Original
caturdaśaḥ sargaḥ
athāli-vargānana-saurabhāhṛtas tābhir mukhābjeṣu patan nivāritaḥ | vindan sa rādhā-vadanāmbujaṁ ruvaṁs tad-gandha-mattaḥ parito’lir añcati ||1||
English translation
Fourteenth Sarga
A bee, drawn by the fragrance of the sakhīs' faces, tried to descend upon those face-lotuses but was driven away by them. Finding the lotus of Rādhā's face, it became intoxicated by Her fragrance and circled all around Her with a loud hum. (1)
Original
netrāntoddhuvanaiś ca kaṅkaṇa-jhanatkārormi-santarjanais trāsād-dolita-pāṇi-padma-dhuvanaiḥ kṣipto’pi bhṛṅgo yadā | lobhān nāpasasāra tarhy apasṛtā śrī-rādhikā śrī-hareḥ saṁvyānāñcala-saṁvṛtāsya-kamalā pārśve nilīya sthitā ||2||
English translation
They cast sidelong glances and threatened the bee with waves of jingling bracelets, striking at it with lotus hands that trembled in fright. Yet even when driven off it would not withdraw from greed. Śrī Rādhikā therefore slipped away and hid beside Śrī Hari, covering Her lotus face with the edge of His upper cloth. (2)
Original
tasmin gate padma-vanīm alau cale tām āhur ālyaḥ sakhi mā bhayaṁ kuru | nivārito’smābhir asau ruvan śaṭhaḥ padmālim utko madhusūdano gataḥ ||3||
English translation
When the restless bee had gone to the lotus grove, the sakhīs told Her, 'Friend, do not be afraid. We have stopped that humming rogue. Eager for a row of lotuses, the honey-drinker has gone away.' (3)
Original
āḍhyaṁ-karaṇyā subhagaṁ-karaṇyā sthūlaṁ-karaṇyā praṇayocca-lakṣmyā | andhaṁ-karaṇyā dayitaṁ purasthaṁ nāndhīkṛtāsāv anusandadhe tam ||4||
English translation
The exalted opulence of Her love enriched Her, blessed Her, overwhelmed Her, and finally blinded Her. Thus blinded, She could no longer perceive Her beloved even though He stood directly before Her. (4)
Original
tāvat kṛṣṇena tāḥ sakhya iṅgita-jñena vāritāḥ | tat-pakṣaṁ jagṛhuḥ sakhyā vismitāḥ prema-ceṣṭitaiḥ ||5||
English translation
Meanwhile Kṛṣṇa, who understood the signs, motioned for the sakhīs to remain silent. Astonished by Rādhā's expressions of love, they took His side in the play. (5)
Original
prema-vaicittya-vibhrāntā kāntā kāntāntaraṁ gatam | kāntaṁ matvā tato’bhyetya ruṣṭā prāha dhaniṣṭhikām ||6||
English translation
Bewildered by prema-vaicittya, the beloved imagined that Her lover had gone to another woman. She therefore approached Dhaniṣṭhā and spoke angrily. (6)
Original
dhaniṣṭhe dhṛṣṭas te kv anu kapaṭa-nāṭī-naṭi naṭas tvad-arthaṁ sva-preyān kusumam avacetuṁ sakhi gataḥ | gato’yaṁ padmālīṁ kapaṭini sa tām ānayati ced bhaviṣyaty apy eṣā tava mukharucā nirjita-ruciḥ ||7||
English translation
'Dhaniṣṭhe, where is that shameless actor, the dancer paired with a deceitful actress? Friend, your own beloved went to gather flowers for you. O deceiver, he has now gone to Padmālī. If he brings her here, even her beauty will be defeated by the radiance of your face.' (7)
Original
doṣo’tra te nāsty aham eva mūḍhā śrutvāpi yātaṁ gahane sa-śaibyam | viśrabhya vāṇyāṁ tava kūṭa-dūtyā yadāgatā tasya śaṭhasya pārśvam ||8||
English translation
'You are not at fault here. I alone am foolish. Although I heard that the rogue had gone deep into the forest with Śaibyā, I trusted the words of you, his false messenger, and came to his side.' (8)
Original
dhaniṣṭhaiṣāpy asmad-dhṛdaya-sadṛśī vañcayati naḥ sa cāpy asmān asyan vilasati tayā mat-priya-vane | idaṁ cāpy asmākaṁ nayana-viṣayaṁ samprati gataṁ ciraṁ jīved yo’smin jagati sa hi vā paśyati na kim ||9||
English translation
'This Dhaniṣṭhā, whom We regarded as equal to Our own heart, has deceived Us. He laughs at Us and sports with that woman in My beloved forest, and now this spectacle has entered Our very sight. What does one who lives long in this world not eventually have to see?' (9)
Original
idaṁ kiṁ soḍhavyaṁ bhavati yad ayaṁ mat-priya-saro- nikuñje padmālīṁ kvacid api nidhāyātra nibhṛtam | samānāyyāpy asmān kṣaṇam ahaha sandarśya śaṭha-dhīr mudhālāpārambhaṁ na iha sa vihāyāgamad amūm ||10||
English translation
'How can this be endured? Somewhere in a kuñja beside My beloved lake he hid Padmālī, then secretly brought Us here. Alas, that deceitful-minded one showed himself for only a moment, began a meaningless conversation, abandoned Us, and returned to her.' (10)
Original
lalitā prāha tad-dhārṣṭyaṁ mayā dṛṣṭaṁ muhuḥ sakhi | nāvaiṣi saralā tat tvam ehi yāmaḥ sva-mandiram ||11||
English translation
Lalitā said, 'Friend, I have witnessed his shamelessness again and again, but in your innocence you do not recognize it. Come, let us return to our own home.' (11)
Original
iti tāṁ lalitā-pāṇau dhṛtvā cakre gṛhonmukhīm | sāpi tad-virahād bhītā dīnārtotkā jagāda tām ||12||
English translation
Speaking thus, Lalitā took Her by the hand and turned Her toward home. But Rādhā, frightened by separation from Him and filled with helpless pain and longing, said to her. (12)
Original
dṛṣṭān doṣān na gṛhnāti cintayaty asato guṇān | didṛkṣate tādṛśaṁ taṁ vāmaṁ cetaḥ karomi kim ||13||
English translation
'My contrary heart refuses to accept the faults it has actually seen, imagines virtues that do not exist, and still longs to see him exactly as he is. What am I to do?' (13)
Original
strī-tater na kvacit kāmajāpy urjjitā lālasā-vallarī dṛśyate bāhya-gā | ṣaṣṭhikā-dhānya-jāter ivetīritā sā tayā tāṁ sakhīṁ rādhikā vyāharat ||14||
English translation
Lalitā replied, 'The vigorous vine of desire born within a woman should never be allowed to grow outwardly for others to see, any more than the tender shoots of sixty-day rice should be exposed.' Rādhikā then answered Her sakhī. (14)
Original
tyaja vyarthāṁ nārī-caya-naya-kathāṁ karṇa-tudanīṁ viniryānti prāṇāḥ sphuṭati mama hṛd ghūrṇati vapuḥ | vrajen nāśaṁ māno vrajatu mahimā hrīś ca sa-dhṛtiḥ sakhi tvāṁ vande hā hṛdaya-dayitaṁ darśaya laghu ||15||
English translation
'Abandon this useless discourse on feminine conduct that pierces My ears! My life is leaving, My heart is breaking, and My body reels. Let My pride perish; let dignity, modesty, and composure all depart. Friend, I bow to you. Ah, quickly show Me the beloved of My heart!' (15)
Original
sāralyaṁ te vividha-ramaṇī-lampaṭo dhṛṣṭa-bhūpaś cāpalyaṁ cāpy anupamam idaṁ kvāpi rāmāsv adṛṣṭam | ālokyeto’py adhikam ahaho vañcayiṣyaty asau tvāṁ tvac-cāritrair vayam iha hatāḥ kiṁ punar haṁsi vāsmān ||16||
English translation
Lalitā said, 'Your innocence is extraordinary. That shameless king lusts after many women, and such incomparable fickleness has never been seen in any woman. Seeing your simplicity, alas, he will deceive you even more. Your behavior has already ruined us here; will you now kill us altogether?' (16)
Original
ito’pi kā sāsty adhikātra vañcanā yayā śaṭho’smān sa kadarthayiṣyati | ity ālapantī priyam aikṣatāgrataḥ sāliṅgya kāñcid dayitāṁ samāgatam ||17||
English translation
Rādhā said, 'What greater deception than this remains, by which that rogue could torment Us?' As She spoke, She saw Her beloved approaching before Her while embracing some cherished woman. (17)
Original
tāṁ vīkṣya paścād dayitopagūḍhāṁ sva-saṁmukhīnāṁ pratikurvatīṁ svam | padmā-sakhītvena vinirṇayantī hriyerṣyayā sā vimukhī cakampe ||18||
English translation
Seeing from behind the woman embraced by Her beloved, facing Rādhā and mirroring Her every movement, Rādhā concluded that she was Padmā's friend. Overcome by shame and jealousy, She turned away and trembled. (18)
Original
valgūyantīṁ samīkṣyāmūṁ mantūyantīha rādhikā | sā kundalatayābhāṣi kṛṣṇeneritayā dṛśā ||19||
English translation
Rādhikā looked reproachfully upon that woman, who seemed to be acting coquettishly. Kundalatā, prompted by a glance from Kṛṣṇa, then addressed Her. (19)
Original
kāntaṁ draṣṭuṁ samutkā tvam āgataṁ taṁ samutsukam | drutaṁ mila kathaṁ jātāsy akasmād vimukhī ruṣā ||20||
English translation
'You came here intensely eager to see Your beloved, and he has arrived equally eager for You. Go meet him at once. Why have You suddenly turned away in anger?' (20)
Original
sāpy āha tāṁ harer vakṣasy amūṁ kiṁ tvaṁ na paśyasi | yāṁ pradarśayituṁ gehād ānītāhaṁ tvayā śaṭhe ||21||
English translation
Rādhā replied, 'O rogue, do you not see that woman upon Hari's chest? You brought Me from home specifically to show her to Me!' (21)
Original
kṛṣṇābravīd yāṁ manuse na saiṣā kāpy āgataikātra mayānuyuktā | rādhā-vayasyā vana-devatāsmīty uktvā balān māṁ parirabhya sāste ||22||
English translation
Kṛṣṇa said, 'She is not the woman You imagine. Some solitary forest goddess came here and approached Me. Saying, "I am Rādhā's sakhī," she forcibly embraced Me and remains here.' (22)
Original
āliṅgya sañcumbya ca māṁ sva-vidyayā pṛṣṭhena lagnorasi me tathāsakau | yathā na niḥsārayituṁ kṣamo’smy amūṁ svayaṁ ca niḥsartum api prayatnataḥ ||23||
English translation
'By her mystic art she embraced and kissed Me, then fastened her back so firmly against My chest that I cannot remove her, however I try, and she herself cannot get free.' (23)
Original
prārthitāpi mayā naiṣā māṁ jahāty atikāmukī | vārayaināṁ nija-sakhīṁ balān māṁ pīḍayaty asau ||24||
English translation
'Though I have pleaded with her, this exceedingly lustful woman will not release Me. Restrain Your sakhī, for she is tormenting Me by force.' (24)
Original
lagnāyāṁ lalitāyāṁ tac chrutau sāsīd adho-mukhī | sa-kṛṣṇā jahasuḥ sabhyāḥ kundavallī jagāda tām ||25||
English translation
Hearing this, Lalitā, who stood close beside Rādhā, lowered Her face. Kṛṣṇa and all the companions laughed, and Kundavallī addressed Her. (25)
Original
naivākṣi lagnaṁ dayitam vilokase chāyāṁ nijām anya-janīṁ ca manyase | sarvatra candrāvalikāṁ viśaṅkase citraṁ tavedaṁ praṇayākhya-nartanam ||26||
English translation
'Your eye is not fixed upon Your beloved at all. You see Your own reflection and take it for another woman; everywhere You suspect Candrāvalī's party. How astonishing is this dance called Your love!' (26)
Original
tathāha vṛndā vraja-maṅgalākarā vālepa-citrai rucirāṁ suvistṛtām | vasanta-līlotsava-raṅga-vedikā- sthalīm imāṁ paśyatam agrataḥ sthitām ||27||
English translation
Vṛndā then said, 'O sources of Vraja's auspiciousness, behold before You this broad and beautiful festival stage for the spring pastimes, splendidly decorated with colorful fragrant pigments.' (27)
Original
aguru-ghusṛṇa-kastūrīndu-sac-candanānāṁ pṛthag apṛthag udañcat-kardamāmbhaḥ-prapūrṇaiḥ | vividha-maṇi-citāmbu-kṣepa-yantrair virājad- vitata-vadana-kumbhair anvitāṁ śātakumbhaiḥ ||28||
English translation
'It is furnished with broad-mouthed golden pitchers and jewel-studded water-spraying devices, filled separately and in mixtures with liquid pastes of aguru, saffron, musk, camphor, and fine sandalwood.' (28)
Original
saindūra-kārpūraka-pauṣpa-kandukaiḥ śarāsanair bāṇa-cayaiś ca kausumaiḥ | tāmbūla-mālyaiḥ kusumāmbu-candanair āpūrṇa-sauvarṇaka-bhājanair yutām ||29||
English translation
'There are balls of vermilion, camphor, and flowers; flower bows and bundles of flower arrows; and golden vessels filled with tāmbūla, garlands, flower-water, and sandalwood paste.' (29)
Original
karpūra-kuṅkuma-madāguru-candanānāṁ paṅkaiś ca cūrṇa-nikarair atipūritābhiḥ | śvāsābhilavya-mṛdu-jātuṣa-kūpikābhir āpūrṇa-haima-tata-bhājana-vṛnda-yuktām ||30||
English translation
'Rows of golden trays are filled with soft wax tubes that can be blown through the breath and are packed with pastes and heaps of powdered camphor, saffron, musk, aguru, and sandalwood.' (30)
Original
āruhya tāṁ śrī-ramaṇī-cayo bhavaṁs tadaikataḥ śrī-ramaṇo’py athaikataḥ | gṛhīta-tat-taj-jala-yantrakādikaḥ parasparaṁ prema-bharād arīramat ||31||
English translation
The beautiful young women mounted the platform and formed one side, while the beloved of Śrī formed the other. Taking up the various water-spraying devices and other implements, they sported with one another in the fullness of love. (31)
Original
vidhṛta-laghu-sitāṁśukau ramya-tāmbūla-pūrṇānanau rati-pati-raṇa-yāntrikatvaṁ gatau toya-yantrair dhṛtaiḥ | cala-niśita-kaṭākṣa-kandarpa-nārāca-vṛṣṭyā samaṁ visṛjata iha yantra-muktāmbu-vṛṣṭiṁ mudā tau mithaḥ ||32||
English translation
Wearing light white garments, Their mouths filled with lovely tāmbūla, the divine Couple became engineers of Love's battle by wielding water devices. Together with showers of Kandarpa's sharp arrows in the form of darting sidelong glances, They joyfully released streams of water from Their syringes at one another. (32)
Original
klinnātisūkṣma-vasanāntar-udīrṇa-tat-tad- aṅgāvalī-madhurimāmṛta-sat-pravāhaiḥ | saṁsikta-kānta-nayanābja-manas-taṭīkās tasyāpi tair atiniṣikta-vitṛpta-netrāḥ ||33||
English translation
Their drenched, exceedingly fine garments revealed the sweet nectar flowing from the beauty of Their limbs. Those streams flooded the banks of Their beloved's lotus eyes and mind, while the sakhīs' own eyes were likewise saturated and satisfied by them. (33)
Original
tāmbūla-carvita-darocchvasitaika-gaṇḍāḥ klinnālakāli-vṛta-gharma-jalāñci-bhālāḥ | visrasta-keśa-vigalat-kusumāvalikā lolat-kacāṁsa-yuga-cāru-kucāṁśa-madhyāḥ ||34||
English translation
One cheek of each girl swelled slightly with chewed tāmbūla; damp curls surrounded foreheads gleaming with perspiration. Their loosened hair shed its rows of flowers, while wavering locks played over their shoulders and the lovely upper portions of their breasts. (34)
Original
vāso’ñcalīṁ vividha-gandha-sucūrṇa-pūrṇāṁ kāñcyāntiraḥsudṛḍha-śṛṅkhalitāṁ dadhānāḥ | kandarpa-dīpana-sanarma-manojña-gānāḥ kṛṣṇābhiṣikta-nija-guptiṣu sāvadhānāḥ ||35||
English translation
They filled the ends of their garments with many fragrant powders and secured them firmly within their waist-belts. Singing delightful joking songs that kindled Kandarpa, they remained alert to protect themselves from Kṛṣṇa's showers. (35)
Original
nānā-prakāra-paṭa-vāsa-cayān kṣipantyaḥ pauṣpādi-kandūka-gaṇān mṛdu-kūpikāś ca | premṇā sugandha-salilair jala-yantra-muktaiḥ śrī-rādhikā-prabhṛtayaḥ siṣicuḥ sva-kāntam ||36||
English translation
Śrī Rādhikā and the others cast many kinds of fragrant garment powders, balls made of flowers and other substances, and soft tubes. With love they drenched their beloved in fragrant water released from their syringes. (36)
Original
aṁsālambita-pauṣpa-kārmuka-latāṁ bāṇāvalīṁ kausumīṁ vaṁśīṁ cātula-tunda-bandha-nihitāṁ ratnāmbu-yantraṁ kare | bibhrat śrī-ghaṭikāṇcalaṁ ca nibhṛtaṁ piṣṭātakaiḥ śrī-hariḥ kāntā-yantra-vimukta-gandha-salilaiḥ siñcann imā divyati ||37||
English translation
Śrī Hari bore a flower bow and a row of flower arrows hanging from His shoulder, His flute secured in His peerless sash, a jeweled water syringe in His hand, and the end of His splendid sash secretly filled with fragrant powder. Spraying the young women with scented streams released from His device, He sported splendidly. (37)
Original
ekāsya niḥsarati yā jala-yantra-dhārā vyomādhvanīha śatadhā ca sahasradhā ca | āsanna-pāta-samaye kila lakṣadhāsau lakṣyeṣu pāta-samaye bata koṭidhā syāt ||38||
English translation
A single stream emerging from His water device became a hundred and then a thousand streams while traveling through the air. As it neared its descent it became a hundred thousand, and when it struck its targets, astonishingly, it became ten million streams. (38)
Original
jātuṣyo yā gandha-cūrṇaiḥ prapūrnāḥ kṣiptās tābhis tena vā kūpikās tāḥ | bhūmau petuḥ kṣepa-vegair viśīrṇās tan-madhya-sthā golikā lakṣyam āpuḥ ||39||
English translation
The soft wax tubes packed with fragrant powder, hurled by the girls or by Him, burst from the force of the throw and fell upon the ground, while the small balls hidden within them continued onward to strike their targets. (39)
Original
tāsāṁ tanau kuṅkuma-bindu-jāla- madhye virājan mada-bindavas te | suvarṇa-vallī-tati-puṣpa-vṛnda- suptāli-saṅgha-bhramam unnayanti ||40||
English translation
Drops of perspiration shone amid networks of saffron spots upon the girls' bodies, creating the illusion of clusters of bees asleep within the flowers of rows of golden vines. (40)
Original
śrī-rādhikā-prathama-kīrṇa-susūkṣma-randhra- sad-yantra-kuṅkuma-jalāmala-bindu-jālaiḥ | vyāptaṁ parisphurati saṁhananaṁ bakārer udyat-sudhā-kiraṇa-bimba-śatair nabho vā ||41||
English translation
Śrī Rādhikā was the first to spray Him. The body of Baka's enemy, covered by networks of pure saffron-water droplets from Her fine-perforated syringe, shone like the sky filled with hundreds of newly risen moons. (41)
Original
tāḥ kṣepa-vega-galitāvṛti-kūpikānāṁ karpūra-nāgaja-parāgaja-golikābhiḥ | lagnābhir aṅga-vasane’tha sugandhi-toyaiḥ paṅkatvam etya vihitāḥ śavalāṅga-bhāsaḥ ||42||
English translation
The coverings of the hurled tubes broke away, and balls of camphor, nāgaja powder, and flower pollen adhered to the girls' limbs and garments. Mixed with fragrant water, they became paste and gave their bodies a beautifully mottled radiance. (42)
Original
nānā-varṇair gandha-cūrṇair vikīrṇair ādau bhūr dyaur vyānaśe dig vidik ca | gandhāmbūnāṁ vṛṣṭi-saṁchinna-mūlair lebhe paścāc citra-candrātapatvam ||43||
English translation
At first the scattered fragrant powders of many colors spread over earth and sky and through every cardinal and intermediate direction. Then showers of scented water severed their bases, and the powders formed a magnificent variegated canopy overhead. (43)
Original
taṁ gandha-lepana-calaṁ priyayā sva-hasta- sparśottha-kuṭṭamitayā kalahāyamānam | kācit sugandhi-salilair ghaṭikātta-muktaiḥ siñcanty upetya nibhṛtaṁ ramaṇaṁ calākṣī ||44||
English translation
His beloved quarreled with Him in feigned anger when His hand touched Her under the pretext of applying fragrant paste. While they argued, another restless-eyed girl quietly approached and sprayed her lover with scented water released from a small syringe. (44)
Original
yakā sakābhyetya yatas tato vapuṣy avākirat sat-paṭa-vāsakān hareḥ | yakāṁ takāṁ so’py avarudhya vakṣasā tadānanaḥ taiḥ samarūṣayan papau ||45||
English translation
One girl after another approached Hari from every side and scattered excellent fragrant powders over His body. He caught each of them against His chest, reddened her face with those powders, and drank from her mouth. (45)
Original
rādhāṁ kirantīṁ paṭa-vāsakān muhur nirodhitāṁ vīkṣya bakāriṇorasā | sakhī-caye’kāṇḍa-paṭāyite’bhitas tenāpi pūrṇatvam anāyi vāñchitam ||46||
English translation
Rādhā repeatedly threw fragrant powders, but the chest of Baka's enemy restrained Her. The surrounding circle of sakhīs suddenly became like a curtain, and behind that screen His cherished desire also attained fulfillment. (46)
Original
kṛṣṇas tīkṣṇair atanu-viśikhair narma-mantra-pravīṇais tāsām āsīn madana-vivaśo viddha-marmā kaṭākṣaiḥ | tat-pratyastraiḥ sa dara-hasitāpāṅga-lokāśugais tān pratyāvartya vyadhad atha tā vyākulāḥ so’pi śaśvat ||47||
English translation
The girls' sharp sidelong glances, expert in the incantations of wit, became bodiless Love's arrows and pierced Kṛṣṇa in His vital places, leaving Him overwhelmed by desire. With counterweapons of slightly smiling, swiftly flying side-glances, He continually turned those arrows back and pierced the girls, leaving them equally agitated. (47)
Original
mahyāṁ meghaḥ sa ca nara-vapus taṁ ca siñcanty ajasraṁ śampās tasmāt pṛthag-ita-lasan-mūrtayo gandha-vārām | dhārā-sāraiḥ satatam amunā sicyamānā mudāsmin vṛndādīnām apibad amṛtaṁ netra-vāpīha vargaḥ ||48||
English translation
Upon the earth He appeared as a cloud in human form, while the radiant girls surrounding Him were flashes of lightning that constantly drenched Him with torrents of fragrant water. As He in turn showered them, the reservoirs of Vṛndā's and the others' eyes joyfully drank the nectar of the scene. (48)
Original
krīḍann ittham asāv amūbhir agamad dolābja-vedy-antikaṁ vṛndā kundalate dṛg-iṅgita-nayaiḥ kṛtvā sahāye hasan | kāntāyāḥ kara-paṅkajāt kṛta-payo-yantrāpahāro harir hindolāmbujam āruroha sa haṭhād ācchinna-veṇus tayā ||49||
English translation
Sporting with the girls in this way, Hari reached the lotus-shaped swing platform. Smiling, He enlisted Vṛndā and Kundalatā through signals of His eyes, stole the water syringe from His beloved's lotus hand, and mounted the lotus swing; She forcibly snatched away His flute. (49)
Original
avadad atha hasantī kundavallī tvam asmai visṛja sumukhi vaṁśī-kuṭṭinīṁ māspṛśāmūm | tvam api salila-yantraṁ strī-dhanaṁ mādhavāsyai tvaritam iti tayoktaṁ tau vidhātuṁ pravṛttau ||50||
English translation
Laughing, Kundavallī said, 'Fair-faced Rādhe, return to Him that procuress, the flute; do not touch her. And You, Mādhava, quickly return the water syringe, which is a woman's property, to Her.' At her words, They began to make the exchange. (50)
Original
yacchann asavyena kareṇa yantrakaṁ savyena gṛhnan muralīṁ tayārpitām | tābhyāṁ nijābhyāṁ sa dadhāra tac-chalāt tat-tad-yute tat-kara-paṅkaje hariḥ ||51||
English translation
Offering the syringe with His left hand and receiving the flute She returned with His right, Hari used the exchange as a pretext to hold both of Her lotus hands within His own. (51)
Original
adhastād vṛndayā kundavallyā cotthāpitāṁ hariḥ | dolām ārohayāmāsa pratīpām api tāṁ balāt ||52||
English translation
Vṛndā and Kundavallī steadied the swing from below while Hari forcibly seated His beloved upon it, although She resisted Him. (52)
Original
hindola-madhyaṁ priyayā gate’cyute gāyantya uccair muditas tad-ālayaḥ | paścād-gatāḥ kāścid athāgrataḥ parā hindolikāndolanam udvitenire ||53||
English translation
When Acyuta and His beloved sat in the center of the swing, Their delighted sakhīs sang loudly. Some stood behind and others in front, and together they began to set the swing in motion. (53)
Original
hindolikāyāṁ sahasāli-vṛndair āndolitāyāṁ balavac calantyām | udvellitāṅgī kila cañcalākṣī sāliṅgya kāntaṁ lalanā lalambe ||54||
English translation
When the sakhīs suddenly pushed the swing into powerful motion, the restless-eyed young woman was tossed upward. She embraced Her beloved and clung to Him. (54)
Original
tayor bhraśyat-kaiśyaṁ mitha iha calat-kuṇḍala-yuge tathā cañcat-kāñcī-stavaka-paṭalaṁ tat-samudaye | parimlāyan-mālya-dvayam api calat-kaṅkaṇa-vare dṛḍhaṁ dolāndole sati sapadi sandānitam abhūt ||55||
English translation
As the swing moved violently, Their loosened hair became intertwined, Their two pairs of swinging earrings joined, and Their moving belts and clusters of ornaments tangled together. Their two fading garlands and excellent moving bracelets were likewise suddenly bound fast to one another. (55)
Original
dolāyām atilolāyāṁ rādhā cañcala-locanā | sakhī sāhāyyam icchantī vyatarki tābhir iṅgitaiḥ ||56||
English translation
As the swing became extremely unsteady, restless-eyed Rādhā signaled to the sakhīs, asking for their help. They understood Her gestures. (56)
Original
tābhir lolita-dolām īśāṁ tām atilolām āptātmepsita-śastāṁ gāḍhāndola-vihastām | svālīnāṁ paricaryāṁ vāñchantīṁ hṛdi varyāṁ preṅkholīṁ ca muhus tām ājñāyāruruhus tāḥ ||57||
English translation
They saw their sovereign Lady upon the wildly moving swing, greatly agitated and helpless from its force, yet blessed by attaining Her heart's desire and inwardly longing for Her own sakhīs' service. Understanding Her repeated signals, they climbed onto the splendid swing. (57)
Original
tāmbūla-vīṭīr lalitā viśākhayā campālikā sa vyajane ca citrayā | śrī-tuṅgavidyā sahitendulekhayā pānīya-jāmbūnada-jharjharī-yugam ||58||
English translation
Lalitā and Viśākhā brought prepared tāmbūla; Campakalatā and Citrā carried fans; and Śrī Tuṅgavidyā and Indulekhā brought a pair of golden water sprinklers. (58)
Original
sārdhaṁ sudevyā kila raṅgadevī sugandha-paṅkān paṭavāsakāṁś ca | premnā samutkāti mudā gṛhītvā hindolikāṁ tūrṇam athāruroha ||59||
English translation
Raṅgadevī and Sudevī eagerly and joyfully took fragrant pastes and scented powders. Filled with love, they quickly mounted the swing. (59)
Original
tābhiḥ sevitayos tais taiḥ preṣṭhayor nayaneṅgitaiḥ | kramāt pūrvādi-dalagā virejur lalitādayaḥ ||60||
English translation
Serving their beloved Couple with those various articles and guided by signals from Their eyes, Lalitā and the others took their places in succession upon the eastern and remaining petals of the lotus swing and shone beautifully. (60)
Original
tatrāścaryam abhūd ekaṁ rādhā-kṛṣṇau puraḥ sthitau | yugapad dadṛśuḥ sarvāḥ sva-svābhimukhatāṁ gatau ||61||
English translation
A wonder then occurred: although Rādhā and Kṛṣṇa sat in front, every sakhī simultaneously saw the Couple turned directly toward her. (61)
Original
punar āndolanāt tābhir vṛndā-kundalatādibhiḥ | dolāyām atilolāyāṁ citram āsīd idaṁ param ||62||
English translation
When Vṛndā, Kundalatā, and the others again pushed the swing into extremely rapid motion, another supreme wonder occurred. (62)
Original
tāsāṁ dalālyāṁ paritaḥ sthitānāṁ pārśve hariḥ sva-pratibimba-dambhāt | tiṣṭhann amūbhiḥ sahasopagūḍhaḥ śrī-rādhayānyābhir api vyaloki ||63||
English translation
Through the appearance of His many reflections, Hari stood beside each sakhī positioned upon the surrounding petals and was suddenly embraced by them all. Śrī Rādhā and the other girls beheld the sight. (63)
Original
anāchanne’mbhodair divasa-kara-bimbopari sa cen navāmbhoda-vyūhaḥ prakaṭa-calābhiḥ suvalitaḥ | mahā-vātyodbhrāntaḥ satatam abhaviṣyat tata itas tadā tasyāghārer upamitim alapsyanta kavayaḥ ||64||
English translation
If, above the uncovered disk of the sun, a host of new rainclouds beautifully encircled by flashing lightning had been continuously whirled here and there by a mighty storm, poets might then have found a comparison for Agha's enemy upon that swing. (64)
Original
rādhā-dṛg-iṅgita-nayāl lalitām aghārir ākṛṣya dakṣiṇa-bhujaṁ vinidhāya tasyāḥ | kaṇṭhe paraṁ bhujam asau dayitāṁsa-deśe madhye tayoḥ sa vibabhau taḍitor ivābdaḥ ||65||
English translation
At a signal from Rādhā's eyes, Agha's enemy drew Lalitā close. He placed His right arm around her neck and His other arm upon His beloved's shoulder, shining between Them like a cloud between two flashes of lightning. (65)
Original
kaundy abravīt paśyatālyo jyotiś-cakre cale puraḥ | rādhānurādhayor madhye pūrṇo’yam udito vidhuḥ ||66||
English translation
Kundalatā said, 'Sakhīs, behold the moving zodiac before us! Between the stars Rādhā and Anurādhā, this full moon has risen.' (66)
Original
evaṁ viśākhikādyās tāḥ kramād ākṛṣya mādhavaḥ | āliṅgya dakṣiṇāṁse’mūr hindola-sukham anvabhūt ||67||
English translation
In the same way Mādhava successively drew Viśākhā and the others to Him, embraced each upon His right side, and enjoyed the happiness of the swing. (67)
Original
athāvaruhya hindolād dvābhyāṁ dvābhyāṁ virājatam | viśākhā-lalitādibhyāṁ śrī-rādhāndolayat priyam ||68||
English translation
Śrī Rādhā then descended from the swing. Assisted by Viśākhā, Lalitā, and the others in pairs, She pushed the swing and delighted Her beloved. (68)
Original
tato’varūḍhā lalitādayas tadā rādheṅgitaiḥ kāñcanavallikādikāḥ | ārohayāmāsur adhaḥ sthitāḥ sakhīr hindolikāṁ tāṁ kramaśo balāc chalaiḥ ||69||
English translation
Then Lalitā and the others descended. At Rādhā's signals, they stood below and, through force and playful tricks, successively made Kāñcanavallikā and the other sakhīs mount the swing. (69)
Original
tāsāṁ dvayī-dvayī-pūrṇa-pārśvaṁ taṁ kramaśo mudā | govindaṁ dolayāmāsur gāyantyas tāḥ sa-rādhikāḥ ||70||
English translation
In successive pairs the girls filled Govinda's two sides. Rādhikā and the others sang joyfully as they swung Him together with each pair. (70)
Original
rādhāyāḥ śruti-lagnāyāṁ lalitāyāṁ hasanty asau | āruhya dolām ālīnāṁ cakāra bahu-maṇḍalīḥ ||71||
English translation
Laughing, Lalitā came close to Rādhā's ear and then mounted the swing, where she arranged the sakhīs into many circles. (71)
Original
tasyāṁ sthitāyāṁ priya-vāma-pārśve prāndolayantīṣu sakhīṣu dolām | ekaṁ punaś citram abhūd amūṣāṁ dvayor dvayor āsa hariḥ sa madhye ||72||
English translation
When Lalitā stood at the beloved's left side and the sakhīs drove the swing forward, another wonder appeared: Hari was simultaneously present between every pair of girls. (72)
Original
tāpiñchaś cet khecara-kanaka-kṣmābhṛd-uttho’bhaviṣyat protphullāṅgyā puraṭalatayā veṣṭitāṅgaḥ parītaḥ | tāpiñchānāṁ kanaka-kadalī-saṁyujāṁ maṇḍalībhiḥ sāmyaṁ śaurer jagati sa tadā tādṛśasyāpy avāpsyat ||73||
English translation
If a tāpiñcha tree had sprung from a flying golden mountain and its body had been completely encircled by a blossoming golden vine, surrounded in turn by circles of tāpiñcha trees joined with golden plantains, then such a vision might have attained some likeness to Śauri upon the swing. (73)
Original
athārūḍhāsu viśākhikeṅgitaiḥ sakhīṣu sakhyau lalitādayo mudā | rādhācyutau sambhramayantya uccakaiḥ preṅkholikāndolanam āśu cakrire ||74||
English translation
Then, at Viśākhā's signals, the two friendly parties led by Lalitā joyfully mounted. Whirling Rādhā and Acyuta high through the air, they swiftly drove the swing. (74)
Original
vyākulāṁ rādhikāṁ prekṣya gāḍhāliṅgita-vallabhām | smerāsv ālīṣu gṛhṇaṁs tāṁ hasann avaruroha saḥ ||75||
English translation
Seeing the agitated Rādhikā tightly embrace Her beloved while the sakhīs smiled, Kṛṣṇa held Her, laughed, and descended from the swing. (75)
Original
abhīrībhiḥ sacchampābhiḥ saṁvītāṅgaḥ kṛṣṇābdaḥ kaundī-vṛndādīnāṁ cakṣur vāpīhālī-tṛṣṇā-hṛt | līlā-kīlālālī-dhārā-pātaiḥ siñcan viśvaṁ śrī- vṛndāraṇye’sau jīyād evaṁ dolā-līlā-khelaḥ ||76||
English translation
May this swing pastime triumph eternally in splendid Vṛndāvana! Kṛṣṇa is a dark cloud whose body is surrounded by cowherd girls like flashes of lightning. He removes the thirst of the eye-reservoirs of Kundalatā, Vṛndā, and the others, and drenches the universe with streams upon streams of the nectar of His play. (76)
Original
atha tābhiḥ samaṁ kṛṣṇo mādhvīka-pāna-kuṭṭime | niviṣṭaḥ śītala-cchāye viśrāma-sukham anvabhūt ||77||
English translation
Kṛṣṇa then sat with the girls upon the cool, shaded terrace for drinking flower wine and enjoyed the happiness of rest. (77)
Original
gopīnām aravinda-sundaradṛśāṁ śrī-kṛṣṇa-pārśva-dvayād ārabhyāgrata eva maṇḍalatayā tatropaveśa-sthitim | labdhānāṁ purataḥ sa rājati dhṛtālaṅkāra-pītāmbaro ratnālī-khacito yathā harimaṇiḥ sauvarṇa-hārāntare ||78||
English translation
The lotus-eyed gopīs sat in a circle beginning at Śrī Kṛṣṇa's two sides and extending around before Him. Wearing His ornaments and yellow garment, He shone among them like a sapphire set within a golden necklace studded with rows of jewels. (78)
Original
athālayaḥ svake kare saroja-sañcayād vare nidhāya pañca-cāmaraṁ citā bharair mudāmaram | niviṣṭam atra kāntayā nitānta-keli-tāntayā nyavījayan nijaṁ priyaṁ rucā jita-smara-śriyam ||79||
English translation
The sakhīs placed splendid five-plumed flower fans in their excellent lotus hands and joyfully fanned their beloved, who sat there beside His own beloved, utterly fatigued from play yet surpassing Love himself in beauty. (79)
Original
gata-śrame’smin sa-gaṇe sakhībhiḥ padābja-saṁvāhana-vījanādyaiḥ | mādhvīka-pūrṇaṁ caṣakaṁ purastāt tayoḥ samānīya dadhāra vṛndā ||80||
English translation
When the Couple and Their companions had recovered from fatigue through the sakhīs' massaging of Their lotus feet, fanning, and other services, Vṛndā brought a cup filled with flower wine and placed it before Them. (80)
Original
vikasitam anu nṛtyat-khañjanābhyāṁ virājat kanaka-kamalam ekaṁ nīla-rājīvam anyat | varatanu-bakaśatrvoḥ paśyatoḥ prādurāsīd adhi caṣakam akasmāt padma-yugmaṁ vicitram ||81||
English translation
As the beautiful Rādhā and Baka's enemy gazed, a wondrous pair of lotuses suddenly appeared above the cup: one golden lotus and one blue, each shining with dancing khañjana birds in the guise of Their eyes. (81)
Original
nayana-madhupa-yugmaṁ rādhikāyāḥ pralubdhaṁ jhaṭiti patitam āsīn nīla-padme’tha tasmāt | dyuti-bhara-madhu-pūrṇān nālam utthātum āsīt kanaka-kamala-madhye tadvad evācyutasya ||82||
English translation
Rādhikā's greedy pair of eye-bees instantly fell upon the blue lotus and, finding it filled with the honey of abundant radiance, could not rise again. Acyuta's eyes likewise became trapped within the golden lotus. (82)
Original
saundaryaṁ madhutāṁ mukhaṁ caṣakatāṁ mādhvīkam ādarśatāṁ netra-dvandvam avāpa san-madhupatāṁ sarvendriyaṁ netratām | anyāṅgaṁ jaḍatāṁ tayoḥ sa-pulakaṁ cittaṁ smaronmattatāṁ sāmagry eva tadetarettham abhavat pāna-kriyāptonnatim ||83||
English translation
Their beauty became honey, Their faces became cups, and the flower wine became a mirror. Their two eyes became excellent bees, all Their senses became eyes, Their other limbs became motionless, and Their horripilated hearts became maddened by Love. Thus every element transformed into another and brought the act of drinking to supreme perfection. (83)
Original
kaundy abravīt peyam idaṁ sva-cakṣuṣā pītaṁ yuvābhyāṁ madhu paṅkajānanau | netrotpalāsyābja-suvāsitaṁ dvayo rasajñayā peyam idaṁ nipīyatām ||84||
English translation
Kundalatā said, 'O lotus-faced Couple, You have already drunk this honey with Your own eyes. Now drink with Your taste-knowing tongues this wine perfumed by the lotus faces and lotus eyes of You both.' (84)
Original
ādāya ninye caṣakaṁ balānujaḥ pibeti kāntā-vadanābja-sannidhim | tiryaṅ-mukhī tad-dayitāpi lajjayā kareṇa jagrāha nijena tat-karāt ||85||
English translation
Kṛṣṇa took the cup and brought it near His beloved's lotus face, saying, 'Drink.' Shyly turning Her face aside, She nevertheless accepted it from His hand with Her own. (85)
Original
āvṛtya vaktraṁ vasanāñcalena sā mādhvīkam āghrāya sakṛt sudhā-mukhī | nijādhara-sparśa-suvāsitīkṛtaṁ samarpayāmāsa kare priyasya sā ||86||
English translation
Covering Her face with the edge of Her garment, the nectar-faced Rādhā smelled the flower wine once, perfumed it by touching it with Her own lips, and placed it back into Her beloved's hand. (86)
Original
priyāṭavī-vṛkṣa-latodbhavaṁ priyaṁ priyādhara-sparśa-susaurabhaṁ madhu | nija-priyālī-parihāsa-vāsitaṁ priyārpitaṁ sa-spṛham āpapau priyaḥ ||87||
English translation
Her beloved eagerly drank the lovely honey produced by the trees and vines of His beloved forest, made exquisitely fragrant by the touch of His beloved's lips, further flavored by the jokes of His dear sakhīs, and offered by His beloved Herself. (87)
Original
dayitā-guṇa-medureṇa tad- dayitā-pāṇi-tale’munārpitam | dayitādhara-vāsitaṁ papau dayitāpy aṁśuka-saṁvṛtānanā ||88||
English translation
Enriched by the qualities of His beloved and perfumed by Her beloved's lips, the wine was then placed by Him upon His beloved's palm. Covering Her face with Her garment, She also drank it. (88)
Original
tad-vaktra-śeṣāmṛta-miśritāsavaiḥ pūrṇāni kṛtvā caṣakāṇi sādaram | vṛndā sa-vṛndā saha-kundavallikā nyadhāt sakhīnāṁ pūrataḥ pramodataḥ ||89||
English translation
Vṛndā, together with her companions and Kundavallī, respectfully filled cups with wine mixed with the nectarean remnants from the Couple's mouths and joyfully placed them before the sakhīs. (89)
Original
tābhiḥ sakhīnāṁ caṣakeṣv athāgrato nyasteṣu kṛṣṇaḥ sva-vicitra-vidyayā | pārśve’khilānāṁ yugapat sa dakṣiṇe nāloki kenāpi parisphurann api ||90||
English translation
When the cups had been placed before the sakhīs, Kṛṣṇa manifested simultaneously at the right side of every girl through His wondrous power. Though He appeared brilliantly, no one noticed all His forms. (90)
Original
sakhyas tāḥ kevalaṁ svasya svasyaiva pārśvam āgatam | pāyayantaṁ pibantaṁ ca madhu taṁ dadṛśuḥ priyam ||91||
English translation
Each sakhī saw only that her beloved had come beside her alone and was both giving her honey to drink and drinking with her. (91)
Original
kādambarī-mada-vighūrṇita-śoṇa-koṇa- protphulla-locana-saroja-virājitāni | āmoda-modita-nimantrita-ṣaṭpadāni hāsendu-kānti-valitādhara-pallavāni ||92||
English translation
Their faces shone with fully blossomed lotus eyes whose reddened corners rolled from the intoxication of flower wine. Their fragrance delighted and invited the bees, and the tender shoots of their lips curved beneath the moonlight of their smiles. (92)
Original
kṛṣṇasya netra-rasanāsvadanīya-bhūri- saundarya-sal-lavaṇimāsava-pūritāni | tasyātipānam anu tṛṭ-paripūraṇāya vaktrāṇy ayuś caṣakatāṁ sudṛśām amūṣām ||93||
English translation
The beautiful girls' faces became cups filled with the abundant wine of beauty, sweetness, and charm, fit to be tasted by Kṛṣṇa's eyes and tongue. After drinking deeply of the flower wine, He drank from those face-cups to satisfy His remaining thirst. (93)
Original
smara-yujāṁ sarakāya mṛgīdṛśāṁ saraka-pāna-madonmada-cetasaḥ | sarakatām ayite mukha-paṅkaje sarakatāṁ samagād adharo hareḥ ||94||
English translation
The doe-eyed girls, joined in Love's contest, had minds maddened by drinking cup after cup. When their lotus faces themselves became drinking vessels, Hari's lip attained the privilege of becoming the cup from which they drank. (94)
Original
mādhvīka-bhedān vividhān sa-vṛndā vṛndātha vṛndāvana-nāthayoḥ sā | nānā-vidaṁśaiḥ sahitān purastāt samarpayāmāsa tathā sakhīnām ||95||
English translation
Vṛndā and her companions then offered many varieties of flower wine with diverse accompanying delicacies before the Lord and Lady of Vṛndāvana and before the sakhīs. (95)
Original
tāṁs tān prapibatāṁ teṣāṁ pāna-pāyana-mādhurī | netronmādāya vṛndādeś cirāya madirāyate ||96||
English translation
As they drank one variety after another and gave one another drink, the sweetness of their drinking acted for a long time like an intoxicating wine upon the eyes of Vṛndā and the others. (96)
Original
avirata-madhu-pāne svādu-kāntādharoṣṭhaṁ satatam adhara-pāne madhv abhūt tad vidaṁśaḥ | madana-madhu-madābhyāṁ tṛṣṇayā pāna-bhājāṁ mitha iha mithunānāṁ niścayo nāsa pāne ||97||
English translation
During their unceasing drinking of honey, the sweet lips of their lovers became the accompanying delicacy; during their constant drinking of lips, the honey became the delicacy. Maddened by both Love and wine, the thirsty couples could no longer distinguish which was the drink and which the accompaniment. (97)
Original
mādhavāgaty-anaṅgotthair madair mādhava-pānajaiḥ | mādhava-sparśajaiś cāsan vyākulās tāḥ varāṅganāḥ ||98||
English translation
Those beautiful women became overwhelmed by the intoxication of Love arising with spring's arrival, by the intoxication born from drinking flower wine, and by the intoxication produced by Mādhava's touch. (98)
Original
skhalita-vasana-bhūṣāṅgādy-asambhālanaṁ yat-sphuṭa-hasitam akāṇḍe’praśna-pūrvottaraṁ ca | pralapita-maṇi-dānaṁ cotthitaṁ vallavīnāṁ prathayati madam antar-vāruṇī-pānajaṁ tat ||99||
English translation
Their slipping garments and ornaments, their inability to control their limbs, their sudden loud laughter without cause, their answers before questions were asked, their rambling speech, and their impulsive gifts of jewels all revealed the cowherd girls' inner intoxication from drinking wine. (99)
Original
nidhuvanam anu pūrvaṁ yat priyeṇa priyāṇāṁ skhalanam ayana-vāsaḥ keśa-vācāṁ vidheyam | madhu-mada iha kurvan tad vadhūnām amūṣām akuruta muraśatroḥ prīti-sāhāyyam asya ||100||
English translation
After earlier love play, the beloved had caused disorder in the girls' movement, garments, hair, and speech. By producing those same symptoms in them now, intoxication from honey-wine assisted in increasing the pleasure of Mura's enemy. (100)
Original
uktau lohalatā gatau skhalitatā keśāṁśuke srastatā netrānte’ruṇatā mukhe surabhitā netre tathodghūrṇatā | narmoktau sphuṭatā dṛśi bhramitatā tat-tat-kṛtau dhṛṣṭatā yāyāsīt sudṛśāṁ tadā tri-sarakotpannādhinot sā priyam ||101||
English translation
The three cups they drank produced clinging speech, staggering steps, loosened hair and garments, reddened eye-corners, fragrant mouths, rolling eyes, bold joking words, wandering glances, and audacity in every act. These transformations of the beautiful girls greatly delighted their beloved. (101)
Original
kṛṣṇe vrajāmbujadṛśāṁ hṛdi gāḍha- rāgo nārī-svabhāvaja-hriyā vinigūhito yaḥ | āḍambaraṁ madhu-madasya na soḍhum īśo netrotpaleṣu bahir etya cakāra vāsam ||102||
English translation
The intense passion for Kṛṣṇa hidden within the hearts of Vraja's lotus-eyed women by their natural feminine modesty could not withstand the tumult of wine's intoxication. It emerged and made its dwelling outwardly in their lotus eyes. (102)
Original
navena madhu-pānena kācin nava-kiśorikā | madodrekād bhrānta-netrā pralalāpātivihvalā ||103||
English translation
One young adolescent girl drank the fresh honey-wine. Her eyes wandering from rising intoxication, she became utterly overwhelmed and babbled. (103)
Original
la-la-la-lalite pa-pa-pa-paśya rādhācyutau sa-sa-sa-saha vo ma-ma-ma-maṇḍalair bhrāmyataḥ | vi-vi-vi-vipinaṁ ma-ma-ma-mahī ca tābhyāṁ samaṁ ga-ga-ga-gaganaṁ lambate hā katham ||104||
English translation
'La-la-la-Lalite! L-l-look at Rādhā and Acyuta! Th-they are whirling together with y-y-your circles! The f-f-forest and the e-e-earth are turning with Them, but ah, how is the s-s-sky hanging still?' (104)
Original
visṛtvarāmoda-vikṛṣṭa-bhṛṅga- vikasvarāmbhoja-vinindi-vaktraḥ | madhvāsaveṣṭādhara-sīdhu-pāna- prodbuddha-kandarpa-madātilolaḥ ||105||
English translation
The fragrance spreading from Kṛṣṇa's face drew the bees, and that face surpassed a blossoming lotus. Drinking the excellent wine of His beloveds' lips along with the flower wine fully awakened the intoxication of Kandarpa within Him and made Him exceedingly restless. (105)
Original
antar-vilolāli-samīra-vellat- protphulla-raktotpala-jaitra-netraḥ | lalāsa lolal-lalanā-sudhṛṣṇak kṛṣṇaḥ sa-tṛṣṇālir ivābjinīṣu ||106||
(yugmakam)
English translation
His eyes, which surpassed fully blossomed red lotuses stirred by the breeze and filled with restless bees, rolled with intoxication. Boldly Kṛṣṇa sported among the swaying young women like a thirsty bee among beds of lotuses. (105-106)
Original
maderitābhyām atha tau sakhībhyāṁ riraṁsayāntaś ca suṣupsayā ca | niṣevitāv āsatur āli-pāliḥ suṣupsayā kevalayāñcitāsīt ||107||
English translation
Driven by intoxication, the divine Couple were inwardly moved both by the desire for amorous play and by the desire to sleep, and two sakhīs attended Them accordingly. The remaining circle of sakhīs was overcome solely by the wish to sleep. (107)
Original
tayor madotpanna-nigūḍha-līlā- spṛhā-vidaḥ preraṇayātha kaundyāḥ | kāntāvataṁsārtham aśoka-puṣpa- gucchāya gacchaty aravinda-netre ||108||
English translation
Kundalatā understood the divine Couple's hidden longing for play born of intoxication. At her prompting, two lotus-eyed sakhīs went to gather clusters of aśoka flowers for Their ear ornaments. (108)
Original
kāntāpi ghūrṇā paripūrṇitākṣī sevā-parālī-tati-sevyamānā | nikuñja-kuñjābhidha-kuñja-rāje suṣvāpa puṣpāvali-talpa-bhāji ||109||
(yugmakam)
English translation
The beloved, Her eyes completely filled with drowsy rolling, was attended by a line of sakhīs intent upon service. She lay down upon a bed of flowers within the splendid bower called Nikuñja-kuñja and fell asleep. (108-109)
Original
gandhottamāḥ parimalādhika-vāsitodyaj- jṛmbhodgamāsya-kamalā galad-ambarāṅgyaḥ | ghūrṇāyamāna-nayanāḥ śayanābhilāṣāḥ sakhyo’py ayus tata itaḥ skhalitāṅghri-pātāḥ ||110||
English translation
The sakhīs too desired sleep. Their lotus faces opened in yawns made especially fragrant by excellent perfumes, their garments slipped from their bodies, their eyes rolled, and their feet stumbled as they went here and there. (110)
Original
talpopakalpana-gṛhīta-dalāli-kañja- kiñjalka-dhūli-paripiñcharitāntareṣu | saṁvartikābja-dala-pallava-puṣpa-talpa- puñjeṣu cañcad-ali-guñjita-mañjuleṣu ||111||
English translation
They entered bowers whose interiors were colored by the dust of lotus pollen gathered along with leaves for preparing beds. Within lay heaps of beds made from folded lotus petals, fresh shoots, and flowers, charming with the humming of restless bees. (111)
Original
guñjāvalī-kusuma-mañjari-citriteṣu tāmbūla-gandha-jala-bhājana-rājiteṣu | kuñjeṣu kañja-vadanā mada-khañjanākṣyaḥ sarvāḥ pṛthak pṛthag itāḥ suṣupur vayasyāḥ ||112||
(yugmakam)
English translation
The bowers were decorated with strings of guñjā berries and clusters of flowers and beautified by vessels of tāmbūla, perfume, and water. The lotus-faced sakhīs, their eyes like intoxicated khañjana birds, entered separate bowers and each fell asleep. (111-112)
Original
śrī-caitanya-padāravinda-madhupa-śrī-rūpa-sevā-phale diṣṭe śrī-raghunātha-dāsa-kṛtinā śrī-jīva-saṅgodgate | kāvye śrī-raghunātha-bhaṭṭa-viraje govinda-līlāmṛte sargo’gād gaṇitas caturdaśatayā madhyāhna-līlām anu ||o||
||14||
—o)0(o—
English translation
Thus ends the Fourteenth Sarga, following the midday pastimes, in Govinda-līlāmṛta, a poem manifested through the association of Śrī Jīva and splendid with Śrī Raghunātha Bhaṭṭa. It was composed by Śrī Raghunātha Dāsa as the fruit of service to Śrī Rūpa, the honeybee at Śrī Caitanya's lotus feet. (Colophon 14)