Satsang with Ananta Ananta
A devotional study in English

संत जनाबाई

The maidservant of Pandharpur, c. 1258 to c. 1350

The Vitthal and Rakhumai images at the Sion Vitthal Mandir, Mumbai, photographed during Diwali.
Vitthal and Rakhumai. The deity who, in Janabai's verses, comes down from the brick at Pandharpur to grind flour with the maidservant. Photo: Shreeram Ghaisas, Sion Vitthal Mandir, Mumbai. CC BY 2.0.

Janabai (c. 1258 to c. 1350) was a maidservant in the household of the Varkari poet-saint Namdev, in what is now Maharashtra. She had no formal Sanskrit learning, no initiation by a famous guru, and no temple of her own. What she had was a Vithoba, the Krishna-form worshipped at Pandharpur, who, in her abhangas, comes down to grind flour with her, eats from her plate, and sleeps on her arm. She left roughly three hundred surviving songs in Marathi.

They are the record of someone for whom God did the dishes.

If you have five minutes tonight, read abhanga 268, then 261. The geography is small: Pandharpur on the Bhima river (also called Chandrabhaga), the village Gangakhed two hundred and seventy kilometres east on the Godavari, Alandi where Jnaneshwar entered samadhi.

Reader's guide

Four doors into Janabai

The chapters are still here, but the living material no longer waits behind the chapter numbers.

॥ श्री ॥

The thirteen chapters

Each an original scholarly chapter with inline footnote citations to independent web research and standard published scholarship. Read in order, or jump to the chapter that opens onto the door you came in through.

पार्श्वभूमी Background, Yadava-era Maharashtra, Pandharpur, Pundalik, and the Vārkarī tradition orientation · 17 endnotes पंच भाव The Five Bhāvas, śānta, dāsya, sakhya, vātsalya, mādhurya, with Janabai's verses mapped on classical taxonomy · 8 endnotes दासीपदापासून संतपदापर्यंत From Maidservant to Saint, Jñāneśvar's Kakaḍ Ārati recognition, drawn from Mahipati 3 abhangas · 6 endnotes सखा माझा ज्ञानेश्वर Sakhā Jñāneśvar, the cross-caste sakhya that opened the nirguṇa door 7 abhangas · 8 endnotes ब्रह्मैक्य Brahmaikya, bhakti's ripening into non-duality, for the Advaita reader 5 abhangas · 6 endnotes दशमद्वार The Tenth Gate, kuṇḍalinī, the four śūnyas, and the Nāth-yoga register 4 abhangas · 9 endnotes सांप्रदायिक काव्यकर्तृत्व Sectarian Poetic Work, the dāsī as Vārkarī sect-builder, six house-themes 9 abhangas · 8 endnotes समाजप्रबोधन Social Awakening, Janabai as a public moral teacher, five lines of instruction 7 abhangas · 7 endnotes आत्मकथन Autobiographical Verses, the dāsī's first-person witness and the svayam-bodha claim 4 abhangas · 8 endnotes १० रूपकात्मक कविता The Allegorical Verses, the proto-bhāruḍ form three centuries before Eknāth 2 abhangas · 5 endnotes ११ भाषेची सिद्धी Language as Accomplishment, Janabai inside the Marathi vernacular revolution literary history · 10 endnotes १२ समारोप Conclusion, six contributions, one body of work, the dāsī's place in Marathi sant-literature closing synthesis · 2 endnotes १३ परिशिष्ट Appendix, apparatus index, cross-reference map, an invitation navigational map

Apparatus