ca ||130||

English translation

There were large santānikā sweets containing crystalline sugar, cloves, cardamom, pepper, and other spices, as well as laḍḍus made from flour. (130)

Original

panasāmrādika-rasān madhu-candra-sitānvitān | karpūrāmṛta-kely-ādīny ānītāni priyālibhiḥ ||131||

English translation

The dear sakhīs brought preparations such as Karpūrāmṛta and Keli, made from jackfruit, mango, and other juices blended with honey, camphor, and sugar. (131)

Original

paryaveśayad etāni sarvāṇi rādhikā kramāt | tābhyāṁ saha haris tāni bubhuje kamalekṣaṇaḥ ||132||

English translation

Rādhikā served all these preparations in sequence, and lotus-eyed Hari ate them together with Subala and Madhumaṅgala. (132)

Original

patra-puṣpa-phala-skandha-śākhā-mūlāni bhūruhām | saitānāṁ kṣaira-sārāṇāṁ chedaṁ chedam adanty amī ||133||

English translation

They ate piece after piece of the leaves, flowers, fruits, trunks, branches, and roots of those confectionery trees, together with the accompanying preparations of thickened milk. (133)

Original

baṭur nindan praśaṁsaṁś ca bhakṣyāṇi ca tad-arpikāḥ | sarvās tā hāsayāmāsa sa-narma-mukha-vaikṛtaiḥ ||134||

English translation

Madhumaṅgala alternately criticized and praised the foods and the girls who served them. With jokes and comical distortions of his face, he made everyone laugh. (134)

Original

karpūra-vāsitaṁ toyaṁ papus te'tra yathā-sukham | tataś cācacamus toyaiḥ sakhī-dattaiḥ suvāsitaiḥ ||135||

English translation

They drank as much camphor-scented water as they desired, and then rinsed their mouths with fragrant water supplied by the sakhīs. (135)

Original

yātas tataḥ sa harir ambuja-mandirāntaḥ śete'tra sat-kusuma-kalpita-talpa-madhye | tāmbūla-dāna-pada-lālana-bījanādyais tatra priyālibhir amuṁ tulasī siṣeve ||136||

English translation

Hari then entered the lotus pavilion and lay upon a bed fashioned from excellent flowers. Tulasī and the dear sakhīs served Him there by offering betel, gently massaging His feet, fanning Him, and performing other services. (136)

Original

tāmbūla-vīṭikām aśnan tat-padma-yāmya-kuṭṭime | śete śītala-śayyāyāṁ subalena samaṁ baṭuḥ ||137||

English translation

Chewing a packet of betel, Madhumaṅgala lay down with Subala upon a cool bed on the southern terrace of the lotus pavilion. (137)

Original

śrī-rādhikātha sagaṇā muditopaviṣṭā kāntādharāmṛtatayā parivāñchitāni | śrī-rūpa-mañjarikayā ca vaneśayā ca bhakṣyāṇi tāni bubhuje pariveśitāni ||138||

English translation

Śrī Rādhikā and Her companions then sat down joyfully and ate the foods they deeply desired because those remnants had become nectar through contact with Her beloved's lips. Śrī Rūpa Mañjarī and Vṛndā served them. (138)

Original

tatra nāndī-kundavallyoḥ sakhībhir narma-vistṛtiḥ | ālīvāsām abhūt sagdhi-sukhasya pariveśikā ||139||

English translation

The abundant joking exchanged there among Nandīmukhī, Kundavallī, and the sakhīs became an added relish served alongside the friends' happiness in dining together. (139)

Original

athācamyāyayuḥ sarvāḥ śrī-padma-mandirāntaram | talpe rādhā sakhī-pāliḥ paritaḥ samupāviśat ||140||

English translation

After rinsing their mouths, they all entered the beautiful lotus pavilion. Rādhā sat upon the bed, surrounded on every side by Her company of sakhīs. (140)

Original

tāmbūla-carvitaṁ tābhyaḥ śrī-hares tulasī dadau | nāndīmukhyai dhaniṣṭhāyai kundavallyai ca vīṭikāḥ ||141||

English translation

Tulasī gave the girls betel chewed by Śrī Hari, and she gave fresh betel packets to Nandīmukhī, Dhaniṣṭhā, and Kundavallī. (141)

Original

tataḥ sā tulasī rūpa-mañjarī ca vaneśvarī | bhakṣyāṇy urvaritāny āduḥ sevikālī-cayaiḥ samam ||142||

English translation

Then Tulasī, Rūpa Mañjarī, and Vṛndā ate the remaining foods together with the groups of attendant sakhīs. (142)

Original

tāsu bhuktvāgatāsv atra sakhyas tat-pūrva-kuṭṭime | nirgatya suṣupuḥ sarvā nāndīmukhy-ādayaś ca tāḥ ||143||

English translation

When those sakhīs had eaten and returned, they and Nandīmukhī's group went out to the eastern terrace and all lay down to sleep. (143)

Original

tataḥ śrī-rādhikā tābhyo dadau tāmbūla-carvitam | vṛndāyai vīṭikāṁ sā ca tām adantī bahir yayau ||144||

English translation

Śrī Rādhikā then gave them Her chewed betel and handed a fresh packet to Vṛndā. Vṛndā ate it and went outside. (144)

Original

kṛṣṇaḥ kāntāṁ tāṁ samākṛṣya hrīṇāṁ hāsaṁ hāsaṁ yatnataḥ svānanābjāt | tāmbūlīyaṁ carvitaṁ tan-mukhābje nyasyan hṛṣyan śāyayāmāsa pārśve ||145||

English translation

Kṛṣṇa drew His bashful beloved toward Him and laughed again and again. With care He placed chewed betel from His own lotus mouth into Her lotus mouth, and, rejoicing, made Her lie beside Him. (145)

Original

śrī-rūpa-mañjarī-mukhya-sakhībhir vījanādibhiḥ | sevitau tau kṣaṇaṁ tatra nidrā-sukham avāpatuḥ ||146||

English translation

Served with fanning and other offerings by Śrī Rūpa Mañjarī and the principal sakhīs, the Divine Couple enjoyed the happiness of sleep there for a while. (146)

Original

śrī-caitanya-padāravinda-madhupa-śrī-rūpa-sevā-phale diṣṭe śrī-raghunātha-dāsa-kṛtinā śrī-jīva-saṅgodgate | kāvye śrī-raghunātha-bhaṭṭa-varaje govinda-līlāmṛte sargaḥ pañcadaśābhidho'yam agaman madhyāhna-līlām anu ||o||

||15||

English translation

Thus ends the Fifteenth Sarga, following the midday pastimes, in Govinda-līlāmṛta, a poem born from serving Śrī Rūpa, the honeybee at Śrī Caitanya's lotus feet; revealed through the merit of Śrī Raghunātha Dāsa; arisen in the association of Śrī Jīva; and composed by the excellent Śrī Raghunātha Bhaṭṭa. (15)