राम
Muraridasa

श्रीमुरारिदासजी

Muraridasa

From the Bhaktamal of Nabhadas, with Priyadas' Commentary

Nabhadas’ Chhappay (126)

English rendering in progress

दो० गुरु निर्मोही चाहिये, शिष्प न छॉड़ प्रीति। स्वास्थ डाँड़े, हरि मिल, इहे भजन की रीति॥ १ ॥ (५ ६१६ ) छप्पय | ( २०७ ) कृलि कुटिल जीव निस्तार हित, बाल्मीक “तुलसी”

Muraridas was walking home from his morning bath in the small town of Bilonda when a voice in the street stopped him where he stood. It came from an open doorway, not loud, but insistent, the same call a man there had been making for years: whoever wishes for the vessel of the Lord's charanamrit, the water that has bathed His feet, let him come and take it. Most people on that street had heard it every morning of their lives and walked on without turning their heads. On this morning, the rajguru of Bilonda turned toward it instead.

By then Muraridas was a man whose name carried real weight in that town. He was guru to its king, seated at the head of the great yearly mahotsav he held there for wandering sadhus and singers, and treated with all the deference such a station usually commands. But the honor never seemed to sit on him the way it sits on other men. Everyone who knew him said the same thing: that he had given his life so completely to the seva and bhajan of Sita-Ram that nothing else had any purchase on him left, neither wealth, nor comfort, nor the good opinion of his neighbors. His very name held an old irony in it that he seems never to have minded: Murari, slayer of the demon Mura, is one of Krishna's names, yet every hour of the life folded into this story was spent in longing for Rama, as though the two children of Vishnu's play could not, in a heart like his, ever really be told apart.

The voice belonged to a leatherworker, a man who spent his days at his trade and kept, in a corner of his own small house, an image of the Lord that he bathed and worshipped every morning before pouring the wash-water out into the street as prasad, calling for anyone willing to receive it. He did not expect an answer, least of all this one. When he looked up and saw the king's own guru standing in his doorway, he began to shake with something closer to fear than joy. Whatever he had imagined for his life, it was not this.

"Bring it," Muraridas said. "Give it to me. Let me drink it and make something worthwhile of this life."

The man did not argue about the water. He argued about himself. "I am the lowest of men," he said, hands trembling, "a worker in hides, hardly fit to be looked at, let alone to hand a mahatma what has touched my own unworthy floor." Muraridas would not hear it. "You are filled with bhakti," he answered, "and that alone makes you purer than I will ever be. No one in this town has troubled to see what you actually are. I have seen it, and your love has turned my whole understanding sweet." He would not be refused. He took the vessel from the man's shaking hands and drank.

The leatherworker wept. He fell to his knees, palms together, and said that calling out into the street each morning had been hard enough on its own, a small private penance he offered without ever imagining it would be answered by someone he had been taught his whole life to consider above him; to have a mahatma actually drink from his hand felt like more sorrow than honor, because he did not believe himself fit for it. Muraridas held his ground with the same stubbornness that had carried him this far in the practice of sadhuta. In his own mind the matter was simple: Sita-Ram cares for nothing in a devotee except love, and where that love is real, every other distinction dissolves in it like sediment in a flooding river. He would not let the man's fear talk him out of what his own eyes had already told him.

The street noticed, of course, and the town does not forget things like this quickly. People who had never had any real devotion of their own, only the appearance of it, took up the leatherworker's trade and station as gossip and carried it, embroidered, to the palace. The king heard it and said nothing aloud, but something in him cooled. Muraridas went to see him not long after and found, without being told, that the old warmth in the king's face had gone out of it, replaced by a careful, distant courtesy. He needed no one to explain what had happened; he had already heard from others in the town, in less careful language, exactly what was being said about him and about the water he had drunk.

What happened next says as much about the town as it does about the two of them. The devotees who had gathered around Muraridas only because the king favored him, whose regard for Sita-Ram had never gone deeper than their regard for royal patronage, melted away the moment they sensed the king's displeasure. Muraridas, who had never wanted anything from any of them besides their company in bhajan, watched them go without trying to hold on to a single one. He was already too free of the world to fight for his place in it. He packed nothing more than his own attachment to nothing, and went to live elsewhere.

The town felt his absence before the king would admit that he did. Every year Bilonda's palace had filled with saints for the mahotsav; that year, no one came, because the one man whose presence had always drawn them had quietly gone. The king, watching his own courtyard stand empty, finally understood the size of what his silence had cost him. He went himself to find where Muraridas had settled, and when he arrived he did not send a servant ahead or wait to be received as a king; he fell flat on the ground in full sashtanga pranam, palms together, weeping. Muraridas, knowing that this man's heart had turned away from bhakti even for a season, would not so much as look at his face. Those who watched the two of them, the guru sitting in complete stillness and the king prostrate and in tears before him, said afterward that this was exactly what a guru and a disciple ought to look like: one who will not be bought back by rank, and one who will not stop asking for forgiveness.

The king's plea, when it finally reached him, was not a plea for status restored. "Punish me as many times over as you wish, only make me clean again," he said. "Whatever fell short in me was never a falling away from you; it was a falling away from your own grace toward me, and if you have found it in yourself to show me still more grace by letting me find you here, then let me at least say, in all the smallness I feel, how sorry I am." Something in that broke Muraridas open. He softened, lifted the king up, and instead of a lecture gave him old stories to sit with: how Valmiki, before he was a sage, had lived a life no one would have called holy, and was honored anyway; how Shabari, a forest woman the world had no particular use for, was received by Raghunandan with more tenderness than he showed most kings; how even Gajendra the elephant and a nameless courtesan had been carried across by nothing but the sincerity of their surrender. Caste and station and history, he told him, have never once decided whom Ram will love. Only love decides that. The king listened until his grief turned into something more like wonder, and Muraridas returned with him to Bilonda. Word of his return ran through the town faster than the earlier gossip had, and the saints who had scattered came flooding back for a gathering larger than any Bilonda had seen before.

It was at a later mahotsav, by every account the last one, that the ending came. Gifted singers and dancers had gathered from many directions that year, and the assembly, watching them, began to wish for something more: that Swami Muraridas himself would rise and sing. He did not need to be asked twice. He stood, tied fresh nupur bells around his own ankles the way a much younger performer might, and let his voice climb through the seven notes until it settled into a pada he loved beyond all others, the song of Raghunandan's going out to the forest, bow in hand, Sita and Lakshman beside him, Ayodhya weeping behind him. He had sung it, by then, more times than anyone could count. This time something different happened. He became so completely one with the scene he was singing that his own breath seems to have simply gone out after it, following the Lord into the forest the song described. His body was left sitting exactly as it had been, upright, still holding its last note, like a painted image of a man rather than a man. Those who were there could only weep and ask each other where they would find Muraridas now, since he had so plainly gone to be with Ram. The old text reaches, in describing it, for the one comparison it can find worthy of the moment: that his body left him the way tradition says Kunti's did, unable to survive the news that the one she loved beyond bearing had gone from the world.

A short verse is set before this story in the old telling, and it reads almost like the moral Muraridas had already lived out before anyone wrote it down: a guru should be nirmohi, entirely free of clinging, and a disciple should never let go of love; give up self-interest, and Hari is found; that alone, it says, is the real riti, the real method, of bhajan. It is worth noticing what that verse does not say. It does not say a guru should be respectable, or that a disciple should be right. Muraridas would not look at a weeping king's face until he was certain the king's love, and not merely his comfort, had come back to him; and a king who might have simply removed an inconvenient guru instead walked out to find him and lay on the ground until he was forgiven. Between them, for one afternoon, a leatherworker's trembling hands held something that the palace, for all its gold, did not: the actual water that had touched God's feet.

Beyond these pages, very little survives to tell us more. No independent chronicle that this retelling could find preserves the year Muraridas was born, the year his voice finally went still over that unfinished note, or even a confirmed location for Bilonda itself on any modern map; the region name attached to it in the old text has worn down with the pages carrying it, and honesty asks that this be said plainly rather than papered over with invented certainty. What remains is a small, complete, and oddly perfect story: a man who drank humility out of a stranger's cupped hands and called it purification, and who, some years later, sang himself so far into the story of a departing God that he simply did not come back.

Hindi text from OCR scan (Khemraj Shrikrishnadas Prakashan, CC0). May contain errors.

Source: Shri Bhakta Mal, Priyadas Ji (CC0 1.0 Universal)
Mool: Nabhadas (c. 1585) · Tika: Priyadas (1712)